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f you’ve ever been fishing and caught a big one, you’ll know just how difficult it is to get the fish off the hook. These creatures can be quite slippery and hard to deal with. Pisces is also elusive and hard to understand, just like its totem, the fish. The mind of Pisces is deep and often they are not easily understood due to their deep spiritual nature.
According to astrology the signs of the zodiac represent the evolutionary stages of humanity. Commencing with Aries and finishing with your own star sign of Pisces, astrologers therefore believe that Pisces is somehow is the most spiritually advanced of the signs. Your motivation in life is to give, to serve and to love; therefore this universal and unconditional love is infused in most of your actions. You can’t help but offer assistance to anyone who is suffering and your heart goes out to him or her. You selflessly give your time and energy to anyone who needs your help. This seems to be the core characteristic of your Pisces personality.
Your friends regard you as an oasis in the desert of life when troubles befall them and they know that they can rely upon you to turn to. Even if you’re not able to help them solve the problem, you’re never too busy to make yourself available to at least console them in their time of need. You are an extremely sensitive individual and when it comes to making decisions; your conclusions often settle around whether or not you are going to hurt others in the process. This is one of your key lessons in life and you must therefore balance the needs of others with your own personal needs. Try not to become the victim of your own caring and compassionate nature.
Pisces are extraordinarily psychic and often your hunches are dead right. But you must also remember that using your God-given intellectual powers is necessary to balance your deeper intuitive abilities. If you are impulsive and live your life wholly and solely on your dreams and intuitions, the practical aspects of your life will tend to suffer. On the other hand, this wonderful esoteric and spiritual gift can be used to help others and choosing a career in healing or psychic counselling is not uncommon among people born under your star sign.
You instinctively realise that there is a spiritual thread permeating all things and you often live in another dimension, seeing and feeling what others never even bat an eyelid over. You’re able to tap into the universal awareness and therefore use this creatively in such things as art, music and other creative pursuits. Try to develop this expression because you can touch the hearts and souls of many people by doing so.
Pisces is also an emotional sign and although you give a lot, you also need to be nurtured and loved as well. Try to surround yourself with people who have something to give and who are not always on the take. Like a sponge you tend to absorb the negativity around you, and this will ultimately cause you poor health and disappointment in your relationships.
You have an idealistic view of the world and unfortunately it’s not in keeping with what you believe life should be like. Try to accept the world and the people in it as it is. Primarily you are a person of wisdom, self-knowledge and intuitive understanding. You bring your compassionate gifts to the world and many people will benefit by their association with you.
You must learn to become more secure in yourself while at the same time bringing satisfaction and creating bounds with the world around you. Those who are fortunate enough to be a part of your life should learn to treat you with equal sensitivity and love. In fact, you must realise you deserve the same as you give, so therefore you should never be afraid of demanding your just desserts.
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[Verse 2: (Liam)]Driving too fast, moon is breaking through her hairShe's heading for something that she won't forgetHaving no regrets is all that she really wants[Chorus: (Harry/All)]We're only getting older babyAnd I've been thinking about it latelyDoes it ever drive you crazyJust how fast the night changesEverything that you've ever dreamed ofDisappearing when you wake upBut there's nothing to be afraid ofEven when the night changesIt will never change me and you[Verse 3: (Louis)]Chasing there tonight, doubts are running 'round her headHe's waiting, hides behind a cigaretteHeart is beating loud and she doesn't want it to stop[Verse 4: (Niall)]Moving too fast, moon is lighting up her skinShe's falling, doesn't even know it yetHaving no regrets is all that she really wants[Chorus: (Harry/All)]We're only getting older babyAnd I've been thinking about it latelyDoes it ever drive you crazyJust how fast the night changesEverything that you've ever dreamed ofDisappearing when you wake upBut there's nothing to be afraid ofEven when the night changesIt will never change me and you[Bridge: (Zayn)]Going out tonight, changes into something redHer mother doesn't like that kind of dress
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Going out tonight, changes into something redHer mother doesn't like that kind of dressEverything she never had, she's showing off[Verse 2: (Liam)]Driving too fast, moon is breaking through her hairShe's heading for something that she won't forgetHaving no regrets is all that she really wants[Chorus: (Harry/All)]We're only getting older babyAnd I've been thinking about it latelyDoes it ever drive you crazyJust how fast the night changesEverything that you've ever dreamed ofDisappearing when you wake upBut there's nothing to be afraid ofEven when the night changesIt will never change me and you[Verse 3: (Louis)]Chasing there tonight, doubts are running 'round her headHe's waiting, hides behind a cigaretteHeart is beating loud and she doesn't want it to stop[Verse 4: (Niall)]Moving too fast, moon is lighting up her skinShe's falling, doesn't even know it yetHaving no regrets is all that she really wants[Chorus: (Harry/All)]We're only getting older babyAnd I've been thinking about it latelyDoes it ever drive you crazyJust how fast the night changesEverything that you've ever dreamed ofDisappearing when you wake upBut there's nothing to be afraid ofEven when the night changesIt will never change me and you[Bridge: (Zayn)]Going out tonight, changes into something redHer mother doesn't like that kind of dressReminds her of the missing piece of innocence she lost[Chorus: (Harry/All)]We're only getting older babyAnd I've been thinking about it latelyDoes it ever drive you crazyJust how fast the night changesEverything that you've ever dreamed ofDisappearing when you wake upBut there's nothing to be afraid ofEven when the night changes[Outro: (Harry)]It will never change, babyIt will never change, babyIt will never change, me and you
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And he began to speak to them in parables: “A man planted a vineyard, and put a fence around it, and dug a trough for the winepress, and built a watchtower, and leased it to tenant farmers, and went on a journey. And he sent a slave to the tenant farmers at the proper time, so that he could collect some of the fruit of the vineyard from the tenant farmers. And they seized him and beat him and sent him away empty-handed. And again he sent to them another slave, and that one they struck on the head and dishonored. And he sent another, and that one they killed. And he sent many others, some of whom they beat and some of whom they killed. He had one more, a beloved son. Last of all he sent him to them, saying, ‘They will respect my son.’ But those tenant farmers said to one another, ‘This is the heir. Come, let us kill him and the inheritance will be ours!’ And they seized and killed him and threw him out of the vineyard. What will the owner of the vineyard do? He will come and destroy the tenant farmers and give the vineyard to others. Have you not read this scripture :
‘The stone which the builders rejected,
this has become the cornerstone.
This came about from the Lord,
and it is marvelous in our eyes’?”
And they were seeking to arrest him, and they were afraid of the crowd, because they knew that he had told the parable with reference to them. And they left him and
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alice in wonderland tagalog veOnce upon a time . . . there lived a woman who had no children. She dreamed of having a little girl, but time went by, and her dream never came true. She then went to visit a witch, who gave her a magic grain of barley. She planted it in a flower pot. And the very next day, the grain had turned into a lovely flower, rather like a tulip. The woman softly kissed its half-shut petals. And as though by magic, the flower opened in full blossom. Inside sat a tiny girl, no bigger than a thumb. The woman called her Thumbelina. For a bed she had a walnut shell, violet petals for her mattress and a rose petal blanket. In the daytime, she played in a tulip petal boat, floating on a plate of water. Using two horse hairs as oars, Thumbelina sailed around her little lake, singing and singing in a gentle sweet voice. Then one night, as she lay fast asleep in her walnut shell, a large frog hopped through a hole in the window pane. As she gazed down at Thumbelina, she said to herself: "How pretty she is! She'd make the perfect bride for my own dear son!" She picked up Thumbelina, walnut shell and all, and hopped into the garden. Nobody saw her go.Back at the pond, her fat ugly son, who always did as mother told him, was pleased with her choice. But mother frog was afraid that her pretty prisoner might run away. So she carried Thumbellna out to a water lily leaf ln the middle of the pond. "She can never escape us now," said the frog to her son. "And we have plenty of time to prepare a new home for you and your bride." Thumbelina was left all alone. She felt so desperate. She knew she would never be able to escape the fate that awaited her with the two horrid fat frogs. All she could do was cry her eyes out. However, one or two minnows who had been enjoying the shade below the water lily leaf, had overheard the two frogs talking, and the little girl's bitter sobs. They decided to do something about it. So they nibbled away at the lily stem till it broke and drifted away in the weak current. A dancing butterfly had an idea: "Throw me the end of your belt! I'll help you to move a little faster!" Thumbelina gratefully did so, and the leaf soon floated away from the frog pond. But other dangers lay ahead. A large beetle snatched Thumbelina with his strong feet and took her away to his home at the top of a leafy tree. "Isn't she pretty?" he said to his friends. But they pointed out that she was far too different. So the beetle took her down the tree and set her free. It was summertime, and Thumbelina wandered all by herself amongst the flowers and through the long grass. She had pollen for her meals and drank the dew. Then the rainy season came, bringing nastyweather. The poor child found it hard to find food and shelter. When winter set in, she suffered from the cold and felt terrible pangs of hunger. One day, as Thumbelina roamed helplessly over the bare meadows, she met a large spider who promised to help her. He took her to a hollow tree and guarded the door with a stout web. Then he brought her some dried chestnuts and called his friends to come and admire her beauty. But just like the beetles, all the other spiders persuaded Thumbelina's rescuer to let her go. Crying her heart out, and quite certain that nobody wanted her because she was ugly, Thumbelina left the spider's house. As she wandered, shivering with the cold, suddenly she came across a solid little cottage, made of twigs and dead leaves. Hopefully, she knocked on the door. It was opened by a field mouse. "What are you doing outside in this weather?" he asked. "Come in and warm yourself." Comfortable and cozy, the field mouse's home was stocked with food. For her keep, Thumbelina did the housework and told the mouse stories. One day, the field mouse said a friend was coming to visit them. "He's a very rich mole, and has a lovely house. He wears a splendid black fur coat, but he's dreadfully shortsighted. He needs company and he'd like to marry you!" Thumbelina did not relish the idea. However, when the mole came, she sang sweetly to him and he fell head over heels in love. The mole invited Thumbelina and the field mouse to visit him, but . . . to their surprise and horror, they came upon a swallow in the tunnel. It looked dead. Mole nudged it wi his foot, saying: "That'll teach her! She should have come underground instead of darting about the sky all summer!" Thumbelina was so shocked by such cruel words that later, she crept back unseen to the tunnel. And every day, the little girl went to nurse the swallow and tenderly give it food. In the meantime, the swallow told Thumbelina its tale. Jagged by a thorn, it had been unable to follow its companions to a warmer climate. "It's kind of you to nurse me," it told Thumbelina. But, in spring, the swallow flew away, after offering to take the little girl with it. All summer, Thumbelina did her best to avoid marrying the mole. The little girl thought fearfully of how she'd have to live underground forever. On the eve of her wedding, she asked to spend a day in the open air. As she gently fingered a flower, she heard a familiar song: "Winter's on its way and I'll be off to warmer lands. Come with me!" Thumbelina quickly clung to her swallow friend, and the bird soared into the sky. They flew over plains and hills till they reached a country of flowers. The swallow gently laid Thumbelina in a blossom. There she met a tiny, white-winged fairy: the King of the Flower Fairies. Instantly, he asked her to marry him. Thumbelina eagerly said "yes", and sprouting tiny white wings, she became the Flower Queen!rsion
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As we grow up, we learn that even the one person that wasn't supposed to ever let us down, probably will. You'll have your heart broken and you'll break others' hearts. You'll fight with your best friend or maybe even fall in love with them, and you'll cry because time is flying by. So take too many pictures, laugh too much, forgive freely, and love like you've never been hurt. Life comes with no guarantees, no time outs, no second chances. you just have to live life to the fullest, tell someone what they mean to you and tell someone off, speak out, dance in the pouring rain, hold someone's hand, comfort a friend, fall asleep watching the sun come up, stay up late, be a flirt, and smile until your face hurts. Don't be afraid to take chances or fall in love and most of all, live in the moment because every second you spend angry or upset is a second of happiness you can never get back.
May Day Eve
By Nick Joaquin
The old people had ordered that the dancing should stop at ten o’clock but it was almost midnight before the carriages came filing up the departing guests, while the girls who were staying were promptly herded upstairs to the bedrooms, the young men gathering around to wish them a good night and lamenting their ascent with mock signs and moaning, proclaiming themselves disconsolate but straightway going off to finish the punch and the brandy though they were quite drunk already and simply bursting with wild spirits, merriment, arrogance and audacity, for they were young bucks newly arrived from Europe; the ball had been in their honor; and they had waltzed and polka-ed and bragged and swaggered and flirted all night and where in no mood to sleep yet--no, caramba, not on this moist tropic eve! not on this mystic May eve! --with the night still young and so seductive that it was madness not to go out, not to go forth---and serenade the neighbors! cried one; and swim in the Pasid! cried another; and gather fireflies! cried a third—whereupon there arose a great clamor for coats and capes, for hats and canes, and they were a couple of street-lamps flickered and a last carriage rattled away upon the cobbles while the blind black houses muttered hush-hush, their tile roofs looming like sinister chessboards against a wile sky murky with clouds, save where an evil young moon prowled about in a corner or where a murderous wind whirled, whistling and whining, smelling now of the sea and now of the summer orchards and wafting unbearable childhood fragrances or ripe guavas to the young men trooping so uproariously down the street that the girls who were desiring upstairs in the bedrooms catered screaming to the windows, crowded giggling at the windows, but were soon sighing amorously over those young men bawling below; over those wicked young men and their handsome apparel, their proud flashing eyes, and their elegant mustaches so black and vivid in the moonlight that the girls were quite ravished with love, and began crying to one another how carefree were men but how awful to be a girl and what a horrid, horrid world it was, till old Anastasia plucked them off by the ear or the pigtail and chases them off to bed---while from up the street came the clackety-clack of the watchman’s boots on the cobble and the clang-clang of his lantern against his knee, and the mighty roll of his great voice booming through the night, "Guardia serno-o-o! A las doce han dado-o-o.
And it was May again, said the old Anastasia. It was the first day of May and witches were abroad in the night, she said--for it was a night of divination, and night of lovers, and those who cared might peer into a mirror and would there behold the face of whoever it was they were fated to marry, said the old Anastasia as she hobble about picking up the piled crinolines and folding up shawls and raking slippers in corner while the girls climbing into four great poster-beds that overwhelmed the room began shrieking with terror, scrambling over each other and imploring the old woman not to frighten them.
"Enough, enough, Anastasia! We want to sleep!"
"Go scare the boys instead, you old witch!"
"She is not a witch, she is a maga. She is a maga. She was born of Christmas Eve!"
"St. Anastasia, virgin and martyr."
"Huh? Impossible! She has conquered seven husbands! Are you a virgin, Anastasia?"
"No, but I am seven times a martyr because of you girls!"
"Let her prophesy, let her prophesy! Whom will I marry, old gypsy? Come, tell me."
"You may learn in a mirror if you are not afraid."
"I am not afraid, I will go," cried the young cousin Agueda, jumping up in bed.
"Girls, girls---we are making too much noise! My mother will hear and will come and pinch us all. Agueda, lie down! And you Anastasia, I command you to shut your mouth and go away!""Your mother told me to stay here all night, my grand lady!"
"And I will not lie down!" cried the rebellious Agueda, leaping to the floor. "Stay, old woman. Tell me what I have to do."
"Tell her! Tell her!" chimed the other girls.
The old woman dropped the clothes she had gathered and approached and fixed her eyes on the girl. "You must take a candle," she instructed, "and go into a room that is dark and that has a mirror in it and you must be alone in the room. Go up to the mirror and close your eyes and shy:
Mirror, mirror, show to me him whose woman I will be. If all goes right, just above your left shoulder will appear the face of the man you will marry." A silence. Then: "And hat if all does not go right?" asked Agueda. "Ah, then the Lord have mercy on you!" "Why." "Because you may see--the Devil!"
The girls screamed and clutched one another, shivering. "But what nonsense!" cried Agueda. "This is the year 1847. There are no devil anymore!" Nevertheless she had turned pale. "But where could I go, hugh? Yes, I know! Down to the sala. It has that big mirror and no one is there now." "No, Agueda, no! It is a mortal sin! You will see the devil!" "I do not care! I am not afraid! I will go!" "Oh, you wicked girl! Oh, you mad girl!" "If you do not come to bed, Agueda, I will call my mother." "And if you do I will tell her who came to visit you at the convent last March. Come, old woman---give me that candle. I go." "Oh girls---give me that candle, I go."
But Agueda had already slipped outside; was already tiptoeing across the hall; her feet bare and her dark hair falling down her shoulders and streaming in the wind as she fled down the stairs, the lighted candle sputtering in one hand while with the other she pulled up her white gown from her ankles. She paused breathless in the doorway to the sala and her heart failed her. She tried to imagine the room filled again with lights, laughter, whirling couples, and the jolly jerky music of the fiddlers. But, oh, it was a dark den, a weird cavern for the windows had been closed and the furniture stacked up against the walls. She crossed herself and stepped inside.
The mirror hung on the wall before her; a big antique mirror with a gold frame carved into leaves and flowers and mysterious curlicues. She saw herself approaching fearfully in it: a small while ghost that the darkness bodied forth---but not willingly, not completely, for her eyes and hair were so dark that the face approaching in the mirror seemed only a mask that floated forward; a bright mask with two holes gaping in it, blown forward by the white cloud of her gown. But when she stood before the mirror she lifted the candle level with her chin and the dead mask bloomed into her living face.
She closed her eyes and whispered the incantation. When she had finished such a terror took hold of her that she felt unable to move, unable to open her eyes and thought she would stand there forever, enchanted. But she heard a step behind her, and a smothered giggle, and instantly opened her eyes.
"And what did you see, Mama? Oh, what was it?" But Dona Agueda had forgotten the little girl on her lap: she was staring pass the curly head nestling at her breast and seeing herself in the big mirror hanging in the room. It was the same room and the same mirror out the face she now saw in it was an old face---a hard, bitter, vengeful face, framed in graying hair, and so sadly altered, so sadly different from that other face like a white mask, that fresh young face like a pure mask than she had brought before this mirror one wild May Day midnight years and years ago.... "But what was it Mama? Oh please go on! What did you see?" Dona Agueda looked down at her daughter but her face did not soften though her eyes filled with tears. "I saw the devil." she said bitterly. The child blanched. "The devil, Mama? Oh... Oh..." "Yes, my love. I opened my eyes and there in the mirror, smiling at me over my left shoulder, was the face of the devil." "Oh, my poor little Mama! And were you very frightened?" "You can imagine. And that is why good little girls do not look into mirrors except when their mothers tell them. You must stop this naughty habit, darling, of admiring yourself in every mirror you pass- or you may see something frightful some day." "But the devil, Mama---what did he look like?" "Well, let me see... he has curly hair and a scar on his cheek---" "Like the scar of Papa?" "Well, yes. But this of the devil was a scar of sin, while that of your Papa is a scar of honor. Or so he says." "Go on about the devil." "Well, he had mustaches." "Like those of Papa?" "Oh, no. Those of your Papa are dirty and graying and smell horribly of tobacco, while these of the devil were very black and elegant--oh, how elegant!" "And did he speak to you, Mama?" "Yes… Yes, he spoke to me," said Dona Agueda. And bowing her graying head; she wept.
"Charms like yours have no need for a candle, fair one," he had said, smiling at her in the mirror and stepping back to give her a low mocking bow. She had whirled around and glared at him and he had burst into laughter. "But I remember you!" he cried. "You are Agueda, whom I left a mere infant and came home to find a tremendous beauty, and I danced a waltz with you but you would not give me the polka." "Let me pass," she muttered fiercely, for he was barring the way. "But I want to dance the polka with you, fair one," he said. So they stood before the mirror; their panting breath the only sound in the dark room; the candle shining between them and flinging their shadows to the wall. And young Badoy Montiya (who had crept home very drunk to pass out quietly in bed) suddenly found himself cold sober and very much awake and ready for anything. His eyes sparkled and the scar on his face gleamed scarlet. "Let me pass!" she cried again, in a voice of fury, but he grasped her by the wrist. "No," he smiled. "Not until we have danced." "Go to the devil!" "What a temper has my serrana!" "I am not your serrana!" "Whose, then? Someone I know? Someone I have offended grievously? Because you treat me, you treat all my friends like your mortal enemies." "And why not?" she demanded, jerking her wrist away and flashing her teeth in his face. "Oh, how I detest you, you pompous young men! You go to Europe and you come back elegant lords and we poor girls are too tame to please you. We have no grace like the Parisiennes, we have no fire like the Sevillians, and we have no salt, no salt, no salt! Aie, how you weary me, how you bore me, you fastidious men!" "Come, come---how do you know about us?"
"I was not admiring myself, sir!" "You were admiring the moon perhaps?" "Oh!" she gasped, and burst into tears. The candle dropped from her hand and she covered her face and sobbed piteously. The candle had gone out and they stood in darkness, and young Badoy was conscience-stricken. "Oh, do not cry, little one!" Oh, please forgive me! Please do not cry! But what a brute I am! I was drunk, little one, I was drunk and knew not what I said." He groped and found her hand and touched it to his lips. She shuddered in her white gown. "Let me go," she moaned, and tugged feebly. "No. Say you forgive me first. Say you forgive me, Agueda." But instead she pulled his hand to her mouth and bit it - bit so sharply in the knuckles that he cried with pain and lashed cut with his other hand--lashed out and hit the air, for she was gone, she had fled, and he heard the rustling of her skirts up the stairs as he furiously sucked his bleeding fingers. Cruel thoughts raced through his head: he would go and tell his mother and make her turn the savage girl out of the house--or he would go himself to the girl’s room and drag her out of bed and slap, slap, slap her silly face! But at the same time he was thinking that they were all going to Antipolo in the morning and was already planning how he would maneuver himself into the same boat with her. Oh, he would have his revenge, he would make her pay, that little harlot! She should suffer for this, he thought greedily, licking his bleeding knuckles. But---Judas! He remembered her bare shoulders: gold in her candlelight and delicately furred. He saw the mobile insolence of her neck, and her taut breasts steady in the fluid gown. Son of a Turk, but she was quite enchanting! How could she think she had no fire or grace? And no salt? An arroba she had of it!
"... No lack of salt in the chrism At the moment of thy baptism!" He sang aloud in the dark room and suddenly realized that he had fallen madly in love with her. He ached intensely to see her again---at once! ---to touch her hands and her hair; to hear her harsh voice. He ran to the window and flung open the casements and the beauty of the night struck him back like a blow. It was May, it was summer, and he was young---young! ---and deliriously in love. Such a happiness welled up within him that the tears spurted from his eyes. But he did not forgive her--no! He would still make her pay, he would still have his revenge, he thought viciously, and kissed his wounded fingers. But what a night it had been! "I will never forge this night! he thought aloud in an awed voice, standing by the window in the dark room, the tears in his eyes and the wind in his hair and his bleeding knuckles pressed to his mouth.
But, alas, the heart forgets; the heart is distracted; and May time passes; summer lends; the storms break over the rot-tipe orchards and the heart grows old; while the hours, the days, the months, and the years pile up and pile up, till the mind becomes too crowded, too confused: dust gathers in it; cobwebs multiply; the walls darken and fall into ruin and decay; the memory perished...and there came a time when Don Badoy Montiya walked home through a May Day midnight without remembering, without even caring to remember; being merely concerned in feeling his way across the street with his cane; his eyes having grown quite dim and his legs uncertain--for he was old; he was over sixty; he was a very stopped and shivered old man with white hair and mustaches coming home from a secret meeting of conspirators; his mind still resounding with the speeches and his patriot heart still exultant as he picked his way up the steps to the front door and inside into the slumbering darkness of the house; wholly unconscious of the May night, till on his way down the hall, chancing to glance into the sala, he shuddered, he stopped, his blood ran cold-- for he had seen a face in the mirror there---a ghostly candlelight face with the eyes closed and the lips moving, a face that he suddenly felt he had been there before though it was a full minutes before the lost memory came flowing, came tiding back, so overflooding the actual moment and so swiftly washing away the piled hours and days and months and years that he was left suddenly young again; he was a gay young buck again, lately came from Europe; he had been dancing all night; he was very drunk; he s stepped in the doorway; he saw a face in the dark; he called out...and the lad standing before the mirror (for it was a lad in a night go jumped with fright and almost dropped his candle, but looking around and seeing the old man, laughed out with relief and came running.
"Oh Grandpa, how you frightened me. Don Badoy had turned very pale. "So it was you, you young bandit! And what is all this, hey? What are you doing down here at this hour?" "Nothing, Grandpa. I was only... I am only ..." "Yes, you are the great Señor only and how delighted I am to make your acquaintance, Señor Only! But if I break this cane on your head you maga wish you were someone else, Sir!" "It was just foolishness, Grandpa. They told me I would see my wife."
"Wife? What wife?" "Mine. The boys at school said I would see her if I looked in a mirror tonight and said: Mirror, mirror show to me her whose lover I will be.
Don Badoy cackled ruefully. He took the boy by the hair, pulled him along into the room, sat down on a chair, and drew the boy between his knees. "Now, put your cane down the floor, son, and let us talk this over. So you want your wife already, hey? You want to see her in advance, hey? But so you know that these are wicked games and that wicked boys who play them are in danger of seeing horrors?"
"Well, the boys did warn me I might see a witch instead."
"Exactly! A witch so horrible you may die of fright. And she will be witch you, she will torture you, she will eat
your heart and drink your blood!"
"Oh, come now Grandpa. This is 1890. There are no witches anymore."
"Oh-ho, my young Voltaire! And what if I tell you that I myself have seen a witch.
"Right in this room land right in that mirror," said the old man, and his playful voice had turned savage.
"Not so long ago. When I was a bit older than you. Oh, I was a vain fellow and though I was feeling very sick that night and merely wanted to lie down somewhere and die I could not pass that doorway of course without stopping to see in the mirror what I looked like when dying. But when I poked my head in what should I see in the mirror but...but..."
"And then she bewitch you, Grandpa!"
"She bewitched me and she tortured me. l She ate my heart and drank my blood." said the old man bitterly.
"Oh, my poor little Grandpa! Why have you never told me! And she very horrible?
"Horrible? God, no--- she was the most beautiful creature I have ever seen! Her eyes were somewhat like yours but her hair was like black waters and her golden shoulders were bare. My God, she was enchanting! But I should have known---I should have known even then---the dark and fatal creature she was!"
A silence. Then: "What a horrid mirror this is, Grandpa," whispered the boy.
"What makes you slay that, hey?"
"Well, you saw this witch in it. And Mama once told me that Grandma once told her that Grandma once saw the devil in this mirror. Was it of the scare that Grandma died?"
Don Badoy started. For a moment he had forgotten that she was dead, that she had perished---the poor Agueda; that they were at peace at last, the two of them, her tired body at rest; her broken body set free at last from the brutal pranks of the earth---from the trap of a May night; from the snare of summer; from the terrible silver nets of the moon. She had been a mere heap of white hair and bones in the end: a whimpering withered consumptive, lashing out with her cruel tongue; her eye like live coals; her face like ashes... Now, nothing--- nothing save a name on a stone; save a stone in a graveyard---nothing! was left of the young girl who had flamed so vividly in a mirror one wild May Day midnight, long, long ago.
And remembering how she had sobbed so piteously; remembering how she had bitten his hand and fled and how he had sung aloud in the dark room and surprised his heart in the instant of falling in love: such a grief tore up his throat and eyes that he felt ashamed before the boy; pushed the boy away; stood up and looked out----looked out upon the medieval shadows of the foul street where a couple of street-lamps flickered and a last carriage was rattling away upon the cobbles, while the blind black houses muttered hush-hush, their tiled roofs looming like sinister chessboards against a wild sky murky with clouds, save where an evil old moon prowled about in a corner or where a murderous wind whirled, whistling and whining, smelling now of the sea and now of the summer orchards and wafting unbearable the window; the bowed old man sobbing so bitterly at the window; the tears streaming down his cheeks and the wind in his hair and one hand pressed to his mouth---while from up the street came the clackety-clack of the watchman’s boots on the cobbles, and the clang-clang of his lantern against his knee, and the mighty roll of his voice booming through the night:
"Guardia sereno-o-o! A las doce han dado-o-o!"
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In a faraway land named LA-J4, there exist three great tribes who are competing for power and who aspire of ruling the whole kingdom. 11111 is the most powerful of them. They are known for their bravery and greatness in battle. They occupy most of the plains in LA-J4. The other one, 22222, is famous for blacksmith. They live peacefully at the very heart of the forest making fine metals, weapons and armory. Moreover, most of the traders in the kingdom came from their tribe. The least powerful tribe is 33333. They reside in the mountains. Although, they are known to be experts in making potions and concoctions, people in the kingdom do not trust them completely because they live in seclusion and seldom do they get along with other people outside their tribe.
One day, a sad news spread across the land as the leader of 11111 tribe was poisoined during the annual feast of the tribe. Along with that, a lot rumors have also spread as to who the culprit of the crime is. Because of what has happened, the 11111 tribe was enraged and wanted to seek revenge. Few weeks after that dreadful incident, while the 22222 tribe is busy preparing for the celebration of their tribe’s yearly tradition, a group of armored men attacked them. The supposedly blissful celebration has turned into fearful mass killings. The armored men furiously killed all the people in the tribe. Men, women, children, and elders were murdered mercilessly. Houses were burned leaving the tribe with no glory and honor but only ashes and dead bodies. The 33333 tribe led by Alfonzo delata Castilla came to aid them, but it was too late already. However, it seems like a miracle that a 7-year old girl has survived that terrible and violent event.They found her crying and very afraid. Her name is Fei-Tah, the daughter of the tribe’s master. She was able to escape the horror, hid in the forest, and helplessly watched her tribesmen being killed one by one. 33333 tribe adopted her and treated her like one of them. In her new tribe, she met Xylan, the son of Alfonzo, who became her closest friend. They grew up together. Fei Tah told Xylan with conviction that one day she will take revenge for her tribe. She spent all her life training in the art of battle and since she came from a tribe known for blacksmith she wanted to create the best weapon that would bring down the 11111 tribe, the tribe that killed her tribesmen.
13 years after, with the help of Xylan, they made Leo Collantes, a cyborg and their strongest weapon. At last her most awaited day of revenge has come. With all their might, they attacked the 11111 tribe. The battle went on for several days until the fortresses of the 11111 tribe had fallen one by one. Leo Collantes indeed is a great help to the tribe. Eventually, the forces of 11111 tribe had weaken and for that they decided to surrender, together with their commander. Alfonzo asked the commander to kneel before him as a sign of respect to the most powerful man and the new ruler of LA-J4. He called Fei Tah and gave her a sword so that she could finally fulfil her promise of revenge for her tribe. When she was about to kill the commander, a 7-year old girl ran towards her. She was crying and begging Fei Tah to spare the life of her father. Then suddenly, as if a flashback, she saw herself in that child years ago. She felt pity for the child and decided to put down the sword. Alfonzo was not happy about what Fei Tah did so he grabbed the sword from Fei Tah’s hand and struck it through the leader’s heart. Fei Tah was shocked as she saw the body of the commander fell to the ground. After that, Alfonzo pointed the sword to Fei Tah and admitted everything that he did. He revealed that he was the one responsible for the death of 11111 tribe’s leader. He made a concoction, a potent poison and hired someone to mix it to the drink of the tribe’s leader during the feast. He is also the one who spread the rumors that 22222 tribe was the culprit of the crime that’s why 11111 tribe was infuriated and attacked Fei Tah’s tribe. Alfonzo did all these because of his ambition to rule the land and to make known to everyone his tribe. Finally, he was able to achieve his dream. After revealing everything, he attacked Fei Tah but before he could reach her, a sword pierced through his body from behind. He fell to the ground and saw that it was Leo Collantes, the cyborg, who was commanded by his own son, Xylan. At last Fei Tah was able to avenge her tribe and from then on, peace in LA-J4 was finally restored.
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The movie entails about the life of the young ones who suffer from national crises. It all starts with the narration of the Painter about life of the children, as the character of his master piece of the Last Supper painting. The children in the painting have different stories in life. They are being abused and used for survival, who suffers from irresponsible parents, and putting their life into risk in order to feed their self. At the same time the painter tries to convey to the viewers on how to be sensitive to the children who are not worth of the life they have today. He tries to express that we are not blind of not seeing the environment of poverty.
At present I know that poverty everywhere really existing, and who suffer from it are the young ones. I’ve experience the situation where in I’m kind of stupid to be hesitated to express my pity for those who are asking for money, to sustain their needs. I’m kind of inconsiderate of what they are begging. It’s just that I am thinking of myself but not about the situation they have now, being less fortunate of the society.
I have also experience a situation where in I’m kind of judgmental person. I judge them to be bad and do bad things if they will approach you. I feel afraid of them; I think that they will take my cell phone, bag, my money in my pocket, or any thing when I am walking on the street.
At the same time I’ve experience were I am taking my lunch break, I saw children who are facing in front of me begging for the food I ‘m eating. And what a damn thing I do to them, I surely eat my food until the chicken is flesh-less and leave the plate with a bone of the chicken, without thinking that there is a young individual that will get it and eat it just to feed there hungriness.
Even at home, I am so choosy in the food at the table. I will not eat if I do not like the viand that is being served on the table. But don’t mind that I’m lucky enough that there is a blessing, a food that nourished me to survive in this world. Maybe I’m just thinking about my hungriness, but not for them who are hungrier.
I realize after watching the movie, a flash back of what I did to the hungry individual, that I am really bad person, self-centered and damn. I think that I am a person without morality, feel enriching, and annoying; and pretending to be blind about the things that need my help. I am not worth to live in this place if what I think is just the world and me. I am so sorry for that. What I did is really a big sin to the society, to the world and to God.
I should do even just a little thing, or the things that I really can for the welfare of those in need. I should struggle a lot rather than them because they are not obliged to do so. It is not there responsibility to travel from one place to another just to seek for money.
I am educated enough, my range of thinking is good enough, and I already know how to start things move but don’t know how to move for those who do not experience what I do. I am aware about many things about poverty, I feel lose for them but just stop there, no action is being implemented.
We are not here in this world just to understand for the things that must be understood, but to act what we really can.
I suggest that we as a human who live with better nourishment should give even just a little time for them, by earning money, and maybe someday we can build a better living for them. We should share wholeheartedly, not just in terms of costly things but also in terms of caring and loving, as how God loves us and all of us.
“Awareness is useless without action.”
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Scene 2: An Angel Visits Mary
MARY enters from the side and stands near the BASKET OF CLOTHES.
MARY begins folding the clothes.
God sent the angel Gabriel to Nazareth, a town in Galilee.
ANGEL begins sneakily tip-toeing from the side, making their way to stand behind MARY, who doesn’t notice.
He was sent to a girl named Mary. The angel greeted her and said...
(Jumps out from behind MARY)
MARY throws the piece of clothing she was folding in the air.
MARY takes a few steps away and hides behind the RECTANGULAR BOX.
The Lord has given you special favor. He is with you.
Mary was very upset because of his words. Mary wondered...
MARY stands up and scratches her head.
What kind of greeting this could be?
But the angel said to her...
(Holds out a hand out)
Do not be afraid, Mary. God is very pleased with you.
Then the angel said...
The ANGEL reaches into their sash, pulls out the FOLDED LETTER, walks over to the NARRATOR, and hands it to them.
The NARRATOR unfolds the letter and glances over it, then looks at the ANGEL quizzically.
The ANGEL leans over and whispers in the NARRATOR’S ear.
The NARRATOR nods.
Ladies and Gentlemen, the angel has informed me that, after a long and tiring trip from heaven, they’d like a little help delivering their long message from God. Any volunteers? (Waits a second.) Ah, yes, you over there.
The ANGEL’S MOM OR DAD comes and stands next to the NARRATOR.
The NARRATOR hands the LETTER to the ANGEL’S MOM OR DAD.
The ANGEL returns to where they were onstage.
The angel continued...
You will become pregnant...
The ANGEL pats their belly a few times.
And give birth to a son. You must name him Jesus.
The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in one hand.
He will be great and will be called the Son of the Most High God.
The ANGEL flexes their muscles several times like a body builder.
The Lord God will make him a king like his father David of long ago.
The ANGEL grabs the CROWN SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in her other hand.
He will rule forever over his people, who came from Jacob's family. His kingdom will never end.
Mary asked the angel...
How can this happen?
The angel answered...
The Holy Spirit will come to you.
The ANGEL reaches up to the sky and slowly lowers their hands to waist level while wiggling their fingers.
The power of the Most High God will cover you. So the holy one that is born will be called the Son of God.
Nothing is impossible with God.
I serve the Lord. May it happen to me just as you said it would.
Then the angel left her.
The ANGEL exits to the side of the stage.
MARY sets the SIGNS back on the back of the stage.
MARY puts the clothes in the basket and exits to the side of the stage.
Scene 3: An Angel Visits Joseph in a Dream
This is how the birth of Jesus Christ came about.
JOSEPH enters from the side of the stage, holding a BOUQUET OF FLOWERS.
His mother Mary and Joseph had promised to get married.
JOSEPH gestures over to the side of the stage for someone to come over.
MARY enters in slowly from the side of the stage with a noticeably pregnant belly, holding one hand against the small of her back.
But before they started to live together, it became clear that she was going to have a baby. She became pregnant by the power of the Holy Spirit.
JOSEPH stares with his mouth open, throws the FLOWERS in the air, and puts his head in his hands.
MARY covers her face, crying, and runs, exiting to the side of the stage.
Her husband Joseph was a godly man.
JOSEPH paces back and forth, pretending to talk to himself.
He did not want to put her to shame in public. So he planned to divorce her quietly.
But as Joseph was thinking about this...
JOSEPH sits down on the RECTANGULAR BOX and poses like the thinker. He slowly leans his head and lays down on the RECTANGULAR BOX to sleep.
...an angel of the Lord appeared to him in a dream.
The ANGEL runs in from the side, does a somersault, and jumps up with arms outstretched.
The angel said...
(Holding out one hand to Joseph)
Joseph, son of David...
JOSEPH sits up, startled. He hides behind the RECTANGULAR BOX.
Don't be afraid to take Mary home as your wife.
The baby inside her...
The ANGEL pats their belly a few times.
...is from the Holy Spirit.
The ANGEL holds out their hands up to the sky and wiggles his fingers while hopping from foot to foot.
She is going to have a son. You must give him the name Jesus.
The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand.
That is because he will save his people from their sins.
The ANGEL grabs the SAVIOR SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand.
After a beat, the ANGEL takes the SIGNS back and sets the where they were before.
The ANGEL helps JOSEPH lay back down on the RECTANGULAR BOX. The ANGEL grabs the BLANKET from behind the RECTANGULAR BOX and lays it on JOSEPH.
The ANGEL then exits to the side of the stage, doing another somersault as they leave.
Joseph woke up.
JOSEPH sits up, pulls off the BLANKET, and sets it behind the RECTANGULAR BOX.
JOSEPH rubs his eyes with his palms, pinches himself, and stands up.
He did what the angel of the Lord commanded him to do.
MARY does a pregnant-style run over to JOSEPH.
JOSEPH pats down his torso, as if feeling in his pockets. He then does a “COME ON” gesture towards the NARRATOR.
The NARRATOR walks over to JOSEPH and hands him a ring.
JOSEPH bows down on one knee. MARY holds a hand, and JOSEPH puts a ring on it.
He took Mary home as his wife.
JOSEPH and MARY hold hands and exit to the side of the stage.
Scene 4: Mary and Joseph Travel to Bethlehem
In those days, Caesar Augustus made a law.
CAESAR AUGUSTUS enters from the side holding a SCROLL and stands in the center of the stage.
CAESAR AUGUSTUS lets the SCROLL roll to the ground and pretends to read it.
Hear ye, hear ye! Let there be a list be made of everyone in the whole Roman world.
CAESAR AUGUSTUS exits to the side of the stage.
All went to their own towns to be listed. So Joseph went also. He went from the town of Nazareth in Galilee to Judea.
The INNKEEPERS enter from the side of stage, holding INNKEEPER SIGNS, with their heads poking out from the cutout of the sign. They stand, spread out in a long line.
That is where Bethlehem, the town of David, was.
JOSEPH enters from the side, pulling a WAGON with MARY riding in it. MARY is looking very pregnant.
He went there with Mary to be listed. Mary was engaged to him. She was expecting a baby.
JOSEPH pulls the wagon up to INNKEEPER 1 and knocks on their INNKEEPER SIGN.
JOSEPH pulls the wagon up to INNKEEPER 2 and knocks on their INNKEEPER SIGN.
JOSEPH pulls the wagon up to INNKEEPER 3 and knocks on their INNKEEPER SIGN.
There was no room for them in the inn.
The INNKEEPERS exit to the side of the stage.
The STABLEKEEPER enters from the side carrying the STABLEKEEPER SIGN and stands in the center of the stage, in front of the RECTANGULAR BOX.
JOSEPH pulls the wagon over to the STABLEKEEPER and KNOCKS on their STABLEKEEPER SIGN.
There’s room in the barn!
JOSEPH gives the STABLEKEEPER a bow of thanks.
The STABLEKEEPER exits to the side of the stage.
JOSEPH and MARY sit on the RECTANGULAR BOX.
The STAGE HANDS carry the MANGER and set it in the middle of the stage.
Scene 5: Jesus is Born in a Stable
While Joseph and Mary were there, the time came for the child to be born.
JOSEPH kneels next to MARY and grabs her hand. He rubs his hand once along her hair.
She gave birth to her first baby.
JOSEPH reaches behind the RECTANGULAR BOX and grabs the BABY.
(Holding the BABY up)
It’s a boy!
MARY grabs the BLANKET from behind the RECTANGULAR BOX .
JOSEPH hands the BABY to MARY.
She wrapped him in large strips of cloth.
MARY wraps the BABY in the BLANKET.
Then she placed him in a manger.
MARY places the BABY in the manger.
MARY and JOSEPH exit to the side of the stage, taking the WAGON with them.
Scene 6: The Angels Visit Shepherds
There were shepherds living out in the fields nearby.
A group of SHEPHERDS enter from the side of the stage.
They were looking after their sheep.
A group of children dressed as SHEEP enter from the side of the stage wearing SHEEP HATS and sit down, scattered near the center.
It was night.
The SHEEP yawn and stretch.
The SHEPHERDS run to the side of the stage and grab blankets and pillows.
The SHEPHERDS proceed to tuck each of the sheep in by laying then down on the floor, placing a pillow under their heads, and pulling a blanket over them.
When the SHEPHERDS are finished, they sit down on or near the RECTANGULAR BOX .
An angel of the Lord appeared to them.
ANGEL 3 jumps out from the side of the stage with their hands up and stands near the SHEPHERDS.
And the glory of the Lord shone around them and they were terrified.
The SHEPHERDS kneel and cower in fear, hiding behind the RECTANGULAR BOX.
But the angel said to them...
(Holding out a hand)
Do not be afraid. I bring you good news of great joy.
It is for all the people.
The ANGEL gestures out toward the audience.
Today in the town of David a Savior has been born to you. He is Christ the Lord.
The ANGEL makes the baseball “Safe!” sign with their arms.
Here is how you will know I am telling you the truth. You will find a baby wrapped in strips of cloth...
The ANGEL grabs the BABY SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand.
And lying in a manger.
The ANGEL grabs the MANGER SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand.
Suddenly a large group of angels from heaven also appeared.
ANGEL 1 and ANGEL 2 run on stage and stand next to ANGEL 1.
They were praising God. They said...
ANGELS 1, 2 AND 3
(Raising their hands to the sky)
Glory to God in heaven!
And may peace be given to those he is pleased with on earth!
The angels left and went into heaven.
The ANGELS exit to the side of the stage.
Then the shepherds said to one another...
Let's go to Bethlehem.
Let's see this thing that has happened, which the Lord has told us about."
So they hurried off...
The SHEPHERDS and all of the SHEEP exit to the right of the stage.
They found Mary and Joseph and the baby.
MARY and JOSEPH enter from the side of the stage and sit on the RECTANGULAR BOX.
The baby was lying in the manger.
The SHEPHERDS enter from the side of the stage and kneel around the manger.
After the shepherds had seen him, they told everyone. They reported what the angel had said about this child.
The SHEPHERDS run all over into the audience, going to various people, putting their hands on their shoulders and saying, “Jesus is born!” After 30 seconds of this, they run to the back of the auditorium and wait.
Everyone who heard it were amazed at what the shepherds said to them.
I said, everyone who heard it were amazed at what the shepherds said to them.
(Gestures to the congregation)
But Mary kept all these things like a secret treasure in her heart.
MARY picks up the BABY and walks off the side of the stage, looking up contemplatively.
JOSEPH exits to the side of the stage after her.
She thought about them over and over.
The shepherds returned.
The SHEPHERDS run from the back on the auditorium and onto the stage.
They gave glory and praise to God.
The SHEPHERDS to a brief, silly dance of celebration.
Everything they had seen and heard was just as they had been told.
The SHEPHERDS exit to the side of the stage.
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