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In relation to blotter entry number 11, both parties appeared personally before at this office make a amicable settlement it regards to vehicular accident that was transpired on June 24, 2015. That the accuse will pay all the incurred damages of the vehicle. So this case is closed already.
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Over the years Pompey and Crassus had come to be intense rivals. But once again Caesar displayed his abilities as a negotiator, earning the trust of both men and convincing them they'd be better suited as allies instead of enemies.
Sa paglipas ng taon Pompey at Crassus ay dumating upang maging malubha karibal. Ngunit sa sandaling muli Caesar ipinapakita ang kanyang kakayahan bilang isang negosyante, kita ang tiwala ng parehong mga kalalakihan at kumbinsihin ang mga ito na gusto sila ay mas mahusay na naaangkop na mga kaalyado sa halip ng mga kaaway.
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The movie entails about the life of the young ones who suffer from national crises. It all starts with the narration of the Painter about life of the children, as the character of his master piece of the Last Supper painting. The children in the painting have different stories in life. They are being abused and used for survival, who suffers from irresponsible parents, and putting their life into risk in order to feed their self. At the same time the painter tries to convey to the viewers on how to be sensitive to the children who are not worth of the life they have today. He tries to express that we are not blind of not seeing the environment of poverty.
At present I know that poverty everywhere really existing, and who suffer from it are the young ones. I’ve experience the situation where in I’m kind of stupid to be hesitated to express my pity for those who are asking for money, to sustain their needs. I’m kind of inconsiderate of what they are begging. It’s just that I am thinking of myself but not about the situation they have now, being less fortunate of the society.
I have also experience a situation where in I’m kind of judgmental person. I judge them to be bad and do bad things if they will approach you. I feel afraid of them; I think that they will take my cell phone, bag, my money in my pocket, or any thing when I am walking on the street.
At the same time I’ve experience were I am taking my lunch break, I saw children who are facing in front of me begging for the food I ‘m eating. And what a damn thing I do to them, I surely eat my food until the chicken is flesh-less and leave the plate with a bone of the chicken, without thinking that there is a young individual that will get it and eat it just to feed there hungriness.
Even at home, I am so choosy in the food at the table. I will not eat if I do not like the viand that is being served on the table. But don’t mind that I’m lucky enough that there is a blessing, a food that nourished me to survive in this world. Maybe I’m just thinking about my hungriness, but not for them who are hungrier.
I realize after watching the movie, a flash back of what I did to the hungry individual, that I am really bad person, self-centered and damn. I think that I am a person without morality, feel enriching, and annoying; and pretending to be blind about the things that need my help. I am not worth to live in this place if what I think is just the world and me. I am so sorry for that. What I did is really a big sin to the society, to the world and to God.
I should do even just a little thing, or the things that I really can for the welfare of those in need. I should struggle a lot rather than them because they are not obliged to do so. It is not there responsibility to travel from one place to another just to seek for money.
I am educated enough, my range of thinking is good enough, and I already know how to start things move but don’t know how to move for those who do not experience what I do. I am aware about many things about poverty, I feel lose for them but just stop there, no action is being implemented.
We are not here in this world just to understand for the things that must be understood, but to act what we really can.
I suggest that we as a human who live with better nourishment should give even just a little time for them, by earning money, and maybe someday we can build a better living for them. We should share wholeheartedly, not just in terms of costly things but also in terms of caring and loving, as how God loves us and all of us.
“Awareness is useless without action.”
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A Walk to Remember Movie Poster
A Walk to Remember (2002)
Mandy Moore as Jamie Sullivan
Shane West as Landon Carter
Daryl Hannah as Cynthia Carter
Peter Coyote as Rev. Sullivan
Lauren German as Belinda
Clayne Crawford as Dean
Based on the novel by
Drama, Family, Romance
Rated PG For Thematic Elements Language and Some Sensual Material
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| Roger Ebert
January 25, 2002 |
"A Walk to Remember" is a love story so sweet, sincere and positive that it sneaks past the defenses built up in this age of irony. It tells the story of a romance between two 18-year-olds that is summarized when the boy tells the girl's doubtful father: "Jamie has faith in me. She makes me want to be different. Better." After all of the vulgar crudities of the typical modern teenage movie, here is one that looks closely, pays attention, sees that not all teenagers are as cretinous as Hollywood portrays them.
The singer Mandy Moore, a natural beauty in both face and manner, stars as Jamie Sullivan, an outsider at school who is laughed at because she stands apart, has values, and always wears the same ratty blue sweater. Her father (Peter Coyote) is a local minister. Shane West plays Landon Carter, a senior boy who hangs with the popular crowd but is shaken when a stupid dare goes wrong and one of his friends is paralyzed in a diving accident. He dates a popular girl and joins in the laughter against Jamie. Then, as punishment for the prank, he is ordered by the principal to join the drama club: "You need to meet some new people." Jamie's in the club. He begins to notice her in a new way. He asks her to help him rehearse for a role in a play. She treats him with level honesty. She isn't one of those losers who skulks around feeling put upon; her self-esteem stands apart from the opinion of her peers. She's a smart, nice girl, a reminder that one of the pleasures of the movies is to meet good people.
The plot has revelations that I will not reveal. Enough to focus on the way Jamie's serene example makes Landon into a nicer person--encourages him to become more sincere and serious, to win her where she approaches him while he's with his old friends and says, "See you tonight," and he says, "In your dreams." When he turns up at her house, she is hurt and angry, and his excuses sound lame even to him.
The movie walks a fine line with the Peter Coyote character, whose church Landon attends. Movies have a way of stereotyping reactionary Bible-thumpers who are hostile to teen romance. There is a little of that here; Jamie is forbidden to date, for example, although there's more behind his decision than knee-jerk strictness. But when Landon goes to the Rev. Sullivan and asks him to have faith in him, the minister listens with an open mind.
Yes, the movie is corny at times. But corniness is all right at times. I forgave the movie its broad emotion because it earned it. It lays things on a little thick at the end, but by then it had paid its way. Director Adam Shankman and his writer, Karen Janszen, working from the novel by Nicholas Sparks, have an unforced trust in the material that redeems, even justifies the broad strokes. They go wrong only three times: (1) The subplot involving the paralyzed boy should have either been dealt with, or dropped; (2) It's tiresome to make the black teenager use "brother" in every sentence, as if he is not their peer but was ported in from another world; (3) As Kuleshov proved more than 80 years ago in a famous experiment, when an audience sees an impassive closeup, it supplies the necessary emotion from the context. It can be fatal for an actor to try to "act" in a closeup, and Landon's little smile at the end is a distraction at a crucial moment.
Those are small flaws in a touching movie. The performances by Moore and West are so quietly convincing we're reminded that many teenagers in movies seem to think like 30-year-old standup comics. That Jamie and Landon base their romance on values and respect will blindside some viewers of the film, especially since the first five or 10 minutes seem to be headed down a familiar teenage movie trail. "A Walk to Remember" is a small treasure.
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Position: Associate Director
Philippine Address: Parc Royale Conone of only foreigners living in China honored with carrying the torch during the 2008 Olympics. He bested over 260 foreigners which included CEO’s and ambassadors in the process.
In winning the award, Marco united all Filipinos into a positive cause, thus, having a Filipino carry the Olympic torch for the 1st time since the 1964 Tokyo Olympics.
As an OFW, he has earned the respect, trust and confidence of his employer, superiors and co-workers. Marco is an effective role model employee. Proof of his competence is his growth from a mere Marketing Manager to Senior Marketing Manger to Business Development manager, then Associate, then Associate Director and now Associate Director-Asia Pacific all in just 5 years. He achieved this because despite having no contacts and no Chinese speaking skills, he strived to better himself. Now, this Filipino is an ambassador to his company’s international clients. Because of Marco’s shining example, companies want to hire more professionals from the Philippines.
As a Managing Partner and correspondent of his own lifestyle magazine in Beijing, Metrostyle, Marco has written about the Philippines in countless occasions.
Philippine Airlines acknowledges Marco’s contributions cause.
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