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A melodrama is a dramatic or literary work in which the plot, which is typically sensational and designed to appeal strongly to the emotions, takes precedence over detailed characterization. Characters are therefore often relatively simply drawn, and may appear stereotyped. However, because of the long timeframe in which the style has existed, and the variety of formats used, it is difficult to give a precise definition.
In scholarly and historical musical contexts melodramas are dramas of the 18th and 19th centuries in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, movies, and television and radio broadcasts. The term melodrama is often used pejoratively, to suggest that the work to which the term is applied lacks sophistication or subtlety. By extension, language or behaviour which resembles melodrama is often called melodramatic; this usage is nearly always pejorative.
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so basically the answer to what is enlightenment is to have a curiosity or the courage to start taking care of your self and to take care of your self in this context means to start practicing critical thinking like start reading and start examining your thoughts about like common ideas as what is a woman or what is a man what it just us do you know the answer wil start examine your thoughts and soon you are figure out that just this is the kind of knowledge i don't really know what just this really means, maybe i should look up what does't mean and i should start taking care of my self intelectually.
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Mothers ) are women who inhabit or perform the role of bearing some relation to their children, who may or may not be their biological offspring. Thus, dependent on the context, women can be considered mothers by virtue of having given birth, by raising their child, supplying their ovum for fertilization, or some combination thereof. Such conditions provide a way of delineating the concept of motherhood, or the state of being a mother. Women who meet the third and first categories usually fall under the terms 'birth mother' or 'biological mother', regardless of whether the individual in question goes on to parent their child. Accordingly, a woman who meets only the second condition may be considered an adoptive mother, and those who meet only the third a surrogacy mother.
The above concepts defining the role of mother are neither exhaustive, nor universal as any definition of 'mother' may differ based on how social, cultural, and religious roles are defined. The parallel conditions and terms for males: those who are fathers do not, by definition, take up the role of fatherhood. It should also be noted that mother and fatherhood are not limited to those who are or have parented. Women who are pregnant may be referred to as expectant mothers or mothers-to-be, though such applications tend to be less readily applied to fathers or adoptive parents.
The modern English word is from Middle English moder, from Old English mōdor, from Proto-Germanic mōdēr, from Proto-Indo-European méh₂tēr . Other cognates include Latin māter, Greek μήτηρ, Common Slavic mati, Persian مادر, and Sanskrit मातृ .
Biological motherhood for humans, as in other mammals, occurs when a pregnant female gestates a fertilized ovum . Typically a fetus develops from the viable zygote, resulting in an embryo. Gestation occurs in the woman's uterus until the fetus is sufficiently developed to be born. In humans, gestation is often around 9 months in duration, after which the woman experiences labor and gives birth. This
Debris or débris (UK: /ˈdɛbriː/ or /ˈdeɪbriː/; US: /dɨˈbriː/) is rubble, wreckage, ruins, litter and discarded garbage/refuse/trash, scattered remains of something destroyed, discarded, or as in geology, large rock fragments left by a melting glacier etc. Depending on context, debris can refer to a number of different things.
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A Walk to Remember Movie Poster
A Walk to Remember (2002)
Mandy Moore as Jamie Sullivan
Shane West as Landon Carter
Daryl Hannah as Cynthia Carter
Peter Coyote as Rev. Sullivan
Lauren German as Belinda
Clayne Crawford as Dean
Based on the novel by
Drama, Family, Romance
Rated PG For Thematic Elements Language and Some Sensual Material
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| Roger Ebert
January 25, 2002 |
"A Walk to Remember" is a love story so sweet, sincere and positive that it sneaks past the defenses built up in this age of irony. It tells the story of a romance between two 18-year-olds that is summarized when the boy tells the girl's doubtful father: "Jamie has faith in me. She makes me want to be different. Better." After all of the vulgar crudities of the typical modern teenage movie, here is one that looks closely, pays attention, sees that not all teenagers are as cretinous as Hollywood portrays them.
The singer Mandy Moore, a natural beauty in both face and manner, stars as Jamie Sullivan, an outsider at school who is laughed at because she stands apart, has values, and always wears the same ratty blue sweater. Her father (Peter Coyote) is a local minister. Shane West plays Landon Carter, a senior boy who hangs with the popular crowd but is shaken when a stupid dare goes wrong and one of his friends is paralyzed in a diving accident. He dates a popular girl and joins in the laughter against Jamie. Then, as punishment for the prank, he is ordered by the principal to join the drama club: "You need to meet some new people." Jamie's in the club. He begins to notice her in a new way. He asks her to help him rehearse for a role in a play. She treats him with level honesty. She isn't one of those losers who skulks around feeling put upon; her self-esteem stands apart from the opinion of her peers. She's a smart, nice girl, a reminder that one of the pleasures of the movies is to meet good people.
The plot has revelations that I will not reveal. Enough to focus on the way Jamie's serene example makes Landon into a nicer person--encourages him to become more sincere and serious, to win her where she approaches him while he's with his old friends and says, "See you tonight," and he says, "In your dreams." When he turns up at her house, she is hurt and angry, and his excuses sound lame even to him.
The movie walks a fine line with the Peter Coyote character, whose church Landon attends. Movies have a way of stereotyping reactionary Bible-thumpers who are hostile to teen romance. There is a little of that here; Jamie is forbidden to date, for example, although there's more behind his decision than knee-jerk strictness. But when Landon goes to the Rev. Sullivan and asks him to have faith in him, the minister listens with an open mind.
Yes, the movie is corny at times. But corniness is all right at times. I forgave the movie its broad emotion because it earned it. It lays things on a little thick at the end, but by then it had paid its way. Director Adam Shankman and his writer, Karen Janszen, working from the novel by Nicholas Sparks, have an unforced trust in the material that redeems, even justifies the broad strokes. They go wrong only three times: (1) The subplot involving the paralyzed boy should have either been dealt with, or dropped; (2) It's tiresome to make the black teenager use "brother" in every sentence, as if he is not their peer but was ported in from another world; (3) As Kuleshov proved more than 80 years ago in a famous experiment, when an audience sees an impassive closeup, it supplies the necessary emotion from the context. It can be fatal for an actor to try to "act" in a closeup, and Landon's little smile at the end is a distraction at a crucial moment.
Those are small flaws in a touching movie. The performances by Moore and West are so quietly convincing we're reminded that many teenagers in movies seem to think like 30-year-old standup comics. That Jamie and Landon base their romance on values and respect will blindside some viewers of the film, especially since the first five or 10 minutes seem to be headed down a familiar teenage movie trail. "A Walk to Remember" is a small treasure.
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A norm is a group-held belief about how members should behave in a given context. Sociologists describe norms as informal understandings that govern individuals' behavior in society, while psychologists have adopted a more general definition, recognizing smaller group units, like a team or an office, may also endorse norms separate or in addition to cultural or societal expectations. The psychological definition emphasizes social norms' behavioral component, stating norms have two dimensions: how much behavior is exhibited and how much the group approves of that behavior.
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