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English

Least

Tagalog

Pinaka-hindi

Last Update: 2016-04-26
Subject: General
Usage Frequency: 1
Quality:

Reference: Anonymous

English

at least

Tagalog

hindi bababa sa kahulugan sa tagalog

Last Update: 2016-06-19
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

least priority

Tagalog

hindi bababa sa priority

Last Update: 2017-04-11
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

at least do

Tagalog

kunti lang

Last Update: 2016-08-22
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

Least to greatest

Tagalog

tagalog Ng agham

Last Update: 2015-07-21
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

where you least

Tagalog

saan ka bababa

Last Update: 2015-07-06
Subject: Tourism
Usage Frequency: 1
Quality:

Reference:

English

Right from the start, I’m disgusted with myself for being here. The last thing I need is for you to start in on me too. It’s been about year since the world’s best security-camera footage almost had me indicted for blowing a douche bag’s head off. But once it got leaked that it was the shot that foiled a major terror plot, the grand jury said, “Thank you for your time.” I’m marking the anniversary with some very necessary indoor sightseeing, still mission bound, looking for the reels—and Pop. He looks at me like he thinks it’ll put me in some kind of goo-goo-gah-gah trance. Really? I think. Why do guys think that kinda crap works? His hair is messy, shooting out in all directions, blondes and browns highlighted by the lamp beside the bed. The sheets are barely on either of us by now. I want to reenact Jessica Murphy’s nightstand scene. Throw money down by the lamp and walk out. No looking back over a shoulder. No second-guessing. Just moving forward. Back to business. Oh, yeah, it’s Nick, Boy Wonder, and he’s still my ex. We’d probably be back together if I were a brain-dead cracked-out supermodel. You might have heard of him. Or maybe at least seen him in the latest Hollywood dump film, supporting the jock strap of a real A-lister. He’s been making the walk of shame and doing the nightly night-show routine. Hey, don’t judge—a girl’s still got needs, and he’s pretty. I’ve just got bigger balls than he does. After the chaos settled from the now-infamous “Hollywood Shakedown,” the houses all came together to try and right the ships. They joined forces like the old days, jumping on the year’s biggest story. Decided they’d all get to turn a profit out of the ordeal by turning it into a blockbuster movie—only they changed some names and faces. Replaced my Camaro with a Viper, changed the Lamborghini to Ford’s Supercar, the GT40, keeping it an all-American badass theme. Hollywood, what can I say? The bigger the boom, the bloodier the fight, the more people will want to watch it. The country went bat-shit crazy. They loved seeing their sweetheart turn into a real life action-hero. Jennifer Cabot playing the role she was born to play, Jennifer Cabot. Everyone got a piece of the pie, even Boy Wonder. He played the role of the pricky agent, Donny Swanic. I told him it wasn’t such a departure. He smiled, but I was being semi-serious—he can be douchey. I didn’t have the heart to tell him I had to make a deal for him to be offered the role. They even asked if I wanted to play myself. I laughed. “Get Katee Sackhoff,” I told them. “She’s got the right kind of sass.” Nick's obviously suffering from the jet lag. Mix that with rockstar amounts of gluttony and the words come out jumbled and confused. “So what are you talking about then?” I ask him. “Not too sure myself. I was asked by the selection committee to walk the carpet and possibly give an acceptance speech for Best Supporting.” I’m pretty sure it was their way of cementing the Boy Wonder new movie star deal I made with them. Back rooms, someday someone is going to figure out what they're really for. “As the agent? You’d better not be dicking me around.” I say. “Sure, sure, I know. You’ll bust my balls again,” he says with a smile. “So you wouldn’t mind coming with me?” Which means he’s horny again. I push his face down into the pillow with my hand and roll off the bed. “Hey, watch the money-maker,” he says. “I'm doing a guest spot in a couple of hours.” Boy Wonder’s here for a little show business and a lot of fun. I’m here strictly for business—okay, with a small side of fun. Wherever Pop is hiding out, it stands to reason it has to be someplace he’s been before. I’ve been backtracking his every step, meeting up with a list of contacts I managed to get from going through Spider’s house. He's always a step ahead of me, but I got time. Almost a year since the night in the warehouse and not one word from him, good or bad. I’m sure I’m eventually going to come across someone who’s crossed paths with him. No one ghosts for that long without a peep or a head shot. Worried isn't exactly the right word, but it is closer than panicked. As I walk naked to the balcony window, I flip Little Boy Blue Balls the bird. “Watch my ass,” I say.

Tagalog

walang mga limitasyon tagalog

Last Update: 2017-03-30
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

Even if you’re not able to help them solve the problem, you’re never too busy to make yourself available to at least console them in their time of need.

Tagalog

Kahit na ikaw ay hindi magagawang upang makatulong sa kanila na malutas ang problema, ikaw ay hindi kailanman masyadong abala upang gumawa ng iyong sarili magagamit sa kahit aliwin sila sa kanilang mga oras ng pangangailangan.

Last Update: 2017-01-05
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

She was a large woman with a large purse that had everything in it but hammer and nails. It had a long strap, and she carried it slung across her shoulder. It was about eleven o’clock at night, and she was walking alone, when a boy ran up behind her and tried to snatch her purse. The strap broke with the single tug the boy gave it from behind. But the boy’s weight and the weight of the purse combined caused him to lose his balance so, intsead of taking off full blast as he had hoped, the boy fell on his back on the sidewalk, and his legs flew up. the large woman simply turned around and kicked him right square in his blue-jeaned sitter. Then she reached down, picked the boy up by his shirt front, and shook him until his teeth rattled. After that the woman said, “Pick up my pocketbook, boy, and give it here.” She still held him. But she bent down enough to permit him to stoop and pick up her purse. Then she said, “Now ain’t you ashamed of yourself?” Firmly gripped by his shirt front, the boy said, “Yes’m.” The woman said, “What did you want to do it for?” The boy said, “I didn’t aim to.” She said, “You a lie!” By that time two or three people passed, stopped, turned to look, and some stood watching. “If I turn you loose, will you run?” asked the woman. “Yes’m,” said the boy. “Then I won’t turn you loose,” said the woman. She did not release him. “I’m very sorry, lady, I’m sorry,” whispered the boy. “Um-hum! And your face is dirty. I got a great mind to wash your face for you. Ain’t you got nobody home to tell you to wash your face?” “No’m,” said the boy. “Then it will get washed this evening,” said the large woman starting up the street, dragging the frightened boy behind her. He looked as if he were fourteen or fifteen, frail and willow-wild, in tennis shoes and blue jeans. The woman said, “You ought to be my son. I would teach you right from wrong. Least I can do right now is to wash your face. Are you hungry?” “No’m,” said the being dragged boy. “I just want you to turn me loose.”

Tagalog

salamat sa iyo, ginang ng Langston Hughes

Last Update: 2017-01-02
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

f you’ve ever been fishing and caught a big one, you’ll know just how difficult it is to get the fish off the hook. These creatures can be quite slippery and hard to deal with. Pisces is also elusive and hard to understand, just like its totem, the fish. The mind of Pisces is deep and often they are not easily understood due to their deep spiritual nature. According to astrology the signs of the zodiac represent the evolutionary stages of humanity. Commencing with Aries and finishing with your own star sign of Pisces, astrologers therefore believe that Pisces is somehow is the most spiritually advanced of the signs. Your motivation in life is to give, to serve and to love; therefore this universal and unconditional love is infused in most of your actions. You can’t help but offer assistance to anyone who is suffering and your heart goes out to him or her. You selflessly give your time and energy to anyone who needs your help. This seems to be the core characteristic of your Pisces personality. Your friends regard you as an oasis in the desert of life when troubles befall them and they know that they can rely upon you to turn to. Even if you’re not able to help them solve the problem, you’re never too busy to make yourself available to at least console them in their time of need. You are an extremely sensitive individual and when it comes to making decisions; your conclusions often settle around whether or not you are going to hurt others in the process. This is one of your key lessons in life and you must therefore balance the needs of others with your own personal needs. Try not to become the victim of your own caring and compassionate nature. Pisces are extraordinarily psychic and often your hunches are dead right. But you must also remember that using your God-given intellectual powers is necessary to balance your deeper intuitive abilities. If you are impulsive and live your life wholly and solely on your dreams and intuitions, the practical aspects of your life will tend to suffer. On the other hand, this wonderful esoteric and spiritual gift can be used to help others and choosing a career in healing or psychic counselling is not uncommon among people born under your star sign. You instinctively realise that there is a spiritual thread permeating all things and you often live in another dimension, seeing and feeling what others never even bat an eyelid over. You’re able to tap into the universal awareness and therefore use this creatively in such things as art, music and other creative pursuits. Try to develop this expression because you can touch the hearts and souls of many people by doing so. Pisces is also an emotional sign and although you give a lot, you also need to be nurtured and loved as well. Try to surround yourself with people who have something to give and who are not always on the take. Like a sponge you tend to absorb the negativity around you, and this will ultimately cause you poor health and disappointment in your relationships. You have an idealistic view of the world and unfortunately it’s not in keeping with what you believe life should be like. Try to accept the world and the people in it as it is. Primarily you are a person of wisdom, self-knowledge and intuitive understanding. You bring your compassionate gifts to the world and many people will benefit by their association with you. You must learn to become more secure in yourself while at the same time bringing satisfaction and creating bounds with the world around you. Those who are fortunate enough to be a part of your life should learn to treat you with equal sensitivity and love. In fact, you must realise you deserve the same as you give, so therefore you should never be afraid of demanding your just desserts.

Tagalog

zodiac sign ibig sabihin tagalog

Last Update: 2016-12-22
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

Tagalog

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical. All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

Last Update: 2016-12-05
Subject: General
Usage Frequency: 1
Quality:

Reference:
Warning: Contains invisible HTML formatting

English

Teaching Hours. Any teacher engaged in actual classroom instruction shall not be required to render more than six hours of actual classroom teaching a day, which shall be so scheduled as to give him time for the preparation and correction of exercises and other work incidental to his normal teaching duties: Provided, however, That where the exigencies of the service so require, any teacher may be required to render more than six hours but not exceeding eight hours of actual classroom teaching a day upon payment of additional compensation at the same rate as his regular remuneration plus at least twenty-five per cent of his basic pay.

Tagalog

ang magna carta para sa mga guro ng pampublikong paaralan

Last Update: 2016-09-26
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

No. ku even got ku.masaya still wanted me, at least I tried, so I thank God for the first, second inspiration I used my family

Tagalog

kahit Hinde ku nakuha ang ninais ku.masaya parin ako , at least sinubukan ko, kaya nagpapasalamat ako una Kay God, pangalawa ginagamit Kong inspiration ang pamilya ko

Last Update: 2016-09-11
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

the duty if the state is to make the economy a system for free and private enterprise with the least government intervention in business affairs to create and maintain an environment that sustain healthy business competition..

Tagalog

ang tungkulin kung ang estado ay ay upang gawin ang ekonomiya ng isang sistema para sa libre at pribadong enterprise na may hindi bababa interbensyon ng pamahalaan sa mga gawain sa negosyo upang lumikha at mapanatili ang isang kapaligiran na sang-ayunan ang malusog na kumpetisyon sa negosyo ..

Last Update: 2016-06-26
Subject: Social Science
Usage Frequency: 1
Quality:

Reference:

English

The role of accounting in enabling strategic corporate social responsibility: A functionalist, critical and post-modern reading of a case study Corporations around the world are developing their own strategic approaches to address important social and environmental issues in ways that will yield them financial and competitive advantage. This thesis explores how a large packaging company, PackCo, developed its own strategic approach to corporate social responsibility (CSR) and explores the role of accounting in this pursuit. The qualitative case study research consisted of some 30 interviews with PackCo managers, conducted over a three year period. The case is analysed through three very different research paradigms: a functional/managerial analysis; a critical analysis; and a post-modern analysis. The functional analysis draws upon Simons’ ‘levers of control’ framework to explore how PackCo used accounting and associated management control systems to enable strategic CSR. It explores how performance metrics, operating procedures and strategy documents were integrated within PackCo to enable a set of environmental initiatives that were both socially responsible and profitable. The critical analysis explores some of the unintended consequences of these environmental initiatives, which were revealed through a survey of PackCo staff attitudes to corporate responsibility. The causes of staff discontent, as revealed by the survey, and the interpretation and response of management to these, are traced back to the intense, and at times brutal, pressure for enhanced financial performance to which both staff and management were subject. The post-modern analysis of the case material explores CSR as a form of socio-ideological control. Rather than accounting enabling CSR, here CSR is argued to effect an ethical framing of managerial work at PackCo, which, for some managers at least, gave greater moral licence to their aggressive pursuit of profit. The thesis concludes with a discussion of the contrasts, conflicts and insights offered by these three different readings of strategic CSR and its relationship to accounting.

Tagalog

saling Bahagi ng Pananalita

Last Update: 2016-03-06
Subject: General
Usage Frequency: 1
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English

relatively lucky to have a child to eat her at least once a day

Tagalog

masasabing maswerte na ang isang bata kung makakain siya kahit isang beses lang sa isang araw

Last Update: 2016-03-04
Subject: General
Usage Frequency: 1
Quality:

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English

In a faraway land named LA-J4, there exist three great tribes who are competing for power and who aspire of ruling the whole kingdom. 11111 is the most powerful of them. They are known for their bravery and greatness in battle. They occupy most of the plains in LA-J4. The other one, 22222, is famous for blacksmith. They live peacefully at the very heart of the forest making fine metals, weapons and armory. Moreover, most of the traders in the kingdom came from their tribe. The least powerful tribe is 33333. They reside in the mountains. Although, they are known to be experts in making potions and concoctions, people in the kingdom do not trust them completely because they live in seclusion and seldom do they get along with other people outside their tribe. One day, a sad news spread across the land as the leader of 11111 tribe was poisoined during the annual feast of the tribe. Along with that, a lot rumors have also spread as to who the culprit of the crime is. Because of what has happened, the 11111 tribe was enraged and wanted to seek revenge. Few weeks after that dreadful incident, while the 22222 tribe is busy preparing for the celebration of their tribe’s yearly tradition, a group of armored men attacked them. The supposedly blissful celebration has turned into fearful mass killings. The armored men furiously killed all the people in the tribe. Men, women, children, and elders were murdered mercilessly. Houses were burned leaving the tribe with no glory and honor but only ashes and dead bodies. The 33333 tribe led by Alfonzo delata Castilla came to aid them, but it was too late already. However, it seems like a miracle that a 7-year old girl has survived that terrible and violent event.They found her crying and very afraid. Her name is Fei-Tah, the daughter of the tribe’s master. She was able to escape the horror, hid in the forest, and helplessly watched her tribesmen being killed one by one. 33333 tribe adopted her and treated her like one of them. In her new tribe, she met Xylan, the son of Alfonzo, who became her closest friend. They grew up together. Fei Tah told Xylan with conviction that one day she will take revenge for her tribe. She spent all her life training in the art of battle and since she came from a tribe known for blacksmith she wanted to create the best weapon that would bring down the 11111 tribe, the tribe that killed her tribesmen. 13 years after, with the help of Xylan, they made Leo Collantes, a cyborg and their strongest weapon. At last her most awaited day of revenge has come. With all their might, they attacked the 11111 tribe. The battle went on for several days until the fortresses of the 11111 tribe had fallen one by one. Leo Collantes indeed is a great help to the tribe. Eventually, the forces of 11111 tribe had weaken and for that they decided to surrender, together with their commander. Alfonzo asked the commander to kneel before him as a sign of respect to the most powerful man and the new ruler of LA-J4. He called Fei Tah and gave her a sword so that she could finally fulfil her promise of revenge for her tribe. When she was about to kill the commander, a 7-year old girl ran towards her. She was crying and begging Fei Tah to spare the life of her father. Then suddenly, as if a flashback, she saw herself in that child years ago. She felt pity for the child and decided to put down the sword. Alfonzo was not happy about what Fei Tah did so he grabbed the sword from Fei Tah’s hand and struck it through the leader’s heart. Fei Tah was shocked as she saw the body of the commander fell to the ground. After that, Alfonzo pointed the sword to Fei Tah and admitted everything that he did. He revealed that he was the one responsible for the death of 11111 tribe’s leader. He made a concoction, a potent poison and hired someone to mix it to the drink of the tribe’s leader during the feast. He is also the one who spread the rumors that 22222 tribe was the culprit of the crime that’s why 11111 tribe was infuriated and attacked Fei Tah’s tribe. Alfonzo did all these because of his ambition to rule the land and to make known to everyone his tribe. Finally, he was able to achieve his dream. After revealing everything, he attacked Fei Tah but before he could reach her, a sword pierced through his body from behind. He fell to the ground and saw that it was Leo Collantes, the cyborg, who was commanded by his own son, Xylan. At last Fei Tah was able to avenge her tribe and from then on, peace in LA-J4 was finally restored.

Tagalog

uyam ay walang limitasyon

Last Update: 2016-01-11
Subject: General
Usage Frequency: 1
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Reference:

English

what least satisfying about your job

Tagalog

kung ano ang pinaka-nagbibigay-kasiyahan tungkol sa iyong trabaho

Last Update: 2015-09-27
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

The policeman on the beat moved up the avenue impressively. The impressiveness was habitual and not for show, for spectators were few. The time was barely 10 o'clock at night, but chilly gusts of wind with a taste of rain in them had well nigh depeopled the streets. Trying doors as he went, twirling his club with many intricate and artful movements, turning now and then to cast his watchful eye adown the pacific thoroughfare, the officer, with his stalwart form and slight swagger, made a fine picture of a guardian of the peace. The vicinity was one that kept early hours. Now and then you might see the lights of a cigar store or of an all-night lunch counter; but the majority of the doors belonged to business places that had long since been closed. When about midway of a certain block the policeman suddenly slowed his walk. In the doorway of a darkened hardware store a man leaned, with an unlighted cigar in his mouth. As the policeman walked up to him the man spoke up quickly. "It's all right, officer," he said, reassuringly. "I'm just waiting for a friend. It's an appointment made twenty years ago. Sounds a little funny to you, doesn't it? Well, I'll explain if you'd like to make certain it's all straight. About that long ago there used to be a restaurant where this store stands--'Big Joe' Brady's restaurant." "Until five years ago," said the policeman. "It was torn down then." The man in the doorway struck a match and lit his cigar. The light showed a pale, square-jawed face with keen eyes, and a little white scar near his right eyebrow. His scarfpin was a large diamond, oddly set. "Twenty years ago to-night," said the man, "I dined here at 'Big Joe' Brady's with Jimmy Wells, my best chum, and the finest chap in the world. He and I were raised here in New York, just like two brothers, together. I was eighteen and Jimmy was twenty. The next morning I was to start for the West to make my fortune. You couldn't have dragged Jimmy out of New York; he thought it was the only place on earth. Well, we agreed that night that we would meet here again exactly twenty years from that date and time, no matter what our conditions might be or from what distance we might have to come. We figured that in twenty years each of us ought to have our destiny worked out and our fortunes made, whatever they were going to be." "It sounds pretty interesting," said the policeman. "Rather a long time between meets, though, it seems to me. Haven't you heard from your friend since you left?" "Well, yes, for a time we corresponded," said the other. "But after a year or two we lost track of each other. You see, the West is a pretty big proposition, and I kept hustling around over it pretty lively. But I know Jimmy will meet me here if he's alive, for he always was the truest, stanchest old chap in the world. He'll never forget. I came a thousand miles to stand in this door to-night, and it's worth it if my old partner turns up." The waiting man pulled out a handsome watch, the lids of it set with small diamonds. "Three minutes to ten," he announced. "It was exactly ten o'clock when we parted here at the restaurant door."__ "Did pretty well out West, didn't you?" asked the policeman. "You bet! I hope Jimmy has done half as well. He was a kind of plodder, though, good fellow as he was. I've had to compete with some of the sharpest wits going to get my pile. A man gets in a groove in New York. It takes the West to put a razor-edge on him." The policeman twirled his club and took a step or two. "I'll be on my way. Hope your friend comes around all right. Going to call time on him sharp?" "I should say not!" said the other. "I'll give him half an hour at least. If Jimmy is alive on earth he'll be here by that time. So long, officer." "Good-night, sir," said the policeman, passing on along his beat, trying doors as he went. There was now a fine, cold drizzle falling, and the wind had risen from its uncertain puffs into a steady blow. The few foot passengers astir in that quarter hurried dismally and silently along with coat collars turned high and pocketed hands. And in the door of the hardware store the man who had come a thousand miles to fill an appointment, uncertain almost to absurdity, with the friend of his youth, smoked his cigar and waited. About twenty minutes he waited, and then a tall man in a long overcoat, with collar turned up to his ears, hurried across from the opposite side of the street. He went directly to the waiting man. "Is that you, Bob?" he asked, doubtfully. "Is that you, Jimmy Wells?" cried the man in the door. "Bless my heart!" exclaimed the new arrival, grasping both the other's hands with his own. "It's Bob, sure as fate. I was certain I'd find you here if you were still in existence. Well, well, well! --twenty years is a long time. The old gone, Bob; I wish it had lasted, so we could have had another dinner there. How has the West treated you, old man?" "Bully; it has given me everything I asked it for. You've changed lots, Jimmy. I never thought you were so tall by two or three inches." "Oh, I grew a bit after I was twenty." "Doing well in New York, Jimmy?" "Moderately. I have a position in one of the city departments. Come on, Bob; we'll go around to a place I know of, and have a good long talk about old times." The two men started up the street, arm in arm. The man from the West, his egotism enlarged by success, was beginning to outline the history of his career. The other, submerged in his overcoat, listened with interest. At the corner stood a drug store, brilliant with electric lights. When they came into this glare each of them turned simultaneously to gaze upon the other's face. The man from the West stopped suddenly and released his arm. "You're not Jimmy Wells," he snapped. "Twenty years is a long time, but not long enough to change a man's nose from a Roman to a pug." "It sometimes changes a good man into a bad one, said the tall man. "You've been under arrest for ten minutes, 'Silky' Bob. Chicago thinks you may have dropped over our way and wires us she wants to have a chat with you. Going quietly, are you? That's sensible. Now, before we go on to the station here's a note I was asked to hand you. You may read it here at the window. It's from Patrolman Wells." The man from the West unfolded the little piece of paper handed him. His hand was steady when he began to read, but it trembled a little by the time he had finished. The note was rather short. ~"Bob: I was at the appointed place on time. When you struck the match to light your cigar I saw it was the face of the man wanted in Chicago. Somehow I couldn't do it myself, so I went around and got a plain clothes man to do the job.

Tagalog

okupasyon

Last Update: 2015-09-13
Subject: General
Usage Frequency: 1
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Reference:
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English

jump over a pedestrian with at least 15 zombies

Tagalog

перепрыгнуть пешехода, по крайней мере, 15 зомби

Last Update: 2015-06-16
Subject: General
Usage Frequency: 1
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