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English

Least

Tagalog

Pinaka-hindi

Last Update: 2016-04-26
Subject: General
Usage Frequency: 1
Quality:

Reference: Anonymous

English

at least

Tagalog

hindi bababa sa kahulugan sa tagalog

Last Update: 2016-06-19
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

least priority

Tagalog

hindi bababa sa priority

Last Update: 2017-04-11
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

at least do

Tagalog

kunti lang

Last Update: 2016-08-22
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

Least to greatest

Tagalog

tagalog Ng agham

Last Update: 2015-07-21
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

where you least

Tagalog

saan ka bababa

Last Update: 2015-07-06
Subject: Tourism
Usage Frequency: 1
Quality:

Reference:

English

At least 9 inches!

Tagalog

Siguro mga 9 na pulgada!

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

English

You're at least 40.

Tagalog

Eh halos 40 ka na.

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

English

Right from the start, I’m disgusted with myself for being here. The last thing I need is for you to start in on me too. It’s been about year since the world’s best security-camera footage almost had me indicted for blowing a douche bag’s head off. But once it got leaked that it was the shot that foiled a major terror plot, the grand jury said, “Thank you for your time.” I’m marking the anniversary with some very necessary indoor sightseeing, still mission bound, looking for the reels—and Pop. He looks at me like he thinks it’ll put me in some kind of goo-goo-gah-gah trance. Really? I think. Why do guys think that kinda crap works? His hair is messy, shooting out in all directions, blondes and browns highlighted by the lamp beside the bed. The sheets are barely on either of us by now. I want to reenact Jessica Murphy’s nightstand scene. Throw money down by the lamp and walk out. No looking back over a shoulder. No second-guessing. Just moving forward. Back to business. Oh, yeah, it’s Nick, Boy Wonder, and he’s still my ex. We’d probably be back together if I were a brain-dead cracked-out supermodel. You might have heard of him. Or maybe at least seen him in the latest Hollywood dump film, supporting the jock strap of a real A-lister. He’s been making the walk of shame and doing the nightly night-show routine. Hey, don’t judge—a girl’s still got needs, and he’s pretty. I’ve just got bigger balls than he does. After the chaos settled from the now-infamous “Hollywood Shakedown,” the houses all came together to try and right the ships. They joined forces like the old days, jumping on the year’s biggest story. Decided they’d all get to turn a profit out of the ordeal by turning it into a blockbuster movie—only they changed some names and faces. Replaced my Camaro with a Viper, changed the Lamborghini to Ford’s Supercar, the GT40, keeping it an all-American badass theme. Hollywood, what can I say? The bigger the boom, the bloodier the fight, the more people will want to watch it. The country went bat-shit crazy. They loved seeing their sweetheart turn into a real life action-hero. Jennifer Cabot playing the role she was born to play, Jennifer Cabot. Everyone got a piece of the pie, even Boy Wonder. He played the role of the pricky agent, Donny Swanic. I told him it wasn’t such a departure. He smiled, but I was being semi-serious—he can be douchey. I didn’t have the heart to tell him I had to make a deal for him to be offered the role. They even asked if I wanted to play myself. I laughed. “Get Katee Sackhoff,” I told them. “She’s got the right kind of sass.” Nick's obviously suffering from the jet lag. Mix that with rockstar amounts of gluttony and the words come out jumbled and confused. “So what are you talking about then?” I ask him. “Not too sure myself. I was asked by the selection committee to walk the carpet and possibly give an acceptance speech for Best Supporting.” I’m pretty sure it was their way of cementing the Boy Wonder new movie star deal I made with them. Back rooms, someday someone is going to figure out what they're really for. “As the agent? You’d better not be dicking me around.” I say. “Sure, sure, I know. You’ll bust my balls again,” he says with a smile. “So you wouldn’t mind coming with me?” Which means he’s horny again. I push his face down into the pillow with my hand and roll off the bed. “Hey, watch the money-maker,” he says. “I'm doing a guest spot in a couple of hours.” Boy Wonder’s here for a little show business and a lot of fun. I’m here strictly for business—okay, with a small side of fun. Wherever Pop is hiding out, it stands to reason it has to be someplace he’s been before. I’ve been backtracking his every step, meeting up with a list of contacts I managed to get from going through Spider’s house. He's always a step ahead of me, but I got time. Almost a year since the night in the warehouse and not one word from him, good or bad. I’m sure I’m eventually going to come across someone who’s crossed paths with him. No one ghosts for that long without a peep or a head shot. Worried isn't exactly the right word, but it is closer than panicked. As I walk naked to the balcony window, I flip Little Boy Blue Balls the bird. “Watch my ass,” I say.

Tagalog

walang mga limitasyon tagalog

Last Update: 2017-03-30
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

Even if you’re not able to help them solve the problem, you’re never too busy to make yourself available to at least console them in their time of need.

Tagalog

Kahit na ikaw ay hindi magagawang upang makatulong sa kanila na malutas ang problema, ikaw ay hindi kailanman masyadong abala upang gumawa ng iyong sarili magagamit sa kahit aliwin sila sa kanilang mga oras ng pangangailangan.

Last Update: 2017-01-05
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

She was a large woman with a large purse that had everything in it but hammer and nails. It had a long strap, and she carried it slung across her shoulder. It was about eleven o’clock at night, and she was walking alone, when a boy ran up behind her and tried to snatch her purse. The strap broke with the single tug the boy gave it from behind. But the boy’s weight and the weight of the purse combined caused him to lose his balance so, intsead of taking off full blast as he had hoped, the boy fell on his back on the sidewalk, and his legs flew up. the large woman simply turned around and kicked him right square in his blue-jeaned sitter. Then she reached down, picked the boy up by his shirt front, and shook him until his teeth rattled. After that the woman said, “Pick up my pocketbook, boy, and give it here.” She still held him. But she bent down enough to permit him to stoop and pick up her purse. Then she said, “Now ain’t you ashamed of yourself?” Firmly gripped by his shirt front, the boy said, “Yes’m.” The woman said, “What did you want to do it for?” The boy said, “I didn’t aim to.” She said, “You a lie!” By that time two or three people passed, stopped, turned to look, and some stood watching. “If I turn you loose, will you run?” asked the woman. “Yes’m,” said the boy. “Then I won’t turn you loose,” said the woman. She did not release him. “I’m very sorry, lady, I’m sorry,” whispered the boy. “Um-hum! And your face is dirty. I got a great mind to wash your face for you. Ain’t you got nobody home to tell you to wash your face?” “No’m,” said the boy. “Then it will get washed this evening,” said the large woman starting up the street, dragging the frightened boy behind her. He looked as if he were fourteen or fifteen, frail and willow-wild, in tennis shoes and blue jeans. The woman said, “You ought to be my son. I would teach you right from wrong. Least I can do right now is to wash your face. Are you hungry?” “No’m,” said the being dragged boy. “I just want you to turn me loose.”

Tagalog

salamat sa iyo, ginang ng Langston Hughes

Last Update: 2017-01-02
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

f you’ve ever been fishing and caught a big one, you’ll know just how difficult it is to get the fish off the hook. These creatures can be quite slippery and hard to deal with. Pisces is also elusive and hard to understand, just like its totem, the fish. The mind of Pisces is deep and often they are not easily understood due to their deep spiritual nature. According to astrology the signs of the zodiac represent the evolutionary stages of humanity. Commencing with Aries and finishing with your own star sign of Pisces, astrologers therefore believe that Pisces is somehow is the most spiritually advanced of the signs. Your motivation in life is to give, to serve and to love; therefore this universal and unconditional love is infused in most of your actions. You can’t help but offer assistance to anyone who is suffering and your heart goes out to him or her. You selflessly give your time and energy to anyone who needs your help. This seems to be the core characteristic of your Pisces personality. Your friends regard you as an oasis in the desert of life when troubles befall them and they know that they can rely upon you to turn to. Even if you’re not able to help them solve the problem, you’re never too busy to make yourself available to at least console them in their time of need. You are an extremely sensitive individual and when it comes to making decisions; your conclusions often settle around whether or not you are going to hurt others in the process. This is one of your key lessons in life and you must therefore balance the needs of others with your own personal needs. Try not to become the victim of your own caring and compassionate nature. Pisces are extraordinarily psychic and often your hunches are dead right. But you must also remember that using your God-given intellectual powers is necessary to balance your deeper intuitive abilities. If you are impulsive and live your life wholly and solely on your dreams and intuitions, the practical aspects of your life will tend to suffer. On the other hand, this wonderful esoteric and spiritual gift can be used to help others and choosing a career in healing or psychic counselling is not uncommon among people born under your star sign. You instinctively realise that there is a spiritual thread permeating all things and you often live in another dimension, seeing and feeling what others never even bat an eyelid over. You’re able to tap into the universal awareness and therefore use this creatively in such things as art, music and other creative pursuits. Try to develop this expression because you can touch the hearts and souls of many people by doing so. Pisces is also an emotional sign and although you give a lot, you also need to be nurtured and loved as well. Try to surround yourself with people who have something to give and who are not always on the take. Like a sponge you tend to absorb the negativity around you, and this will ultimately cause you poor health and disappointment in your relationships. You have an idealistic view of the world and unfortunately it’s not in keeping with what you believe life should be like. Try to accept the world and the people in it as it is. Primarily you are a person of wisdom, self-knowledge and intuitive understanding. You bring your compassionate gifts to the world and many people will benefit by their association with you. You must learn to become more secure in yourself while at the same time bringing satisfaction and creating bounds with the world around you. Those who are fortunate enough to be a part of your life should learn to treat you with equal sensitivity and love. In fact, you must realise you deserve the same as you give, so therefore you should never be afraid of demanding your just desserts.

Tagalog

zodiac sign ibig sabihin tagalog

Last Update: 2016-12-22
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

Tagalog

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical. All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

Last Update: 2016-12-05
Subject: General
Usage Frequency: 1
Quality:

Reference:
Warning: Contains invisible HTML formatting

English

At least I'm smart enough to know that we all love each other.

Tagalog

Ako lang ang nakakaunawa na mahal natin ang isa't isa.

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

English

At least not at first.

Tagalog

Sa simula, hindi.

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

English

At least say "mister," even if you had the job first.

Tagalog

Salamat at pinaunlakan mo ang aking imbitasyon.

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:
Warning: Contains invisible HTML formatting

English

At least they shouldn't be adding to the trouble!

Tagalog

Di sila sumasangkot sa gulo!

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

English

Can you at least give us a cell phone number so we can call him?

Tagalog

Puwede mo bang ibigay sa amin ang cell phone niya para tawagan namin?

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

English

I thought it would last at least til Friday!

Tagalog

Akala ko magtatagal kayo hanggang Biyernes!

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

English

So that means if you watch our show you gotta buy at least 1, 2 hell, by 20 of them for all your friends, Okay.

Tagalog

Kaya kung papanoorin niyo ang show, bili kaya isa, dalawa O siguro 20 para sa inyong mga kaibigan.

Last Update: 2016-10-27
Usage Frequency: 1
Quality:

Reference:

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