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nemo ang batang papel rene villanueva(tagalog)
Si Nemo ay isang batang yari sa ginupit na diyaryo. Pinunit-punit, ginupit-gupit saka pinagdikit-dikit, si Nemo ay ginawa ng mga bata para sa isang proyekto nila sa klase. Ngayo’y bakasyon na. Si Nemo’y naiwang kasama ng ibang papel sa silid. Nakatambak siya sa bunton ng mga maalikabok na polder at enbelop.
Isang araw, isang mapaglarong hangin ang nanunuksong umihip sa silid. Inilipad niya sa labas si Nemo.
Nagpalutang-lutang sa hangin si Nemo. Naroong tumaas siya; naroong bumaba. Muntik na siyang sumabit sa mga sanga ng aratiles. Nang mapadpad siya sa tabi ng daan, muntik na siyang mahagip ng humahagibis na sasakyan. Inangilan siya ng dyip. Binulyawan ng kotse. At sininghalan ng bus.
Mabuti na lamang at napakagaan ni Nemo. Nagpatawing-tawing siya sa hangin bago tuluyang lumapag sa gitna ng panot na damo sa palaruan. Nakahinga nang maluwag si Nemo. Ngunit nagulantang siya sa dami ng nagtatakbuhang paa na muntik nang makayapak sa kaniya. Naghahabulan ang mga bata at kay sasaya nila!
Araw-araw, tuwing hapon, pinanonood ni Nemo ang mga naglalarong bata. Inggit na inggit siya sa kanila. Tuwing makikita niya ang mga bata sa palaruan, gustong-gusto rin niyang maging isang tunay na bata.
“Gusto kong tumawa tulad ng totoong bata! Gusto kong tumakbo tulad ng totoong bata! Gusto kong maghagis ng bola tulad ng totoong bata!”
Sabi nila, kapag may hiniling ka raw na gusto mong matupad, kailangang sabihin mo ito sa pinakamalayong bituin sa langit.
Kaya isang gabi, matiyagang nagbantay sa langit si Nemo. Hinintay niya ang paglabas ng pinakamalayong bituin. At nang makita niya ito, sinabi niya ang kaniyang hiling.
“Bituin, bituin, tuparin ngayon din Ako’y gawing isang batang masayahin!”
Pumikit nang mariin na mariin si Nemo. Naramdaman niyang parang umiikot ang paligid at nagkakagulo ang mga busina ng sasakyan.
Totoong bata na si Nemo! Pagdilat niya’y kasama na niya ang kaniyang totoong Tatay na walang trabaho, at totoong Nanay na payat na payat, at walong totoong kapatid na ang ingay-ingay sa isang masikip, makipot, at tagpi-tagpi pero totoong bahay.
“’Wag kayong tatamad-tamad,” sigaw ng kaniyang totoong tatay. “Magtrabaho kayo!”
Kaya napilitang tumakbo si Nemo palabas ng bahay.
Palakad-lakad si Nemo sa kalye. Hindi niya pansin ang mga humahagibis na bus. Hindi niya pansin ang mga humahagibis na dyip. Isip siya nang isip kung paano makakatulong sa kaniyang totoong pamilya.
Kahit bata pa, napilitang maghanapbuhay si Nemo. Sa umaga’y nagtinda siya ng sampagita at humahabol-habol sa mga kotse.
Pagod na pagod si Nemo araw-araw. Pakiramdam niya, pabilis nang pabilis ang kaniyang pagtanda. Kaya naisipan niyang pumasok sa eskuwela. Sumilip siyang muli sa paaralang pinanggalingan niya.
Pero dahil marumi ang kaniyang suot at wala siyang sapatos, inirapan lang si Nemo ng libro.
“Hindi ka bagay dito!” sabi ng libro.
“Ang baho-baho mo!” Nagalit din sa kaniya ang mesa.
“Ang dumi-dumi mo!” sinigawan din siya ng pisara.
Kaya napilitang tumakbo si Nemo. Nagtatakbo siya nang nagtatakbo hanggang sa gilid ng dagat. Sinabi ni Nemo ang problema niya sa dagat pero naghikab lang ito. At kahit ang alon na puno ng layak ay nagtakip ng ilong nang maamoy siya.
“’Wag mo nang dagdagan ang basura dito!” sigaw nito kay Nemo.
Malungkot na naglakad-lakad si Nemo. At sa maraming kalye ng marusing na lungsod, sa bawat sulok ay may nakita siyang mga batang-kalye. May nagbebenta ng sampagita. May nagtitinda ng sigarilyo at diyaryo habang maliksing sumasabit-sabit sa mga sasakyan. May mga kalbo, galisin, at palaboy na yakap-yakap ang supot na plastik na kapag sinisinghot nila ay parang nagguguhit sa kanilang mukha ng mangmang na ngiti. May mga batang butuhan ang binti at malamlam ang mata na akay-akay ng matatatandang puti na parang kislap ng balisong ang kislap ng mata.
“Kay dami-dami palang batang kalye,” naisip ni Nemo.
Kung gabi, kung halos hindi umihip ang mapanuksong hangin, ang mga batang kalye ay nagtitipon-tipon sa parke na may monumento ng bayaning may kipkip na libro. Tumatakbo sila. Naglulundagan. Nagbibiruan. Naghahagikgikan. Pero napansin ni Nemo na walang taginting ang kanilang halakhak. Parang pumanaw na ang kislap sa sulok ng kanilang mata.
Sumama si Nemo sa iba pang batang lansangan. Nagtipon-tipon sila sa isang bahagi ng parke. At sa dilim ng gabi, nagsimula silang maglaro at magkantahan. Nalaman ni Nemo na marami palang batang tulad niya. Mga batang lansangan, mga batang kailangang maghanapbuhay dahil sa kahirapan.
Tinipon ni Nemo ang iba pang batang lansangan. Nang magkuwentuhan sila, nalaman nilang pare-pareho pala ang kanilang gusto: mapagmahal na magulang, maayos na tahanan, masayang paaralan, at sapat na pagkain.
Ipinagtapat ni Nemo ang lihim na kaniyang natuklasan. Matutupad ang anumang pangarap kapag hiniling sa pinakamalayong bituin. Sabay-sabay silang tumingala sa pinakamalayong bituin sa langit at hiniling nila ang lahat ng ito.
“Bituin, bituin, tuparin ngayon din Lahat kami’y gawing batang masayahin.”
Sa isang iglap, lahat sila ay naging batang papel. Inilipad sila ng hangin. Kay gaan-gaan ng kanilang pakiramdam. Kay saya-saya nila dahil malayo na sila sa magulong pamilya, malupit na eskuwela, at maingay na kalsada.
Nagtaka ang mga taong nakakita sa palutang-lutang na mga batang papel. Marami ang naawa sa kanila. Pero ang hindi nila alam, mas maligaya na ngayon ang mga batang papel, gaya ni Nemo, kaysa mga totoong bata na kailangang makibaka at mabuhay sa malupit na kalsada.
Mula sa: Ang Gintong Habihan: Mga Kuwentong Premyado ng Palanca. (1998). Maynila:
Tahanan Books for Young Readers
Usage Frequency: 1
alice in wonderland tagalog veOnce upon a time . . . there lived a woman who had no children. She dreamed of having a little girl, but time went by, and her dream never came true. She then went to visit a witch, who gave her a magic grain of barley. She planted it in a flower pot. And the very next day, the grain had turned into a lovely flower, rather like a tulip. The woman softly kissed its half-shut petals. And as though by magic, the flower opened in full blossom. Inside sat a tiny girl, no bigger than a thumb. The woman called her Thumbelina. For a bed she had a walnut shell, violet petals for her mattress and a rose petal blanket. In the daytime, she played in a tulip petal boat, floating on a plate of water. Using two horse hairs as oars, Thumbelina sailed around her little lake, singing and singing in a gentle sweet voice. Then one night, as she lay fast asleep in her walnut shell, a large frog hopped through a hole in the window pane. As she gazed down at Thumbelina, she said to herself: "How pretty she is! She'd make the perfect bride for my own dear son!" She picked up Thumbelina, walnut shell and all, and hopped into the garden. Nobody saw her go.Back at the pond, her fat ugly son, who always did as mother told him, was pleased with her choice. But mother frog was afraid that her pretty prisoner might run away. So she carried Thumbellna out to a water lily leaf ln the middle of the pond. "She can never escape us now," said the frog to her son. "And we have plenty of time to prepare a new home for you and your bride." Thumbelina was left all alone. She felt so desperate. She knew she would never be able to escape the fate that awaited her with the two horrid fat frogs. All she could do was cry her eyes out. However, one or two minnows who had been enjoying the shade below the water lily leaf, had overheard the two frogs talking, and the little girl's bitter sobs. They decided to do something about it. So they nibbled away at the lily stem till it broke and drifted away in the weak current. A dancing butterfly had an idea: "Throw me the end of your belt! I'll help you to move a little faster!" Thumbelina gratefully did so, and the leaf soon floated away from the frog pond. But other dangers lay ahead. A large beetle snatched Thumbelina with his strong feet and took her away to his home at the top of a leafy tree. "Isn't she pretty?" he said to his friends. But they pointed out that she was far too different. So the beetle took her down the tree and set her free. It was summertime, and Thumbelina wandered all by herself amongst the flowers and through the long grass. She had pollen for her meals and drank the dew. Then the rainy season came, bringing nastyweather. The poor child found it hard to find food and shelter. When winter set in, she suffered from the cold and felt terrible pangs of hunger. One day, as Thumbelina roamed helplessly over the bare meadows, she met a large spider who promised to help her. He took her to a hollow tree and guarded the door with a stout web. Then he brought her some dried chestnuts and called his friends to come and admire her beauty. But just like the beetles, all the other spiders persuaded Thumbelina's rescuer to let her go. Crying her heart out, and quite certain that nobody wanted her because she was ugly, Thumbelina left the spider's house. As she wandered, shivering with the cold, suddenly she came across a solid little cottage, made of twigs and dead leaves. Hopefully, she knocked on the door. It was opened by a field mouse. "What are you doing outside in this weather?" he asked. "Come in and warm yourself." Comfortable and cozy, the field mouse's home was stocked with food. For her keep, Thumbelina did the housework and told the mouse stories. One day, the field mouse said a friend was coming to visit them. "He's a very rich mole, and has a lovely house. He wears a splendid black fur coat, but he's dreadfully shortsighted. He needs company and he'd like to marry you!" Thumbelina did not relish the idea. However, when the mole came, she sang sweetly to him and he fell head over heels in love. The mole invited Thumbelina and the field mouse to visit him, but . . . to their surprise and horror, they came upon a swallow in the tunnel. It looked dead. Mole nudged it wi his foot, saying: "That'll teach her! She should have come underground instead of darting about the sky all summer!" Thumbelina was so shocked by such cruel words that later, she crept back unseen to the tunnel. And every day, the little girl went to nurse the swallow and tenderly give it food. In the meantime, the swallow told Thumbelina its tale. Jagged by a thorn, it had been unable to follow its companions to a warmer climate. "It's kind of you to nurse me," it told Thumbelina. But, in spring, the swallow flew away, after offering to take the little girl with it. All summer, Thumbelina did her best to avoid marrying the mole. The little girl thought fearfully of how she'd have to live underground forever. On the eve of her wedding, she asked to spend a day in the open air. As she gently fingered a flower, she heard a familiar song: "Winter's on its way and I'll be off to warmer lands. Come with me!" Thumbelina quickly clung to her swallow friend, and the bird soared into the sky. They flew over plains and hills till they reached a country of flowers. The swallow gently laid Thumbelina in a blossom. There she met a tiny, white-winged fairy: the King of the Flower Fairies. Instantly, he asked her to marry him. Thumbelina eagerly said "yes", and sprouting tiny white wings, she became the Flower Queen!rsion
May Day Eve
By Nick Joaquin
The old people had ordered that the dancing should stop at ten o’clock but it was almost midnight before the carriages came filing up the departing guests, while the girls who were staying were promptly herded upstairs to the bedrooms, the young men gathering around to wish them a good night and lamenting their ascent with mock signs and moaning, proclaiming themselves disconsolate but straightway going off to finish the punch and the brandy though they were quite drunk already and simply bursting with wild spirits, merriment, arrogance and audacity, for they were young bucks newly arrived from Europe; the ball had been in their honor; and they had waltzed and polka-ed and bragged and swaggered and flirted all night and where in no mood to sleep yet--no, caramba, not on this moist tropic eve! not on this mystic May eve! --with the night still young and so seductive that it was madness not to go out, not to go forth---and serenade the neighbors! cried one; and swim in the Pasid! cried another; and gather fireflies! cried a third—whereupon there arose a great clamor for coats and capes, for hats and canes, and they were a couple of street-lamps flickered and a last carriage rattled away upon the cobbles while the blind black houses muttered hush-hush, their tile roofs looming like sinister chessboards against a wile sky murky with clouds, save where an evil young moon prowled about in a corner or where a murderous wind whirled, whistling and whining, smelling now of the sea and now of the summer orchards and wafting unbearable childhood fragrances or ripe guavas to the young men trooping so uproariously down the street that the girls who were desiring upstairs in the bedrooms catered screaming to the windows, crowded giggling at the windows, but were soon sighing amorously over those young men bawling below; over those wicked young men and their handsome apparel, their proud flashing eyes, and their elegant mustaches so black and vivid in the moonlight that the girls were quite ravished with love, and began crying to one another how carefree were men but how awful to be a girl and what a horrid, horrid world it was, till old Anastasia plucked them off by the ear or the pigtail and chases them off to bed---while from up the street came the clackety-clack of the watchman’s boots on the cobble and the clang-clang of his lantern against his knee, and the mighty roll of his great voice booming through the night, "Guardia serno-o-o! A las doce han dado-o-o.
And it was May again, said the old Anastasia. It was the first day of May and witches were abroad in the night, she said--for it was a night of divination, and night of lovers, and those who cared might peer into a mirror and would there behold the face of whoever it was they were fated to marry, said the old Anastasia as she hobble about picking up the piled crinolines and folding up shawls and raking slippers in corner while the girls climbing into four great poster-beds that overwhelmed the room began shrieking with terror, scrambling over each other and imploring the old woman not to frighten them.
"Enough, enough, Anastasia! We want to sleep!"
"Go scare the boys instead, you old witch!"
"She is not a witch, she is a maga. She is a maga. She was born of Christmas Eve!"
"St. Anastasia, virgin and martyr."
"Huh? Impossible! She has conquered seven husbands! Are you a virgin, Anastasia?"
"No, but I am seven times a martyr because of you girls!"
"Let her prophesy, let her prophesy! Whom will I marry, old gypsy? Come, tell me."
"You may learn in a mirror if you are not afraid."
"I am not afraid, I will go," cried the young cousin Agueda, jumping up in bed.
"Girls, girls---we are making too much noise! My mother will hear and will come and pinch us all. Agueda, lie down! And you Anastasia, I command you to shut your mouth and go away!""Your mother told me to stay here all night, my grand lady!"
"And I will not lie down!" cried the rebellious Agueda, leaping to the floor. "Stay, old woman. Tell me what I have to do."
"Tell her! Tell her!" chimed the other girls.
The old woman dropped the clothes she had gathered and approached and fixed her eyes on the girl. "You must take a candle," she instructed, "and go into a room that is dark and that has a mirror in it and you must be alone in the room. Go up to the mirror and close your eyes and shy:
Mirror, mirror, show to me him whose woman I will be. If all goes right, just above your left shoulder will appear the face of the man you will marry." A silence. Then: "And hat if all does not go right?" asked Agueda. "Ah, then the Lord have mercy on you!" "Why." "Because you may see--the Devil!"
The girls screamed and clutched one another, shivering. "But what nonsense!" cried Agueda. "This is the year 1847. There are no devil anymore!" Nevertheless she had turned pale. "But where could I go, hugh? Yes, I know! Down to the sala. It has that big mirror and no one is there now." "No, Agueda, no! It is a mortal sin! You will see the devil!" "I do not care! I am not afraid! I will go!" "Oh, you wicked girl! Oh, you mad girl!" "If you do not come to bed, Agueda, I will call my mother." "And if you do I will tell her who came to visit you at the convent last March. Come, old woman---give me that candle. I go." "Oh girls---give me that candle, I go."
But Agueda had already slipped outside; was already tiptoeing across the hall; her feet bare and her dark hair falling down her shoulders and streaming in the wind as she fled down the stairs, the lighted candle sputtering in one hand while with the other she pulled up her white gown from her ankles. She paused breathless in the doorway to the sala and her heart failed her. She tried to imagine the room filled again with lights, laughter, whirling couples, and the jolly jerky music of the fiddlers. But, oh, it was a dark den, a weird cavern for the windows had been closed and the furniture stacked up against the walls. She crossed herself and stepped inside.
The mirror hung on the wall before her; a big antique mirror with a gold frame carved into leaves and flowers and mysterious curlicues. She saw herself approaching fearfully in it: a small while ghost that the darkness bodied forth---but not willingly, not completely, for her eyes and hair were so dark that the face approaching in the mirror seemed only a mask that floated forward; a bright mask with two holes gaping in it, blown forward by the white cloud of her gown. But when she stood before the mirror she lifted the candle level with her chin and the dead mask bloomed into her living face.
She closed her eyes and whispered the incantation. When she had finished such a terror took hold of her that she felt unable to move, unable to open her eyes and thought she would stand there forever, enchanted. But she heard a step behind her, and a smothered giggle, and instantly opened her eyes.
"And what did you see, Mama? Oh, what was it?" But Dona Agueda had forgotten the little girl on her lap: she was staring pass the curly head nestling at her breast and seeing herself in the big mirror hanging in the room. It was the same room and the same mirror out the face she now saw in it was an old face---a hard, bitter, vengeful face, framed in graying hair, and so sadly altered, so sadly different from that other face like a white mask, that fresh young face like a pure mask than she had brought before this mirror one wild May Day midnight years and years ago.... "But what was it Mama? Oh please go on! What did you see?" Dona Agueda looked down at her daughter but her face did not soften though her eyes filled with tears. "I saw the devil." she said bitterly. The child blanched. "The devil, Mama? Oh... Oh..." "Yes, my love. I opened my eyes and there in the mirror, smiling at me over my left shoulder, was the face of the devil." "Oh, my poor little Mama! And were you very frightened?" "You can imagine. And that is why good little girls do not look into mirrors except when their mothers tell them. You must stop this naughty habit, darling, of admiring yourself in every mirror you pass- or you may see something frightful some day." "But the devil, Mama---what did he look like?" "Well, let me see... he has curly hair and a scar on his cheek---" "Like the scar of Papa?" "Well, yes. But this of the devil was a scar of sin, while that of your Papa is a scar of honor. Or so he says." "Go on about the devil." "Well, he had mustaches." "Like those of Papa?" "Oh, no. Those of your Papa are dirty and graying and smell horribly of tobacco, while these of the devil were very black and elegant--oh, how elegant!" "And did he speak to you, Mama?" "Yes… Yes, he spoke to me," said Dona Agueda. And bowing her graying head; she wept.
"Charms like yours have no need for a candle, fair one," he had said, smiling at her in the mirror and stepping back to give her a low mocking bow. She had whirled around and glared at him and he had burst into laughter. "But I remember you!" he cried. "You are Agueda, whom I left a mere infant and came home to find a tremendous beauty, and I danced a waltz with you but you would not give me the polka." "Let me pass," she muttered fiercely, for he was barring the way. "But I want to dance the polka with you, fair one," he said. So they stood before the mirror; their panting breath the only sound in the dark room; the candle shining between them and flinging their shadows to the wall. And young Badoy Montiya (who had crept home very drunk to pass out quietly in bed) suddenly found himself cold sober and very much awake and ready for anything. His eyes sparkled and the scar on his face gleamed scarlet. "Let me pass!" she cried again, in a voice of fury, but he grasped her by the wrist. "No," he smiled. "Not until we have danced." "Go to the devil!" "What a temper has my serrana!" "I am not your serrana!" "Whose, then? Someone I know? Someone I have offended grievously? Because you treat me, you treat all my friends like your mortal enemies." "And why not?" she demanded, jerking her wrist away and flashing her teeth in his face. "Oh, how I detest you, you pompous young men! You go to Europe and you come back elegant lords and we poor girls are too tame to please you. We have no grace like the Parisiennes, we have no fire like the Sevillians, and we have no salt, no salt, no salt! Aie, how you weary me, how you bore me, you fastidious men!" "Come, come---how do you know about us?"
"I was not admiring myself, sir!" "You were admiring the moon perhaps?" "Oh!" she gasped, and burst into tears. The candle dropped from her hand and she covered her face and sobbed piteously. The candle had gone out and they stood in darkness, and young Badoy was conscience-stricken. "Oh, do not cry, little one!" Oh, please forgive me! Please do not cry! But what a brute I am! I was drunk, little one, I was drunk and knew not what I said." He groped and found her hand and touched it to his lips. She shuddered in her white gown. "Let me go," she moaned, and tugged feebly. "No. Say you forgive me first. Say you forgive me, Agueda." But instead she pulled his hand to her mouth and bit it - bit so sharply in the knuckles that he cried with pain and lashed cut with his other hand--lashed out and hit the air, for she was gone, she had fled, and he heard the rustling of her skirts up the stairs as he furiously sucked his bleeding fingers. Cruel thoughts raced through his head: he would go and tell his mother and make her turn the savage girl out of the house--or he would go himself to the girl’s room and drag her out of bed and slap, slap, slap her silly face! But at the same time he was thinking that they were all going to Antipolo in the morning and was already planning how he would maneuver himself into the same boat with her. Oh, he would have his revenge, he would make her pay, that little harlot! She should suffer for this, he thought greedily, licking his bleeding knuckles. But---Judas! He remembered her bare shoulders: gold in her candlelight and delicately furred. He saw the mobile insolence of her neck, and her taut breasts steady in the fluid gown. Son of a Turk, but she was quite enchanting! How could she think she had no fire or grace? And no salt? An arroba she had of it!
"... No lack of salt in the chrism At the moment of thy baptism!" He sang aloud in the dark room and suddenly realized that he had fallen madly in love with her. He ached intensely to see her again---at once! ---to touch her hands and her hair; to hear her harsh voice. He ran to the window and flung open the casements and the beauty of the night struck him back like a blow. It was May, it was summer, and he was young---young! ---and deliriously in love. Such a happiness welled up within him that the tears spurted from his eyes. But he did not forgive her--no! He would still make her pay, he would still have his revenge, he thought viciously, and kissed his wounded fingers. But what a night it had been! "I will never forge this night! he thought aloud in an awed voice, standing by the window in the dark room, the tears in his eyes and the wind in his hair and his bleeding knuckles pressed to his mouth.
But, alas, the heart forgets; the heart is distracted; and May time passes; summer lends; the storms break over the rot-tipe orchards and the heart grows old; while the hours, the days, the months, and the years pile up and pile up, till the mind becomes too crowded, too confused: dust gathers in it; cobwebs multiply; the walls darken and fall into ruin and decay; the memory perished...and there came a time when Don Badoy Montiya walked home through a May Day midnight without remembering, without even caring to remember; being merely concerned in feeling his way across the street with his cane; his eyes having grown quite dim and his legs uncertain--for he was old; he was over sixty; he was a very stopped and shivered old man with white hair and mustaches coming home from a secret meeting of conspirators; his mind still resounding with the speeches and his patriot heart still exultant as he picked his way up the steps to the front door and inside into the slumbering darkness of the house; wholly unconscious of the May night, till on his way down the hall, chancing to glance into the sala, he shuddered, he stopped, his blood ran cold-- for he had seen a face in the mirror there---a ghostly candlelight face with the eyes closed and the lips moving, a face that he suddenly felt he had been there before though it was a full minutes before the lost memory came flowing, came tiding back, so overflooding the actual moment and so swiftly washing away the piled hours and days and months and years that he was left suddenly young again; he was a gay young buck again, lately came from Europe; he had been dancing all night; he was very drunk; he s stepped in the doorway; he saw a face in the dark; he called out...and the lad standing before the mirror (for it was a lad in a night go jumped with fright and almost dropped his candle, but looking around and seeing the old man, laughed out with relief and came running.
"Oh Grandpa, how you frightened me. Don Badoy had turned very pale. "So it was you, you young bandit! And what is all this, hey? What are you doing down here at this hour?" "Nothing, Grandpa. I was only... I am only ..." "Yes, you are the great Señor only and how delighted I am to make your acquaintance, Señor Only! But if I break this cane on your head you maga wish you were someone else, Sir!" "It was just foolishness, Grandpa. They told me I would see my wife."
"Wife? What wife?" "Mine. The boys at school said I would see her if I looked in a mirror tonight and said: Mirror, mirror show to me her whose lover I will be.
Don Badoy cackled ruefully. He took the boy by the hair, pulled him along into the room, sat down on a chair, and drew the boy between his knees. "Now, put your cane down the floor, son, and let us talk this over. So you want your wife already, hey? You want to see her in advance, hey? But so you know that these are wicked games and that wicked boys who play them are in danger of seeing horrors?"
"Well, the boys did warn me I might see a witch instead."
"Exactly! A witch so horrible you may die of fright. And she will be witch you, she will torture you, she will eat
your heart and drink your blood!"
"Oh, come now Grandpa. This is 1890. There are no witches anymore."
"Oh-ho, my young Voltaire! And what if I tell you that I myself have seen a witch.
"Right in this room land right in that mirror," said the old man, and his playful voice had turned savage.
"Not so long ago. When I was a bit older than you. Oh, I was a vain fellow and though I was feeling very sick that night and merely wanted to lie down somewhere and die I could not pass that doorway of course without stopping to see in the mirror what I looked like when dying. But when I poked my head in what should I see in the mirror but...but..."
"And then she bewitch you, Grandpa!"
"She bewitched me and she tortured me. l She ate my heart and drank my blood." said the old man bitterly.
"Oh, my poor little Grandpa! Why have you never told me! And she very horrible?
"Horrible? God, no--- she was the most beautiful creature I have ever seen! Her eyes were somewhat like yours but her hair was like black waters and her golden shoulders were bare. My God, she was enchanting! But I should have known---I should have known even then---the dark and fatal creature she was!"
A silence. Then: "What a horrid mirror this is, Grandpa," whispered the boy.
"What makes you slay that, hey?"
"Well, you saw this witch in it. And Mama once told me that Grandma once told her that Grandma once saw the devil in this mirror. Was it of the scare that Grandma died?"
Don Badoy started. For a moment he had forgotten that she was dead, that she had perished---the poor Agueda; that they were at peace at last, the two of them, her tired body at rest; her broken body set free at last from the brutal pranks of the earth---from the trap of a May night; from the snare of summer; from the terrible silver nets of the moon. She had been a mere heap of white hair and bones in the end: a whimpering withered consumptive, lashing out with her cruel tongue; her eye like live coals; her face like ashes... Now, nothing--- nothing save a name on a stone; save a stone in a graveyard---nothing! was left of the young girl who had flamed so vividly in a mirror one wild May Day midnight, long, long ago.
And remembering how she had sobbed so piteously; remembering how she had bitten his hand and fled and how he had sung aloud in the dark room and surprised his heart in the instant of falling in love: such a grief tore up his throat and eyes that he felt ashamed before the boy; pushed the boy away; stood up and looked out----looked out upon the medieval shadows of the foul street where a couple of street-lamps flickered and a last carriage was rattling away upon the cobbles, while the blind black houses muttered hush-hush, their tiled roofs looming like sinister chessboards against a wild sky murky with clouds, save where an evil old moon prowled about in a corner or where a murderous wind whirled, whistling and whining, smelling now of the sea and now of the summer orchards and wafting unbearable the window; the bowed old man sobbing so bitterly at the window; the tears streaming down his cheeks and the wind in his hair and one hand pressed to his mouth---while from up the street came the clackety-clack of the watchman’s boots on the cobbles, and the clang-clang of his lantern against his knee, and the mighty roll of his voice booming through the night:
"Guardia sereno-o-o! A las doce han dado-o-o!"
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