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English

what matter most

Tagalog

nagta-type ang buong pangungusap sa iyong langage

Last Update: 2016-02-03
Subject: General
Usage Frequency: 1
Quality:

Reference: Anonymous

English

[narrator] Once upon the last day of a golden summer, there was a boy... and bear. The boy, whom we shall meet in a moment, was called Christopher Robin. The bear was called Winnie the Pooh. And together they had many grand adventures in a remarkable place called the Hundred Acre Wood. But the grandest and most extraordinary of all their adventures was still to begin. T oday, I believe, is a good day for being Pooh. [hums] And here, I should say, is a good place for being Pooh. [hums] Any reason that I think of is a good one for being Pooh. [hums] [Iaughs] But the very best reason of all is... [boy] Pooh Bear. ...being with my very best friend, Christopher Robin. You are just in time for the best part of the day. What part is that? The part when you and me... ...become we. [clattering] Pooh,... there's something I have to tell you. Is it something nice? Not exactly. Then it can wait. It can? For how Iong? For ever and ever. # For ever and ever # Is a very long time, Pooh [chuckles] # Forever isn't long at all # When I'm with you [laughs] # I wanna call your name forever # And you will always answer forever # And both of us will be Forever you and me # For ever and ever [creaking, pop] # I wanna stay like this forever [Pooh Iaughs] # If only I could promise forever [Iaughing echoes] # Then we could just be we # Forever you and me [both] # For ever and ever # For ever and ever # Is a very long time, Pooh [Pooh chuckles] # Forever isn't long at all, Christopher # When I'm with you [Pooh chuckles] # I wanna be with you forever [echoes] # I want you right here beside me forever # One thing you should know # No matter where I go # We'll always be together # For ever and ever # [narrator] And so they stayed together, doing all the things a boy and a bear could do. And when the day began to end, Christopher Robin had quite forgotten he still had something to tell Pooh. [Christopher] Pooh Bear, there's one thing we didn't do today. [Pooh] And what thing might that be? [Christopher] Uh... nothing. Nothing? Christopher Robin, what exactly is "doing nothing"? Well, I'm told it means going along, Iistening to all of the things you can't hear, and not bothering. It's when people say "What are you two doing?" And we say "Oh, nothing." And we do it. This is sort of a nothing thing we're doing right now. I wish it could Iast forever. Well, then we must do it again tomorrow. And the tomorrow after. And the tomorrow following that. Pooh Bear,... what if... some day... there came a tomorrow when we were apart? As Iong as we're apart together we shall certainly be fine. [chuckles] Yes, yes, of course. But if we weren't together? If I were somewhere else? [chuckles] But you really couldn't be, as I would be quite Iost without you. Who would I call... [buzzing] ...on those days when I'm just not strong enough, or brave enough? Well, actually... And who would I ask for advice when I didn't know which way to turn? Pooh, we... We... We simply wouldn't be. [yawns] Oh, Pooh. If ever there's a tomorrow when we're not together, there's something you must remember. [yawns] And what might that be, Christopher Robin? You're braver than you believe, and stronger than you seem, and smarter than you think. [chuckles] Oh, that's easy. [clears throat] We are braver than a bee, and, uh, Ionger than a tree, and taller than a goose. Or was that a moose? [both chuckle] No, silly old bear. You're braver than you believe, and stronger than you seem... and smarter than you think. But the most important thing is... even if we're apart... I'II always be with you. [Pooh chuckles] I'II always be with you. [echoing] AIways be with you. [Pooh moans] [birds twitter] [mutters] [snores] Braver than our beans. [snores] Longer when we gleam. [snores] Hum dee duh de dum. Hm dee duh-duh dee. [mutters] [Iaughs] Hello, Christopher Robin. I can't seem to remember the... To remember the, uh,... It's autumn. It is. It's the first day of autumn. A time of hot-chocolaty mornings and toasty-marshmallow evenings. And best of all.... Ieaping into Ieaves. Oh... [chuckles] Oh, someone's Ieft a honey pot. AII alone and Ionely. [groans] With no one to care for it. I suppose... I should take it. AIthough it might belong to someone. Though, just as easily not. Hmm. Think, think. Think. I believe when a question becomes this sticky, I should ask my very good friend... Christopher Robin. [echoing] Christopher Robin. Are you here? Are you there? Are you... anywhere? [Pooh] Piglet! Piglet! Christopher Robin is gone. Christopher... Chri... Why, Piglet, whatever are you doing... up there? I'm doing just what Christopher Robin said I should do. I'm going to Iook my fear of heights right in the face and conquer it. [creaking] That is, if it doesn't conquer me first. Christopher Robin! Are you Iooking for him, too? [Tigger purrs] Hiya, Pooh! [chuckles] - What's up? - Hello, Tigger. Piglet... is up. Help! Oh, relax, Piglet, old pal. There's no difference between plunging 1 0,000 feet to the jagged rocks below and tumblin' out of bed. Oh, really? Why, sure! [Iaughs] Except for the splat at the end they're practic'Iy similar. Christopher Robin! Hmm. CIutched in the throes of terror, eh? Well, I guess I just better bounce up there and get him down. Stand back, this is gonna take a world's record bounce. What's the matter with you? Being a second-rate bouncer is not what tiggers Iike best. [rumbling] [creaking] [creaking] [strains] [strains] [shrieks] It doesn't matter if you think you're not ripe. This is Rabbit's garden, and Rabbit does his harvesting by the book. As it clearly says in the official almanac, "Today is... [clears throat] the first day of fall following the Iast day of summer." Harvest day. Any questions? [Pooh] Hello. Oh, yes, the rutabaga in the back row, "Hello" what? [rumbling] [shrieks] [Pooh] Hello, Rabbit. Not much of a house. Just right for not much of a donkey. [Rabbit gibbers] [shrieks] Easy come,... easy go. Excuse me, Rabbit,... but would you happen to have a... a, um,... Christopher Robin about you? No! I haven't seen him. - Bother. - [thud] - He isn't where he should be. - [thud] - And wasn't where we were. - [thud] - And seems not to be anywhere... - [thud] ...where he can tell me whose honey this is. [thud] Well, it isn't mine. And I don't have time. It's harvest day! Says so in the book! I have carrots to cut, pumpkins to pick, peas to pluck! Well, of course it's mine. It's got my name scribbled all over it. T-I double g... Honey?! Yuck! P-tooie! BIech! Tiggers do not Iike honey. It isn't mine. Then again, few things are. [grunts and groans] Oh, here! If only I could find Christopher Robin. He could tell me whose it is. Why don't you check the note and find out? A note! Why, Rabbit, how clever of you. I'II just read it. Or would... if I could. Perhaps you can, Rabbit. [harrumphs] I could read this with my eyes closed. [chuckles] It says... [clears throat] [talks nonsense] Well, I could have read it if Tigger hadn't bounced me so. Tar? Jar? Oh, far! "Dear Pooh" it begins. "Worry about me." "I'm going far away." "Help!" And the note is signed "Crelm-flummin Bobbin." [chuckles] Oh, Christopher Robin. Christopher Robin? Gone far away? Oh, what a frightful thought. Wait! Why? When? Who authorized it? Where will we get the strength... to go on without him? [whimpers] [Pooh] Christopher Robin. My very best best friend. It simply cannot be. Whatever will I do? I wonder, Pooh, if... if perhaps u-u-until Christopher Robin gets back... um... I might possibly be your... best best friend. Yeah. [sobs] And when Piglet gets sick of you... [sobs] we can take over. Oh, thank you. But you already are the very best of my best friends. You see, you and I can do anything. But only Christopher Robin and I could do... nothing. Poor guy. His very Iittle brain is half gone with grief. Ah-ha! I've discovered where he went. [Iaughs] An O, another O, and... [gasps] Oh, my. What is it, Owl? Where is it? Somewhere bad, I fear. How bad? On a scale of one to ten... It's not good. [match strikes] [match strikes] He has gone to S-C-H-O-O-L. [gasps] Skull. Skull? What sort of place is that? Well, from the very sound of it, one can tell it's a most forbidding and faraway place. Then we must help Christopher Robin. Help him get back... to here. And us. And me. Then it's a quest, is it? [Iaughs] That's the spirit. Hoo, the nobility of it. A Iong and dangerous journey through the Great Unknown. Of course, you'II need a map. D-d-d-dangerous? Oh, Owl,... you wouldn't suppose we'd meet any, uh... Heffalumps? Oh, thank you, I nearly forgot. Herds of Heffalumps. [mutters] Down here I fancy, in the... southeast corner of the far west portion. W-w-what about W-w-woozles? Woozles! Wonderful! - Jagulars? - Hoo-hoo, just a dozen or three. Here, there and yonder. Not to mention the fabled... [chuckles] Skullasaurus. S-skulla...s-saurus? Oh, come, come, come. Without a monster or two it's hardly a quest. Merely a gaggle of friends wandering about. Hoo-hoo-hoo, how I envy you. Not everyone has the chance to face the unspeakable terrors of the Great Unknown. # Today's the day # In only a matter of moments You'll all be on your way # What lurks around the corner Not a soul can say # But I can guess # More or less # Hidden dangers, great duress # Ah, the moment of glory Is close at hand # Hoo-wee, it's gonna be grand # Adventure is a wonderful thing # Pack only the essentials I'll tell you what to bring # Your strength, your nerve Your hearts, your wits # And for skullasaurus attacks First-aid kits # Adventure is a hoot and a half # You'll face unearthly dangers And look at them and laugh # The claws, the teeth The chase, the thrill # You'll never want to come home Maybe you never will # That's the beauty of adventure It's strictly sink or float # It runs you till you're ragged Then it grabs you by the throat # You'll struggle to survive Although the chances are remote # Hoo-hoo, lucky you Wish I was coming too # Adventure is a wonderful thing I almost forgot the very best part. You not only save your friend from the most dangerous place, namely Skull, but from the most dangerous part of the most dangerous place. The eye of the skull itself. Oh, bother. # And you, General Pooh # Off you go Marching high and low # Your friend waits at the end # Right here # Take a look The map is perfectly clear # With your excellent sense of direction You've nothing to fear # Through the quicksand and the chasms # Tempting fate and fighting spasms # Dodging avalanching boulders # Remember # Christopher Robin's fate Rests completely on your shoulders, Pooh Excuse me. # It's up to you # That's the beauty of adventure # The trembling and the dread # I can't think of another thing I'd rather do instead Perhaps you could join us? # No, no, you go ahead # Hoo-hoo, lucky you Tally-ho and toodle-oo # Ready now? Noble chin Chest out, tummy in # Make a fracas, have a fling # Drop a postcard, give a ring # Get the lead out, time to swing # Whoop-de-doo and ba-da-bing # Adventure # Is a wonderful thing # I salute you. And those of you doomed to never return, I salute you twice. [narrator] And so Pooh and his friends crossed over into... well, that part of the Hundred Acre Wood which Owl called the "Great Unknown. " It was the start of their quest for Christopher Robin. They would find him, Owl said, if they could get through the woods. For the woods, Owl said, were filled with Heffalumps... and Woozles,... and... who knew how much worse? Look! "The Upside Down Rock." "If you've made it this far... you're where... monsters... are." [distant growling] What was that? Sounded too hungry for a Heffalump. [growling continues] Too plump for a Jagular. [growling continues] I'd say it's a... big old... buggy-eyed, saber-toothy skullasaurus. Skullasaurus? - Which way do we run? - Where do we hide? What's the shortest shortcut home? I believe... that way is a good way. [all] Run! [all gibber] AIthough, this way could be better. [Tigger] Give me a break! - If not over here. - [all scream] AIthough... [chuckles] there might be particularly pleasant as well. [all gibber] Stop it! We're getting nowhere fast, Pooh, and that just won't do. A Ieader must be someone Ieaderly, quick-thinking, informed. Someone Iike... - me. - [Iouder growling] Well,... there. Anyone with half a set of smarts can see we Iose the beast by cutting across this Iovely meadow. [squawking] And a Iovely meadow it is. [gasps] Why, Iook. Is that a golden dahlia-daffodilus? Rare for this Iocation. What exactly is this Iocation, Rabbit? And might it be nearer Christopher Robin than farther? Why, we're right here, on course, of course. Where else w-would we be? [squawking] Owl, where are we? "Nice peeceful spot!" Ha! Indeed! [ping] - [ping] - Oh, d-d-dear. This is not the place for a small and frightfully fearful animal... such as myself. Or myself. Or himself. Thanks for noticing. Yes, well, uh, precisely why I chose it. No skullasauruses would dare follow us in here. [chuckles] [distant growling] [screams] Piglet! Come back! I can't Iose you, too. [butterfly squeaks] [Piglet giggles] - [butterfly squeaks] - [Pooh] Oh, my, my. I believe you've made a friend, Piglet. [chuckles] I believe you're right, Pooh. [butterfly squeaks] [whistles] [butterflies squeak] And another, it seems. And also that one. And that one, too,... as well. And he, or her. And her, and him. And they, and them. Face it, Piglet, old pal, you're just plain popular. Some piglets have it,... some donkeys don't. [butterflies squeak] Why, I believe, Piglet, they want to take you home with them. [chuckles] It's very kind of them, I'm sure, but I already have a home. Oh, d-d-dear. Piglet. Don't Ieave. I wouldn't if I couldn't, but I can't. Jump, Piglet. We'II catch you, Iikely as not. I would if I could, but they won't Iet me. Perhaps you can ask your friends to bring you back. Why, yes. But I don't know which way back is. [chuckles] It's down here. Look. I'm afraid I'm too afraid to Iook. Oh, if only Christopher Robin was here. Christopher Robin. Piglet, that's it. He said all I have to do is remember that you are... bigger than a big Ieaf... I mean, uh, bolder when you're not green. [sighs] Or... Is any of this making you feel any Iess afraid, Piglet? I'm afraid not, Pooh. Oh, bother. Hm. How to get a piglet down who is very... up. [butterflies squeak] [Pooh] Oh, bother. E-excuse me, b-but is that you, Pooh? Yes, Piglet, it is. Might we be coming down soon? I believe so, Piglet. Uh, how soon? [Pooh] Very. [mutters] [shrieks] That's throwin' your weight around, Buddy Bear. Imagine, being outnumbered by those buggy boys a zillion to one. What a guy. Brave indeed. Now if you don't mind, Crustopher Ribbon, Ristopher Crobbin, Rustopher Crobbin, is this way. Are you all right, Piglet? Yes, Pooh. Thank you. Saving me was very brave of you. But you're brave, too, Piglet. Braver than... something. I am? Oh, what thing is that? I'm not sure, Piglet. Oh, if only I could remember. [narrator] This way and that way the map led them, to all the places Christopher Robin wasn't. But to none of the places he was. And still Rabbit refused to realize the map didn't know which way it was going. So we first head east by south, then south by east. Of course, minus the magnetic variation, plus the wind drift. We clearly go... this way! I wonder if those rather forbidding Iooking things might be the Forbidden Mountains, where Christopher Robin is. [Piglet] You're right, Pooh. [Tigger] You found 'em, Buddy Bear. Excuse me. The way to there is over here. But, Rabbit, isn't that them, over there? Now, which are you going to believe, this official map or your own eyes? Look for yourself and you'II see we're right on course. It's all right there in black and white. Why would anyone want to wander around wondering which way to go when they have a map to follow? # A map is not a guess An estimation or a hunch # A feeling or a foolish intuition # A map is a dependable, unwavering # Inarguably accurate portrayer # Of your position # Never trust your ears, your nose, your eyes # Putting faith in them is most unwise # Here's a phrase you all must memorize # "In the printed word is where truth lies " Y es, but, Rabbit... # Never trust your tummies, your tails or toes # You can't learn a thing from any of those # Here's another fact I must disclose # From the mighty pen true wisdom flows # If it says so # Then it is so # If it is so, well, so it is # A thought's not fit to think till it's printed in ink # Then it says so So it is Y es, but I think... # Never trust that thing between your ears # Brains will get you nowhere fast My dears # Haven't had a need for mine in years # On the page is where the truth appears # If it says so Then it is so # If it is so So it is # A thought's not fit to think Till it's printed in ink # Never differ from or doubt it - Bother. - # Or go anywhere without it # Thank goodness we've got this # So we don't need to fret about it # If it says so # So it is # [shrieks] Oh, no! The map! Get the map! With only half a map we're... we're Iess than nowhere. After that map! I got it! Don't have it. I had it! I don't have it now. I want it again. I got it! I ain't got it. I don't have it. I got it! Wait, I'II get it... No! I don't... I have it! Hmm. I wonder what's causing this tail to fail. Maybe it just doesn't have what it takes. [creaking] Yikes! Christopher Robin! Tigger, of all the safer places to be... I don't think this is one. - You could fall. - Yeah. Well, you know what they say. What doesn't bounce up has got to fall down. - [Iaughs] - [creaking] Uh... there's no time for this. We've had too many delays. So you just bounce out of there this moment. [Iaughs] No way. The wind isn't right. But there isn't any wind. OK, OK, you've got me. [sobs] The truth is... [whimpers] my tail... just doesn't have... enough strength. [sobs] Oh. [chuckles] Don't worry, Tigger, Christopher Robin said I just have to remember you're... taller than a beam. Really? Or was it "slower than whipped cream?" Do you feel any bouncier now? Nope. Oh... [chuckles] Perhaps your tail just needs a hand. Could you... bounce up this far? Pooh Bear! Ooh. How about now? No, no, no. Thanks for trying. I'm goin' out the way I came in. [sobs] A second-rate bouncer. [creaking] Piglet! [snorts, sobs] Um... Uh, Tigger. Hm? Oh... OK. Look at the biceps on that bear. I don't deserve to dangle from the same precipice. [creaking] [muffled] What's Donkey Boy saying? I said "Ouch." [all scream] [splash] Yike! Now, don't worry, Piglet, it's only me. Oh. Yike! Now, don't worry, Piglet, it's only Tigger and Rabbit and Eeyore. The map! Whoo-hoo, we have it! We can go now! [distant growling] Worry now, Piglet, it's the skullasaurus. I know we went over this way... And I came across... But then I... I Iost my way over... And if I don't... I know... Might you know which way Christopher Robin is from here, Rabbit? Uh, well... Uh, I mean the... There's this way, of course. Not that it's the right way. We obviously want to go this way. Though that way's further than farther and nearer than not. AIthough we can't rule out this way. Now, if Christopher Robin was here, what would he say? Well, he'd say... "That Rabbit can't function in this humidity." "It's not his fault. This fog isn't even on the map." "And that... [sobs] that Rabbit is just not smart enough to know where to go or... what to do." Oh. Christopher Robin says "At a time Iike this... all I have to do is remember..." Remember what? I forget. But it's something Iike... you're smarter when you're pink. Does that help? No. I don't know where we are and where we aren't. And I haven't known for hours. [sighs] I've failed us all. [footsteps] I believe I have as well. Let's face it, without Christopher Robin, we don't have a chance of finding Christopher Robin. Perhaps we might rest in there until this mist is mostly... mistless. [Eeyore] End o

Tagalog

Sa sandaling unang sa huling araw ng isang ginintuang tag-init, nagkaroon ng isang batang lalaki ... at bear. Ang batang lalaki na ating masasalubong sa isang sandali, ay tinawag Christopher Robin. Magsilang ng sanggol ay tinawag Winnie ang puwe. At sama-sama sila'y nagkaroon ng maraming enggrandeng pakikipagsapalaran sa isang kapansin-pansin na lugar na tinatawag na ang Hundred Acre Wood. Ngunit ang grandest at pinaka-hindi pangkaraniwang ng lahat ng kanilang mga pakikipagsapalaran ay pa rin para magsimula. T oday, tingin ko, ay isang magandang araw para sa pagiging puwe.

Last Update: 2017-02-15
Subject: General
Usage Frequency: 1
Quality:

Reference:
Warning: Contains invisible HTML formatting

English

A king and queen have three daughters. All three of the girls are attractive, but one of them is absolutely gorgeous – Psyche. People come from all around just to check out how beautiful Psyche is. All this adoration of Psyche gets totally out of hand; men start worshiping her as if she were a goddess and ignore the altars of the goddess of love and beauty, Venus (a.k.a. Aphrodite). Men even start saying that Psyche is more beautiful than Venus. (Uh-oh.) We bet you can guess who got mad about this. Yup, that's right – Venus. The goddess of love gets kind of hateful and orders her son, Cupid (a.k.a. Eros), to go and punish Psyche by making her fall in love with the ugliest thing around. Cupid sneaks into Psyche's bedroom to do his mother's bidding, but, when he sees how beautiful Psyche is, he gets all distracted and pricks himself with his own arrow. Cupid falls instantly in love with Psyche and leaves without doing what his mother told him to do. Psyche's life continues on as usual: everybody comes to gawk at how hot she is. However, since Venus has it in for her, nobody ever falls in love with Psyche. Psyche's two sisters end up getting married, but Psyche is stuck sitting alone in her room. Getting worried that they've made some god angry, Psyche's parents decide to go consult the oracle of Apollo about their daughter's future. The oracle tells them that Psyche is destined to marry a monster that neither god nor mortal can resist. Psyche's parents are instructed to leave her on a mountain to await her monstrous husband. They cry a lot about it, but they do it anyway. So, Psyche is chilling on top of the mountain, fully expecting something terrible to happen. Zephyr, the west wind, comes and lifts her, carrying the princess gently from the mountaintop down to a beautiful field of flowers. Psyche comes across an amazing castle and goes inside. The place is decked out with tons of treasure and priceless pieces of art. She hears voices that tell her that the palace and all the amazing stuff in it is hers. She's treated to a wonderful feast, complete with an invisible singing chorus for entertainment. Her husband-to-be comes to her that night in the darkness of her bedroom, so she can't see what he looks like. He tells her that she must never try to see what he looks like. She's cool with that for a while, but eventually she gets lonely since he only comes at night and because there are no other humans around. Psyche convinces her invisible husband to let her sisters come and visit her. He reluctantly agrees and has Zephyr float them down. Psyche's sisters get super-jealous about her incredibly posh lifestyle. They start interrogating her about who her husband is. At first, Psyche lies and says he's a handsome young man who spends all day hunting in the mountains. They don't buy it, though, and keep pumping her for information. Eventually, Psyche admits that she's never seen him and that he only comes at night. The jealous sisters remind Psyche of the prophecy that she would marry a monster, and they convince their sister that she has to see what her husband looks like. They advise her to wait until he's asleep, then stand over him with a lamp and a knife (in case he's a monster). That night she follows her sisters' advice and sees that her husband is none other than Cupid. Psyche is blown away by how ridiculously handsome her husband is. She's so distracted that she lets a drop of oil fall and burns his skin. Cupid wakes up and sees his wife standing there with the lamp and a knife. Furious, he flies out the window, telling Psyche that she'll never see him again. The beautiful palace disappears and Psyche is left all alone. Totally depressed, Psyche goes back to her sisters and tells them what happened. As if they hadn't already shown how totally awful they were, the sisters now go to the mountaintop thinking that one of them might take Psyche's husband for themselves. They jump off the mountain, expecting Zephyr to take them down. (No such luck.) The jealous sisters fall to their deaths on the rocks below. Meanwhile, Psyche wanders around trying to find Cupid. She ends up going to a temple of Ceres (a.k.a. Demeter), goddess of the harvest. The temple is a total wreck, so Psyche cleans it up. Ceres is impressed with Psyche's devotion. Psyche asks for some help. Ceres wishes she could give Psyche a hand, but the goddess says she can't go against Venus. Ceres advises Psyche to go to Venus and humbly beg for forgiveness. Psyche takes Ceres' advice and presents herself to Venus. Venus is still crazy mad and gives Psyche a tongue lashing, telling the girl that Cupid is still trying to recover from the burn that the oil gave him when it dripped on him. The goddess of love tells Psyche that she must prove herself worthy to be Cupid's wife by completing a task. Psyche is taken to a storehouse full of wheat, millet, barley, and all kinds of stuff that Venus uses to feed her pigeons. Psyche is ordered to organize all the different kinds of grain – the wheat with the wheat, the barley with the barley, etc. The job seems pretty much impossible, and, to make matters worse, Venus orders Psyche to get it done by evening. Cupid intervenes, however, and inspires a colony of ants to come out of the ground and help out Psyche. (Phew! We were worried that Rumpelstiltskin might show up.) The ants get the job done and disappear underground. Venus returns and tells Psyche that it doesn't count, because Psyche couldn't have done it by herself. The next day the goddess of love gives her daughter-in-law another task. Psyche must collect golden fleece from the back of every sheep in a herd that hangs out by a river. As she's about to cross the river, though, a river god warns Psyche that, if she tries it when the sun is rising, the human-hating rams will kill her. The helpful river god advises her to wait until the noontime sun makes the herd go chill out in the shade; then the rams won't mess with her. Psyche follows the river god's advice and safely collects the wool. Venus is still not satisfied, though, saying again that Psyche didn't do it on her own. Next, the love goddess orders Psyche to go down to the world of the dead and see Proserpine (a.k.a. Persephone), the queen of the underworld and wife of Pluto (a.k.a. Hades). Venus says she wants Psyche to bring a little bit of Proserpine's beauty back in a box. Psyche bravely heads off to find the underworld, but she's really upset this time – going to the land of the dead is beyond dangerous. How is Psyche supposed to get to the underworld? Is she supposed to kill herself? She seems to think so. Thankfully, before Psyche jumps off a cliff, she hears a voice (Cupid) that tells her how to pull it off. The voice tells her where there's a cave that leads down to the underworld, how to convince Charon (the ferryman) to take her there and back, and how to avoid Cerberus, the vicious three-headed dog who guards the underworld. Psyche makes it to Pluto and Proserpine's palace in the land of the dead and tells Proserpine that Venus wants to borrow a little beauty. A box is given to Psyche, and she's on her way. The voice warns Psyche not to open the box, no matter what she does, but Psyche's just so curious and can't help herself. The girl opens the box, thinking that, if she had a little of the beauty herself, then she'd truly be worthy of Cupid. Unfortunately, there's no beauty in the box at all, and when Psyche takes off the lid, she's plunged into a deep sleep, collapsing in the middle of the road. Cupid, who has finally recovered from his burn, flies to help his wife. He wakes her up with one of his arrows, and he points out that once again her curiosity has gotten her in trouble. Cupid tells her to take the box to Venus and to let him take care of the rest. He flies to Jupiter (a.k.a. Zeus), and he begs the king of the gods to help him and Psyche. Jupiter summons Venus and convinces her to chill out about the whole thing. Then he brings Psyche up to Mt. Olympus, the home of the gods, and gives her some ambrosia, which makes the girl immortal. At long last, Cupid and Psyche get to be together. Cupid and Psyche end up having a daughter together, named Voluptas (a.k.a. Hedone, sometimes translated as Pleasure).

Tagalog

cupid and psyche tagalog version

Last Update: 2016-06-18
Subject: General
Usage Frequency: 1
Quality:

Reference:

English

buod sa talambuhay ni isko morenoIn the Philippine entertainment, Isko Moreno is an actor who had turned to politics as is career aside from being a celebrity. His real name is Francisco Domagoso, born in Tondo, Manila on October 24, 1974. He went to Arellano University, Pamantasan ng Lungsod ng Maynila and University of the Philippines for his education and a college degree in Bachelor of Laws. He was an only child to parents Joaquin and Rosario, who tried to raise him in spite of poverty and difficulties in life. His father worked as a stevedore at the North Harbor, and his earnings are barely enough to sustain the daily needs of the family. Isko saw this situation as a challenge and at an early age he tried to help and share in the burden of the family. He gathered all sorts of recyclable and reusable garbage such as plastics, cans, old newspapers and cartons and sold them. He was doing this until he had finished his elementary education at the Rosauro Almario Elementary School. In his high school days, he was a pedicab driver, and this supported him in his schooling at the Tondo High School. He did not mind the hardships and hindrances because he believed that all the hard works would pay off in the future. It is when he was enrolled in Marine Engineering at the Philippine Maritime Institute that luck and fate befalls him. This was the moment that he was discovered by Roxas. From doing bit roles he worked his way to become a good actor and be successful in his acting career. Focus is the right word to describe him, his firm determination to achieve whatever he wants is what makes him going. He used to be a member of German Moreno’s teen oriented show entitled “That’s Entertainment.” Isko used to work as a street vendor with a pushcart while studying until Wowie Roxas spotted and brought him to Kuya Germs (nickname of German Moreno.) That is how his acting and movie career started. Eventually, she married Diana Lynn Ditan and had four children namely, Vincent Patrick, Frances Diane, Joaquin Andre and Franco. It was in 1998 that he decided to enter politics, because of his desire to improve the plight of his community from where he came from. Barely new in the field, his opponents were surprised to see that he landed as one of the top councilors of the 1st District of Manila. He did his job, much to the amazement of the people in the political arena, which gained him a 3-term for the seat. Isko as he promised lived to create resolutions that served the interest of the poor population of Tondo. He did vow to serve the underprivileged people. Isko Moreno had completed his three-term Councilor in Manila and has won as Vice Mayor at the last election. Some of his memorable movie and TV appearances were, “May Minamahal,” “Muntik Na Kitang Minahal,””Sya’y Nagdadalaga,” “Exploitation,” “Mga Babae Sa Isla Azul,””Misteryosa,’ and “Tukso Layuan Mo Ako.” Other TV shows include, “Ligaw Na Bulaklak,””Bakekang,” “Mga Anghel Na Walang Langit,”

Tagalog

Summary biography of isko moreno

Last Update: 2016-02-16
Subject: General
Usage Frequency: 1
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English

A king and queen have three daughters. All three of the girls are attractive, but one of them is absolutely gorgeous – Psyche. People come from all around just to check out how beautiful Psyche is. All this adoration of Psyche gets totally out of hand; men start worshiping her as if she were a goddess and ignore the altars of the goddess of love and beauty, Venus (a.k.a. Aphrodite). Men even start saying that Psyche is more beautiful than Venus. (Uh-oh.) We bet you can guess who got mad about this. Yup, that's right – Venus. The goddess of love gets kind of hateful and orders her son, Cupid (a.k.a. Eros), to go and punish Psyche by making her fall in love with the ugliest thing around. Cupid sneaks into Psyche's bedroom to do his mother's bidding, but, when he sees how beautiful Psyche is, he gets all distracted and pricks himself with his own arrow. Cupid falls instantly in love with Psyche and leaves without doing what his mother told him to do. Psyche's life continues on as usual: everybody comes to gawk at how hot she is. However, since Venus has it in for her, nobody ever falls in love with Psyche. Psyche's two sisters end up getting married, but Psyche is stuck sitting alone in her room. Getting worried that they've made some god angry, Psyche's parents decide to go consult the oracle of Apollo about their daughter's future. The oracle tells them that Psyche is destined to marry a monster that neither god nor mortal can resist. Psyche's parents are instructed to leave her on a mountain to await her monstrous husband. They cry a lot about it, but they do it anyway. So, Psyche is chilling on top of the mountain, fully expecting something terrible to happen. Zephyr, the west wind, comes and lifts her, carrying the princess gently from the mountaintop down to a beautiful field of flowers. Psyche comes across an amazing castle and goes inside. The place is decked out with tons of treasure and priceless pieces of art. She hears voices that tell her that the palace and all the amazing stuff in it is hers. She's treated to a wonderful feast, complete with an invisible singing chorus for entertainment. Her husband-to-be comes to her that night in the darkness of her bedroom, so she can't see what he looks like. He tells her that she must never try to see what he looks like. She's cool with that for a while, but eventually she gets lonely since he only comes at night and because there are no other humans around. Psyche convinces her invisible husband to let her sisters come and visit her. He reluctantly agrees and has Zephyr float them down. Psyche's sisters get super-jealous about her incredibly posh lifestyle. They start interrogating her about who her husband is. At first, Psyche lies and says he's a handsome young man who spends all day hunting in the mountains. They don't buy it, though, and keep pumping her for information. Eventually, Psyche admits that she's never seen him and that he only comes at night. The jealous sisters remind Psyche of the prophecy that she would marry a monster, and they convince their sister that she has to see what her husband looks like. They advise her to wait until he's asleep, then stand over him with a lamp and a knife (in case he's a monster). That night she follows her sisters' advice and sees that her husband is none other than Cupid. Psyche is blown away by how ridiculously handsome her husband is. She's so distracted that she lets a drop of oil fall and burns his skin. Cupid wakes up and sees his wife standing there with the lamp and a knife. Furious, he flies out the window, telling Psyche that she'll never see him again. The beautiful palace disappears and Psyche is left all alone. Totally depressed, Psyche goes back to her sisters and tells them what happened. As if they hadn't already shown how totally awful they were, the sisters now go to the mountaintop thinking that one of them might take Psyche's husband for themselves. They jump off the mountain, expecting Zephyr to take them down. (No such luck.) The jealous sisters fall to their deaths on the rocks below. Meanwhile, Psyche wanders around trying to find Cupid. She ends up going to a temple of Ceres (a.k.a. Demeter), goddess of the harvest. The temple is a total wreck, so Psyche cleans it up. Ceres is impressed with Psyche's devotion. Psyche asks for some help. Ceres wishes she could give Psyche a hand, but the goddess says she can't go against Venus. Ceres advises Psyche to go to Venus and humbly beg for forgiveness. Psyche takes Ceres' advice and presents herself to Venus. Venus is still crazy mad and gives Psyche a tongue lashing, telling the girl that Cupid is still trying to recover from the burn that the oil gave him when it dripped on him. The goddess of love tells Psyche that she must prove herself worthy to be Cupid's wife by completing a task. Psyche is taken to a storehouse full of wheat, millet, barley, and all kinds of stuff that Venus uses to feed her pigeons. Psyche is ordered to organize all the different kinds of grain – the wheat with the wheat, the barley with the barley, etc. The job seems pretty much impossible, and, to make matters worse, Venus orders Psyche to get it done by evening. Cupid intervenes, however, and inspires a colony of ants to come out of the ground and help out Psyche. (Phew! We were worried that Rumpelstiltskin might show up.) The ants get the job done and disappear underground. Venus returns and tells Psyche that it doesn't count, because Psyche couldn't have done it by herself. The next day the goddess of love gives her daughter-in-law another task. Psyche must collect golden fleece from the back of every sheep in a herd that hangs out by a river. As she's about to cross the river, though, a river god warns Psyche that, if she tries it when the sun is rising, the human-hating rams will kill her. The helpful river god advises her to wait until the noontime sun makes the herd go chill out in the shade; then the rams won't mess with her. Psyche follows the river god's advice and safely collects the wool. Venus is still not satisfied, though, saying again that Psyche didn't do it on her own. Next, the love goddess orders Psyche to go down to the world of the dead and see Proserpine (a.k.a. Persephone), the queen of the underworld and wife of Pluto (a.k.a. Hades). Venus says she wants Psyche to bring a little bit of Proserpine's beauty back in a box. Psyche bravely heads off to find the underworld, but she's really upset this time – going to the land of the dead is beyond dangerous. How is Psyche supposed to get to the underworld? Is she supposed to kill herself? She seems to think so. Thankfully, before Psyche jumps off a cliff, she hears a voice (Cupid) that tells her how to pull it off. The voice tells her where there's a cave that leads down to the underworld, how to convince Charon (the ferryman) to take her there and back, and how to avoid Cerberus, the vicious three-headed dog who guards the underworld. Psyche makes it to Pluto and Proserpine's palace in the land of the dead and tells Proserpine that Venus wants to borrow a little beauty. A box is given to Psyche, and she's on her way. The voice warns Psyche not to open the box, no matter what she does, but Psyche's just so curious and can't help herself. The girl opens the box, thinking that, if she had a little of the beauty herself, then she'd truly be worthy of Cupid. Unfortunately, there's no beauty in the box at all, and when Psyche takes off the lid, she's plunged into a deep sleep, collapsing in the middle of the road. Cupid, who has finally recovered from his burn, flies to help his wife. He wakes her up with one of his arrows, and he points out that once again her curiosity has gotten her in trouble. Cupid tells her to take the box to Venus and to let him take care of the rest. He flies to Jupiter (a.k.a. Zeus), and he begs the king of the gods to help him and Psyche. Jupiter summons Venus and convinces her to chill out about the whole thing. Then he brings Psyche up to Mt. Olympus, the home of the gods, and gives her some ambrosia, which makes the girl immortal. At long last, Cupid and Psyche get to be together. Cupid and Psyche end up having a daughter together, named Voluptas (a.k.a. Hedone, sometimes translated as Pleasure).

Tagalog

cupid and psyche (salin sa filipino)

Last Update: 2015-06-15
Subject: General
Usage Frequency: 4
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English

Scene 2: An Angel Visits Mary MARY enters from the side and stands near the BASKET OF CLOTHES. MARY begins folding the clothes. NARRATOR God sent the angel Gabriel to Nazareth, a town in Galilee. ANGEL begins sneakily tip-toeing from the side, making their way to stand behind MARY, who doesn’t notice. NARRATOR He was sent to a girl named Mary. The angel greeted her and said... ANGEL 1 (Jumps out from behind MARY) Mary! MARY throws the piece of clothing she was folding in the air. MARY takes a few steps away and hides behind the RECTANGULAR BOX. ANGEL 1 The Lord has given you special favor. He is with you. NARRATOR Mary was very upset because of his words. Mary wondered... MARY stands up and scratches her head. MARY What kind of greeting this could be? NARRATOR But the angel said to her... ANGEL 1 (Holds out a hand out) Do not be afraid, Mary. God is very pleased with you. NARRATOR Then the angel said... The ANGEL reaches into their sash, pulls out the FOLDED LETTER, walks over to the NARRATOR, and hands it to them. The NARRATOR unfolds the letter and glances over it, then looks at the ANGEL quizzically. The ANGEL leans over and whispers in the NARRATOR’S ear. The NARRATOR nods. NARRATOR Ladies and Gentlemen, the angel has informed me that, after a long and tiring trip from heaven, they’d like a little help delivering their long message from God. Any volunteers? (Waits a second.) Ah, yes, you over there. The ANGEL’S MOM OR DAD comes and stands next to the NARRATOR. The NARRATOR hands the LETTER to the ANGEL’S MOM OR DAD. The ANGEL returns to where they were onstage. NARRATOR The angel continued... PARENT NARRATOR You will become pregnant... The ANGEL pats their belly a few times. PARENT NARRATOR And give birth to a son. You must name him Jesus. The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in one hand. PARENT NARRATOR He will be great and will be called the Son of the Most High God. The ANGEL flexes their muscles several times like a body builder. PARENT NARRATOR The Lord God will make him a king like his father David of long ago. The ANGEL grabs the CROWN SIGN from the back of the stage, holds it up for the audience to see, and hands it to MARY, who holds it in her other hand. PARENT NARRATOR He will rule forever over his people, who came from Jacob's family. His kingdom will never end. NARRATOR Mary asked the angel... PARENT NARRATOR How can this happen? MARY shrugs. NARRATOR The angel answered... PARENT NARRATOR The Holy Spirit will come to you. The ANGEL reaches up to the sky and slowly lowers their hands to waist level while wiggling their fingers. PARENT NARRATOR The power of the Most High God will cover you. So the holy one that is born will be called the Son of God. ANGEL 1 Nothing is impossible with God. NARRATOR Mary answered... MARY I serve the Lord. May it happen to me just as you said it would. NARRATOR Then the angel left her. The ANGEL exits to the side of the stage. MARY sets the SIGNS back on the back of the stage. MARY puts the clothes in the basket and exits to the side of the stage. Scene 3: An Angel Visits Joseph in a Dream NARRATOR This is how the birth of Jesus Christ came about. JOSEPH enters from the side of the stage, holding a BOUQUET OF FLOWERS. NARRATOR His mother Mary and Joseph had promised to get married. JOSEPH gestures over to the side of the stage for someone to come over. MARY enters in slowly from the side of the stage with a noticeably pregnant belly, holding one hand against the small of her back. NARRATOR But before they started to live together, it became clear that she was going to have a baby. She became pregnant by the power of the Holy Spirit. JOSEPH stares with his mouth open, throws the FLOWERS in the air, and puts his head in his hands. MARY covers her face, crying, and runs, exiting to the side of the stage. NARRATOR Her husband Joseph was a godly man. JOSEPH paces back and forth, pretending to talk to himself. NARRATOR He did not want to put her to shame in public. So he planned to divorce her quietly. NARRATOR But as Joseph was thinking about this... JOSEPH sits down on the RECTANGULAR BOX and poses like the thinker. He slowly leans his head and lays down on the RECTANGULAR BOX to sleep. NARRATOR ...an angel of the Lord appeared to him in a dream. The ANGEL runs in from the side, does a somersault, and jumps up with arms outstretched. NARRATOR The angel said... ANGEL 2 (Holding out one hand to Joseph) Joseph, son of David... JOSEPH sits up, startled. He hides behind the RECTANGULAR BOX. ANGEL 2 Don't be afraid to take Mary home as your wife. PARENT NARRATOR The baby inside her... The ANGEL pats their belly a few times. PARENT NARRATOR ...is from the Holy Spirit. The ANGEL holds out their hands up to the sky and wiggles his fingers while hopping from foot to foot. PARENT NARRATOR She is going to have a son. You must give him the name Jesus. The ANGEL grabs the JESUS SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand. PARENT NARRATOR That is because he will save his people from their sins. The ANGEL grabs the SAVIOR SIGN from the back of the stage, holds it up for the audience to see, and hands it to JOSEPH, who holds it in one hand. After a beat, the ANGEL takes the SIGNS back and sets the where they were before. The ANGEL helps JOSEPH lay back down on the RECTANGULAR BOX. The ANGEL grabs the BLANKET from behind the RECTANGULAR BOX and lays it on JOSEPH. The ANGEL then exits to the side of the stage, doing another somersault as they leave. NARRATOR Joseph woke up. JOSEPH sits up, pulls off the BLANKET, and sets it behind the RECTANGULAR BOX. JOSEPH rubs his eyes with his palms, pinches himself, and stands up. NARRATOR He did what the angel of the Lord commanded him to do. JOSEPH Mary! MARY does a pregnant-style run over to JOSEPH. JOSEPH pats down his torso, as if feeling in his pockets. He then does a “COME ON” gesture towards the NARRATOR. The NARRATOR walks over to JOSEPH and hands him a ring. JOSEPH bows down on one knee. MARY holds a hand, and JOSEPH puts a ring on it. NARRATOR He took Mary home as his wife. JOSEPH and MARY hold hands and exit to the side of the stage. Scene 4: Mary and Joseph Travel to Bethlehem NARRATOR In those days, Caesar Augustus made a law. CAESAR AUGUSTUS enters from the side holding a SCROLL and stands in the center of the stage. CAESAR AUGUSTUS lets the SCROLL roll to the ground and pretends to read it. CAESAR AUGUSTUS Hear ye, hear ye! Let there be a list be made of everyone in the whole Roman world. CAESAR AUGUSTUS exits to the side of the stage. NARRATOR All went to their own towns to be listed. So Joseph went also. He went from the town of Nazareth in Galilee to Judea. The INNKEEPERS enter from the side of stage, holding INNKEEPER SIGNS, with their heads poking out from the cutout of the sign. They stand, spread out in a long line. NARRATOR That is where Bethlehem, the town of David, was. JOSEPH enters from the side, pulling a WAGON with MARY riding in it. MARY is looking very pregnant. NARRATOR He went there with Mary to be listed. Mary was engaged to him. She was expecting a baby. JOSEPH pulls the wagon up to INNKEEPER 1 and knocks on their INNKEEPER SIGN. INNKEEPER 1 No room! JOSEPH pulls the wagon up to INNKEEPER 2 and knocks on their INNKEEPER SIGN. INNKEEPER 2 No room! JOSEPH pulls the wagon up to INNKEEPER 3 and knocks on their INNKEEPER SIGN. INNKEEPER 3 No room! NARRATOR There was no room for them in the inn. The INNKEEPERS exit to the side of the stage. The STABLEKEEPER enters from the side carrying the STABLEKEEPER SIGN and stands in the center of the stage, in front of the RECTANGULAR BOX. JOSEPH pulls the wagon over to the STABLEKEEPER and KNOCKS on their STABLEKEEPER SIGN. STABLEKEEPER There’s room in the barn! JOSEPH gives the STABLEKEEPER a bow of thanks. The STABLEKEEPER exits to the side of the stage. JOSEPH and MARY sit on the RECTANGULAR BOX. The STAGE HANDS carry the MANGER and set it in the middle of the stage. Scene 5: Jesus is Born in a Stable NARRATOR While Joseph and Mary were there, the time came for the child to be born. JOSEPH kneels next to MARY and grabs her hand. He rubs his hand once along her hair. NARRATOR She gave birth to her first baby. JOSEPH reaches behind the RECTANGULAR BOX and grabs the BABY. JOSPEH (Holding the BABY up) It’s a boy! MARY grabs the BLANKET from behind the RECTANGULAR BOX . JOSEPH hands the BABY to MARY. NARRATOR She wrapped him in large strips of cloth. MARY wraps the BABY in the BLANKET. NARRATOR Then she placed him in a manger. MARY places the BABY in the manger. MARY and JOSEPH exit to the side of the stage, taking the WAGON with them. Scene 6: The Angels Visit Shepherds NARRATOR There were shepherds living out in the fields nearby. A group of SHEPHERDS enter from the side of the stage. NARRATOR They were looking after their sheep. A group of children dressed as SHEEP enter from the side of the stage wearing SHEEP HATS and sit down, scattered near the center. NARRATOR It was night. The SHEEP yawn and stretch. The SHEPHERDS run to the side of the stage and grab blankets and pillows. The SHEPHERDS proceed to tuck each of the sheep in by laying then down on the floor, placing a pillow under their heads, and pulling a blanket over them. When the SHEPHERDS are finished, they sit down on or near the RECTANGULAR BOX . NARRATOR An angel of the Lord appeared to them. ANGEL 3 jumps out from the side of the stage with their hands up and stands near the SHEPHERDS. NARRATOR And the glory of the Lord shone around them and they were terrified. The SHEPHERDS kneel and cower in fear, hiding behind the RECTANGULAR BOX. NARRATOR But the angel said to them... ANGEL 3 (Holding out a hand) Do not be afraid. I bring you good news of great joy. PARENT NARRATOR It is for all the people. The ANGEL gestures out toward the audience. PARENT NARRATOR Today in the town of David a Savior has been born to you. He is Christ the Lord. The ANGEL makes the baseball “Safe!” sign with their arms. PARENT NARRATOR Here is how you will know I am telling you the truth. You will find a baby wrapped in strips of cloth... The ANGEL grabs the BABY SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand. PARENT NARRATOR And lying in a manger. The ANGEL grabs the MANGER SIGN from the back of the stage, holds it up for the audience to see, and hands it to one of the SHEPHERDS, who holds it in their hand. NARRATOR Suddenly a large group of angels from heaven also appeared. ANGEL 1 and ANGEL 2 run on stage and stand next to ANGEL 1. NARRATOR They were praising God. They said... ANGELS 1, 2 AND 3 (Raising their hands to the sky) Glory to God in heaven! PARENT NARRATOR And may peace be given to those he is pleased with on earth! NARRATOR The angels left and went into heaven. The ANGELS exit to the side of the stage. NARRATOR Then the shepherds said to one another... SHEPHERDS Let's go to Bethlehem. PARENT NARRATOR Let's see this thing that has happened, which the Lord has told us about." NARRATOR So they hurried off... The SHEPHERDS and all of the SHEEP exit to the right of the stage. NARRATOR They found Mary and Joseph and the baby. MARY and JOSEPH enter from the side of the stage and sit on the RECTANGULAR BOX. NARRATOR The baby was lying in the manger. The SHEPHERDS enter from the side of the stage and kneel around the manger. NARRATOR After the shepherds had seen him, they told everyone. They reported what the angel had said about this child. The SHEPHERDS run all over into the audience, going to various people, putting their hands on their shoulders and saying, “Jesus is born!” After 30 seconds of this, they run to the back of the auditorium and wait. NARRATOR Everyone who heard it were amazed at what the shepherds said to them. (Pauses) I said, everyone who heard it were amazed at what the shepherds said to them. (Gestures to the congregation) CONGREGATION Oooooh! Aaaaaah! NARRATOR But Mary kept all these things like a secret treasure in her heart. MARY picks up the BABY and walks off the side of the stage, looking up contemplatively. JOSEPH exits to the side of the stage after her. NARRATOR She thought about them over and over. NARRATOR The shepherds returned. The SHEPHERDS run from the back on the auditorium and onto the stage. NARRATOR They gave glory and praise to God. The SHEPHERDS to a brief, silly dance of celebration. NARRATOR Everything they had seen and heard was just as they had been told. The SHEPHERDS exit to the side of the stage. THE END

Tagalog

script ng isang comedy-play

Last Update: 2014-12-27
Subject: General
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