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PP-IPTEK memiliki sarana berupa gedung yang di desain futuristic dengan luas lantai 23.400 m2. Saat ini sekitar 300 alat peraga tersebar di gallery yang terbagi dalam 14 wahana, dan didukung oleh bengkel / workshop yang cukup lengkap untuk pembuatan prototype dan manufaktur alat peraga, antara lain : elektronik, kayu dan bubut. Halaman / lansekap seluas 42.300 m2 sangat memadai untuk berbagai kegiatan out-door, science camp, dan parkir bagi rombongan berjumlah besar. - See more at: http://ppiptek.ristek.go.id/fasilitas#sthash.W5S1Jy3X.dpuf
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Menurut world health organization (WHO), salah satu penyebab morbiditas dan mortalitas ibu dan janin adalah preeklampsia, angka kejadiannya berkisar antara 0,51%-38,4%. Di negara maju angka kejadian preeklampsia berkisar 6-7% dan eklampsia 0,1-0,7% . Tujuan penelitian ini untuk mengetahui gambaran penatalaksanaan asuhan kebidanan pada ibu hamil dengan preeklampsia di rumah sakit umum bahteramas provinsi sulawesi tenggara tahun 2016. Jenis penelitian ini yang digunakan adalah deskriptif dengan pendekatan survey dan observasi. Penelitian ini telah dilaksanakan pada tanggal 02 mei- 11 mei 2016. Populasi dalm penelitian ini yaitu bidan diruang delima sebanyak 36 orang bidan dan trknik pengambilan sampel secara accidental sampling. Jumlah sampel dalam penelitian ini adalah sebanyak 4 orang bidan. Hasil penelitian: gambaran penatalaksanaan asuhan kebidanan hasil survey pengetahuan pada tahap pengkajian pada bidan L kategori baik dan hasil observasi kategori kurang, hasil survey pengetahuan pada tahap diagnosa masalah aktual pada bidan L kategori baik dan hasil observasi kategori kurang, hasil survey pengetahuan pada tahap identifikasi masalah potensial pada bidan L kategori baik dan hasil observasi kategori kurang, hasil survey pengetahuan pada tahap antisipasi tindakan segera/kolaborasi pada bidan L dan A secara survey kategori baik dan hasil observasi kategori kurang, hasil survey pengetahuan pada tahap perencanaan pada bidan S kategori baik dan hasil observasi kategori kurang, hasil survey pada tahap pelaksanaan pada bidan S kategori baik dan hasil observasi kategori kurang, hasil survey pada tahap evaluasi pada bidan S kategorí baik dan hasil observasi kategori kurang. Simpulan, meningkatkan keterampilan, kesiagaan dan kecakapan bidan dalam melaksanakan asuhan kebidanan preeklampsia.
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"Bacchus" redirects here. For other uses, see Bacchus (disambiguation).
This article is about the Greco-Roman deity. For other uses of the names "Dionysus" and "Dionysos", see Dionysos (disambiguation). For other uses of the theophoric name "Dionysius", see Dionysius (disambiguation).
God of the Vine, Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, and Theatre.
Dionysos Louvre Ma87 n2.jpg
2nd-century Roman statue of Dionysus, after a Hellenistic model (ex-coll. Cardinal Richelieu, Louvre)
Abode Mount Olympus
Symbol Thyrsus, grapevine, leopard skin, panther, tiger, cheetah
Parents Zeus and Semele
Siblings Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces
Roman equivalent Bacchus, Liber
Etruscan equivalent Fufluns
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Dionysus (/daɪ.əˈnaɪsəs/; Greek: Διόνυσος, Dionysos) is the god of the grape harvest, winemaking and wine, of ritual madness, fertility, theatre and religious ecstasy in Greek mythology. Alcohol, especially wine, played an important role in Greek culture with Dionysus being an important reason for this life style. His name, thought to be a theonym in Linear B tablets as di-wo-nu-so (KH Gq 5 inscription), shows that he may have been worshipped as early as c. 1500–1100 BC by Mycenean Greeks; other traces of the Dionysian-type cult have been found in ancient Minoan Crete. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In some cults, he arrives from the east, as an Asiatic foreigner; in others, from Ethiopia in the South. He is a god of epiphany, "the god that comes", and his "foreignness" as an arriving outsider-god may be inherent and essential to his cults. He is a major, popular figure of Greek mythology and religion, and is included in some lists of the twelve Olympians. Dionysus was the last god to be accepted into Mt. Olympus. He was the youngest and the only one to have a mortal mother. His festivals were the driving force behind the development of Greek theatre. He is an example of a dying god.
The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or "man-womanish". In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession (thiasus) is made up of wild female followers (maenads) and bearded satyrs with erect penises. Some are armed with the thyrsus, some dance or play music. The god himself is drawn in a chariot, usually by exotic beasts such as lions or tigers, and is sometimes attended by a bearded, drunken Silenus. This procession is presumed to be the cult model for the human followers of his Dionysian Mysteries. In his Thracian mysteries, he wears the bassaris or fox-skin, symbolizing a new life. Dionysus is represented by city religions as the protector of those who do not belong to conventional society and thus symbolizes everything which is chaotic, dangerous and unexpected, everything which escapes human reason and which can only be attributed to the unforeseeable action of the gods.
Also known as Bacchus (/ˈbækəs/ or /ˈbɑːkəs/; Greek: Βάκχος, Bakkhos), the name adopted by the Romans and the frenzy he induces, bakkheia. His thyrsus is sometimes wound with ivy and dripping with honey. It is a beneficent wand but also a weapon, and can be used to destroy those who oppose his cult and the freedoms he represents. He is also called Eleutherios ("the liberator"), whose wine, music and ecstatic dance frees his followers from self-conscious fear and care, and subverts the oppressive restraints of the powerful. Those who partake of his mysteries are possessed and empowered by the god himself. His cult is also a "cult of the souls"; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead.
In Greek mythology, he is presented as a son of Zeus and the mortal Semele, thus semi-divine or heroic: and as son of Zeus and Persephone or Demeter, thus both fully divine, part-chthonic and possibly identical with Iacchus of the Eleusinian Mysteries. Some scholars believe that Dionysus is a syncretism of a local Greek nature deity and a more powerful god from Thrace or Phrygia such as Sabazios or Zalmoxis.gogle terjemahan english indonesia
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