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henning brockhaus - con la collaborazione di ezio toffolutti per le scene e i costumi e di maria cristina madau per i movimenti coreografici, ha trasformato la turandot in un ulteriore caso di teatro nel teatro: un'idea tutt'altro che gratuita, che evidenzia la (sia pur contraddittoria) presa di distanza novecentista di puccini dalla vicenda rappresentata.
henning brockhaus, with the collaboration of ezio toffolutti for the scenes and costumes, and maria cristina madau for the choreography, has transformed turandot into another example of theatre within theatre. the idea is a welcome one, and it sheds light on puccini's albeit contradictory twentieth-century dissociation from the plot.
Last Update: 2018-02-13
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