Results for koprodukcijske translation from Serbian to English

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koprodukcijske

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Serbian

u prvoj knjizi zabeleženi su počeci filma na balkanu, kao i veze između kinematografa iz nekoliko zemlja koje su nastale putem koprodukcijske saradnje ili kroz zajedničke teme koje su potekle iz zajedničkog kulturnog ili političkog konteksta.

English

the volume chronicles the beginnings of film in the balkans, as well as the connection cinematographers had to each other in several countries, either through co-productions or common topics that originated in a common cultural and political context.

Last Update: 2016-01-20
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Serbian

knjiga obuhvata radove stručnjaka sa celog balkana: borisa nonevskog, ilindenke petruseve, vesne maslovarić, igora stardelova i elizabete seleve iz makedonije; radoslava zelenovića i dejana kosanovića iz srbije i crne gore; aleksandra grozeva iz bugarske; marijana tutija iz rumunije; asafa Đanića iz bosne i hercegovine; natase lako iz albanije; ive skrbala iz hrvatske; ljiljane nedić iz slovenije; samija sekeroglua iz turske i ivana forgasa iz mađarske. u prvoj knjizi zabelezeni su počeci filma na balkanu, kao i veze između kinematografa iz nekoliko zemlja koje su nastale putem koprodukcijske saradnje ili kroz zajedničke teme koje su potekle iz zajedničkog kulturnog ili političkog konteksta. inicijatori projekta i neki od autora odlučili su da naredne dve godine posvete radu na drugoj knjizi istorije kinematografije balkana.

English

it includes contributions from writers across the balkans: boris nonevski, ilindenka petrusheva, vesna maslovaric, igor stardelov and elisabeta sheleva from macedonia; radoslav zelenovic and dejan kosanovic from serbia-montenegro; aleksandar grozev from bulgaria; marian tutui from romania; asaf djanic from bosnia and herzegovina; natasha lako from albania; ivo shkrbalo from croatia; liljana nedic from slovenia; sami shekeroglu from turkey and ivan forgacs from hungary. the volume chronicles the beginnings of film in the balkans, as well as the connection cinematographers had to each other in several countries, either through co-productions or common topics that originated in a common cultural and political context. the initiators of the project and some of the authors have decided to devote the next two years to a second book on balkan cinematographic history.

Last Update: 2012-04-07
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