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* 1965: nat king cole, cantante estadounidense (n. 1919).
1944)*1965 – nat king cole, american singer and pianist (b.
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la canción fue grabada en primer lugar por nat king cole.
the song was recorded first by nat king cole.
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la canción fue grabada por primera vez en 1946 por the nat king cole trio.
"the nat king cole trio first recorded the song early in 1946.
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en una entrevista en 1968 él citó a lena horne, nat "king" cole y bing crosby como sus influencias musicales.
in a 1968 interview, mathis cited lena horne, nat king cole, and bing crosby among his musical influences.
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allí obtuvo éxito en los clubs, atrayendo la atención de artistas consagrados de jazz como oscar peterson, stan kenton y nat king cole.
d'rone achieved success in chicago clubs, attracting the attention of such jazz luminaries as oscar peterson, stan kenton and nat king cole.
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el humorista estrenó para celebridades tales como judy garland, patti page, nat king cole, billy eckstine, lena horne y tony martin.
the comedian began opening for many celebrities including judy garland, patti page, nat king cole, billy eckstine, lena horne and tony martin.
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durante la gira nat king cole fue atacado en escena mientras tocaban en birmingham (alabama), por un grupo de segregacionistas blancos.
during the tour, nat king cole was attacked on stage in birmingham, alabama by a group of white segregationists.
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tormé también grabó una versión del tema de nat king cole "straighten up and fly right" con su hijo, el cantante steve march tormé.
tormé also recorded a version of nat king cole's "straighten up and fly right" with his son, alternative/adult contemporary/jazz singer steve march tormé.
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como reemplazante a último momento de oscar moore, les paul tocó con nat king cole y otros artistas en la inauguración del concierto jazz at the philharmonic, en los Ángeles el 2 de julio de 1944.
as a last-minute replacement for oscar moore, paul played with nat king cole and other artists in the inaugural jazz at the philharmonic concert in los angeles, california, on july 2, 1944.
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su glamoroso restaurante, sugar ray's, atraía estrellas como frank sinatra, jackie gleason, nat king cole, joe louis, y lena horne.
his glamorous restaurant, sugar ray's, hosted stars such as frank sinatra, jackie gleason, nat "king" cole, joe louis, and lena horne among others.
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también actuó, como un sacerdote francés en el conflicto de vietnam, en "china gate" (film en el cual aparecía nat king cole).
he also appeared as a french priest in a war movie, again about the french involvement in vietnam, called "china gate" (which features the acting of nat king cole).
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aunque nadie en su familia era músico, a sus padres les encantaba la música swing y sus influencias más tempranas incluyen peggy lee, nat king cole, ira gershwin, irving berlin y johnny mercer.
although no one in his family played music, his parents loved swing music and his early influences included peggy lee, nat king cole, ira gershwin, irving berlin and johnny mercer.
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en apariciones personales en radio y televisión, cantaron con personalidades como rudy vallee, judy garland y nat "king" cole, jimmie rodgers, andy williams, y the supremes.
in personal appearances, on radio and on television, they sang with everyone from rudy vallee, judy garland and nat "king" cole to jimmie rodgers, andy williams, and the supremes.
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ese año también hizo el papel de "aunt hagar" en "st. louis blues", junto a mahalia jackson, eartha kitt, y nat king cole.
also that year, she played the role of "aunt hagar" in the movie "st. louis blues", alongside mahalia jackson, eartha kitt, and nat king cole.
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dick lapalm, promotor de grabaciones de nat cole, peggy lee y otros le consiguió su primer contrato de grabación con "mercury records" y lo presentó a nat "king" cole.
dick lapalm, a record promoter for nat cole and peggy lee amongst others, got him his first recording contract with mercury records and introduced him to cole.
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sus ídolos musicales mientras crecía eran "michael jackson", "elvis costello", "tom waits", y "nat king cole".
his musical idols growing up included michael jackson, elvis costello, tom waits, and nat king cole.
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" (riverside records)* 1962 "that's how i love the blues" (riverside)* 1965 "swingin' singin' affair" (fontana)* 1966 "who can i turn to" (immediate)* 1970 "midnight mood" (saba)* 1973 "bridging a gap" (muse)* 1975 "mark 2 (muse)* 1975 "mark murphy sings" (muse)* 1977 "mark murphy sings mostly dorothy fields & cy coleman" (audiophile)* 1978 "stolen moments" (muse)* 1979 "satisfaction guaranteed" (muse)* 1981 "bop for kerouac" (muse)* 1982 "the artistry of mark murphy" (muse)* 1983 "brazil song (cancões do brazil)" (muse)* 1983 "mark murphy sings the nat king cole songbook" (muse)* 1984 "living room" (muse)* 1985 "beauty and the beast" (muse)* 1986 "kerouac then and now" (muse)* 1987 "september ballads" (milestone)* 1990 "what a way to go" (muse)* 1991 "i'll close my eyes" (muse)* 1991 "night mood" (milestone)* 1996 "north sea jazz sessions, vol.
" (riverside)* 1965 "swingin' singin' affair" (fontana)* 1966 "who can i turn to" (immediate)* 1970 "midnight mood" (saba)* 1973 "bridging a gap" (muse)* 1975 "mark 2" (muse)* 1975 "mark murphy sings" (muse)* 1977 "mark murphy sings mostly dorothy fields & cy coleman" (audiophile)* 1978 "stolen moments" (muse)* 1979 "satisfaction guaranteed" (muse)* 1981 "bop for kerouac" (muse)* 1982 "the artistry of mark murphy" (muse)* 1983 "brazil song (cancões do brazil)" (muse)* 1983 "mark murphy sings the nat king cole songbook" (muse)* 1984 "living room" (muse)* 1985 "beauty and the beast" (muse)* 1986 "kerouac then and now" (muse)* 1987 "september ballads" (milestone)* 1990 "what a way to go" (muse)* 1991 "i'll close my eyes" (muse)* 1991 "night mood" (milestone)* 1996 "north sea jazz sessions, vol.
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