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The Croods is a story all about a caveman family who live in a cave and are the only humans on Earth, well at least that’s what they think! They hardly ever leave their cave unless they are hunting for food. The heroin of this story is the teenage daughter called Eep, meaning stone. She lives with her crazy grandma, her little baby sister, her younger brother, her Mum and her over protective Dad! Eep gets annoyed with her dad a lot as she wants to do more with her life, but her father wants them… to well stay alive! One night, Eep sees a bright light coming from outside the cave and, being her usual self, she is keen to follow it. She crawls out the cave, watching out for any predators ready to eat her, she sees more and more little sparks of light and there finds a fire! She meets a new character in her journey to freedom and he leads them to a large mountain to escape the destruction of the earth! Will they make it? Will her father let them go through those risks? Eep is told to follow the light to not be afraid but will this work with her father telling her “new is bad”? The Croods has a great movie with a contrast of excitement, worry, happiness, sadness, and most of all action! Have you ever had to choose between friends and family? Well in this movie poor Eep has no hope. She is stuck with her family for a long time, that is until she finds someone that’s not just a blood relative, but someone her age, someone that looks like her and someone that isn’t just an animal trying to eat her… but he’s a boy! This boy is the opposite of staying safe. He brings the Croods on an amazing adventure, telling stories, setting traps, finding shelters and becoming very popular with the Croods. Although you could say that the Dad was a little jealous, and at times it kind of gets out of hand! I found the story is disappointingly vague at times as to why The Croods and this boy keep running, putting it all under the general heading of “going where the sun goes”. However, the colours in the movie, the plants and the animals, were the icing on the cake! You could say their world changes when this boy ‘Guy’ enters the picture. He is a rank higher in the adventure chain, having travelled far and wide, learnt to make clothes and shoes out of animal skin, and more importantly, learnt how to make fire. There is a magical scene when Eep sees fire for the first time, the sun that she always saw now apparently at her command. Guy is a man of “ideas”, pitted against the father, the man of brute force. So why don’t you take a visit to the land of cinema and snuggle down with a bucket of popcorn and a can of coke, and there you have it, you are watching one of the best children’s movies around. So go and visit Eep, Guy and the wonderful Croods and watch their amazing adventure to follow the light and save themselves before the world crumbles at their feet. It’s a must see!
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the story of an hourThe Story of An Hour
by Kate Chopin
Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.
It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.
There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.
She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which someone was singing reached her faintly, and countless sparrows were twittering in the eaves.
There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.
She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.
She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.
There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.
Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: "free, free, free!" The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.
She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.
There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.
And yet she had loved him--sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!
"Free! Body and soul free!" she kept whispering.
Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission. "Louise, open the door! I beg; open the door--you will make yourself ill. What are you doing, Louise? For heaven's sake open the door."
"Go away. I am not making myself ill." No; she was drinking in a very elixir of life through that open window.
Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.
She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom.
Someone was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife.
When the doctors came they said she had died of heart disease--of the joy that kills.
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History First known selfie, taken by Robert Cornelius in 1839 Robert Cornelius, an American pioneer in photography, produced a daguerreotype of himself in 1839 which is also one of the first photographs of a person. Because the process was slow, Cornelius was able to run into the shot for a minute or more, and then replace the lens cap. He recorded on the back "The first light Picture ever taken. 1839." Woman taking her picture in a mirror, ca. 1900 The debut of the portable Kodak Brownie box camera in 1900 led to photographic self-portraiture becoming a more widespread technique. The method was usually with the use of a mirror and stabilizing the camera either on a nearby object or on a tripod while framing via a viewfinder at the top of the box. Russian Grand Duchess Anastasia Nikolaevna at the age of 13 was one of the first teenagers to take her own picture using a mirror to send to a friend in 1914. In the letter that accompanied the photograph, she wrote, "I took this picture of myself looking at the mirror. It was very hard as my hands were trembling." The earliest usage of the word selfie has been traced to 2002 when it first appeared in an Australian internet forum (ABC Online) on 13 September in a comment written by Nathan Hope: "Um, drunk at a mates 21st, I tripped ofer and landed lip first (with front teeth coming a very close second) on a set of steps. I had a hole about 1cm long right through my bottom lip. And sorry about the focus, it was a selfie." As with other new technologies, the protocols and etiquette for taking and disseminating selfies remains under development, with appropriate use a matter for consideration. Popularity The term "selfie" was discussed by photographer Jim Krause in 2005, although photos anticipating some of the formal aspects of the selfie can be seen in the self-taken photographs that were particularly common on MySpace. Writer Kate Losse proposes that between 2006 and 2009 (when Facebook became more popular than MySpace), the "MySpace pic" (typically "an amateurish, flash-blinded self-portrait, often taken in front of a bathroom mirror") became an indication of bad taste for users of the newer Facebook social network. Early Facebook portraits, Losse claims in contrast, were usually well-focused and more formal, taken by others from distance. According to Losse, improvements in design—especially the front-facing camera copied by the iPhone 4 (2010) from Korean and Japanese mobile phones, mobile photo apps such as Instagram, and selfie sites such as ItisMee—led to the resurgence of selfies in the early 2010s. Buzz Aldrin took the first EVA selfie in 1966. Initially popular with young people, selfies gained wider popularity over time. By the end of 2012, Time magazine considered selfie one of the "top 10 buzzwords" of that year; although selfies had existed long before, it was in 2012 that the term "really hit the big time". According to a 2013 survey, two-thirds of Australian women age 18–35 take selfies—the most common purpose for which is posting on Facebook. A poll commissioned by smartphone and camera maker Samsung found that selfies make up 30% of the photos taken by people aged 18–24. By 2013, the word "selfie" had become commonplace enough to be monitored for inclusion in the online version of the Oxford English Dictionary. In November 2013, the word "selfie" was announced as being the "word of the year" by the Oxford English Dictionary, which gave the word itself an Australian origin. Selfies have also taken beyond Earth. Selfies taken in space include those by astronauts, an image by NASA's Curiosity rover of itself on Mars, and images created by an indirect method, where a self-portrait photograph taken on Earth is displayed on a screen on a satellite, and captured by a camera. In 2011 a crested black macaque stole a wildlife photographer's camera, and when the camera was later recovered it was found to contain hundreds of "selfies", including one of a grinning female macaque. This incident set off an unusual debate about copyright. In October 2013, Imagist Labs released an iOS app called Selfie, which allows users to upload photos only from their front-facing smartphone camera. The app shows a feed of public photos of everyone’s selfies and from the people they follow. The app does not allow users to comment and users can only respond with selfies. The app soon gained popularity among teenagers. In January 2014, during the Sochi Winter Olympics, a "Selfie Olympics" meme was popular on Twitter, where users took self-portraits in unusual situations. The spread of the meme took place with the usage of the hashtags #selfiegame and #selfieolympics. In April 2014, the advertising agency iStrategyLabs produced a two-way mirror capable of automatically posting selfies to Twitter, using facial recognition software. The popularity of selfies in social media has been astounding. Instagram has over 53 million photos tagged with the hashtag #selfie. The word "selfie" was mentioned in Facebook status updates over 368,000 times during a one week period in October 2013. During the same period on Twitter, the hashtag #selfie was used in more than 150,000 tweets. Christina Novelli taking a selfie during a concert in Honolulu, Hawaii San Francisco Giants fan taking a selfie in front of a bonfire during celebrations after the 2014 World Series Sociology The appeal of selfies comes from how easy they are to create and share, and the control they give self-photographers over how they present themselves. Many selfies are intended to present a flattering image of the person, especially to friends whom the photographer expects to be supportive. However, a 2013 study of Facebook users found that posting photos of oneself correlates with lower levels of social support from and intimacy with Facebook friends (except for those marked as Close Friends). The lead author of the study suggests that "those who frequently post photographs on Facebook risk damaging real-life relationships." The photo messaging application Snapchat is also largely used to send selfies. Some users of Snapchat choose to send intentionally-unattractive selfies to their friends for comedic purposes. Posting intentionally unattractive selfies has also become common in the early 2010s—in part for their humor value, but in some cases also to explore issues of body image or as a reaction against the perceived narcissism or over-sexualization of typical selfies. Celebrity selfies Former South Korean President Lee Myung-Bak and footballer Ji So Yun Many celebrities – especially sex symbols – post selfies for their followers on social media, and provocative or otherwise interesting celebrity selfies are the subject of regular press coverage. Some commentators, such as Emma Barnett of The Telegraph, have argued that sexy celebrity selfies (and sexy non-celebrity selfies) can be empowering to the selfie-takers but harmful to women in general as they promote viewing women as sex objects. Actor and avid selfie poster James Franco wrote an op-ed for The New York Times defending this frequent use of selfies on his Instagram page. Franco defends the self-portrait stating they should not be seen as an egocentric act, but instead a journalistic moment as it cultivates a "visual culture, the selfie quickly and easily shows, not tells, how you're feeling, where you are, what you're doing", much like a photojournalist image. Franco continued to write how peoples' social lives are more electronic, we become more adept at interpreting social media. And, as our social lives become more electronic, we become more adept at interpreting social media. A texting conversation might fall short of communicating how you are feeling, but a selfie might make everything clear in an instant. Selfies are tools of communication more than marks of vanity (but yes, they can be a little vain). A selfie orchestrated by 86th Academy Awards host Ellen DeGeneres during the 2 March 2014 broadcast is the most retweeted image ever. DeGeneres said she wanted to homage Meryl Streep's record 18 Oscar nominations by setting a new record with her, and invited twelve other Oscar celebrities to join them, which included Meryl Streep, Julia Roberts, Channing Tatum, Bradley Cooper, Kevin Spacey, Angelina Jolie, Brad Pitt, Lupita Nyong'o, Jared Leto and Jennifer Lawrence. The resulting photo of the celebrities broke the previous retweet record within forty minutes, and was retweeted over 1.8 million times in the first hour. By the end of the ceremony it had been retweeted over 2 million times, less than 24 hours later, it had been retweeted over 2.8 million times. As of 24 June 2014, it has been retweeted 3,415,871 times. It beat the previous record, 778,801, which was held by Barack Obama, following his victory in the 2012 presidential election. One person who loves to take selfies and is known as the "selfie queen" is Kim Kardashian. This year in 2014 she made a selfie book that consists of selfies throughout the whole year. She earned this title by taking the social media website Instagram very seriously and posting her selfies numerous times per week. She even has a set of rules that she goes by when taking the "perfect selfie." Politician selfies Bill Nye takes a selfie with US President Barack Obama and Neil deGrasse Tyson at the White House President Barack Obama made news headlines during Nelson Mandela's memorial celebration at the Johannesburg's FNB Stadium with various world leaders, as he was snapped taking a selfie and sharing smiles with Danish Prime Minister Helle Thorning-Schmidt, and later with British Prime Minister David Cameron, as they gathered to pay tribute to Mandela. The decision to take the selfies was considered to be in poor taste, as British political columnist Iain Martin critiqued the behaviour as "clowning around like muppets". The photos also depict the First Lady Michelle Obama sitting next to them looking "furious and mortified". Despite the criticism, Roberto Schmidt, the photographer who captured the photos taken at the celebration, reported to the Today show it was taken at "a jovial, celebratory portion of the service". In India, BJP Prime Ministerial candidate Narendra Modi posted a selfie on Twitter after voting in Gandhinagar, India. The post became a major trending item on the micro-blogging platform. In July 2014, the Swiss government is the first to take and post a picture of an entire national government (the picture was taken by one of the seven members of the government, Alain Berset). Group selfies A group selfie of tourists using a Selfie stick for a wider angle image. In January 2014, Business Insider published a story referring to such images as "usies". A photograph of Pope Francis with visitors to the Vatican has been called an usie by The Daily Dot, and TMZ has used the term to describe a selfie taken of celebrity couple Justin Bieber and Selena Gomez. The term "groufie" has been trademarked by Chinese phone manufacturer Huawei Technologies in China, France, Germany, Russia, and the U.S. The word was introduced during the launch of its Ascend P7 smartphone in 2014. Huawei defines the groufie as a panoramic selfie involving multiple subjects, as well as background scenery, captured using the front facing, 8-megapixel camera and panorama capabilities of its phones. Another term for a group selfie is "wefie", originally trademarked by Samsung in the U.S. to promote the wide-angle lens of its NX series of cameras. World record The world's largest group selfie included 2000 people and was taken on 23 November 2014 in Brooklyn, New York at the International Conference of Chabad-Lubavitch Emissaries. In popular culture In August 2013, The Guardian produced a film series titled Thinkfluencer exploring selfie exposure in the UK. American dance music duo The Chainsmokers released a single #SELFIE in 2014. In August 2014, selfie was officially accepted for use in the word game Scrabble From September to November 2014, the American television sitcom Selfie aired on ABC, telling the story of a woman trying to achieve fame through social media. Psychology and neuroscience According to a study performed by Nicola Bruno and Marco Bertamini at the University of Parma, selfies by non-professional photographers show a slight bias for showing the left cheek of the selfie-taker. This is similar to what has been observed for portraits by professional painters from many different historical periods and styles, indicating that the left cheek bias may be rooted in asymmetries of brain lateralization that are well documented within cognitive neuroscience. In a second study, the same group tested if selfie takers without training in photography spontaneously adhere to widely prescribed rules of photographic composition, such as the rule of thirds. It seems that they do not, suggesting that these rules may be conventional rather than hardwired in the brain's perceptual preferences. In April 2014, a man diagnosed with body dysmorphic disorder recounted spending ten hours a day attempting to take the "right" selfie, attempting suicide after failing to produce what he perceived to be the perfect selfie. The same month brought several scholarly publications linking excessive selfie posting with body dysmorphic disorder. Injuries while taking photos In July 2014, a fourteen-year-old girl in the Philippines fell to her death after losing her balance while taking a selfie of herself and a friend near the staircase landing of their school in suburban Pasig City. In August 2014, a fifteen-year-old boy was critically wounded after accidentally shooting himself while taking a selfie in which his other hand was holding a gun to his chin. In November 2014 a Polish woman vacationing in Spain fell to her death while attempting a picturesque selfie from the Puente de Triana bridge in the city of Seville.
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Article V: The Teachers and the Profession
Section 1. Teachers shall, at all times, be imbued with the spirit of professionalloyalty, mutual confidence, and faith in one another, self-sacrifice for thecommon good, and full cooperation with colleagues. When the best interest of thelearners, the school, or the profession is at stake in any controversy, teachersshall support one another.
Section 2. A teacher is not entitled to claim credit or work not of his own, andshall give due credit for the work of others which he may use.
Section 3. Before leaving his position, a teacher shall organize for whoeverassumes the position such records and other data as are necessary to carry on thework.
Section 4. A teacher shall hold inviolate all confidential information concerningassociates and the school, and shall not divulge to anyone documents which has notbeen officially released, or remove records from files without permission.
Section 5. It shall be the responsibility of every teacher to seek correctives forwhat may appear to be an unprofessional and unethical conduct of any associate.However, this may be done only if there is incontrovertible evidence for suchconduct.
Section 6. A teacher may submit to the proper authorities any justifiablecriticism against an associate, preferably in writing, without violating the rightof the individual concerned.
Section 7. A teacher may apply for a vacant position for which he is qualified;provided that he respects the system of selection on the basis of merit andcompetence; provided, further, that all qualified candidates are given theopportunity to be considered
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