검색어: gambar ukiran kayu (말레이어 - 영어)

prinsip motif ukiran kayu tradisional
principles of traditional wood carving motifs

formal, manakala ukiran kayu halus lebih berorientasikan perasaan yang mengarah pada emosi dan ekspresi seniman penciptanya semasa proses penciptaannya.
formal, while fine wood carving is more feeling -oriented which leads to the emotions and expressions of its creator artist during the process of his creation.

demikian juga keindahan dalam kesenian pada ukiran kayu tradisional pada masa ini menunjukkan islam tidak menolak soal keindahan yang boleh mencerminkan kebersihan dan tata hias yang menarik.
likewise the beauty in art on traditional wood carvings at this time shows that islam does not reject the question of beauty which can reflect cleanliness and attractive decoration.

kg. ngulang mempunyai keunikan tersendiri di mana penduduk disitu ada yang membuat kuih tradisional, membuat ukiran kayu yang akan menarik pelancong datang merasai keunikan tersebut
the community there often organizes motor sport (atv) & treasure hunt activities. tourists who come can also go fishing, kayaking and plant rice

hal yang sedemikian menjadikan ukiran kayu tradisional lebih sesuai bagi melihat ekspresi keperibadian seniman ukiran tradisional melayu berbanding dengan ukiran kayu moden yang banyak menggunakan teknologi semasa proses pembuatan.
such a thing makes traditional wood carving more suitable to see the expression of the personality of traditional malay carving artists compared to modern wood carving which uses a lot of technology during the manufacturing process.

di sini jelaslah bahawa ukiran kayu tradisional melayu dapat dikelompokkan kepada dua istilah, ukiran kayu dan ukiran kayu halus7 . ukiran kayu ialah karya ukiran yang lebih berorientasikan fungsi fizikal produk dan nilai estetiknya lebih bersifat
here it is clear that traditional malay wood carving can be grouped into two terms, wood carving and fine wood carving7. wood carving is a work of carving that is more oriented to the physical function of the product and its aesthetic value is more characteristic

dari beberapa contoh ukiran tersebut jelas sekali ukiran kayu tradisional bukan berasaskan pada bahan dan teknik pembuatannya, tetapi ukiran tradisional yang dimaksudkan adalah nilai nilai tradisi yang terdapat pada ukiran tersebut sama ada aspek visual5 ataupun non visual6.
from some examples of the carvings, it is clear that traditional wood carvings are not based on materials and manufacturing techniques, but the traditional carvings are the traditional values found in the carvings, whether visual5 or non -visual6.

ukiran kayu sememangnya terkenal di semenanjung malaysia terutamanya di negeri negeri sebelah pantai timur seperti kelantan, terengganu dan pahang. hubungan rapat dengan pattani yang merupakan pusat kegiatan seni ukir terkenal pada masa dahulu sedikit sebanyak telah mempengaruhi seni ukir di negeri negeri tersebut.
wood carving is well known in peninsular malaysia, especially in the east coast states such as kelantan, terengganu and pahang. the close relationship with pattani which was the center of famous sculpture activities in the past has to some extent influenced the sculpture in the state.

prinsip berlawan dalam motif ukiran kayu tradisional menggambarkan manifestasi daya kreativiti dam pemikiran melayu. prinsip ini merupakan pertentangan yang terkawal antara dua atau lebih jenis permukaan, contohnya permukaan yang kasar dan licin. saingan jenis permukaan ini digalakkan demi mendapatkan kesudahan yang baik dan sempurna.
the principle of struggle in traditional wood carving motifs illustrates the manifestation of malay creativity and thought. this principle is a controlled contrast between two or more types of surfaces, for example rough and smooth surfaces. this type of surface competition is encouraged in order to get a good and perfect finish.

kajian ini membincangkan tentang keunikan tradisional ukiran kayu sebagai kelaziman adat orang melayu yang tertumpu kepada ciri ciri serta motif seperti elemen flora dan fauna yang merupakan faktor utama dalam penghasilan ukiran kayu. berdasarkan topik ketiga, iaitu nasionalisme, saya ingin membuat karya berpaksikan motif yang terdapat pada ukiran kayu.
this study discusses the uniqueness of traditional wood carving as a custom of the malays that focuses on the characteristics and motifs such as elements of flora and fauna which are the main factors in the production of wood carving. based on the third topic, which is nationalism, i would like to create a work based on the motifs found on wood carvings.

penggunaan alatan tradisional juga menjadikan ukiran kayu tradisional melayu juga lebih bersifat ekspresif, penggunaan pisau wali, kikir pari, daun mempelas, syelek, dan peralatan pertukangan tradisional yang banyak menggunakan kemahiran tangan memberi ruang kepada seniman ukir untuk mengekspresikan perasaannya pada karya yang dihasilkan.
the use of traditional tools also makes traditional malay wood carving more expressive, the use of wali knives, stingrays, sanding leaves, syelek, and traditional carpentry tools that use a lot of hand skills give space to sculptors to express their feelings on the work produced.

bunga bakawali mempunyai pelbagai keunikan.nama ilmiahnya bagi bunga ini ialah epiphyllum hookeri. bunga bakawali ini juga digelar ratu malam kerana ia hanya nerkembang diwaktu malam sahaja dan berbau harum.selain itu,bunga ini juga mempunyai unsur mistik dan dan banyak digunakan dalam perubatan.selain itu terdapat juga negeri yang mwngukannya dalam seni ukiran kayu seperti kelantan dan terengganu
bakawali flowers have various characteristics. the scientific name for this flower is epiphyllum hookeri. bakawali flower is also called the night queen because it only grows at night and smells of harum. in addition, this flower also has mystical elements and and is widely used in construction. in addition, there are also states that are famous in the art of wood carving such as kelantan and terengganu

ukiran kayu ialah salah satu karya seni tertua dalam masyarakat melayu. namun kerana sifat fizikal kayu yang jangka hayatnya pendek jarang ditemukan artifak berasaskan kayu yang boleh bertahan hingga ribuan tahun. namun begitu, terdapat juga beberapa peninggalan ukiran kayu yang boleh dijadikan contoh ukiran kayu tradisional. sebagai contoh ukiran pada keris, ukiran pada alat kegunaan harian, ukiran pada istana seperti istana sri akar, istana tengku long, istana bukit candan, ukiran p
wood carving is one of the oldest works of art in malay society. however, due to the short -lived physical properties of wood, wood -based artifacts are rarely found that can last up to thousands of years. however, there are also some relics of wood carving that can be used as examples of traditional wood carving. for example, carvings on keris, carvings on daily use tools, carvings on palaces such as sri akar palace, tengku long palace, bukit candan palace, carvings on