Lack - English - Tagalog 번역 및 예문
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검색어: lack ( 영어 - 타갈로그어 )

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인적 기여

전문 번역가, 번역 회사, 웹 페이지 및 자유롭게 사용할 수 있는 번역 저장소 등을 활용합니다.

번역 추가

영어

타갈로그어

정보

영어

lack out

타갈로그어

Kulang out

마지막 업데이트: 2015-02-16
분야: 일반
사용 빈도: 1
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영어

Lack of time

타갈로그어

kakulangan sa oras

마지막 업데이트: 2017-07-12
분야: 일반
사용 빈도: 1
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영어

lack definition

타갈로그어

kakulangan kahulugan

마지막 업데이트: 2015-06-21
분야: 일반
사용 빈도: 1
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영어

lack of time

타갈로그어

di kakayanin ng oras

마지막 업데이트: 2015-04-15
분야: 일반
사용 빈도: 1
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영어

lack of sleep

타갈로그어

l'l'

마지막 업데이트: 2014-01-08
분야: 일반
사용 빈도: 1
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영어

Lack of thinking

타갈로그어

kulang ang pag iisip

마지막 업데이트: 2017-08-16
분야: 일반
사용 빈도: 1
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추천인:

영어

lack of money

타갈로그어

kulang

마지막 업데이트: 2017-05-12
분야: 일반
사용 빈도: 1
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영어

lack of water

타갈로그어

kawalan nang tubig

마지막 업데이트: 2014-10-13
분야: 일반
사용 빈도: 1
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영어

Thanks for the lack of understanding

타갈로그어

Walang "salamat" mula sa iyo MANGYARING

마지막 업데이트: 2017-08-16
분야: 일반
사용 빈도: 1
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추천인:
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영어

whoever speaks a lot, lacks action

타갈로그어

kung sino ang masalita ay siyang kulang sa gawa

마지막 업데이트: 2017-06-17
분야: 일반
사용 빈도: 1
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영어

due to the lack of trees

타갈로그어

dahil sa kawalan ng puno

마지막 업데이트: 2017-06-08
분야: 일반
사용 빈도: 1
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영어

The events at EDSA in February 1986 not only ousted a dictator, but also demonstrated to the world and to ourselves our great strengths as a people. At EDSA we saw courage, determination and strength of purpose; we saw unity and concern for one another; we saw deep faith in God; and even in the grimmest moments, there was some laughter and humor. We were proud of ourselves at EDSA and we expected great changes after our moment of glory. Today, sometime after, we realize that most of our problems as a nation still remain. We may have ousted a dictator, but that was the easy part. The task of building a nation is so much more difficult. Now, with EDSA only an inspiring memory, we are faced with our weaknesses. Self-interest and disregard for the common good rears its ugly head. We are confronted with our lack of discipline and rigor, our colonial mentality, and our emphasis on porma (form). Despite our great display of people's power, now we are passive once more, expecting our leaders to take all responsibility for solving our many problems. The task of building our nation is an awesome one. There is need for economic recovery. There is need to re-establish democratic institutions and to achieve the goals of peace and genuine social justice. Along with these goals, there is a need as well to build ourselves as a people. There is need to change structures and to change people.

타갈로그어

moral na programa sa pagbawi

마지막 업데이트: 2017-02-21
분야: 일반
사용 빈도: 1
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영어

lack of equipment

타갈로그어

kakulangan sa kagamitan

마지막 업데이트: 2017-02-04
분야: 일반
사용 빈도: 1
품질:

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영어

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

타갈로그어

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical. All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

마지막 업데이트: 2016-12-05
분야: 일반
사용 빈도: 1
품질:

추천인:
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영어

India risks being the country that suffers most from the lack of water in the coming century.

타갈로그어

Ang India ang nanganganib na bansa na lumalasap sa kakulangan ng tubig sa darating na siglo.

마지막 업데이트: 2016-10-27
사용 빈도: 1
품질:

추천인:

영어

Local peoples are affected by the lack of water.

타갈로그어

Ang lokal na mga tao ay apektado ng kakulangan ng tubig.

마지막 업데이트: 2016-10-27
사용 빈도: 1
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영어

Miles is a teenage boy who is the main character of this story. Miles is from Florida, where he was raised and has attended high school. He decided to go to a boarding school in Alabama : Culver Creek. Miles is the most important character in terms of developing the story, since he is not only the narrator, but the reader knows every single one of his thoughts and can understand every single one of his motives, actions and words. Miles, in Florida, was definitely not the popular type, or social in any way. He is not fond of social interactions, especially small talk. Miles would rather be reading biographies than socializing with others. Miles has a fascination with last words. His hobby is reading biographies, only to find out what the person’s last words were. Miles explains his love for last words by saying “But a lot of times, people die how they live. And so last words tell me a lot about who people were, and why they became the sort of people biographies get written about.” (Green 128). Miles is extremely scrawny and lacks muscle, and was exactly six feet tall. He’s not only scrawny, but he is also lanky. Not much is mentioned about Miles’ physical appearance, simply because his societal and psychological appearances are much more significative to who he truly is. Miles is not a very judgmental person. When he first meets Alaska, and she is telling the Colonel a story about a summer experience, Miles is captivated by her right away. Miles is a somewhat vulnerable character who often finds himself in hard situations because he is very confused and very insecure about himself. This is why he falls so easily for Alaska after she gives him the slightest bit of attention, because he is insecure and shy, and was not used to this type of attention back when he was in Florida. Miles is a very intellectual person who can analyze every situation and every single detail in order to truly understand it and the reasoning behind it. The Colonel and him get along very well, because the Colonel is a leader and is always sure of what he wants, which is the exact opposite of Miles. This goes to show that opposites attract, and they end up being extremely good friends. Miles is a follower, and not a leader. He is smart in his words but does not excel with his actions.

타갈로그어

type buong pangungusap sa iyong langage

마지막 업데이트: 2016-10-15
분야: 일반
사용 빈도: 1
품질:

추천인:

영어

lack of respect and self-confidence

타갈로그어

kakulangan ng pagpapahalaga sa sarili at tiwala sa sarili

마지막 업데이트: 2016-09-23
분야: 일반
사용 빈도: 1
품질:

추천인:

영어

paranormal psychologyApproaching the paranormal from a research perspective is often difficult because of the lack of acceptable physical evidence from most of the purported phenomena. By definition, the paranormal does not conform to conventional expectations of nature. Therefore, a phenomenon cannot be confirmed as paranormal using the scientific method because, if it could be, it would no longer fit the definition. (However, confirmation would result in the phenomenon being reclassified as part of science.) Despite this problem, studies on the paranormal are periodically conducted by researchers from various disciplines. Some researchers simply study the beliefs in the paranormal regardless of whether the phenomena are considered to objectively exist. This section deals with various approaches to the paranormal: anecdotal, experimental, and participant-observer approaches and the skeptical investigation approach.

타갈로그어

QUERY LENGTH LIMIT EXCEDEED. MAX ALLOWED QUERY : 500 CHARS

마지막 업데이트: 2016-07-19
분야: 일반
사용 빈도: 1
품질:

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영어

Self discipline is one of the most common topics that comes back over and over again with my coaching clients. It seems like all of us are struggle to have the discipline to do something (or anything) in our life. Trouble waking up in the morning? Can’t get yourself to clean the dishes? Can’t finish that report or project on time? Can’t get yourself to exercise regularly? All of these scenarios have an issue rooted in the lack of self discipline.

타갈로그어

disiplina sa sarili

마지막 업데이트: 2016-06-29
분야: 일반
사용 빈도: 1
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사용자가 도움을 필요로 합니다:postdemocratica (이탈리아어>영어) | if you don't mind (영어>힌디어) | physical gestures facial expression (영어>타갈로그어) | sebelah rumah (말레이어>영어) | 我可不坏了这规矩 (중국어(간체자)>프랑스어) | drug sales representative (영어>스페인어) | karton palette (독일어>폴란드어) | bae (힌디어>영어) | mon précieux amour (프랑스어>영어) | om namo narayanaya (영어>타밀어) | aca en caso (스페인어>영어) | que pasa chichita (스페인어>영어) | carboximetílico (스페인어>독일어) | fpa (영어>폴란드어) | halimbawa ng talata tungkol sa sampagita (타갈로그어>영어)


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