Results for to para comversa translation from Portuguese to English

to para essas tarefas.
to everyone.

adicione 156 ml to para obter 160 ml
add 156 ml to give 160 ml

to para doentes adultos ou crianças com insuficiência renal crónica.
cancer patients receiving chemotherapy in

pressione o botão to para aplicar o resultado colorização à imagem.
press the button to apply the colorization result to the picture.

a comissão atribui ao eurostat um orçamen to para a execução do programa estatístico.
the 1993-97 statistical programme, which includes the efta countries, adopted

a comissão entende que o montante propos to para a ajuda constitui uma compensação justa.
factory owners and middlemen succeeded in creaming off the emergency money that was intended for farmers.

to para mais instruções sobre o modo como deve cuidar do inalador de insulina, leia as “ instruções de
for instructions on how to look after your insulin inhaler see “instructions for use” at the end of the package leaflet.

to, para os grandes sectores onde estão os grandes pro blemas do leite e da carne, o que planeamos fazer.
our own people are being shoved into second place in favour of production of such crops as soya, for example.

a coerência daspolíticascomunitáriasque afectam aszonascosteirase a integração dosváriosníveisde governança constituem um pré-requisi-to para o êxito da gizc.
the coherence of eu policiesaffecting thecoastalzonesand the integration ofthe variouslevelsofgovernance are a pre-requisite for successful iczm.

eles são nossos aliados e não temos o direi to, para agradar aos intelectuais marxistas, de os tratar como adversários e de mandar chamar os nossos adidos militares.
they are our allies and we do not have the right to delight the marxist intelligentsia by treating them as adversaries and recalling our military attachés.

caso não seja possível resolver o problema da luz aqui den tro, talvez se pudesse arranjar verba, no orçamen to, para comprar 518 pares de óculos de sol.
if we cannot solve the lighting problems in here, perhaps funds could be found within the budget to buy 518 pairs of sunglasses.

afastámos a guerra desta metade do continente pelo menos, e trabalhámos em conjun to para conseguir um nível de prosperidade e bem--estar que não sonhávamos para os nossos cidadãos.
so your 40th anniversary comes at an exciting time, in some ways a difficult and even dangerous time for our community.

no orçamen­ por força do iva e, em particular, neutralizar as to para 1989 esta taxa situa­se em 1,2779%; disparidades verificadas no rácio «matéria colectável
this reduces the united kingdom's vat call-in rate; in the 1989 budget the uk's actual call-in rate is thus 0.8086%.

deve suprimir-se o artigo 2239 do tratado ce, que obsta a um controlo da venda de armas a países terceiros e impede a criação de uma verdadeira política comum no domínio do armamen to para os estadosmembros;
article 223 of the ec treaty which obstructs the monitoring of arms sales to third countries and prevents the establishment of a genuine common policy on armaments for the member states must be deleted;

aliás, aprovei to para perguntar ao conselho e ao parlamento o seguinte: por que razão falamos apenas de um imposto sobre o co: e não de um imposto sobre a energia?
this process should ultimately result in the signing of a protocol on all greenhouse gases, which includes, as i said earlier, not just co: but also methane or nitrogen monoxide, which pose many other problems of their own.

bob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann
traductor de googlebob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann