Results for i'll try using the words i know translation from English to Tagalog

create an acrostic using the words below
gumawa ng akrostik gamit ang mga salita sa ibaba

sorry for the words i said to you
pasensya na sa mga salitang nasabi ko sayo

do the words i speak before you make you feel
gawin ang mga salita na sinasalita ko bago mo ako gawing nahulog ka

acrostic using the word contemporary
akrostik gamit ang salitang kontemporaryo

make an acrostic using the word libelism
gumawa ng akrostik gamit ang salitang libelarismo

make an acrostic using the word mahal kita
gumawa ng isang akrostiko gamit ang salitang mahal namin

example of a sentence using the word false
halimbawa ng pangungusap gamit ang salitang bulaan

i may not always say the word i love you but i always do love you
i may not always say the word i love you but i do love you

example sentence using the word borrow ls1 english part 3. listening / speaking
halimbawa ng pangungusap gamit ang salitang hiram ls1 english part 3. listening/speaking

sorry just a little because i know the word in english
sorry konti lang kasi alam kong salita sa english

province of the word i love you
maganda

screen %d on display "%s" already has a window manager; try using the --replace option to replace the current window manager.
ang screen %d sa display "%s" ay mayroon nang window manager; subukan gamitin ang --replace na opsiyon para palitan ang kasalukyan na window manager.

some people live their dreams some people close their eyes some people's destiny passes by there are no guarantees there are no alibis that's how our love must be don't ask why it takes some time god knows how long i know that i can forget you as soon as my heart stops breakin' anticipating as soon as forever is through i'll be over you remembering times gone by promises we once made what are the reasons why nothing stays the same there were the nights holding you close someday i'll try to
some people live their dreams some people close their dreams some people's destiny passes by there are no garantiya there are no alibis that's how our love must be don 't ask why it takes some time god knows how long i know that i can forget you as soon as my heart stops break' anticipating as soon as forever is through i 'll be over you remembering times gone by promises we once made what are the reasons why nothing stays the same there were the nights holding you close someday i' ll try to

a low art [excerpt from the penelopiad] by margaret atwood (canada) now that i’m dead i know everything. this is what i wished would happen, but like so many of my wishes it failed to come true. i know only a few factoids that i didn’t know before. death is much too high a price to pay for the satisfaction of curiosity, needless to say. since being dead — since achieving this state of bonelessness, liplessness, breastlessness —i’ve learned some things i would rather not know, as one does when listening at windows or opening ot her people’s letters. you think you’d like to read minds? think again. down here everyone arrives with a sack, like the sacks used to keep the winds in, but each of these sacks is full of words —words you’ve spoken, words you’ve heard, wo rds that have been said about you. some sacks are very small, others large; my own is of a reasonable size, though a lot of the words in it concern my eminent husband. what a fool he made of me, some say. it was a specialty of his: making fools. he got away with everything, which was another of his specialties: getting away. he was always so plausible. many people have believed that his version of events was the true one, give or take a few murders, a few beautiful seductresses, a few one-eyed monsters. even i believed him, from time to time. i knew he was tricky and a liar, i just didn’t think he would play his tricks and try out his lies on me. hadn’t i been faithful? hadn’t i waited, and waited, and waited, despite the temptation — almost the compulsion — to do otherwise? and what did i amount to, once the official version gained ground? an edifying legend. a stick used to beat other women with. why couldn’t they be as considerate, as trustworthy, as all-suffering as i had been? that was the line they took, the singers, the yarn- spinners. don’t follow my example, i want to scream in your ears — yes, yours! but when i try to scream, i sound like an owl. of course i had inklings, about his slipperiness, his wiliness, his foxiness, his — how can i put this? — his unscrupulousness, but i turned a blind eye. i kept my mouth shut; or if i opened it, i sang his praises. i didn’t contradict, i didn’t ask awkward questions, i didn’t dig deep. i wanted happy endings in those days, and happy endings are best achieved by keeping the right doors locked and going to sleep during the rampages. but after the main events were over and things had become less legendary, i realised how many people were laughing at me behind my back — how they were jeering, making jokes about me, jokes both clean and dirty; how they were turning me into a story, or into several stories, though not the kind of stories i’d prefer to hear about m yself. what can a woman do when scandalous gossip travels the world? if she defends herself she sounds guilty. so i waited some more. now that all the others have run out of air, it’s my t urn to do a little storymaking. i owe it to myself. i’ve had to work myself up to it: it’s a low art, tale-telling. old women go in for it, strolling beggars, blind singers, maidservants, children — folks with time on their hands. once, people would have laughed if i’d tried to play th e minstrel —there’s nothing more preposterous than an aristocrat fumbling around with the arts — but who cares about public opinion now? the opinion of the people down here: the opinions of shadows, of echoes. so i’ll spin a thread of my own.
isang mababang kwento ng sining sa tagalog