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Results for top down in psychology translation from English to Tagalog

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English

top down

Tagalog

itaas

Last Update: 2018-03-23
Usage Frequency: 1
Quality:

Reference: Anonymous

English

principle of chance in psychology

Tagalog

prinsipyo ng pagkakataon sa sikolohiya

Last Update: 2015-07-12
Usage Frequency: 1
Quality:

Reference: Anonymous

English

down in my knees

Tagalog

lumuhod ako

Last Update: 2020-04-04
Usage Frequency: 1
Quality:

Reference: Anonymous

English

I fell down in stairs

Tagalog

nahulog sa hagdan

Last Update: 2020-03-12
Usage Frequency: 1
Quality:

Reference: Anonymous

English

watered down in engli

Tagalog

nabuhusan ng tubig ang id ng client

Last Update: 2019-10-31
Usage Frequency: 1
Quality:

Reference: Anonymous

English

You may write me down in history

Tagalog

tumataas pa rin ako ng tagalog ng tula

Last Update: 2019-11-03
Usage Frequency: 1
Quality:

Reference: Anonymous

English

you may write me down in history

Tagalog

paulit-ulit pa ako tula tagalog version

Last Update: 2019-01-06
Usage Frequency: 1
Quality:

Reference: Anonymous

English

she will put her down in front of other people

Tagalog

pahiyain sya sa harap ng ibang tao

Last Update: 2019-11-12
Usage Frequency: 1
Quality:

Reference: Anonymous

English

I dont trust someone who let me down in the first time

Tagalog

Wala ko pinagkakatiwalaan ang isang tao na hayaan mo akong bumaba sa unang pagkakataon

Last Update: 2016-11-04
Usage Frequency: 2
Quality:

Reference: Anonymous

English

I Once when I was six years old I saw a magnificent picture in a book, called True Stories from Nature, about the primeval forest. It was a picture of a boa constrictor in the act of swallowing an animal. Here is a copy of the drawing. Boa In the book it said: "Boa constrictors swallow their prey whole, without chewing it. After that they are not able to move, and they sleep through the six months that they need for digestion." I pondered deeply, then, over the adventures of the jungle. And after some work with a colored pencil I succeeded in making my first drawing. My Drawing Number One. It looked something like this: Hat I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them. But they answered: "Frighten? Why should any one be frightened by a hat?" My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant. But since the grown-ups were not able to understand it, I made another drawing: I drew the inside of a boa constrictor, so that the grown-ups could see it clearly. They always need to have things explained. My Drawing Number Two looked like this: Elephant inside the boa The grown-ups' response, this time, was to advise me to lay aside my drawings of boa constrictors, whether from the inside or the outside, and devote myself instead to geography, history, arithmetic, and grammar. That is why, at the age of six, I gave up what might have been a magnificent career as a painter. I had been disheartened by the failure of my Drawing Number One and my Drawing Number Two. Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them. So then I chose another profession, and learned to pilot airplanes. I have flown a little over all parts of the world; and it is true that geography has been very useful to me. At a glance I can distinguish China from Arizona. If one gets lost in the night, such knowledge is valuable. In the course of this life I have had a great many encounters with a great many people who have been concerned with matters of consequence. I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that hasn't much improved my opinion of them. Whenever I met one of them who seemed to me at all clear-sighted, I tried the experiment of showing him my Drawing Number One, which I have always kept. I would try to find out, so, if this was a person of true understanding. But, whoever it was, he, or she, would always say: "That is a hat." Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I would talk to him about bridge, and golf, and politics, and neckties. And the grown-up would be greatly pleased to have met such a sensible man. II So I lived my life alone, without anyone that I could really talk to, until I had an accident with my plane in the Desert of Sahara, six years ago. Something was broken in my engine. And as I had with me neither a mechanic nor any passengers, I set myself to attempt the difficult repairs all alone. It was a question of life or death for me: I had scarcely enough drinking water to last a week. The first night, then, I went to sleep on the sand, a thousand miles from any human habitation. I was more isolated than a shipwrecked sailor on a raft in the middle of the ocean. Thus you can imagine my amazement, at sunrise, when I was awakened by an odd little voice. It said: "If you please--draw me a sheep!" "What!" "Draw me a sheep!" I jumped to my feet, completely thunderstruck. I blinked my eyes hard. I looked carefully all around me. And I saw a most extraordinary small person, who stood there examining me with great seriousness. Here you may see the best portrait that, later, I was able to make of him. But my drawing is certainly very much less charming than its model. The Little prince That, however, is not my fault. The grown-ups discouraged me in my painter's career when I was six years old, and I never learned to draw anything, except boas from the outside and boas from the inside. Now I stared at this sudden apparition with my eyes fairly starting out of my head in astonishment. Remember, I had crashed in the desert a thousand miles from any inhabited region. And yet my little man seemed neither to be straying uncertainly among the sands, nor to be fainting from fatigue or hunger or thirst or fear. Nothing about him gave any suggestion of a child lost in the middle of the desert, a thousand miles from any human habitation. When at last I was able to speak, I said to him: "But--what are you doing here?" And in answer he repeated, very slowly, as if he were speaking of a matter of great consequence: "If you please--draw me a sheep..." When a mystery is too overpowering, one dare not disobey. Absurd as it might seem to me, a thousand miles from any human habitation and in danger of death, I took out of my pocket a sheet of paper and my fountain-pen. But then I remembered how my studies had been concentrated on geography, history, arithmetic and grammar, and I told the little chap (a little crossly, too) that I did not know how to draw. He answered me: "That doesn't matter. Draw me a sheep..." But I had never drawn a sheep. So I drew for him one of the two pictures I had drawn so often. It was that of the boa constrictor from the outside. And I was astounded to hear the little fellow greet it with: "No, no, no! I do not want an elephant inside a boa constrictor. A boa constrictor is a very dangerous creature, and an elephant is very cumbersome. Where I live, everything is very small. What I need is a sheep. Draw me a sheep." So then I made a drawing. Sick sheep He looked at it carefully, then he said: "No. This sheep is already very sickly. Make me another." So I made another drawing. A ram. My friend smiled gently and indulgently. "You see yourself," he said, "that this is not a sheep. This is a ram. It has horns." So then I did my drawing over once more. But it was rejected too, just like the others. "This one is too old. I want a sheep that will live a long time." Old sheep By this time my patience was exhausted, because I was in a hurry to start taking my engine apart. So I tossed off this drawing. Sheep in the box And I threw out an explanation with it. "This is only his box. The sheep you asked for is inside." I was very surprised to see a light break over the face of my young judge: "That is exactly the way I wanted it! Do you think that this sheep will have to have a great deal of grass?" "Why?" "Because where I live everything is very small..." "There will surely be enough grass for him," I said. "It is a very small sheep that I have given you." He bent his head over the drawing. "Not so small that--Look! He has gone to sleep..." And that is how I made the acquaintance of the little prince. III It took me a long time to learn where he came from. The little prince, who asked me so many questions, never seemed to hear the ones I asked him. It was from words dropped by chance that, little by little, everything was revealed to me. The first time he saw my airplane, for instance (I shall not draw my airplane; that would be much too complicated for me), he asked me: The Little prince "What is that object?" "That is not an object. It flies. It is an airplane. It is my airplane." And I was proud to have him learn that I could fly. He cried out, then: "What! You dropped down from the sky?" "Yes," I answered, modestly. "Oh! That is funny!" And the little prince broke into a lovely peal of laughter, which irritated me very much. I like my misfortunes to be taken seriously. Then he added: "So you, too, come from the sky! Which is your planet?" At that moment I caught a gleam of light in the impenetrable mystery of his presence; and I demanded, abruptly: "Do you come from another planet?" But he did not reply. He tossed his head gently, without taking his eyes from my plane: "It is true that on that you can't have come from very far away..." And he sank into a reverie, which lasted a long time. Then, taking my sheep out of his pocket, he buried himself in the contemplation of his treasure. You can imagine how my curiosity was aroused by this half-confidence about the "other planets." I made a great effort, therefore, to find out more on this subject. "My little man, where do you come from? What is this 'where I live,' of which you speak? Where do you want to take your sheep?" After a reflective silence he answered: "The thing that is so good about the box you have given me is that at night he can use it as his house." "That is so. And if you are good I will give you a string, too, so that you can tie him during the day, and a post to tie him to." But the little prince seemed shocked by this offer: The Little prince and stars "Tie him! What a queer idea!" "But if you don't tie him," I said, "he will wander off somewhere, and get lost." My friend broke into another peal of laughter: "But where do you think he would go?" "Anywhere. Straight ahead of him." Then the little prince said, earnestly: "That doesn't matter. Where I live, everything is so small!" And, with perhaps a hint of sadness, he added: "Straight ahead of him, nobody can go very far..." IV I had thus learned a second fact of great importance: this was that the planet the little prince came from was scarcely any larger than a house! But that did not really surprise me much. I knew very well that in addition to the great planets--such as the Earth, Jupiter, Mars, Venus--to which we have given names, there are also hundreds of others, some of which are so small that one has a hard time seeing them through the telescope. When an astronomer discovers one of these he does not give it a name, but only a number. He might call it, for example, "Asteroid 325". I have serious reason to believe that the planet from which the little prince came is the asteroid known as B-612. This asteroid has only once been seen through the telescope. That was by a Turkish astronomer, in 1909. Star-gazer On making his discovery, the astronomer had presented it to the International Astronomical Congress, in a great demonstration. But he was in Turkish costume, and so nobody would believe what he said. Grown-ups are like that... Fortunately, however, for the reputation of Asteroid B-612, a Turkish dictator made a law that his subjects, under pain of death, should change to European costume. So in 1920 the astronomer gave his demonstration all over again, dressed with impressive style and elegance. And this time everybody accepted his report. Turkish astronomer If I have told you these details about the asteroid, and made a note of its number for you, it is on account of the grown-ups and their ways. When you tell them that you have made a new friend, they never ask you any questions about essential matters. They never say to you, "What does his voice sound like? What games does he love best? Does he collect butterflies?" Instead, they demand: "How old is he? How many brothers has he? How much does he weigh? How much money does his father make?" Only from these figures do they think they have learned anything about him. If you were to say to the grown-ups: "I saw a beautiful house made of rosy brick, with geraniums in the windows and doves on the roof," they would not be able to get any idea of that house at all. You would have to say to them: "I saw a house that cost $20,000." Then they would exclaim: "Oh, what a pretty house that is!" Just so, you might say to them: "The proof that the little prince existed is that he was charming, that he laughed, and that he was looking for a sheep. If anybody wants a sheep, that is a proof that he exists." And what good would it do to tell them that? They would shrug their shoulders, and treat you like a child. But if you said to them: "The planet he came from is Asteroid B-612," then they would be convinced, and leave you in peace from their questions. European astronomer They are like that. One must not hold it against them. Children should always show great forbearance toward grown-up people. But certainly, for us who understand life, figures are a matter of indifference. I should have liked to begin this story in the fashion of the fairy-tales. I should have like to say: "Once upon a time there was a little prince who lived on a planet that was scarcely any bigger than himself, and who had need of a sheep..." To those who understand life, that would have given a much greater air of truth to my story. For I do not want any one to read my book carelessly. I have suffered too much grief in setting down these memories. Six years have already passed since my friend went away from me, with his sheep. If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures... It is for that purpose, again, that I have bought a box of paints and some pencils. It is hard to take up drawing again at my age, when I have never made any pictures except those of the boa constrictor from the outside and the boa constrictor from the inside, since I was six. I shall certainly try to make my portraits as true to life as possible. But I am not at all sure of success. One drawing goes along all right, and another has no resemblance to its subject. I make some errors, too, in the little prince's height: in one place he is too tall and in another too short. And I feel some doubts about the color of his costume. So I fumble along as best I can, now good, now bad, and I hope generally fair-to-middling. In certain more important details I shall make mistakes, also. But that is something that will not be my fault. My friend never explained anything to me. He thought, perhaps, that I was like himself. But I, alas, do not know how to see sheep through the walls of boxes. Perhaps I am a little like the grown-ups. I have had to grow old. V As each day passed I would learn, in our talk, something about the little prince's planet, his departure from it, his journey. The information would come very slowly, as it might chance to fall from his thoughts. It was in this way that I heard, on the third day, about the catastrophe of the baobabs. This time, once more, I had the sheep to thank for it. For the little prince asked me abruptly--as if seized by a grave doubt--"It is true, isn't it, that sheep eat little bushes?" "Yes, that is true." "Ah! I am glad!" I did not understand why it was so important that sheep should eat little bushes. But the little prince added: "Then it follows that they also eat baobabs?" I pointed out to the little prince that baobabs were not little bushes, but, on the contrary, trees as big as castles; and that even if he took a whole herd of elephants away with him, the herd would not eat up one single baobab. The idea of the herd of elephants made the little prince laugh. "We would have to put them one on top of the other," he said. Elephans on the planet But he made a wise comment: "Before they grow so big, the baobabs start out by being little." "That is strictly correct," I said. "But why do you want the sheep to eat the little baobabs?" He answered me at once, "Oh, come, come!", as if he were speaking of something that was self-evident. And I was obliged to make a great mental effort to solve this problem, without any assistance. Indeed, as I learned, there were on the planet where the little prince lived--as on all planets--good plants and bad plants. In consequence, there were good seeds from good plants, and bad seeds from bad plants. But seeds are invisible. They sleep deep in the heart of the earth's darkness, until some one among them is seized with the desire to awaken. Then this little seed will stretch itself and begin--timidly at first--to push a charming little sprig inoffensively upward toward the sun. If it is only a sprout of radish or the sprig of a rose-bush, one would let it grow wherever it might wish. But when it is a bad plant, one must destroy it as soon as possible, the very first instant that one recognizes it. Chare of the planet Now there were some terrible seeds on the planet that was the home of the little prince; and these were the seeds of the baobab. The soil of that planet was infested with them. A baobab is something you will never, never be able to get rid of if you attend to it too late. It spreads over the entire planet. It bores clear through it with its roots. And if the planet is too small, and the baobabs are too many, they split it in pieces... "It is a question of discipline," the little prince said to me later on. "When you've finished your own toilet in the morning, then it is time to attend to the toilet of your planet, just so, with the greatest care. You must see to it that you pull up regularly all the baobabs, at the very first moment when they can be distinguished from the rosebushes which they resemble so closely in their earliest youth. It is very tedious work," the little prince added, "but very easy." And one day he said to me: "You ought to make a beautiful drawing, so that the children where you live can see exactly how all this is. That would be very useful to them if they were to travel some day. Sometimes," he added, "there is no harm in putting off a piece of work until another day. But when it is a matter of baobabs, that always means a catastrophe. I knew a planet that was inhabited by a lazy man. He neglected three little bushes..." So, as the little prince described it to me, I have made a drawing of that planet. I do not much like to take the tone of a moralist. But the danger of the baobabs is so little understood, and such considerable risks would be run by anyone who might get lost on an asteroid, that for once I am breaking through my reserve. "Children," I say plainly, "watch out for the baobabs!" My friends, like myself, have been skirting this danger for a long time, without ever knowing it; and so it is for them that I have worked so hard over this drawing. The lesson which I pass on by this means is worth all the trouble it has cost me. Baobabs Perhaps you will ask me, "Why are there no other drawing in this book as magnificent and impressive as this drawing of the baobabs?" The reply is simple. I have tried. But with the others I have not been successful. When I made the drawing of the baobabs I was carried beyond myself by the inspiring force of urgent necessity. VI Oh, little prince! Bit by bit I came to understand the secrets of your sad little life... For a long time you had found your only entertainment in the quiet pleasure of looking at the sunset. I learned that new detail on the morning of the fourth day, when you said to me: "I am very fond of sunsets. Come, let us go look at a sunset now." "But we must wait," I said. "Wait? For what?" "For the sunset. We must wait until it is time." At first you seemed to be very much surprised. And then you laughed to yourself. You said to me: "I am always thinking that I am at home!" Just so. Everybody knows that when it is noon in the United States the sun is setting over France. If you could fly to France in one minute, you could go straight into the sunset, right from noon. Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like... "One day," you said to me, "I saw the sunset forty-four times!" And a little later you added: "You know--one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?" But the little prince made no reply. Sunsets

Tagalog

Last Update: 2020-05-12
Usage Frequency: 1
Quality:

Reference: Anonymous
Warning: Contains invisible HTML formatting

English

Still I Rise BY MAYA ANGELOU You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Wea

Tagalog

Pa rin Naitaas ko NG Maaari mo akong isulat sa kasaysayan Sa iyong mapait, baluktot na mga kasinungalingan, Maaari mo akong yapakan sa sobrang dumi Ngunit gayon pa man, tulad ng alikabok, babangon ako. Nakakainis ka ba sa aking kalungkutan? Bakit ka naghahapunan ng kadiliman? 'Dahil naglalakad ako na parang nakakuha ako ng mga balon ng langis Pumping sa aking sala. Tulad ng mga buwan at tulad ng mga araw, Gamit ang katiyakan ng mga pagtaas ng tubig, Tulad ng pag-asa ng tagsibol na mataas, Pa rin ako babangon. Nais mo bang makita akong sira? Nakayuko at nagpababa ng mga mata? Ang mga balikat na bumabagsak tulad ng mga teardrops,

Last Update: 2020-03-11
Usage Frequency: 1
Quality:

Reference: Anonymous

English

The price seemed reasonable, location Indifferent. The landlady swore she lived Off premises. Nothing remained But self-confession. "Madam" , I warned, "I hate a wasted journey - I am African." Silence. Silenced transmission of pressurized good-breeding. Voice, when it came, Lipstick coated, long gold-rolled Cigarette-holder pipped. Caught I was, foully. "HOW DARK?"...I had not misheard...."ARE YOU LIGHT OR VERY DARK?" Button B. Button A. Stench Of rancid breath of public hide-and-speak. Red booth. Red pillar-box. Red double-tiered Omnibus squelching tar. It was real! Shamed By ill-mannered silence, surrender Pushed dumbfoundment to beg simplification. Considerate she was, varying the emphasis- "ARE YOU DARK? OR VERY LIGHT" Revelation came "You mean- like plain or milk chocolate?" Her accent was clinical, crushing in its light Impersonality. Rapidly, wave-length adjusted I chose. "West African sepia"_ and as afterthought. "Down in my passport." Silence for spectroscopic Flight of fancy, till truthfulness chaged her accent Hard on the mouthpiece "WHAT'S THAT?" conceding "DON'T KNOW WHAT THAT IS." "Like brunette." "THAT'S DARK, ISN'T IT?" "Not altogether. Facially, I am brunette, but madam you should see the rest of me. Palm of my hand, soles of my feet. Are a peroxide blonde. Friction, caused- Foolishly madam- by sitting down, has turned My bottom raven black- One moment madam! - sensing Her receiver rearing on the thunderclap About my ears- "Madam," I pleaded, "wouldn't you rather See for yourself?"

Tagalog

tula tungkol sa telepono na pag-uusap

Last Update: 2017-09-19
Usage Frequency: 1
Quality:

Reference: Anonymous
Warning: Contains invisible HTML formatting

English

song lyr [Liam:] Ooh I'm broken, do you hear me? I'm blinded, 'cause you are everything I see, I'm dancin' alone, I'm praying, That your heart will just turn around, And as I walk up to your door, My head turns to face the floor, 'Cause I can't look you in the eyes and say, [Harry:] When he opens his arms and holds you close tonight, It just won't feel right, 'Cause I can love you more than this, yeah, When he lays you down, I might just die inside, It just don't feel right, 'Cause I can love you more than this, Can love you more than this [Niall:] If I'm louder, would you see me? Would you lay down In my arms and rescue me? 'Cause we are the same You save me, When you leave it's gone again, [Louis:] And then I see you on the street, In his arms, I get weak, My body fails, I'm on my knees Prayin', [All:] When he opens his arms and holds you close tonight, It just won't feel right, 'Cause I can love you more than this, yeah, When he lays you down, I might just die inside, It just don't feel right, 'Cause I can love you more than this, [Zayn:] Yeah, I've never had the words to say, But now I'm askin' you to stay For a little while inside my arms, And as you close your eyes tonight, I pray that you will see the light, That's shining from the stars above, (And I say) [Liam:] When he opens his arms and holds you close tonight, It just won't feel right, 'Cause I can love you more than this, [Zayn] 'Cause I can love you more than this, yeah [All] When he lays you down, I might just die inside, It just don't feel right, 'Cause I can love you more than this, yeah, When he opens his arms and holds you close tonight, It just won't feel right, 'Cause I can love you more than this, yeah When he lays you down, I might just die inside (I'm broken) It just don't feel right, 'Cause I can love you more than this, Can love you more than this

Tagalog

song lyrics

Last Update: 2016-12-06
Usage Frequency: 1
Quality:

Reference: Anonymous

English

For the Dog people in love, the relationships between their partners and them are full of ups and downs in 2016, as thrilling as a roller coaster. Even though they love the person deeply, they sometimes lose their temper over trifles. Calm down and apologize to the beloved one after quarrels so as not to hurt his or her feelings. The unstable state may lead to the advent of the other man or woman. The single persons may not find the right person easily because they are arrogant and don’t want to take steps actively.

Tagalog

QUERY LENGTH LIMIT EXCEDEED. MAX ALLOWED QUERY : 500 CHARS

Last Update: 2016-03-28
Usage Frequency: 1
Quality:

Reference: Anonymous

English

The game of In-Between or Acey-Deucey is often referred to as Red Dog, but its rules are very different from the standard Red Dog game. In-Between is not very popular at casinos, but is often played in home Poker games as a break from Poker itself. The rules below are for the home game, which is easily adaptable for casino play. Rank of Cards. A (high), K, Q, J, 10, 9, 8, 7, 6, 5, 4, 3, 2. Object of the Game. The goal is to be the player with the most chips at the end of the game. The Ante. Chips are distributed to the players, and each players puts one chip in the center of the table to form a pool or pot. The Draw. Any player deals one card face up, to each player in turn, and the player with the highest card deals first. The Shuffle, Cut, and Deal. Any player may shuffle, and the dealer shuffles last. The player to the dealer's right cuts the cards. The dealer turns up two cards and places them in the middle of the table, positioning them so that there is ample room for a third card to fit in between. The Betting. The player on the dealer's left may bet up to the entire pot or any portion of the number of chips in the pot, but he must always bet a minimum of one chip. When the player has placed a bet, the dealer turns up the top card from the pack and places it between the two cards already face up. If the card ranks between the two cards already face up, the player wins and takes back the amount of his bet plus an equivalent amount from the pot. If the third card is not between the face-up cards, or is of the same rank as either of them, the player loses his bet, and it is added to the pot. If the two face-up cards up are consecutive, the player automatically loses, and a third card need not be turned up. If the two face-up cards are the same, the player wins two chips and, again, no third card is turned up. (In some games, the player is paid three chips when this occurs.) "Acey-Deucey" (ace, 2) is the best combination, and a player tends to bet the whole pot, if he can. This is because the only way an ace-deuce combination can lose is if the third card turned up is also an ace or a deuce. After the first player has finished, the dealer clears away the cards and places them face down in a pile. The next player then places a bet, and the dealer repeats the same procedure until all the players, including the dealer, have had a turn. If at any time, the pot has no more chips in it (because a player has "bet the pot" and won), each player again puts in one chip to restore the pot. When every player has had a turn to bet, the deal passes to the player on the dealer's left, and the game continues.

Tagalog

sa pagitan ng

Last Update: 2015-02-26
Usage Frequency: 1
Quality:

Reference: Anonymous
Warning: Contains invisible HTML formatting

English

The second or third day of pechit, the miyenbro family (with separaye families) are magsisipaghandog dedicated to their parents. First is the first, second, and all children with status, and sometimes the cousin of the family. The offerings are laid down in longitudinal line in front of the house. Before kataying pork and beef, before the moral rats given and before the sweet potato, one of the oldest first be offered them.

Tagalog

Sa pangalawa o pangatlong araw ng pechit, ang miyenbro ng pamilya(with separate families) ay magsisipaghandog ng alay sa kanilang magulang. Una ay ang panganay, pangalawa, at lahat ng anak na may katayuan, at kung minsan ay ang mga pinsang buo ng pamilya. Ang mga alay ay ilalatag sa pahabang linya sa tapat ng pintuan ng bahay. Bago kataying ang baboy at baka, bago isaing ang mga bigas at bago ilaga ang kamote, isa-isa muna itong ihahandog sa pinakamagulang nila.

Last Update: 2015-01-11
Usage Frequency: 1
Quality:

Reference: Anonymous

English

Therefore Eli said unto Samuel, Go, lie down: and it shall be, if he call thee, that thou shalt say, Speak, LORD; for thy servant heareth. So Samuel went and lay down in his place.

Tagalog

Kaya't sinabi ni Eli kay Samuel, Yumaon ka, mahiga ka: at mangyayari, na kung tatawagin ka niya, ay iyong sasabihin, Magsalita ka, Panginoon; sapagka't dinirinig ng iyong lingkod. Sa gayo'y yumaon si Samuel at nahiga sa kaniyang dako.

Last Update: 2012-05-06
Usage Frequency: 1
Quality:

Reference: Anonymous

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