Usted buscó: i had to learn what i've got and what i'm not (Inglés - Tagalo)

i had to learn what i've got and what i'm not
i had to learn what ive got.. and who im not.. and who i am.

you taught me a lesson that i had to learn
itinuro sa akin ng araling ito

i was suddenly excite because i knew i had to learn a lot. i immediately went to the waiting area for a motorcycle ride.
narinig ko na ang malakas at maingay na busina ng motor na isang hudyat na ako'y pupunta sa lugar ng knowledge at learnings, ang paaralan.

when i was going to school for orientation i forgot my parents consent that i should take it because i had to give it to ma'am i would have come back because i had to pass it but my friends told me not to come back i'll just pass it on next time i'll just tell ma'am i forgot because we're late so i'm fine i can't be bothered to ruin my day i'm not in the mood just riding the jeep
nung papunta na ako ng school for orientation nakalimutan ko ko ang aking parents consent na dapat madala ko iyon dahil kailangan nang ibigay iyon kay ma'am babalikan ko sana kasil kailangan kong e pass yun pero sabi ng mga kaibigan ko na wag ko na daw balikan sa sunod ko na lang daw ipapasa sabihin ko na lang kay ma'am nakalimot ko kasi ma la late na kami

when i was going to school for orientation i forgot my parents consent that i should take it because i had to give it to ma'am i would have come back because i had to pass it but my friends told me not to come back i'll just pass it on next time, i'll just tell ma'am i forgot because we're late, so i'm fine. i can't be bothered to ruin my day. i'm not in the mood yet.
nung papunta na ako ng school for orientation nakalimutan ko ko ang aking parents consent na dapat madala ko iyon dahil kailangan nang ibigay iyon kay ma'am babalikan ko sana kasil kailangan kong e pass yun pero sabi ng mga kaibigan ko na wag ko na daw balikan sa sunod ko na lang daw ipapasa sabihin ko na lang kay ma'am nakalimot ko kasi ma la late na kami so ako naman hindi ako mapakali masira na yung araw ko wala na ako sa.mood pa

a low art [excerpt from the penelopiad] by margaret atwood (canada) now that i’m dead i know everything. this is what i wished would happen, but like so many of my wishes it failed to come true. i know only a few factoids that i didn’t know before. death is much too high a price to pay for the satisfaction of curiosity, needless to say. since being dead — since achieving this state of bonelessness, liplessness, breastlessness —i’ve learned some things i would rather not know, as one does when listening at windows or opening ot her people’s letters. you think you’d like to read minds? think again. down here everyone arrives with a sack, like the sacks used to keep the winds in, but each of these sacks is full of words —words you’ve spoken, words you’ve heard, wo rds that have been said about you. some sacks are very small, others large; my own is of a reasonable size, though a lot of the words in it concern my eminent husband. what a fool he made of me, some say. it was a specialty of his: making fools. he got away with everything, which was another of his specialties: getting away. he was always so plausible. many people have believed that his version of events was the true one, give or take a few murders, a few beautiful seductresses, a few one-eyed monsters. even i believed him, from time to time. i knew he was tricky and a liar, i just didn’t think he would play his tricks and try out his lies on me. hadn’t i been faithful? hadn’t i waited, and waited, and waited, despite the temptation — almost the compulsion — to do otherwise? and what did i amount to, once the official version gained ground? an edifying legend. a stick used to beat other women with. why couldn’t they be as considerate, as trustworthy, as all-suffering as i had been? that was the line they took, the singers, the yarn- spinners. don’t follow my example, i want to scream in your ears — yes, yours! but when i try to scream, i sound like an owl. of course i had inklings, about his slipperiness, his wiliness, his foxiness, his — how can i put this? — his unscrupulousness, but i turned a blind eye. i kept my mouth shut; or if i opened it, i sang his praises. i didn’t contradict, i didn’t ask awkward questions, i didn’t dig deep. i wanted happy endings in those days, and happy endings are best achieved by keeping the right doors locked and going to sleep during the rampages. but after the main events were over and things had become less legendary, i realised how many people were laughing at me behind my back — how they were jeering, making jokes about me, jokes both clean and dirty; how they were turning me into a story, or into several stories, though not the kind of stories i’d prefer to hear about m yself. what can a woman do when scandalous gossip travels the world? if she defends herself she sounds guilty. so i waited some more. now that all the others have run out of air, it’s my t urn to do a little storymaking. i owe it to myself. i’ve had to work myself up to it: it’s a low art, tale-telling. old women go in for it, strolling beggars, blind singers, maidservants, children — folks with time on their hands. once, people would have laughed if i’d tried to play th e minstrel —there’s nothing more preposterous than an aristocrat fumbling around with the arts — but who cares about public opinion now? the opinion of the people down here: the opinions of shadows, of echoes. so i’ll spin a thread of my own.
isang mababang kwento ng sining sa tagalog