Usted buscó: what is the quality you most like in a man (Inglés - Tagalo)

what is your type in a man
ano ang type mo sa isang lalaki

what is the virtue of a man
ano ang magandang katangian ng isang tao

what is the trait you most deplore in yourself
what is the trait ypu most deplore in hourself

what is the setting in a story
ano ang tagpuan sa isang kwento

what is the essence of being a man
ano ang diwa ng pagiging isang tao

what is the reason for a man to go out
anung dahilan sa lalaking madaling labasan

what is the meaning of in a domestic partnership
ano ang kahulugan ng in a domestic partnership

what is the difference between a woman and a man
ano ang pagkakaiba ng babae sa lalaki

what is the tagalog? pain transforms a man into a warrior.
anu sa tagalog ang? pain shapes a man into a warrior

although material wealth accumulation is among the concerns of genuine economic development, its greater concern is the total improvement of the quality of people's live. this, in turn, is related to sustainable economic development issues in a country which greatly influences business management
bagaman ang akumulasyong materyal na kayamanan ay kabilang sa mga alalahanin ng tunay na pag-unlad ng ekonomiya, ang higit na pag-aalala nito ay ang kabuuang pagpapabuti ng kalidad ng pamumuhay ng mga tao.

the aim of this study is to understand the needs of the elderlies in terms of psychological needs. old age is a period transition when no one has to deal with the physical aging, but also, they suffer from anxiety and depression affecting their mental health and social being. the researchers would like to know what is the reason behind the quality of their life inside the sheltered home. what was the reason why their families would put them in the foundation, how was the feeling to be taking car
ang layunin ng pag-aaral na ito ay upang maunawaan ang mga pangangailangan ng mga elderlies sa mga tuntunin ng mga pang-sikolohikal na pangangailangan. ang pagtanda ay isang paglipat ng panahon kung walang sinuman ang makitungo sa pisikal na pag-iipon, ngunit din, nagdurusa sila sa pagkabalisa at pagkalungkot na nakakaapekto sa kanilang mental na kalusugan at panlipunang pagkatao. nais malaman ng mga mananaliksik kung ano ang dahilan sa likod ng kalidad ng kanilang buhay sa loob ng tirahan. ano ang dahilan kung bakit ilalagay sila ng kanilang mga pamilya sa pundasyon, kung paano nadama ang sasakyan

so basically the answer to what is enlightenment is to have a curiosity or the courage to start taking care of your self and to take care of your self in this context means to start practicing critical thinking like start reading and start examining your thoughts about like common ideas as what is a woman or what is a man what it just us do you know the answer wil start examine your thoughts and soon you are figure out that just this is the kind of knowledge i don't really know what just this really means, maybe i should look up what does't mean and i should start taking care of my self intelectually.
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many artists lived in the greenwich village area of new york. two young women named sue and johnsy shared a studio apartment at the top of a three-story building. johnsy's real name was joanna. in november, a cold, unseen stranger came to visit the city. this disease, pneumonia, killed many people. johnsy lay on her bed, hardly moving. she looked through the small window. she could see the side of the brick house next to her building. one morning, a doctor examined johnsy and took her temperature. then he spoke with sue in another room. "she has one chance in -- let us say ten," he said. "and that chance is for her to want to live. your friend has made up her mind that she is not going to get well. has she anything on her mind?" "she -- she wanted to paint the bay of naples in italy some day," said sue. "paint?" said the doctor. "bosh! has she anything on her mind worth thinking twice -- a man for example?" "a man?" said sue. "is a man worth -- but, no, doctor; there is nothing of the kind." "i will do all that science can do," said the doctor. "but whenever my patient begins to count the carriages at her funeral, i take away fifty percent from the curative power of medicines." after the doctor had gone, sue went into the workroom and cried. then she went to johnsy's room with her drawing board, whistling ragtime. johnsy lay with her face toward the window. sue stopped whistling, thinking she was asleep. she began making a pen and ink drawing for a story in a magazine. young artists must work their way to "art" by making pictures for magazine stories. sue heard a low sound, several times repeated. she went quickly to the bedside. johnsy's eyes were open wide. she was looking out the window and counting -- counting backward. "twelve," she said, and a little later "eleven"; and then "ten" and "nine;" and then "eight" and "seven," almost together. sue looked out the window. what was there to count? there was only an empty yard and the blank side of the house seven meters away. an old ivy vine, going bad at the roots, climbed half way up the wall. the cold breath of autumn had stricken leaves from the plant until its branches, almost bare, hung on the bricks. "what is it, dear?" asked sue. "six," said johnsy, quietly. "they're falling faster now. three days ago there were almost a hundred. it made my head hurt to count them. but now it's easy. there goes another one. there are only five left now." "five what, dear?" asked sue. "leaves. on the plant. when the last one falls i must go, too. i've known that for three days. didn't the doctor tell you?" "oh, i never heard of such a thing," said sue. "what have old ivy leaves to do with your getting well? and you used to love that vine. don't be silly. why, the doctor told me this morning that your chances for getting well real soon were -- let's see exactly what he said – he said the chances were ten to one! try to eat some soup now. and, let me go back to my drawing, so i can sell it to the magazine and buy food and wine for us." "you needn't get any more wine," said johnsy, keeping her eyes fixed out the window. "there goes another one. no, i don't want any soup. that leaves just four. i want to see the last one fall before it gets dark. then i'll go, too." "johnsy, dear," said sue, "will you promise me to keep your eyes closed, and not look out the window until i am done working? i must hand those drawings in by tomorrow." "tell me as soon as you have finished," said johnsy, closing her eyes and lying white and still as a fallen statue. "i want to see the last one fall. i'm tired of waiting. i'm tired of thinking. i want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."
c / ang huling dahon ng o henry