Usted buscó: without stones there is no arch (Neerlandés - Tagalo)

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of apocalypto set in mexico’s yucatan peninsula (central america), during the 16th century, mel gibson’s, apocalypto follows the journey of a mayan villager by the name of “jaguar paw”. this adaptation of the mayan empire illuminates a prophecy, surrounding jaguar. the movie was historically accurate as far as mayan empire culture and the sacrificial process. the appearance of the mayans in this film was spot on. they had stretched ear lobes, long hair, outlandish headdresses, burn scars, and tattoos. it didn’t delve into the every day life enough for it to be accurate, or inaccurate. the opening scenes consisted of hunting, and a village campfire, and that’s as far as it went for daily life. where it was inaccurate and somewhat flawed was the over take of the village. apocolytpo dramatically told the story of the villagers being captured, and many people argue that the mayan’s were not as malicious as they were portrayed. some maya researches argue that the film is “violent and depraved”. jaguar and his fellow village members are peaceful and harmonious together. on an early morning jaguar wakes from a dream and quickly notices warriors with torches surrounding the village. the village people are brutally beaten, slaughtered, and dragged away as captive to be sold as slaves, and offered as sacrifice for their god. in the midst of the gory demise of the village, jaguar hides his childbearing wife (seven), and toddler sun (turtles run) into a deep hole. the warriors lead the villagers through a harsh path, to what looks to be the mayan capitol. at their destination, the men and women are divided. the women are sold into slavery, and the men are taken to the top of a pyramid temple to serve as the god’s offering. two men are beheaded before it’s jaguar’s turn, and a solar eclipse luckily spares his life. the mayan’s view the eclipse as the god’s way of saying he’s been satisfied and there is no need for further sacrifice.
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