Vous avez cherché: became (Anglais - Télougou)

l became father
i bes

to became ias officer
ఐఏఎస్ అధికారి కావాలనుకుంటున్నా.

today my friend became a father
ఈరోజు నేను మగబిడ్డకు తండ్రి అయ్యాను

my little princess became a master chef
నా చిన్న రాణికి స్వాగతం

i will wish you became a good inspiration teacher
the best, most inspiring teacher

she doesn't deserve what i'm became
నేను ఉన్నదానికి ఆమె అర్హురాలు కాదు

just like that you became the lyrics of my favorite song
అలా నువ్వు నాకు ఇష్టమైన పాట లిరిక్స్ అయ్యావు

he became my father my mother and my brother elagaiana
వారు నా తండ్రి, నా తల్లి మరియు నా అక్క

i hope you will became a strong leader in janasena party
జనసేన పార్టీలో బలమైన నేతగా ఎదిగారని ఆశిస్తున్నాను

the man for whom i started watching cricket and became a die hard fan
నేను మీ యొక్క హార్డ్ అభిమానిని

if you don't sacrifice what you want ,what you want became the sacrifice
మీరు కోరుకున్న దాని కోసం త్యాగం చేయకపోతే,

happy 25th wedding anniversary to you! with every passing year, your journey became swifter and smoother! may you reach 50, 75, 100 years of togetherness!
25వ వివాహ వార్షికోత్సవ శుభాకాంక్షలు అమ్మ

kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are strongly related to the classical hindu dance tradition of yakshagana found in karnataka, all three involve carnatic music, but these dance-drama traditions have differences such as in costumes, structure, interpretation and creative innovations.[15]
kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are stron