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検索ワード: i'm scared of love for the heart (英語 - タガログ語)

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英語

タガログ語

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英語

I'm scared of you

タガログ語

Napupungaw ako sa iyo

最終更新: 2019-04-26
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英語

I'm scared of him!

タガログ語

Takot ako sa kaniya!

最終更新: 2016-10-27
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英語

I'm scared of wild animals.

タガログ語

Takot ako sa mga mababangis na hayop.

最終更新: 2014-02-01
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英語

slogan for the heart

タガログ語

slogan para sa mga puso

最終更新: 2015-02-14
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英語

pictures of love for the city

タガログ語

mga larawan sa pagmamahal sa bayan

最終更新: 2015-01-12
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英語

love for the ilonggo

タガログ語

pagibig sa ilonggo

最終更新: 2018-11-22
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英語

you are full of love for me

タガログ語

busog ka sa pagmamahal ko

最終更新: 2020-05-10
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英語

pictures of love for fellow humans

タガログ語

mga larawan sa pagmamahal sa kapwa tao

最終更新: 2018-02-11
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英語

slogan about mother's love for the child

タガログ語

slogan tungkol sa pagmamahal ng ina sa anak

最終更新: 2018-02-19
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英語

When I dreamed about my life every time I knew I would fear that way. Because I really know I'm scared of my dad because I've done something to love

タガログ語

Nung nanaginip ako tungkol sa buhay ko nasa bawat oras nayun diko alam gagawin ko takot na takot ako nun. Dahil ang alam ko talaga ay pagagalitan nako ng papa ko kasi may nagawa ako na dinila magugustuhan

最終更新: 2017-11-14
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英語

A coquettish flower who has trouble expressing her love for the little prince and consequently drives him away

タガログ語

Please, specify two different languages

最終更新: 2020-03-05
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英語

Let us always meet each other with smile for the smile is beginning of love

タガログ語

Ang isang mabuting buhay ay isang koleksyon ng mga masayang sandali

最終更新: 2020-03-22
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英語

"Christmas is a gift of love wrapped in human flesh and tied securely with the strong promises of God. It is more than words can tell, for it is a matter for the heart to receive, believe and understand."

タガログ語

"La Navidad es un regalo de amor envuelta en carne humana y atado con seguridad con las fuertes promesas de Dios. Es más que las palabras pueden decir, porque es una cuestión para el corazón para recibir, creer y entender."

最終更新: 2014-12-24
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英語

How long do I have to wait as if nothing will replace you? Wherever you cry My heart is with you till now If only you could see the sadness of your smile A morning that you did not return Wake up and you will see The sweetness of the moment of sleeplessness Until the end of our eternal Until the heart is empty Even after eternity I will wait in the name of love How long will I wait as if nothing else

タガログ語

Hanggang kailan ako maghihintay na para bang wala nang papalit sayo? Nasa'n ka man Sigaw ng puso ko'y ikaw hanggang ngayon Kung sana lamang ay nakita mo ang lungkot sa'yong ngiti Isang umagang 'di ka nagbalik Gumising ka at ng makita mo Ang tamis ng sandali ng kahapong 'di magbabalik Hanggang sa dulo ng ating walang hanggan Hanggang ang puso'y wala ng nararamdaman Kahit matapos ang magpakailanpaman Ako'y maghihintay sa ngalan ng pag ibig Hanggang kailan ako maghihintay na para bang walang iba sa

最終更新: 2020-05-07
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英語

for the dedication and hard work you deserve the best retirement ever.enjoy this new journey of love life.cherish every moment and have fun.

タガログ語

for the dedication and hard work you deserve the best retirement ever.enjoy this new journey of you life.cherish every moment and have fun.

最終更新: 2015-12-18
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英語

I Once when I was six years old I saw a magnificent picture in a book, called True Stories from Nature, about the primeval forest. It was a picture of a boa constrictor in the act of swallowing an animal. Here is a copy of the drawing. Boa In the book it said: "Boa constrictors swallow their prey whole, without chewing it. After that they are not able to move, and they sleep through the six months that they need for digestion." I pondered deeply, then, over the adventures of the jungle. And after some work with a colored pencil I succeeded in making my first drawing. My Drawing Number One. It looked something like this: Hat I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them. But they answered: "Frighten? Why should any one be frightened by a hat?" My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant. But since the grown-ups were not able to understand it, I made another drawing: I drew the inside of a boa constrictor, so that the grown-ups could see it clearly. They always need to have things explained. My Drawing Number Two looked like this: Elephant inside the boa The grown-ups' response, this time, was to advise me to lay aside my drawings of boa constrictors, whether from the inside or the outside, and devote myself instead to geography, history, arithmetic, and grammar. That is why, at the age of six, I gave up what might have been a magnificent career as a painter. I had been disheartened by the failure of my Drawing Number One and my Drawing Number Two. Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them. So then I chose another profession, and learned to pilot airplanes. I have flown a little over all parts of the world; and it is true that geography has been very useful to me. At a glance I can distinguish China from Arizona. If one gets lost in the night, such knowledge is valuable. In the course of this life I have had a great many encounters with a great many people who have been concerned with matters of consequence. I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that hasn't much improved my opinion of them. Whenever I met one of them who seemed to me at all clear-sighted, I tried the experiment of showing him my Drawing Number One, which I have always kept. I would try to find out, so, if this was a person of true understanding. But, whoever it was, he, or she, would always say: "That is a hat." Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring myself down to his level. I would talk to him about bridge, and golf, and politics, and neckties. And the grown-up would be greatly pleased to have met such a sensible man. II So I lived my life alone, without anyone that I could really talk to, until I had an accident with my plane in the Desert of Sahara, six years ago. Something was broken in my engine. And as I had with me neither a mechanic nor any passengers, I set myself to attempt the difficult repairs all alone. It was a question of life or death for me: I had scarcely enough drinking water to last a week. The first night, then, I went to sleep on the sand, a thousand miles from any human habitation. I was more isolated than a shipwrecked sailor on a raft in the middle of the ocean. Thus you can imagine my amazement, at sunrise, when I was awakened by an odd little voice. It said: "If you please--draw me a sheep!" "What!" "Draw me a sheep!" I jumped to my feet, completely thunderstruck. I blinked my eyes hard. I looked carefully all around me. And I saw a most extraordinary small person, who stood there examining me with great seriousness. Here you may see the best portrait that, later, I was able to make of him. But my drawing is certainly very much less charming than its model. The Little prince That, however, is not my fault. The grown-ups discouraged me in my painter's career when I was six years old, and I never learned to draw anything, except boas from the outside and boas from the inside. Now I stared at this sudden apparition with my eyes fairly starting out of my head in astonishment. Remember, I had crashed in the desert a thousand miles from any inhabited region. And yet my little man seemed neither to be straying uncertainly among the sands, nor to be fainting from fatigue or hunger or thirst or fear. Nothing about him gave any suggestion of a child lost in the middle of the desert, a thousand miles from any human habitation. When at last I was able to speak, I said to him: "But--what are you doing here?" And in answer he repeated, very slowly, as if he were speaking of a matter of great consequence: "If you please--draw me a sheep..." When a mystery is too overpowering, one dare not disobey. Absurd as it might seem to me, a thousand miles from any human habitation and in danger of death, I took out of my pocket a sheet of paper and my fountain-pen. But then I remembered how my studies had been concentrated on geography, history, arithmetic and grammar, and I told the little chap (a little crossly, too) that I did not know how to draw. He answered me: "That doesn't matter. Draw me a sheep..." But I had never drawn a sheep. So I drew for him one of the two pictures I had drawn so often. It was that of the boa constrictor from the outside. And I was astounded to hear the little fellow greet it with: "No, no, no! I do not want an elephant inside a boa constrictor. A boa constrictor is a very dangerous creature, and an elephant is very cumbersome. Where I live, everything is very small. What I need is a sheep. Draw me a sheep." So then I made a drawing. Sick sheep He looked at it carefully, then he said: "No. This sheep is already very sickly. Make me another." So I made another drawing. A ram. My friend smiled gently and indulgently. "You see yourself," he said, "that this is not a sheep. This is a ram. It has horns." So then I did my drawing over once more. But it was rejected too, just like the others. "This one is too old. I want a sheep that will live a long time." Old sheep By this time my patience was exhausted, because I was in a hurry to start taking my engine apart. So I tossed off this drawing. Sheep in the box And I threw out an explanation with it. "This is only his box. The sheep you asked for is inside." I was very surprised to see a light break over the face of my young judge: "That is exactly the way I wanted it! Do you think that this sheep will have to have a great deal of grass?" "Why?" "Because where I live everything is very small..." "There will surely be enough grass for him," I said. "It is a very small sheep that I have given you." He bent his head over the drawing. "Not so small that--Look! He has gone to sleep..." And that is how I made the acquaintance of the little prince. III It took me a long time to learn where he came from. The little prince, who asked me so many questions, never seemed to hear the ones I asked him. It was from words dropped by chance that, little by little, everything was revealed to me. The first time he saw my airplane, for instance (I shall not draw my airplane; that would be much too complicated for me), he asked me: The Little prince "What is that object?" "That is not an object. It flies. It is an airplane. It is my airplane." And I was proud to have him learn that I could fly. He cried out, then: "What! You dropped down from the sky?" "Yes," I answered, modestly. "Oh! That is funny!" And the little prince broke into a lovely peal of laughter, which irritated me very much. I like my misfortunes to be taken seriously. Then he added: "So you, too, come from the sky! Which is your planet?" At that moment I caught a gleam of light in the impenetrable mystery of his presence; and I demanded, abruptly: "Do you come from another planet?" But he did not reply. He tossed his head gently, without taking his eyes from my plane: "It is true that on that you can't have come from very far away..." And he sank into a reverie, which lasted a long time. Then, taking my sheep out of his pocket, he buried himself in the contemplation of his treasure. You can imagine how my curiosity was aroused by this half-confidence about the "other planets." I made a great effort, therefore, to find out more on this subject. "My little man, where do you come from? What is this 'where I live,' of which you speak? Where do you want to take your sheep?" After a reflective silence he answered: "The thing that is so good about the box you have given me is that at night he can use it as his house." "That is so. And if you are good I will give you a string, too, so that you can tie him during the day, and a post to tie him to." But the little prince seemed shocked by this offer: The Little prince and stars "Tie him! What a queer idea!" "But if you don't tie him," I said, "he will wander off somewhere, and get lost." My friend broke into another peal of laughter: "But where do you think he would go?" "Anywhere. Straight ahead of him." Then the little prince said, earnestly: "That doesn't matter. Where I live, everything is so small!" And, with perhaps a hint of sadness, he added: "Straight ahead of him, nobody can go very far..." IV I had thus learned a second fact of great importance: this was that the planet the little prince came from was scarcely any larger than a house! But that did not really surprise me much. I knew very well that in addition to the great planets--such as the Earth, Jupiter, Mars, Venus--to which we have given names, there are also hundreds of others, some of which are so small that one has a hard time seeing them through the telescope. When an astronomer discovers one of these he does not give it a name, but only a number. He might call it, for example, "Asteroid 325". I have serious reason to believe that the planet from which the little prince came is the asteroid known as B-612. This asteroid has only once been seen through the telescope. That was by a Turkish astronomer, in 1909. Star-gazer On making his discovery, the astronomer had presented it to the International Astronomical Congress, in a great demonstration. But he was in Turkish costume, and so nobody would believe what he said. Grown-ups are like that... Fortunately, however, for the reputation of Asteroid B-612, a Turkish dictator made a law that his subjects, under pain of death, should change to European costume. So in 1920 the astronomer gave his demonstration all over again, dressed with impressive style and elegance. And this time everybody accepted his report. Turkish astronomer If I have told you these details about the asteroid, and made a note of its number for you, it is on account of the grown-ups and their ways. When you tell them that you have made a new friend, they never ask you any questions about essential matters. They never say to you, "What does his voice sound like? What games does he love best? Does he collect butterflies?" Instead, they demand: "How old is he? How many brothers has he? How much does he weigh? How much money does his father make?" Only from these figures do they think they have learned anything about him. If you were to say to the grown-ups: "I saw a beautiful house made of rosy brick, with geraniums in the windows and doves on the roof," they would not be able to get any idea of that house at all. You would have to say to them: "I saw a house that cost $20,000." Then they would exclaim: "Oh, what a pretty house that is!" Just so, you might say to them: "The proof that the little prince existed is that he was charming, that he laughed, and that he was looking for a sheep. If anybody wants a sheep, that is a proof that he exists." And what good would it do to tell them that? They would shrug their shoulders, and treat you like a child. But if you said to them: "The planet he came from is Asteroid B-612," then they would be convinced, and leave you in peace from their questions. European astronomer They are like that. One must not hold it against them. Children should always show great forbearance toward grown-up people. But certainly, for us who understand life, figures are a matter of indifference. I should have liked to begin this story in the fashion of the fairy-tales. I should have like to say: "Once upon a time there was a little prince who lived on a planet that was scarcely any bigger than himself, and who had need of a sheep..." To those who understand life, that would have given a much greater air of truth to my story. For I do not want any one to read my book carelessly. I have suffered too much grief in setting down these memories. Six years have already passed since my friend went away from me, with his sheep. If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures... It is for that purpose, again, that I have bought a box of paints and some pencils. It is hard to take up drawing again at my age, when I have never made any pictures except those of the boa constrictor from the outside and the boa constrictor from the inside, since I was six. I shall certainly try to make my portraits as true to life as possible. But I am not at all sure of success. One drawing goes along all right, and another has no resemblance to its subject. I make some errors, too, in the little prince's height: in one place he is too tall and in another too short. And I feel some doubts about the color of his costume. So I fumble along as best I can, now good, now bad, and I hope generally fair-to-middling. In certain more important details I shall make mistakes, also. But that is something that will not be my fault. My friend never explained anything to me. He thought, perhaps, that I was like himself. But I, alas, do not know how to see sheep through the walls of boxes. Perhaps I am a little like the grown-ups. I have had to grow old. V As each day passed I would learn, in our talk, something about the little prince's planet, his departure from it, his journey. The information would come very slowly, as it might chance to fall from his thoughts. It was in this way that I heard, on the third day, about the catastrophe of the baobabs. This time, once more, I had the sheep to thank for it. For the little prince asked me abruptly--as if seized by a grave doubt--"It is true, isn't it, that sheep eat little bushes?" "Yes, that is true." "Ah! I am glad!" I did not understand why it was so important that sheep should eat little bushes. But the little prince added: "Then it follows that they also eat baobabs?" I pointed out to the little prince that baobabs were not little bushes, but, on the contrary, trees as big as castles; and that even if he took a whole herd of elephants away with him, the herd would not eat up one single baobab. The idea of the herd of elephants made the little prince laugh. "We would have to put them one on top of the other," he said. Elephans on the planet But he made a wise comment: "Before they grow so big, the baobabs start out by being little." "That is strictly correct," I said. "But why do you want the sheep to eat the little baobabs?" He answered me at once, "Oh, come, come!", as if he were speaking of something that was self-evident. And I was obliged to make a great mental effort to solve this problem, without any assistance. Indeed, as I learned, there were on the planet where the little prince lived--as on all planets--good plants and bad plants. In consequence, there were good seeds from good plants, and bad seeds from bad plants. But seeds are invisible. They sleep deep in the heart of the earth's darkness, until some one among them is seized with the desire to awaken. Then this little seed will stretch itself and begin--timidly at first--to push a charming little sprig inoffensively upward toward the sun. If it is only a sprout of radish or the sprig of a rose-bush, one would let it grow wherever it might wish. But when it is a bad plant, one must destroy it as soon as possible, the very first instant that one recognizes it. Chare of the planet Now there were some terrible seeds on the planet that was the home of the little prince; and these were the seeds of the baobab. The soil of that planet was infested with them. A baobab is something you will never, never be able to get rid of if you attend to it too late. It spreads over the entire planet. It bores clear through it with its roots. And if the planet is too small, and the baobabs are too many, they split it in pieces... "It is a question of discipline," the little prince said to me later on. "When you've finished your own toilet in the morning, then it is time to attend to the toilet of your planet, just so, with the greatest care. You must see to it that you pull up regularly all the baobabs, at the very first moment when they can be distinguished from the rosebushes which they resemble so closely in their earliest youth. It is very tedious work," the little prince added, "but very easy." And one day he said to me: "You ought to make a beautiful drawing, so that the children where you live can see exactly how all this is. That would be very useful to them if they were to travel some day. Sometimes," he added, "there is no harm in putting off a piece of work until another day. But when it is a matter of baobabs, that always means a catastrophe. I knew a planet that was inhabited by a lazy man. He neglected three little bushes..." So, as the little prince described it to me, I have made a drawing of that planet. I do not much like to take the tone of a moralist. But the danger of the baobabs is so little understood, and such considerable risks would be run by anyone who might get lost on an asteroid, that for once I am breaking through my reserve. "Children," I say plainly, "watch out for the baobabs!" My friends, like myself, have been skirting this danger for a long time, without ever knowing it; and so it is for them that I have worked so hard over this drawing. The lesson which I pass on by this means is worth all the trouble it has cost me. Baobabs Perhaps you will ask me, "Why are there no other drawing in this book as magnificent and impressive as this drawing of the baobabs?" The reply is simple. I have tried. But with the others I have not been successful. When I made the drawing of the baobabs I was carried beyond myself by the inspiring force of urgent necessity. VI Oh, little prince! Bit by bit I came to understand the secrets of your sad little life... For a long time you had found your only entertainment in the quiet pleasure of looking at the sunset. I learned that new detail on the morning of the fourth day, when you said to me: "I am very fond of sunsets. Come, let us go look at a sunset now." "But we must wait," I said. "Wait? For what?" "For the sunset. We must wait until it is time." At first you seemed to be very much surprised. And then you laughed to yourself. You said to me: "I am always thinking that I am at home!" Just so. Everybody knows that when it is noon in the United States the sun is setting over France. If you could fly to France in one minute, you could go straight into the sunset, right from noon. Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like... "One day," you said to me, "I saw the sunset forty-four times!" And a little later you added: "You know--one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?" But the little prince made no reply. Sunsets

タガログ語

最終更新: 2020-05-12
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英語

A man with a faded, well worn notebook open in his lap. A woman experiencing a morning ritual she doesn’t understand. Until he begins to read to her. The Notebook is an achingly tender story about the enduring power of love, a story of miracles that will stay with you forever. Set amid the austere beauty of coastal North Carolina in 1946, The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty one, is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to find her, yet unwilling to forget the summer they spent together, Noah is content to live with only memories. . . until she unexpectedly returns to his town to see him once again. Allie Nelson, twenty nine, is now engaged to another man, but realizes that the original passion she felt for Noah has not dimmed with the passage of time. Still, the obstacles that once ended their previous relationship remain, and the gulf between their worlds is too vast to ignore. With her impending marriage only weeks away, Allie is forced to confront her hopes and dreams for the future, a future that only she can shape. Like a puzzle within a puzzle, the story of Noah and Allie is just beginning. As it unfolds, their tale miraculously becomes something different, with much higher stakes. The result is a deeply moving portrait of love itself, the tender moments, and fundamental changes that affect us all. Shining with a beauty that is rarely found in current literature, The Notebook establishes Nicholas Sparks as a classic storyteller with a unique insight into the only emotion that really matters.

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英語

A man with a faded, well worn notebook open in his lap. A woman experiencing a morning ritual she doesn’t understand. Until he begins to read to her. The Notebook is an achingly tender story about the enduring power of love, a story of miracles that will stay with you forever. Set amid the austere beauty of coastal North Carolina in 1946, The Notebook begins with the story of Noah Calhoun, a rural Southerner returned home from World War II. Noah, thirty one, is restoring a plantation home to its former glory, and he is haunted by images of the beautiful girl he met fourteen years earlier, a girl he loved like no other. Unable to find her, yet unwilling to forget the summer they spent together, Noah is content to live with only memories. . . until she unexpectedly returns to his town to see him once again. Allie Nelson, twenty nine, is now engaged to another man, but realizes that the original passion she felt for Noah has not dimmed with the passage of time. Still, the obstacles that once ended their previous relationship remain, and the gulf between their worlds is too vast to ignore. With her impending marriage only weeks away, Allie is forced to confront her hopes and dreams for the future, a future that only she can shape. Like a puzzle within a puzzle, the story of Noah and Allie is just beginning. As it unfolds, their tale miraculously becomes something different, with much higher stakes. The result is a deeply moving portrait of love itself, the tender moments, and fundamental changes that affect us all. Shining with a beauty that is rarely found in current literature, The Notebook establishes Nicholas Sparks as a classic storyteller with a unique insight into the only emotion that really matters.

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英語

first of all I'm grateful that I'm just asking for something true and that's it. thank you for the second time that you let me show it and feel sorry for this love for you

タガログ語

una sa lahat nagpapasalamat ako na ang hinihiling ko lang e nagka totoo at ikaw yun. langga salamat sa pangalawang pagkakataon na hinayaan mo akung ipakita't iparamdam ulit sayo itong pagmamahal ko sayo

最終更新: 2018-05-06
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英語

1. Autocratic Leadership Autocratic leadership style is centered on the boss. In this leadership the leader holds all authority and responsibility. In this leadership, leaders make decisions on their own without consulting subordinates. They reach decisions, communicate them to subordinates and expect prompt implementation. Autocratic work environment does normally have little or no flexibility. In this kind of leadership, guidelines, procedures and policies are all natural additions of an autocratic leader. Statistically, there are very few situations that can actually support autocratic leadership. Some of the leaders that support this kind of leadership include: Albert J Dunlap (Sunbeam Corporation) and Donald Trump (Trump Organization) among others. 2. Democratic Leadership In this leadership style, subordinates are involved in making decisions. Unlike autocratic, this headship is centered on subordinates’ contributions. The democratic leader holds final responsibility, but he or she is known to delegate authority to other people, who determine work projects. READ Top 15 Small Medium Business Ideas That You Can Start This Year The most unique feature of this leadership is that communication is active upward and downward. With respect to statistics, democratic leadership is one of the most preferred leadership, and it entails the following: fairness, competence, creativity, courage, intelligence and honesty. 3. Strategic Leadership Style Strategic leadership is one that involves a leader who is essentially the head of an organization. The strategic leader is not limited to those at the top of the organization. It is geared to a wider audience at all levels who want to create a high performance life, team or organization. The strategic leader fills the gap between the need for new possibility and the need for practicality by providing a prescriptive set of habits. An effective strategic leadership delivers the goods in terms of what an organization naturally expects from its leadership in times of change. 55% of this leadership normally involves strategic thinking. 4. Transformational Leadership Unlike other leadership styles, transformational leadership is all about initiating change in organizations, groups, oneself and others. Transformational leaders motivate others to do more than they originally intended and often even more than they thought possible. They set more challenging expectations and typically achieve higher performance. Statistically, transformational leadership tends to have more committed and satisfied followers. This is mainly so because transformational leaders empower followers. 5. Team Leadership Team leadership involves the creation of a vivid picture of its future, where it is heading and what it will stand for. The vision inspires and provides a strong sense of purpose and direction. eam leadership is about working with the hearts and minds of all those involved. It also recognizes that teamwork may not always involve trusting cooperative relationships. The most challenging aspect of this leadership is whether or not it will succeed. According to Harvard Business Review, team leadership may fail because of poor leadership qualities. 6. Cross-Cultural Leadership This form of leadership normally exists where there are various cultures in the society. This leadership has also industrialized as a way to recognize front runners who work in the contemporary globalized market. Organizations, particularly international ones require leaders who can effectively adjust their leadership to work in different environs. Most of the leaderships observed in the United States are cross-cultural because of the different cultures that live and work there. 7. Facilitative Leadership Facilitative leadership is too dependent on measurements and outcomes – not a skill, although it takes much skill to master. The effectiveness of a group is directly related to the efficacy of its process. If the group is high functioning, the facilitative leader uses a light hand on the process. On the other hand, if the group is low functioning, the facilitative leader will be more directives in helping the group run its process. An effective facilitative leadership involves monitoring of group dynamics, offering process suggestions and interventions to help the group stay on track. 8. Laissez-faire Leadership Laissez-faire leadership gives authority to employees. According to azcentral, departments or subordinates are allowed to work as they choose with minimal or no interference. According to research, this kind of leadership has been consistently found to be the least satisfying and least effective management style. READ 50 Quotes of Barack Obama 9. Transactional Leadership This is a leadership that maintains or continues the status quo. It is also the leadership that involves an exchange process, whereby followers get immediate, tangible rewards for carrying out the leader’s orders. Transactional leadership can sound rather basic, with its focus on exchange. Being clear, focusing on expectations, giving feedback are all important leadership skills. According to Boundless.com, transactional leadership behaviors can include: clarifying what is expected of followers’ performance; explaining how to meet such expectations; and allocating rewards that are contingent on meeting objectives. 10. Coaching Leadership Coaching leadership involves teaching and supervising followers. A coaching leader is highly operational in setting where results/ performance require improvement. Basically, in this kind of leadership, followers are helped to improve their skills. Coaching leadership does the following: motivates followers, inspires followers and encourages followers. 11. Charismatic Leadership In this leadership, the charismatic leader manifests his or her revolutionary power. Charisma does not mean sheer behavioral change. It actually involves a transformation of followers’ values and beliefs. Therefore, this distinguishes a charismatic leader from a simply populist leader who may affect attitudes towards specific objects, but who is not prepared as the charismatic leader is, to transform the underlying normative orientation that structures specific attitudes. 12. Visionary Leadership This form of leadership involves leaders who recognize that the methods, steps and processes of leadership are all obtained with and through people. Most great and successful leaders have the aspects of vision in them. However, those who are highly visionary are the ones considered to be exhibiting visionary leadership. Outstanding leaders will always transform their visions into realities.

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