검색어: imiss the old me (타갈로그어 - 영어)

the old me is back
the old me is back

imiss u the old you the new one sucks
imiss u the old you the new one sucks

missing the old days
miss the old days

just like the old times
just like the old times

i miz the old me kahit na ang sarili ko
i cant be the old me

let the old man sit in my seit
let the old man sit in my seat

let's go back to the old days
let's go back to what we were before

i want to change the old me, i want to change the naive and vulnerable side of me.
i want to change the old me, i want to change the naive and vulnerable side of me

namimiss ko ang mga dating araw sa iyo mga batang babaemiss the old you
miss the old you

i'd miss the old you, the best memories we've builted
nakakamiss kayo lahat

how can the history of basketry and macrame affect our lives back on the old times? and how the discovery of plastic affects the way we saw basketry and macrame?
how can the history of basketry and macrame affect our lives back on the old times? and how the discovery of plastic affects the way we saw basketry and macrame?

byrd’s musical stature can hardly be overrated. he wrote extensively for every medium then available except, it seems, the lute. his virginal and organ music brought the english keyboard style to new heights and pointed the way to the achievements of other english composers, such as john bull, giles farnaby, orlando gibbons, and thomas tomkins. in music for viol consort he also played an extremely important role, pioneering the development of the freely composed fantasia, which was to become the most important form of jacobean and later composers. although he admired italian madrigals and as a publisher helped introduce them to england, byrd’s own secular vocal music is distinctly conservative; much of it is conceived for the old-fashioned medium of solo voice accompanied by viol consort, which was later abandoned by the english madrigalists, with thomas morley (byrd’s pupil) at their head. byrd sometimes added texts to the polyphonic accompaniments of these songs, in effect making them madrigals.
byrd’s musical stature can hardly be overrated. he wrote extensively for every medium then available except, it seems, the lute. his virginal and organ music brought the english keyboard style to new heights and pointed the way to the achievements of other english composers, such as john bull, giles farnaby, orlando gibbons, and thomas tomkins. in music for viol consort he also played an extremely important role, pioneering the development of the freely composed fantasia, which was to become t