전문 번역가, 번역 회사, 웹 페이지 및 자유롭게 사용할 수 있는 번역 저장소 등을 활용합니다.
a reivindicação inicial da fusão a frio foi relatada primeiramente por martin fleischmann e por stanley pons na universidade de utah em março de 1989.
steven e. koonin of caltech called the utah report a result of ""the incompetence and delusion of pons and fleischmann,"" which was met with a standing ovation.
em 1982, ele e ernest fleischmann fundaram o instituto filarmônico de los angeles, onde ele serviu como diretor artístico por dois anos.
in 1982, he and ernest fleischmann founded the los angeles philharmonic institute as a summer training academy along the lines of tanglewood.
os artigos eléctricos são operados num posto de pilotagem fleischmann. na estação de garagem cada comboio tem a sua própria via marcada por uma imagem.
the electric items are operated by a fleischmann control panel. in the storage station every train has his own track, which is symbolized by a picture.
fleischmann então convidou andré previn, com a esperança de que ele conduzisse a orquestra, já que ele passou muito tempo nos estúdios de hollywood.
fleischmann then turned to andré previn with the hopes that his conducting credentials and time spent at hollywood studios would add a local flair and enhance the connection between conductor, orchestra, and city.
previn teve muitos choques com fleischmann, o mais famoso foi quando convidaram salonen ao cargo de maestro convidado residente sem consultar previn, um fato parecido com o de solti/mehta.
previn clashed frequently with fleischmann, most notably when fleischmann failed to consult him over the decision to name salonen as "principal guest conductor", a move mirroring the prior solti/mehta controversy.
"===1998 e hoje===quando fleischmann decidiu retirar-se da orquestra, em 1998, 28 depois, a orquestra nomeou willem wijhnbergen como novo diretor executivo.
"===1998–2009===when fleischmann decided to retire in 1998 after 28-years at the helm, the orchestra named willem wijnbergen as its new executive director.
* 1990 - "videoplace", instalação por myron krueger* 1991 - "think about the people now", projetado por paul sermon* 1992 - "home of the brain", instalação por monika fleischmann e wolfgang strauss* 1993 - "simulationsraum-mosaik mobiler datenklänge (smdk)", instalação por knowbotic research* 1994 - "a-volve", ambientalizado por christa sommerer e laurent mignonneau* 1995 - conceito de hypertext, atribuído a tim berners-lee* 1996 - "global interior project", instalação por masaki fujihata* 1997 - "music plays images x images play music", concerto por ryuichi sakamoto e toshio iwai* 1998 - "world skin", instalação por jean-baptiste barrière e maurice benayoun* 1999 - "difference engine #3" por construct e lynn hershman* 2000 - "vectorial elevation, relational architecture #4", instalação por rafael lozano-hemmer* 2001 - "polar", instalação por carsten nicolai e marko peljhan* 2002 - "n-cha(n)t", instalação por david rokeby* 2003 - "can you see me now?
*1990 - "videoplace" installation by myron krueger*1991 - "think about the people now" project by paul sermon*1992 - "home of the brain" installation by monika fleischmann and wolfgang strauss*1993 - "simulationsraum-mosaik mobiler datenklänge (smdk)" installation by knowbotic research*1994 - "a-volve" environment by christa sommerer and laurent mignonneau*1995 - the concept of hypertext, attributed to tim berners-lee*1996 - "global interior project" installation by masaki fujihata*1997 - "music plays images x images play music" concert by ryuichi sakamoto and toshio iwai*1998 - "world skin" installation by jean-baptiste barrière and maurice benayoun*1999 - "difference engine #3" by construct and lynn hershman*2000 - "vectorial elevation, relational architecture #4" installation by rafael lozano-hemmer*2001 - "polar" installation by carsten nicolai and marko peljhan*2002 - "n-cha(n)t" installation by david rokeby*2003 - "can you see me now?