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Informações

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X-ray

Indonésio

Sinar-X

Última atualização: 2015-07-29
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Referência: Wikipedia

Inglês

Blue-ray

Indonésio

Cakram Blu-ray

Última atualização: 2010-05-31
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Inglês

X-ray

Indonésio

Sinar x

Última atualização: 2012-12-23
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Blu-ray disc

Indonésio

Diska Blu-ray

Última atualização: 2014-08-20
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Blu-ray Disc

Indonésio

Cakram Blu-ray

Última atualização: 2014-04-14
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Rewritable Blu-ray disc

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Disk Blu-ray rewritable

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Writable Blu-ray disc

Indonésio

Disk Blu-ray dapat ditulis

Última atualização: 2014-08-20
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Blu-ray video disc

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Cakram video Blu-ray

Última atualização: 2014-08-15
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Inglês

characteristics artist ray image

Indonésio

ciri-ciri artis citra kirana

Última atualização: 2017-03-08
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Inglês

ray image of the artist's description

Indonésio

deskripsi artis citra kirana

Última atualização: 2016-03-27
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Inglês

It has been reported that SARS-CoV-2 is sensitive to ultraviolet rays and heat at 56 °C for 30 minutes; ether, 75% ethanol, chlorine-containing disinfectant, peracetic acid, chloroform, and other fatty solvents, but not chlorhexidine, can effectively inactivate the virus.

Indonésio

Dilaporkan bahwa SARS-CoV-2 sensitif terhadap sinar ultraviolet dan panas pada 56 °C selama 30 menit; eter, etanol 75%, disinfektan yang mengandung klorin, asam perasetat, kloroform, dan pelarut lemak lainnya, tetapi bukan klorheksidin, efektif menonaktifkan virus.

Última atualização: 2020-08-25
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Inglês

At 07:00 the lesson will begin.After the school bell rang all the students belonging to their respective classes. All classes start by praying And singing Indonesian ray a

Indonésio

Pukul 07:00 pelajaran akan dimulai.Setelah bel sekolah berbunyi semua siswaasuk kelas masing masing.semua kelas memulai dengan berdoa Dan menyanyikan lagu indonesia ray a

Última atualização: 2018-04-10
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Inglês

Questions 1. The two friends were at a food stall eating bakso. The long day at schoolhad made them fell verry hungry and they really needed snack.2. How many friends your made in all your life?3. One thousand.. yesterdayi reached one thousand and one!4. One thousand? So many! How do you do that? are they guys from Australia?5. I am only joking, I am talking about facebook friends6. I was getting worried… here in dili not everybody has acces to the internetor to social network… we find it moreinteresting to be with real peoplein real life and not a virtuallife7. Toy see med offended you forget that I am an only child, I moved to another country I am at a new school and my only “real”friends are you with whom I am every day?8. That’s bad luck! Joked Antonio. Well i have two brothers, four grandparents and tree great grandparents who are still a live we are sixteen cousins, all part of the same generation.9. Toy seemed comtemplative for a moment, he focusedon the coke he was drinking from straw can you imagine our grandparents lives without coloured TV with no computers, no rockbands, no mobile phone, no cinema?10. Its was diferent back then…very different there was no facebook, there were no social network and people were able to live and enjoy life your might find me old fashioned,but I prefer to be close to my friends: to laugh, to cry, to share, to have fun, to leam with them…its because of all these thing that friendship are born.11. I am just wondering what our great grandchildren’s generation will be like…12. Antonio brust out laughing.”our great grandchildren’s generation? That’s many, many years from now …won’t be here to see that…13. I mean it. I like thinking about what it is going to be like in the future…14. I think everything will have chips and screes, ultrasounds and laser rays…everything will be digital and virtual…15. If there is no phisical contact among people, if there are not stories shared between parents and children around then bonfire… what’s left?16. Toy : pure loneliness!!!17. See ? I am right, Toy! Nothing replaces a hug…not even in one hundred years time will our descendents find a virtual replacement for the hug. So here is my request, goodbye to facebook, hello to real friends! A toast? The two friends held their glasses and made a toast.18. Hurry to friendship like the ones born in Dili…they are stronger than in any other place in the world!!hurry!!

Indonésio

QUERY LENGTH LIMIT EXCEDEED. MAX ALLOWED QUERY : 500 CHARS

Última atualização: 2018-01-29
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Inglês

(The Golden Butterfly) KEMBANG MELATI, a beautiful young princess, lived with her old nurse and many serving-women in a palace on the bank of a great river. Rajah Banjir, the monarch of the rains, lived in his rainbow-colored palace on the other bank of the river. He could cause floods to appear at his will, and his tears made brooks and rivers swell. From his windows he could see the little princess weaving her bridal dress, and he could hear her singing a song for luck. But the princess never looked toward his side of the river. The monarch of the rains kept gazing at her with great sad eyes. Because he was so sad, he wept many tears, and the river swelled and the wind sighed softly through the high trees around the palace. The princess heard the sighing of the wind, and saw the river rising higher and higher. But she did not know that it was her future husband who was weeping and calling to her. For many days the monarch of the rains yearned for the princess. Finally, to be near her, he changed himself into a golden butterfly and flew back and forth before her window until at last the princess saw him and opened the window so that she could admire his dazzling wings. Then the golden butterfly lighted on Kembang Melati’s little hand, kissed her finger tips, and flew out of the window. A few days later the butterfly returned and perched on Kembang Melati’s right ear and whispered to her, "Weave your bridal dress quickly, princess, for soon your bridegroom will come." The princess heard only the word "bridegroom." She asked, 'Where is my bridegroom?" The butterfly did not answer her, for he had flown out of the window. But someone else had heard her question. That was Nasiman, the wicked son of the princess's old nurse. He went to his mother at once. "Mother," he said, "I was standing outside the princess's window and I heard her ask, 'Where is my bridegroom?' I want you to go to her and tell her that I am her bridegroom." 'That you can never be, son/' the old woman said, "because you are not of noble birth." "Nevertheless, I wish to marry the princess," he answered. "Go to her, Mother, and tell her that her bridegroom has come” Nasiman was wicked and cruel, and his mother was afraid of him. So she went to the princess and told her of the bridegroom who had come to claim her hand. Just then the golden butterfly flew back and whispered in the princess's ear, "The real bridegroom has not yet come, princess. The one who is now under your roof is a wicked man. His name is Nasiman, and he is the son of your old nurse, Sarinah. Do not many him. . . . Wait till the true bridegroom comes!" When the golden butterfly had flown away, the princess said, "I will wait, nurse, till the true bridegroom comes/' "This is the true bridegroom/' the nurse insisted. She clasped her hands and begged, "Oh, princess, dear princess, marry him at once, for if you do not, we shall both die!” The princess did not want to die. So finally she said to her nurse, "Tell the bridegroom who has come that I must have seven days to think it over. Tell him to wait on the bank of the river and I will send him my answer there/' Nasiman found this idea good, and agreed. He took a big basket, filled it with food to last him seven days, and had it carried to a spot on the bank of the river. On that same day the monarch of the rains called to him a white crow, one of his best and biggest messenger-birds, and gave her a little chest full of costly ornaments and a letter. "Take these immediately to the Princess Kembang Melati," he ordered, "and make sure that you don't lose anything." "Don't worry, master," the crow replied. "I myself will take everything to the princess." The white crow flew off with the little chest bound fast to her back and the letter between 'her claws, and winged her way to the opposite bank of the river. There she saw Nasiman eating the last of a delicious-looking fish. The white crow, who loved fish, flew over swiftly, and cried, "Oh, how good that looks! May I have a little bite?" "How do you dare ask me that?" Nasiman demanded crossly. "Who are you, and where do you come from, with a letter in your claws and a chest on your back?" "Well," the crow answered smugly, "I happen to be the messenger of the great magician, the monarch of the rains! And I am to take this letter and this little chest to the Princess Kembang Melati, as my master ordered. What's more, I am to give them to her myself." "Hmm/' Nasiman said with a false little laugh. "In that case, Til let you eat some of my fish. Put down your letter and take the chest from your back, and fall to!" The white crow didn't have to be invited twice. She laid the letter and the little chest in the grass, and began to eat greedily of the delicious bit of fish. Nasiman lost no time. He opened the chest, took out the beautiful golden ornaments and in their place put some "big spiders and some gruesome-looking scorpions. Then he hurried to his mother with the letter. "Mother/ 7 he said, "I can't read, but I imagine that this letter must be full of lovely words. Now I want you to change them, at once, into ugly words. Meanwhile I'll hide these ornaments." The white crow was so busy eating that she did not notice what was going on. She ate the fish, down to the last scrap. Then she went to get a drink at the spring. The spring murmured to her, "Ah, white crow, why didn't you take the letter and the little chest to the princess as Rajah Banjir said?" But the white crow didn't hear. She didn't hear the wind, either, sighing to her, "Ah, white crow, something dreadful will happen because of your greediness!" And something dreadful did happen. When the princess saw the white crow come, bearing the letter and the little chest, she believed that the bird came from her true bridegroom, and in great excitement she decided to read the letter first. As her eyes flew over the words, she could hardly believe what she read: "You are very ugly," the letter said, "and what is in the little chest is foul and old. That goes, too, for your green hair and your blue skin." She was so angry that she tore the letter into shreds and tossed the little chest, without opening it, through the window. The spiders and the scorpions swarmed over the garden to the great astonishment of the white crow who could not understand how her master could have sent such horrible things to the lovely princess. But Nasiinan laughed to himself. Now the princess would marry him, he thought But the princess had no thought of marrying anyone now. She was bitterly grieved by the ugly letter. Weeping, she paced back and forth in her chamber. No one could comfort her, and she cried, "Take away my weaving stool! I will never weave again on my bridal gown!" Toward evening of that sad day the golden butterfly came back and flew through the open window. He lit on the princess's ear. "Darling princess," he whispered, "why don't you wear the beautiful ornaments that your bridegroom sent you?" At that the princess hit at him with an angiy hand. The great monarch of the rains thought surely she was only teasing him. He whispered in her ear again: "Beloved little princess, would you like to see your bridegroom tomorrow morning? He will take you to his rainbow-colored palace where the golden rays of the sun are magnified a thousand times into the most wonderful colors, and where you shall see woven cloth so fine, so dazzling, that it is like moonbeams! Come, darling princess, finish weaving your bridal gown, for tomorrow your bridegroom comes!" The princess grew even angrier. She called her serving women to her and bade them chase the golden butterfly away and never again to let it come inside. When the great magician heard the princess say these words he became so angry that he caused a mighty flood to come over the land that very night. Everything that was not submerged drifted away, torn loose from the land. The palace with Princess Kembang Melati and her nurse and the wicked Nasiman and all the others who lived in it, drifted on the floodwaters. The palace drifted farther and farther, until it came near the other bank where the palace of the great monarch of the rains stood. The king was in his doorway, watching, but when he saw the princess's palace floating toward him he pretended not to see it. The princess cried piteously for help, but he pretended not to hear. They were drifting out of sight when the nurse cried out in despair, "It's my fault! I bear the blame! It was I who changed the beautiful words of the letter into ugly ones! And my son, Nasiman, filled the little chest with spiders and scorpions while the white crow was eating the fish 1 /' When he heard the nurse's confession, the monarch of the rains understood everything. He leaped down and dragged the princess and all the others out of the drifting palace and brought them into his own. Only her old nurse and the nurse's wicked son were not permitted to enter, "May great waves engulf you!" he thundered. And at his words mighty waves, as high as the heavens, rose in the water and swallowed up the nurse and her son. The white crow was punished, too, for her greediness. She was changed into a black bird which could never speak again. All she could say was, "Kaw . . . kaw . . . kaw . . . kr - kr. . . ." It meant "gold . . . gold/' But though the crow searched, she never could find the gold and jewels with which the little chest had been filled. When the evildoers were punished, the monarch of the rains caused the flood to subside. In a short time, the whole world was dry once more, and when he had accomplished that he turned to the princess and told her that he was the son of a nobleman and that for days and nights he had yearned for her. Kembang Melati took pity on him. She knew that he was truly her bridegroom from the way he spoke to her. So she married him and lived the rest of her happy life with him in the rainbow-colored palace on the bank of the river. Sumber : http://www.englishindo.com/2011/12/dongeng-bahasa-inggris-kembang-melati.html#ixzz5424cQQ2v

Indonésio

kembang melati dan kupu-kupu emas

Última atualização: 2018-01-13
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Inglês

MANGITA AND LARINAThis is a tale told in the lake district of Luzon. At times of rain or in winter the waters of the Laguna de Bai rise and detachfrom the banks a peculiar vegetation that resembles lettuce. These plants, which floatfor months down the Pasig River, gave rise,no doubt, to the story.Many years ago there lived on the banks of the Laguna de Bai a poor fisherman whose wife had died, leaving him two beautiful daughters named Mangita and Larina.Mangita had hair as black as night and a dark skin. She was as good as she was beautiful, and was loved by all for her kindness. She helped her father mend the nets and make the torches to fish with at night, and her bright smile lit up the little nipa house like a ray of sunshine.Larina was fair and had long golden hair of which she was very proud. She was different from her sister, and never helped with the work, but spent the day combing her hair and catching butterflies. She wouldcatch a pretty butterfly, cruelly stick a pin through it, and fasten it in her hair. Then she would go down to the lake to see her reflection in the clear water, and would laugh to see the poor butterfly struggling in pain. The people disliked her for her cruelty, but they loved Mangita very much. This made Larina jealous, and the more Mangita was loved, the more her sister thought evil of her.One day a poor old woman came to the nipa house and begged for a little rice to put in her bowl. Mangita was mending a net and Larina was combing her hair in the doorway. When Larina saw the old woman she spoke mockingly to her and gave her a push that made her fall and cut her head ona sharp rock; but Mangita sprang to help her, washed the blood away from her head, and filled her bowl with rice from the jar in the kitchen.The poor woman thanked her and promisednever to forget her kindness, but to her sister she spoke not a word. Larina did not care, however, but laughed at her and mocked her as she painfully made her way again down the road. When she had gone Mangita took Larina to task for her cruel treatment of a stranger; but, instead of doing any good, it only caused Larina to hate her sister all the more.Some time afterwards the poor fisherman died. He had gone to the big city down the river to sell his fish, and had been attacked with a terrible sickness that was raging there.The girls were now alone in the world.Mangita carved pretty shells and earned enough to buy food, but, though she begged Larina to try to help, her sister would only idle away the time.The terrible sickness now swept everywhere and poor Mangita, too, fell ill. She asked Larina to nurse her, but the latter was jealous of her and would do nothing to ease her pain. Mangita grew worse and worse, but finally, when it seemed as if she would soon die, the door opened and the old woman to whom she had been so kind came into the room. She had a bag of seeds in her hand, and taking one she gave it to Mangita, who soon showed signs of being better, but was so weak that she could not give thanks.The old woman then gave the bag to Larinaand told her to give a seed to her sister every hour until she returned. She then went away and left the girls alone.Larina watched her sister, but did not give her a single seed. Instead, she hid them in her own long hair and paid no attention to Mangita's moans of pain. The poor girl's cries grew weaker and weaker, but not a seed would her cruel sister give her. In fact,Larina was so jealous that she wished her sister to die.When at last the old woman returned, poor Mangita was at the point of death. The visitor bent over the sick girl and then asked her sister if she had given Mangita the seeds. Larina showed her the empty bag and said she had given them as directed. The old woman searched the house, but of course could not find the seeds. She then asked Larina again if she had given them to Mangita. Again the cruelgirl said that she had done so.Suddenly the room was filled with a blinding light, and when Larina could see once more, in place of the old woman stood a beautiful fairy holding the now wellMangita in her arms.She pointed to Larina and said, "I am the poor woman who asked for rice. I wished toknow your hearts. You were cruel and Mangita was kind, so she shall live with me in my island home in the lake. As for you, because you tried to do evil to your good sister, you shall sit at the bottom of the lake forever, combing out the seeds you have hidden in your hair." Then, she clapped her hands and a number of elves appeared and carried the struggling Larina away."Come," said the fairy to Mangita, and she carried her to her beautiful home, where she lives in peace and happiness.As for Larina, she sits at the bottom of the lake and combs her hair. As she combs a seed out, another comes in, and every seed that is combed out becomes a green plant that floats out of the lake and down the Pasig.And to this day people can see them, and know that Larina is being punished for her wickedness.

Indonésio

google terjemahan bahasa indonesi bahasa inggris

Última atualização: 2017-04-16
Frequência de uso: 1
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Referência: Anônimo
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Inglês

1 00:00:07,280 --> 00:00:12,400 Painting of a Gothic castle, artist unknown, circa 1920s. 2 00:00:12,760 --> 00:00:17,959 Oil on canvas, 20-by-28. Miss Franklin, where did you say you got this? 3 00:00:18,120 --> 00:00:23,638 I inherited it a few months ago. But it's been in my family for generations. 4 00:00:24,120 --> 00:00:27,157 The composition is so unusual. 5 00:00:27,320 --> 00:00:30,073 The artist used pure colour straight from the tube and then varnished 6 00:00:30,240 --> 00:00:33,994 - each layer over and... - I'm sorry for interrupting. 7 00:00:34,200 --> 00:00:35,997 But do I really need to be here? 8 00:00:36,160 --> 00:00:40,517 No, of course not. It's just that most people prefer to be at an appraisal, 9 00:00:40,680 --> 00:00:42,591 especially when they plan on selling the piece. 10 00:00:42,760 --> 00:00:46,036 - It's just that I'm kind of in a hurry. - Say no more. 11 00:00:46,200 --> 00:00:49,272 Just sign at the bottom, and you are free to go. 12 00:00:49,440 --> 00:00:53,353 Thank you. So how long do you think it'll take to sell it? 13 00:00:53,560 --> 00:00:56,632 Well, I'll need to see ownership records before I can do anything. 14 00:00:56,800 --> 00:01:00,076 I'll send you everything I have. So is that all, then? 15 00:01:00,240 --> 00:01:02,071 No, since you definitely wanna sell the piece, 16 00:01:02,240 --> 00:01:05,152 I'll need to confirm its authenticity, its physical condition. 17 00:01:05,320 --> 00:01:07,151 So if you'll just sign at the bottom, 18 00:01:07,360 --> 00:01:09,157 that will let us go ahead and x-ray the piece. 19 00:01:09,760 --> 00:01:11,751 Done. 20 00:01:12,240 --> 00:01:14,754 - Anything else? - Um... 21 00:01:15,320 --> 00:01:18,949 Well, yes, Miss Franklin. I would really like the time to research this. 22 00:01:19,160 --> 00:01:21,037 That way I can get you the best price. 23 00:01:21,200 --> 00:01:26,194 Look, I appreciate your professionalism. I really do. 24 00:01:26,360 --> 00:01:28,920 But I'm not interested in getting the best price. 25 00:01:29,080 --> 00:01:33,835 I just want you to sell that painting as soon as you can, all right? 26 00:01:34,840 --> 00:01:37,149 - Good night, Miss Halliwell. - Good night. 27 00:01:47,920 --> 00:01:50,832 Piper, it was an accident. It's not like I borrowed Prue's car 28 00:01:51,040 --> 00:01:53,679 - so I could drive it into a pole. - How bad's the damage? 29 00:01:53,840 --> 00:01:56,638 Not bad, but maybe expensive, which is why I need a favour. 30 00:01:56,800 --> 00:01:59,439 If you're calling to borrow money, I don't have any. 31 00:02:00,000 --> 00:02:04,152 No, it's not about money. It's just... I don't want you to tell Prue. 32 00:02:04,320 --> 00:02:07,517 She's been so supportive, and I don't wanna lose her trust again. 33 00:02:07,680 --> 00:02:11,116 - You mean you haven't told her? - Well, not yet, but I have a plan. 34 00:02:11,280 --> 00:02:12,508 Phoebe, you have to tell her. 35 00:02:12,680 --> 00:02:14,955 It's her car, and you don't have the money to fix it. 36 00:02:15,120 --> 00:02:17,759 But I will have the money to fix it. I'm at this company called 37 00:02:17,920 --> 00:02:20,912 Web San Francisco. It's an interactive network on the Internet. 38 00:02:21,120 --> 00:02:22,678 And I faxed them my résumé this morning, 39 00:02:22,840 --> 00:02:24,398 and they wanna meet with me tonight. 40 00:02:24,560 --> 00:02:26,869 I've gotta go, but I don't wanna be in the middle of this. 41 00:02:27,040 --> 00:02:30,077 - Just tell her, okay? - If I don't get the job, I will tell her. 42 00:02:34,120 --> 00:02:35,792 [SIGHS] 43 00:02:47,720 --> 00:02:51,998 Hello, I'm Phoebe Halliwell. I have an appointment. 44 00:02:55,120 --> 00:02:56,439 Thanks. 45 00:02:57,080 --> 00:03:00,231 All these people, they're here for the interview too, aren't they? 46 00:03:00,440 --> 00:03:03,034 Well, you won't have any trouble with this if you figured that out. 47 00:03:03,200 --> 00:03:06,158 It's an aptitude test. You can finish it at home. 48 00:03:06,320 --> 00:03:08,072 Great. Great. 49 00:03:12,560 --> 00:03:15,358 APPLICANT 1: You won a fellowship from the National Science Foundation? 50 00:03:15,520 --> 00:03:17,636 When I was at Harvard, yeah. How'd you know? 51 00:03:17,840 --> 00:03:20,912 I saw it on your résumé. I was cum laude also. 52 00:03:21,080 --> 00:03:22,832 APPLICANT 1: Except I was a Ford Foundation scholar. 53 00:03:23,080 --> 00:03:25,389 So then you must have gone to Stanford? 54 00:03:25,640 --> 00:03:27,392 Stanford? I went to Stanford. 55 00:03:29,080 --> 00:03:30,752 APPLICANT 2: Intimidating, isn't it? 56 00:03:31,120 --> 00:03:33,350 The Good Will Huntings or this aptitude test? 57 00:03:33,560 --> 00:03:37,189 Oh, who cares about linear algebra or differential? And that test is a snap. 58 00:03:37,360 --> 00:03:39,191 I mean, in this day and age, who can't write 59 00:03:39,360 --> 00:03:41,555 in HTML and numeric languages, right? 60 00:03:41,720 --> 00:03:42,709 [CHUCKLING] 61 00:03:42,880 --> 00:03:43,869 Right. 62 00:03:45,840 --> 00:03:49,833 Yeah, that's... That's for you. 63 00:04:04,800 --> 00:04:06,631 What? 64 00:04:13,680 --> 00:04:15,352 Oh... 65 00:05:41,720 --> 00:05:45,156 At first I just thought that it was a reflection off of something in the room. 66 00:05:45,400 --> 00:05:48,119 But then when I moved closer, I saw a man 67 00:05:48,280 --> 00:05:50,589 inside the painting, in the castle. 68 00:05:50,760 --> 00:05:54,958 Right, but the moment I saw him, he backed away from the window. 69 00:05:55,160 --> 00:05:58,436 And then there was this strange glow that went past the window again. 70 00:05:58,600 --> 00:06:00,591 It was just so... 71 00:06:02,320 --> 00:06:03,878 - Piper? - What? 72 00:06:04,960 --> 00:06:08,509 - We were talking? - I know, about a man in a painting. 73 00:06:08,720 --> 00:06:12,110 Listen to this one. "Hallway near club entrance too narrow." 74 00:06:12,280 --> 00:06:14,430 I thought that we had discussed your code violations. 75 00:06:14,600 --> 00:06:15,953 Well, I keep finding more. 76 00:06:16,120 --> 00:06:18,509 The plumbing, the electrical, the heating. 77 00:06:18,680 --> 00:06:20,830 - It... None of it is up to code. - Stop. 78 00:06:21,880 --> 00:06:24,440 - You're obsessing. - Well, it runs in the family. 79 00:06:25,040 --> 00:06:26,678 I don't obsess. 80 00:06:27,480 --> 00:06:32,349 I think intensely. Anyway, I can't really help it. 81 00:06:32,560 --> 00:06:35,552 I mean, we've seen so many bizarre things, why not a man in a painting? 82 00:06:35,720 --> 00:06:37,472 At least he's safe from building inspectors. 83 00:06:37,720 --> 00:06:40,109 I can't imagine that castle's up to code. 84 00:06:40,280 --> 00:06:43,556 I'm sorry, but I couldn't find anything in the Book of Shadows about people 85 00:06:43,720 --> 00:06:46,951 who may be trapped inside paintings. I looked everywhere. 86 00:06:47,440 --> 00:06:51,877 Hey, you were asleep by the time I got home. How did your interview go? 87 00:06:54,160 --> 00:06:55,752 It went fine. 88 00:06:56,000 --> 00:07:00,073 Actually, it's still going. I have to finish this take-home aptitude test, 89 00:07:00,240 --> 00:07:02,674 which I actually think I will start right now. 90 00:07:02,840 --> 00:07:05,149 So I will see you guys later. 91 00:07:05,360 --> 00:07:06,713 - Phoebe? PHOEBE: What? 92 00:07:06,880 --> 00:07:09,553 Aren't you forgetting something? My car keys? 93 00:07:13,400 --> 00:07:15,868 They'd be with your car... 94 00:07:16,880 --> 00:07:20,395 ...which is at the body shop, having an estimate. 95 00:07:20,960 --> 00:07:25,909 - An estimate? - Yeah, I bumped... 96 00:07:26,320 --> 00:07:30,598 No, actually I backed your car into a pole last night. 97 00:07:31,440 --> 00:07:33,158 A pole? 98 00:07:34,320 --> 00:07:35,548 You hit a pole? 99 00:07:35,720 --> 00:07:38,314 Yeah, you don't even have to say it. I know what you're thinking. 100 00:07:38,480 --> 00:07:41,836 How could I be so irresponsible? How could I be so stupid? 101 00:07:42,240 --> 00:07:46,518 Okay, irresponsible, yes. Stupid, no way. Where is that coming from? 102 00:07:46,680 --> 00:07:48,830 It's coming from the fact that I'm the youngest sister, 103 00:07:49,000 --> 00:07:51,958 the one who always makes mistakes, the one who always causes problems. 104 00:07:52,120 --> 00:07:54,793 I mean, if anybody were gonna back your car into a pole 105 00:07:54,960 --> 00:07:57,030 and not tell you right away, it'd be me, right? 106 00:07:57,880 --> 00:08:00,758 - I think I'll just be going now. - See? Even the middle sister, 107 00:08:00,920 --> 00:08:03,912 the one that's supposed to stay neutral when it comes to family problems, 108 00:08:04,080 --> 00:08:06,799 - checks out on this one. - Yes, you're right. You're on your own. 109 00:08:06,960 --> 00:08:09,428 Well, leave me out of it too. I don't wanna argue with you. 110 00:08:09,600 --> 00:08:12,956 - I just wanna find a cab. - Well, whatever it costs, 111 00:08:13,120 --> 00:08:15,680 I will pay for the damages. And whatever the cab costs, 112 00:08:15,840 --> 00:08:17,592 I will pay for that too. 113 00:08:20,760 --> 00:08:23,877 - What just happened here? - I don't know anything about anything. 114 00:08:24,080 --> 00:08:26,150 - I'm gonna go see Dan. - Piper! 115 00:08:26,320 --> 00:08:29,835 Just forget about the car. What about the man in the painting? 116 00:08:30,200 --> 00:08:34,352 Well, unless he's real and screaming for help, forget about him. 117 00:08:34,520 --> 00:08:37,353 We shouldn't go looking for trouble. We have enough around here. 118 00:08:37,960 --> 00:08:40,110 I'm going next door. 119 00:08:48,680 --> 00:08:50,671 - Dan. - Good morning. 120 00:08:50,880 --> 00:08:53,792 - I'm sorry to bother you. - No, you're not bothering me, unless 121 00:08:54,080 --> 00:08:57,550 - you refuse to hand over my paper. - Oh, all yours. 122 00:08:57,720 --> 00:09:01,952 - Thanks. You wanna come in? - No, no, really, 123 00:09:02,160 --> 00:09:05,232 I just stopped by to ask a quick favour. My club received a visit 124 00:09:05,400 --> 00:09:07,755 - from the DBI last night... - And you got code violations. 125 00:09:07,960 --> 00:09:10,679 I have the War and Peace of code violations. 126 00:09:10,880 --> 00:09:14,475 And you were thinking what? Neighbour Dan, he's in construction, 127 00:09:14,880 --> 00:09:18,031 - maybe he could help, huh? - Of course I'd pay you something. 128 00:09:18,640 --> 00:09:21,916 JENNY: Uncle Dan, I'm late. Hey, Piper. - Hi, Jenny. 129 00:09:22,080 --> 00:09:26,517 See you later, Uncle Dan. And don't forget your promise. 130 00:09:27,920 --> 00:09:32,198 Okay, then, I'll tell you what I can do. I'll check out the code violations, 131 00:09:32,360 --> 00:09:35,272 see how serious they really are if you will help me with the promise 132 00:09:35,440 --> 00:09:38,159 - I made Jenny. - Deal. Wait, what's the promise? 133 00:09:38,320 --> 00:09:42,199 She needs help with a paper. It's... It's for bio class. You know, something 134 00:09:42,400 --> 00:09:46,473 - with the human reproductive system. - Oh, you mean sex. 135 00:09:47,440 --> 00:09:50,477 It's just way too awkward for me to talk to my niece about. 136 00:09:50,680 --> 00:09:54,309 Yeah. Sure, not to worry, I have plenty of experience. 137 00:09:54,880 --> 00:10:00,398 - Really? With sex? - No, I mean, talking about it. 138 00:10:02,880 --> 00:10:04,279 Yeah. 139 00:10:07,920 --> 00:10:09,876 So was there a problem with any 140 00:10:10,040 --> 00:10:11,792 of the ownership records that I sent over? 141 00:10:11,960 --> 00:10:13,632 No, everything's in order. 142 00:10:13,960 --> 00:10:15,916 Then I'm not sure why you wanted to meet with me. 143 00:10:16,080 --> 00:10:19,550 Look, Miss Franklin, I know that you don't really wanna be here, 144 00:10:19,720 --> 00:10:25,078 so I'll just be perfectly honest. There is something strange about that painting. 145 00:10:26,160 --> 00:10:28,549 - Have you seen him? - Him? 146 00:10:29,200 --> 00:10:32,590 - That's how it all starts, you know. - What do you mean? 147 00:10:32,760 --> 00:10:36,070 At first, you see him... 148 00:10:37,400 --> 00:10:38,799 ...the man inside the painting. 149 00:10:39,760 --> 00:10:45,039 At least you think you see him, but he just... He disappears so fast. 150 00:10:46,720 --> 00:10:49,951 And you start to think about it, but it doesn't make any sense. I mean, 151 00:10:51,200 --> 00:10:56,035 how could a man be inside a painting? And then you see him again. 152 00:10:56,560 --> 00:10:58,596 This time longer. 153 00:11:01,600 --> 00:11:03,352 And now you're sure. 154 00:11:03,520 --> 00:11:06,318 So you think that the painting is haunted by a ghost? 155 00:11:07,000 --> 00:11:11,312 Oh, no, no, I think he's definitely alive. 156 00:11:12,120 --> 00:11:14,588 I think he's trapped inside. 157 00:11:16,120 --> 00:11:19,590 - Do you know who he is? - No, I have no idea. 158 00:11:20,600 --> 00:11:22,272 Nobody does. 159 00:11:23,960 --> 00:11:27,748 Look, all I know is that if I don't get rid of that painting, 160 00:11:28,000 --> 00:11:30,878 I'm gonna end up just like everybody else in my family who ever owned it. 161 00:11:31,080 --> 00:11:33,071 - I'm gonna be completely insane. - Miss Franklin... 162 00:11:33,240 --> 00:11:35,196 No, you've only seen the beginning, Miss Halliwell. 163 00:11:35,400 --> 00:11:39,712 Just trust me when I tell you it's only gonna get worse. 164 00:11:48,880 --> 00:11:54,318 Spirits send the words from all... 165 00:11:54,480 --> 00:11:55,469 [KNOCKING] 166 00:11:55,640 --> 00:11:57,278 PIPER: It's me. Can I come in? 167 00:11:57,440 --> 00:11:59,795 Piper, I really just wanna be alone right now. 168 00:11:59,960 --> 00:12:02,633 I won't stay long, promise. 169 00:12:03,560 --> 00:12:05,630 All right, just give me a sec. 170 00:12:10,120 --> 00:12:11,394 Okay, you can come in now. 171 00:12:15,880 --> 00:12:19,998 I just wanted to tell you the body shop called. 172 00:12:20,440 --> 00:12:22,351 Yeah, I know, I heard the message, 1,200 bucks. 173 00:12:22,520 --> 00:12:25,876 - Did you tell Prue? - I didn't have to. She already knew. 174 00:12:26,040 --> 00:12:27,473 She called the body shop herself. 175 00:12:27,640 --> 00:12:29,551 That's why I have got to get this job, Piper. 176 00:12:29,760 --> 00:12:31,796 It's the only way that I could pay for the damages. 177 00:12:32,000 --> 00:12:33,558 The only way I can make things right. 178 00:12:33,760 --> 00:12:35,637 All the more reason you just should've told her. 179 00:12:35,840 --> 00:12:38,274 Okay, well, maybe a smarter person would've figured that out. 180 00:12:38,600 --> 00:12:42,036 Then again, a smart person wouldn't have backed the car into a pole. 181 00:12:42,280 --> 00:12:45,272 A smart person would've realised that it was a $1,200 pole. 182 00:12:45,480 --> 00:12:49,837 That's because smart people don't do stupid things, only stupid people do. 183 00:12:50,000 --> 00:12:52,719 - Phoebe, I didn't mean to upset you. - I know. 184 00:12:53,080 --> 00:12:56,277 - Maybe we should just talk later. - Okay. 185 00:12:57,560 --> 00:13:00,677 - You sure you're gonna be okay? - Yeah. Why? 186 00:13:00,840 --> 00:13:03,479 Phoebe, I know you think getting this job is the answer, but please, 187 00:13:03,640 --> 00:13:06,438 - just don't do anything... - What, stupid? 188 00:13:06,600 --> 00:13:09,672 No, just don't do anything I wouldn't do. 189 00:13:11,880 --> 00:13:13,677 Don't worry, I won't. 190 00:13:17,360 --> 00:13:19,669 You would never cast a smart spell. 191 00:13:20,920 --> 00:13:21,955 Okay. 192 00:13:24,400 --> 00:13:27,756 For 24 hours, from 7 to 7, I will understand all meaning 193 00:13:28,040 --> 00:13:33,717 of the words from here to heaven. 194 00:13:42,680 --> 00:13:45,831 Spirits, send the words From all across the land 195 00:13:46,000 --> 00:13:49,390 Allow me to absorb them Through the touch of either hand 196 00:13:49,560 --> 00:13:51,630 For 23 hours, from 7 to 7 197 00:13:51,800 --> 00:13:56,351 I will understand all meaning Of the words from here to heaven 198 00:13:57,040 --> 00:13:59,508 Oh, and P.S., there will be no personal gain. 199 00:14:17,120 --> 00:14:20,317 Abaca, strong fibre obtained from a banana leaf. 200 00:14:20,480 --> 00:14:24,473 Zygote, a cell formed by the union of two gametes. 201 00:14:27,080 --> 00:14:28,672 Cool. 202 00:14:33,120 --> 00:14:36,430 - Hey, Joe, that was fast. JOE: No line at the x-ray machine. 203 00:14:36,640 --> 00:14:38,756 So did the x-ray confirm its authenticity? 204 00:14:38,920 --> 00:14:41,354 It did a lot more than that. Check out the x-ray. 205 00:14:41,520 --> 00:14:43,715 It's got definitive underwriting on the canvas. 206 00:14:44,200 --> 00:14:47,033 - It has a pentimento? - Yeah, I couldn't believe it either. 207 00:14:47,280 --> 00:14:50,636 But you can see it on the x-ray. The text is in Latin. 208 00:14:50,840 --> 00:14:53,308 I've never seen anything like it before. 209 00:14:53,640 --> 00:14:57,872 "Absolvo, amitto, amplus, brevis." 210 00:14:58,240 --> 00:15:03,394 - To free what is lost say these words. - Wow, you speak Latin? 211 00:15:04,160 --> 00:15:08,039 - Yes. Good night, Joe. - Okay. 212 00:15:08,240 --> 00:15:10,595 Well, why don't I just return the painting to the vault, 213 00:15:10,760 --> 00:15:12,034 say, tomorrow. 214 00:15:12,240 --> 00:15:14,117 - Good idea. - Okay. 215 00:15:25,600 --> 00:15:27,192 "Help." 216 00:15:31,760 --> 00:15:33,557 Okay. 217 00:15:36,680 --> 00:15:40,958 "Semper mea." Mine forever. 218 00:15:43,400 --> 00:15:48,030 Absolvo amitto amplus brevis. Semper mea. 219 00:15:51,600 --> 00:15:53,033 Oh, no. 220 00:15:54,000 --> 00:15:55,831 Oh! Oh! 221 00:16:12,720 --> 00:16:14,597 [GASPING] 222 00:16:17,040 --> 00:16:18,837 Who's there? 223 00:16:19,880 --> 00:16:20,869 [SCREAMS] 224 00:16:21,040 --> 00:16:22,837 - Quick, follow me! - What? 225 00:16:23,040 --> 00:16:25,076 This way. Ladies first. 226 00:16:27,280 --> 00:16:28,918 I see you read Latin too. 227 00:16:29,200 --> 00:16:30,679 Okay, what has happened? Where am I? 228 00:16:30,840 --> 00:16:32,353 - You're in the castle. - Where is that? 229 00:16:32,520 --> 00:16:35,432 - Inside a painting. - I'm trapped inside a painting? 230 00:16:35,640 --> 00:16:38,108 Yes, and if you don't get to that bookcase, you're dead. 231 00:16:38,920 --> 00:16:40,353 Who are you? 232 00:16:40,600 --> 00:16:43,398 My name's Malcolm, and you were supposed to help me, not join me. 233 00:16:43,600 --> 00:16:44,589 Who are you anyway? 234 00:16:44,760 --> 00:16:46,478 My name is Prue, and I was helping you. 235 00:16:46,640 --> 00:16:49,837 - You were supposed to come out. - Great, now we're both trapped. Hurry! 236 00:16:52,880 --> 00:16:54,950 What the hell? What are you? How'd you do that? 237 00:16:55,160 --> 00:16:57,879 Oh, okay, never mind. We're gonna get killed. Will you hurry up? 238 00:17:04,040 --> 00:17:05,029 [MEOWING] 239 00:17:05,200 --> 00:17:06,952 Hi, Phoebe. You're up early. What's up? 240 00:17:07,120 --> 00:17:10,874 Oh, the Dow Jones, housing prices and the space shuttle Discovery. 241 00:17:11,040 --> 00:17:14,032 - Huh? - Read the paper. 242 00:17:14,280 --> 00:17:16,919 Oh. Um... 243 00:17:17,080 --> 00:17:19,116 - Have you seen Prue this morning? - Not yet. 244 00:17:19,320 --> 00:17:21,959 Oh, Dan just called, said he'd meet you at the club at noon. 245 00:17:22,360 --> 00:17:23,634 Okay. 246 00:17:23,840 --> 00:17:26,354 - Did you hear her come in last night? - Nope. 247 00:17:26,800 --> 00:17:28,711 PIPER: This is really strange. 248 00:17:28,880 --> 00:17:29,915 [CAT MEOWING] 249 00:17:

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Robert Watson-Watt From Wikipedia, the free encyclopedia Sir Robert Watson-Watt Born Robert Alexander Watson-Watt 13 April 1892 Brechin, Angus, Scotland, UK Died 5 December 1973 (aged 81) Inverness, Scotland, UK Known for Radar Notable awards • Hughes Medal (1948) • Elliott Cresson Medal (1957) • Fellow of the Royal Society[1] • KCB • FRAeS Sir Robert Alexander Watson-Watt, KCB, FRS, FRAeS (13 April 1892 – 5 December 1973) was a pioneer and significant contributor to the development of radar. Radar was initially nameless and researched elsewhere but it was greatly expanded on 1 September 1936 when Watson-Watt became Superintendent of a new establishment under the Air Ministry, Bawdsey Research Station near Felixstowe, Suffolk. Work there resulted in the design and installation of aircraft detection and tracking stations called Chain Home along the east and south coasts of England in time for the outbreak of the Second World War in 1939. This system provided the vital advance information that helped the Royal Air Force win the Battle of Britain.[1][2] Contents • 1 Early years • 2 Early experiments • 3 RADAR o 3.1 The air defence problem o 3.2 Aircraft detection and location o 3.3 Civil Service trade union activities • 4 Contribution to Second World War • 5 Honours • 6 Legacy • 7 Family life • 8 References • 9 Sources • 10 External links Early years Born in Brechin, Angus, Scotland, on 13 April 1892 Watson-Watt (the hyphenated name is used herein for consistency, although this was not adopted until 1942)[3] was a descendant of James Watt, the famous engineer and inventor of the practical steam engine. After attending Damacre Primary School and Brechin High School,[4] he was accepted to University College, Dundee (then part of the University of St Andrews but became the University of Dundee in 1967). Watt had a successful time as a student, winning the Carnelley Prize for Chemistry and a class medal for Ordinary Natural Philosophy in 1910.[5] He graduated with a BSc in engineering in 1912, and was offered an assistantship by Professor William Peddie, the holder of the Chair of Physics at University College, Dundee from 1907 to 1942. It was Peddie who encouraged Watson-Watt to study radio, or "wireless telegraphy" as it was then known and who took him through what was effectively a postgraduate class of one on the physics of radio frequency oscillators and wave propagation. At the start of the Great War Watson-Watt was working as an assistant in the College's Engineering Department.[6] Early experiments In 1916 Watson-Watt wanted a job with the War Office, but nothing obvious was available in communications. Instead he joined the Meteorological Office, which was interested in his ideas on the use of radio for the detection of thunderstorms. Lightning gives off a radio signal as it ionizes the air, and his goal was to detect this signal to warn pilots of approaching thunderstorms. The signal occurs across a wide range of frequencies, and could be easily detected and amplified by naval longwave sets, in fact, lightning was a major problem for communications at these common wavelengths.[7] His early experiments were successful in detecting the signal and he quickly proved to be able to do so at ranges up to 2,500 km. However, there was some difficulty in determining location. This was accomplished by rotating a loop antenna to maximise (or minimise) the signal, thus "pointing" to the storm. However, the strikes were so fleeting that it was very difficult to turn the antenna in time to positively locate one. Instead, the operator would listen to many strikes and develop a rough average location.[7] At first, he worked at the Wireless Station of Air Ministry Meteorological Office in Aldershot, Hampshire. In 1924 when the War Department gave notice that they wished to re-occupy their Aldershot site, he moved to Ditton Park near Slough, Berkshire. The National Physical Laboratory (NPL) was already using this site and had two main devices that would prove pivotal to his work.[7] The first was an Adcock antenna, an arrangement of four masts that allowed the signal to be directed through phase differences. Using these as two separate loop antennas at right angles, one could make a simultaneous measurement of the lightning's direction in two axes. However, displaying the fleeting signals was a problem. This was solved by the second device, the WE-224 oscilloscope, recently acquired from Bell Labs. By feeding the signals from the two antennas into the X and Y channels of the oscilloscope, a single strike caused the appearance of a line on the display, indicating the direction of the strike. The scope's relatively "slow" phosphor allowed the signal to be read long after the strike had occurred.[8] Watt's new system was being used in 1926 and was the topic of an extensive paper by Watt and Herd.[9] The Met and NPL radio teams were amalgamated in 1927 to form the Radio Research Station with Watt as director. Continuing research throughout, the teams had become interested in the causes of "static" radio signals, and found that much could be explained by distant signals located over the horizon being reflected off the upper atmosphere. This was the first direct indication of the reality of the Heaviside layer, proposed earlier but at this time largely dismissed by engineers. To determine the altitude of the layer, Watt, Appleton and others developed the 'squegger' to develop a 'time base' display, which would cause the oscilloscope's dot to move smoothly across the display at very high speed. By timing the squegger so that the dot arrived at the far end of the display at the same time as expected signals reflected off the Heaviside layer, the altitude of the layer could be determined. This time base circuit was key to the development of radar.[10] After a further reorganization in 1933, Watt became Superintendent of the Radio Department of NPL in Teddington. RADAR The air defence problem During the First World War, the Germans had used Zeppelins as long-range bombers over London and other cities and defences had struggled to counter the threat. Since that time aircraft capabilities had improved considerably and the prospect of widespread aerial bombardment of civilian areas was causing the government anxiety. Heavy bombers were now able to approach at altitudes that anti-aircraft guns of the day were unable to reach.[11] With enemy airfields across the English Channel potentially only 20 minutes’ flying-time away, bombers would have dropped their bombs and be returning to base before any intercepting fighters could get to altitude. The only answer seemed to be to have standing patrols of fighters in the air at all times but, with the limited cruising time of a fighter, this would require a huge air force. An alternative solution was urgently needed and in 1934, the Air Ministry set up a committee, the CSSAD (Committee for the Scientific Survey of Air Defence), chaired by Sir Henry Tizard to find ways to improve air defence in the UK. Nazi Germany was rumoured to have a "death ray" using radio waves that was capable of destroying towns, cities and people. In January 1935, H.E. Wimperis, Director of Scientific Research at the Air Ministry, asked Watson-Watt about the possibility of building their version of a death-ray, specifically to be used against aircraft.[citation needed] Watson-Watt quickly returned a calculation carried out by his colleague, Arnold Wilkins, showing that the device was impossible to construct, and fears of a Nazi version soon vanished. However, he also mentioned in the same report a suggestion that was originally made to him by Wilkins, who had recently heard of aircraft disturbing shortwave communications, that radio waves may be capable of detecting aircraft: "Meanwhile attention is being turned to the still difficult, but less unpromising, problem of radio detection and numerical considerations on the method of detection by reflected radio waves will be submitted when required." Wilson's idea, checked by Watt, was promptly presented by Tizard to the CSSAD on January 28.[12] Aircraft detection and location Memorial at the Daventry site of the first successful RADAR experiments. 52.195982°N 1.050121°W Closeup of memorial plaque On 12 February 1935, Watson-Watt sent the secret memo of the proposed system to the Air Ministry, Detection and location of aircraft by radio methods. Although not as exciting as a death-ray, the concept clearly had potential but the Air Ministry, before giving funding, asked for a demonstration proving that radio waves could be reflected by an aircraft.[13] This was ready by 26 February and consisted of two receiving antennas located about 6 miles (9.7 km) away from one of the BBC's shortwave broadcast stations at Daventry. The two antennas were phased such that signals travelling directly from the station cancelled themselves out, but signals arriving from other angles were admitted, thereby deflecting the trace on a CRT indicator (passive radar).[14] Such was the secrecy of this test that only three people witnessed it: Watson-Watt, his colleague Arnold Wilkins, and a single member of the committee, A. P. Rowe. The demonstration was a success; on several occasions a clear signal was seen from a Handley Page Heyford bomber being flown around the site. Most importantly, the Prime Minister, Stanley Baldwin, was kept quietly informed of radar's progress. On 2 April 1935, Watson-Watt received a patent on a radio device for detecting and locating an aircraft. In mid-May 1935, Wilkins left the Radio Research Station with a small party, including Edward George Bowen, to start further research at Orford Ness, an isolated peninsula on the Suffolk coast of the North Sea. By June they were detecting aircraft at a distance of 16 miles (26 km), which was enough for scientists and engineers to stop all work on competing sound-based detection systems. By the end of the year the range was up to 60 miles (97 km), at which point plans were made in December to set up five stations covering the approaches to London. One of these stations was to be located on the coast near Orford Ness, and Bawdsey Manor was selected to become the main centre for all radar research. In an effort to put a radar defence in place as quickly as possible, Watson-Watt and his team created devices using existing available components, rather than creating new components for the project, and the team did not take additional time to refine and improve the devices. So long as the prototype radars were in workable condition they were put into production.[15] They soon conducted "full scale" tests of a fixed radar radio tower system that would soon be known as Chain Home, an early detection system that attempted to detect an incoming bomber by radio signals.[15][16] The tests were a complete failure, with the fighter only seeing the bomber after it had passed its target. The problem was not the radar, but the flow of information from trackers from the Observer Corps to the fighters, which took many steps and was very slow. Henry Tizard with Patrick Blackett and Hugh Dowding immediately set to work on this problem, designing a 'command and control air defence reporting system' with several layers of reporting that were eventually sent to a single large room for mapping. Observers watching the maps would then tell the fighter groups what to do via direct communications.[15] By 1937 the first three stations were ready, and the associated system was put to the test. The results were encouraging, and an immediate order by the government to commission an additional 17 stations was given, resulting in a chain of fixed radar towers along the east and south coast of England.[15][16] By the start of the Second World War, 19 were ready to play a key part in the Battle of Britain, and by the end of the war over 50 had been built. The Germans were aware of the construction of Chain Home but were not sure of its purpose. They tested their theories with a flight of the Zeppelin LZ 130, but concluded the stations were a new long-range naval communications system. As early as 1936, it was realized that the Luftwaffe would turn to night bombing if the day campaign did not go well, and Watson-Watt had put another of the staff from the Radio Research Station, Edward Bowen, in charge of developing a radar that could be carried by a fighter. Night time visual detection of a bomber was good to about 300 m, and the existing Chain Home systems simply did not have the accuracy needed to get the fighters that close. Bowen decided that an airborne radar should not exceed 90 kg (200 lb) in weight, 8 ft³ (230 L) in volume, and require no more than 500 watts of power. To reduce the drag of the antennas the operating wavelength could not be much greater than one m, difficult for the day's electronics. "AI" - Airborne Interception, was perfected by 1940, and was instrumental in eventually ending the Blitz of 1941. Bowen also fitted airborne radar to maritime patrol aircraft (known in this application as "ASV" - Air to Surface Vessel) and this eventually reduced the threat from submarines.[citation needed] Watson-Watt justified his choice of a non-optimal frequency for his radar with his often-quoted “cult of the imperfect,” which he stated as “Give them the third-best to go on with; the second-best comes too late, [and] the best never comes.” Civil Service trade union activities Between 1934 and 1936, Watson-Watt was president of the Institution of Professional Civil Servants, now a part of Prospect, the "union for professionals". The union speculates that at this time he was involved in campaigning for an improvement in pay for Air ministry staff.[17] Contribution to Second World War Sir Robert Alexander Watson-Watt, ca. 1944 In his English History 1914–1945, historian A. J. P. Taylor paid the highest of praise to Watson-Watt, Sir Henry Tizard and their associates who developed and put in place radar, crediting them with being fundamental to victory in the Second World War.[18] In July 1938 Watson-Watt left Bawdsey Manor and took up the post of Director of Communications Development (DCD-RAE). In 1939 Sir George Lee took over the job of DCD, and Watson-Watt became Scientific Advisor on Telecommunications (SAT) to the Ministry of Aircraft Production, travelling to the USA in 1941 to advise them on the severe inadequacies of their air defence efforts illustrated by the Pearl Harbor attack. He was knighted in 1942.[19] Sir Robert descends from a plinth in Trafalgar Square, London in 1961 after speaking at a rally protesting at the spread of nuclear weapons Ten years after his knighthood, Watson-Watt was awarded £50,000 by the UK government for his contributions in the development of radar. He established a practice as a consulting engineer. In the 1950s he moved to Canada and later he lived in the USA, where he published Three Steps to Victory in 1958.[citation needed] Around 1958 he appeared as a mystery challenger on the American television programme To Tell The Truth. Watson-Watt reportedly was pulled over for speeding in Canada by a radar gun-toting policeman. His remark was, "Had I known what you were going to do with it I would never have invented it!"[citation needed] He wrote an ironic poem ("Rough Justice") afterwards: Pity Sir Robert Watson-Watt, strange target of this radar plot And thus, with others I can mention, the victim of his own invention. His magical all-seeing eye enabled cloud-bound planes to fly but now by some ironic twist it spots the speeding motorist and bites, no doubt with legal wit, the hand that once created it.[20] Honours • In 1945 Watson-Watt was invited to deliver the Royal Institution Christmas Lecture on Wireless. • In 1949 a Watson-Watt Chair of Electrical Engineering was established at University College, Dundee.[21] • In 2013 he was one of four inductees to the Scottish Engineering Hall of Fame.[22][23] Legacy Memorial to the Birth of Radar, at Stowe Nine Churches, naming Watson-Watt and Arnold Wilkins On 3 September 2014 a statue of Sir Robert was unveiled in Brechin by HRH the Princess Royal.[24] On 4 September Watson-Watt featured in the BBC Two drama Castles in the Sky, with Eddie Izzard in the role. Reviewing the film The Daily Telegraph concluded: "Overall, it all felt a bit worthy. This was history that everybody should know, but the erection of a statue might have done the job just as well."[25] Family life Watson-Watt was married[26] on 20 July 1916 in Hammersmith, London to Margaret Robertson, the daughter of a draughtsman; they later divorced and he remarried in 1952 in Canada.[27] His second wife was Jean Wilkinson, who died in 1964.[28] He returned to Scotland in the 1960s. In 1966, at the age of 72, he proposed to Dame Katherine Trefusis Forbes, who was 67 years old at the time and had also played a significant role in the Battle of Britain as the founding Air Commander of the Women's Auxiliary Air Force, which supplied the radar-room operatives. They lived together in London in the winter, and at "The Observatory" – Trefusis Forbes' summer home in Pitlochry, Perthshire, during the warmer months. They remained together until her death in 1971. Watson-Watt died in 1973, aged 81, in Inverness. Both are buried in the churchyard of the Episcopal Church of the Holy Trinity at Pitlochry. References 1. Ratcliffe, J. A. (1975). "Robert Alexander Watson-Watt 13 April 1892 -- 5 December 1973". Biographical Memoirs of Fellows of the Royal Society 21: 548–526. doi:10.1098/rsbm.1975.0018. 2. Watson-Watt, Sir Robert; The Pulse of Radar, Dial Press, 1959 3. London Gazette Issue 35618 published on 3 July 1942. Page 39 4. "Sir Robert Watson-Watt". Dick Barrett. Retrieved 26 February 2008. 5. "100 years ago...". Archives Records and Artefacts at the University of Dundee. Retrieved 12 July 2011. 6. Shafe, Michael (1982). University Education in Dundee 1881–1981: A Pictorial History. Dundee: University of Dundee. pp. 58, 75 and 88. 7. Brown 1999, p. 45. 8. Brown 1999, p. 46. 9. R. A. Watt and J. F. Herd, "An instantaneous direct-reading radiogoniometer", Journal of the Institution of Electrical Engineers, Volume 64 (February 1926), pp. 611-622. 10. O. S. Puckle, "Time Bases, Their Design and Development", Chapman & Hall, 1943 11. Evans, R.J. (18 September 2008). "Hitler and the origins of the war, 1919–1939". Lecture transcript. Gresham College. Retrieved 16 August 2009. 12. Buderi, Robert (1996). The Invention That Changed the World: How a Small Group of Radar Pioneers Won the Second World War and Launched a Technical Revolution (1998 ed.). Simon & Schuster. p. 55. ISBN 0-684-83529-0. 13. "Robert Watson-Watt". The Radar Pages. Retrieved 14 December 2007. 14. "Passive Covert Radar – Watson-Watt's Daventry Experiment Revisited". IET. Retrieved 13 December 2008. 15. Corrigan, R. (24–25 September 2008). "Airborne minefields and Fighter Command's information system" (pdf). Andrés Guadamuz/The University of Edinburgh, School of Law. Retrieved 16 August 2009. 16. "Tribute plan for radar inventor". BBC. 1 November 2006. Retrieved 16 August 2009. 17. "under the Radar?". Prospect. p. 10. Retrieved 4 October 2015. 18. Taylor, A. J. P. (1992). English history, 1914-1945. Oxford; New York: Oxford University Press. p. 392. 19. London Gazette Issue 35586 published on 5 June 1942. Page 2 20. Administrator. "Microwaves101 – A Rough Justice". microwaves101.com. 21. Shafe, Michael (1982). University Education in Dundee 1881–1981: A Pictorial History. Dundee: University of Dundee. p. 106. 22. "Scottish Engineering Hall of Fame". engineeringhalloffame.org. 23. "Scottish engineering greats inducted into hall of fame". thecourier.co.uk. 24. "BBC News – Statue of radar pioneer Watson-Watt unveiled in Brechin". BBC News. 25. Jake Wallis Simons (5 September 2014). "Cas

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karakteristik Di bawah pelapukan sedang, singkapan kaya wollastonite ditandai dengan bantuan yang positif. Dalam struktur kristal, beberapa Fe, Mn, Mg dan Al dapat menggantikan Ca. Spesimen Tangan: Wollastonite umumnya vitreous dan putih tapi bisa pucat abu-abu, coklat, kuning, hijau atau berwarna merah. Mineral umumnya terjadi sebagai agregat memanjang, prismatik, memancarkan kristal, sebagai massa granular kompak, lapisan, atau sebagai pembuluh darah. Kristal tabular jarang terjadi. Wollastonite memiliki garis putih dan larut dalam asam HC1 pekat sedangkan tremolite, yang secara visual dapat menyerupai wollastonite, tidak. Wollastonite dapat memberikan berbagai warna neon di sinar ultraviolet. Tipis Bagian: Wollastonite memiliki bantuan yang cukup tinggi dan birefringence lemah, dengan warna hingga orde pertama oranye. dalam bagian longitudinal, wollastonite dapat berupa panjang lambat atau cepat panjang, dan itu menunjukkan paralel atau hampir sejajar kepunahan. Pada (010) bagian, wollastonite memiliki dua perpecahan sempurna, {00l} dan {} l00, pada sudut sekitar 84 derajat, sedangkan tremolite optik setara memiliki sudut pembelahan sekitar 56 derajat. Wollastonite sering sebagian diubah untuk kuarsa dan kalsit. Mineral terkait Terkait: yg mengandung kapur amphibole, kalsit, garnet, Aksesori: clinozoisite, epidot, grafit, prehnite, clinopyroxene, kuarsa, tremolite scapolite, sulfida, vesuvianite, zoisite diskusi Wollastonite adalah. ditemukan di karbonat termal dan regional bermetamorfosis, di exo- dan endoskarns, dan dalam beberapa carbonatites. Pembentukannya tergantung pada komposisi cairan dan host-rock, kadar CO2 fluida, dan tekanan dan kondisi suhu. Karbonat yang mengandung terlalu banyak Mg atau Fe mengkristal tremolite atau clinopyroxene bukan wollastonite. Beberapa skarns berisi zona kaya wollastonite yang memisahkan marmer distal dari zona lainnya proksimal garnet atau forsiterite kaya piroksen. Jarang, wollastonite dapat membentuk tekstur wrigglite terdiri dari interlayers berirama wollastonite, piroksen dan sulfida. Di British Columbia, wollastonite lebih sering terjadi pada W dan Sn skarns, di mana pluton asosiasi silika-jenuh; sangat langka di skarns Fe. Referensi Fischl, P., 1991, Wollastonite dan kejadian tremolite di British Columbia: British Columbia Kementerian Energi, Pertambangan dan Sumber Daya Minyak, Open File 199 1-17, 48 p. Greenwood, HJ, 1967, Wollastonite: stabilitas dalam campuran H2O-C02 dan terjadinya dalam aureole kontak-metamorf dekat Salmo, SM Kanada: Amerika mineralogi, v 52, p.. 1669-1680. Matsueda, H., 1973, Iron wollastonite dari tambang Sampo menunjukkan sifat yang berbeda dari orang-orang dari wollastonite. Mineral Journal, v. 7, hal. 180-201. Potter, MJ dan Virta, RL, 1989, Wollastonite dan zeolit​​: Amerika Serikat Departemen Dalam Negeri, Biro Pertambangan Mineral Yearbook, September 1990, 3 hal. Angka 49.1 OC. Interlayers marmer (buff-pelapukan dan bantuan negatif) dan kasar, batuan kaya wollastonite (putih dan lega positif). Daerah Saint Sauveur, Quebec. FOV = 1,5 m. 49.2 OC. Vena dan massa tidak teratur wollastonite kasar (putih dan vitreous) memotong exoskarn garnet (coklat). Deposit wollastonite Mineral Hill, Sechelt, British Columbia. FOV = 30 cm. 49.3 TS (PPL). Exoskarn dengan memancarkan kristal wollastonite-lega tinggi dan inklusi kecil clinopyroxene. Sedikit tambang Billie Cu-Au, Texada Island, British Columbia. FOV = 3 mm. 49.4 TS (XPL). Exoskarn dengan kristal memanjang dari wollastonite rendah birefringent dan inklusi kecil clinopyroxene. Sedikit tambang Billie Cu-Au, Texada Island, British Columbia. FOV = 3 mm. Dikirim oleh Gerald E. Ray dan George J. Simandl, British Columbia Geological Survey, Victoria, British Columbia

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“Hari ini tepat Anniv aku sama meisha yang ke 4 tahun, tapi apa dia ingat ya kurasa tidak, dia sudah sangat berubah, ya sudah lah lupakan”. lalu ray pergi bergegas ke kampusnya untuk kuliah, dan sesampainya di kampus ray disamperi oleh JHON sahabatnya. “woi ray, tumbenan baru datang, mikirin apaan?” “haha, sorry bro gue lagi bingung nih”. “bingung kenapa lagi?” “hari ini bertepatan anniv gue sama meisha, lu tau kan? kami udah 4 tahun kalau gak putus”. “aduh aduh, udah ngapain mikirin dia? udah tenang, tadi gue dapat kabar dari anak anak katanya ada mahasiswi baru di kelas kita”. “serius lu jhon? gimana gimana? cucok kaga?” “katanya sih cucok, b*haay brooo eh udah bel, yuk kita masuk”. DI KELAS “Pagi anak anak”. “Pagi pak!” “hari ini kita kedatangan teman baru, mahasiswi baru namanya meisha, meisha sini masuk” Meisha memasuki kelas, semua mata tertuju padanya “nah ini dia mahasiswi baru kita, meisha kenalkan dirimu pada teman teman”. “Nama saya meisha, saya asli bandung, saya pindahan dari bandung, saya baru disini”. melamun + berbicara dalam hati “meisha? apakah ini meisha yang dulu mengisi hari hari ku? tapi kenapa wajahnya sangat berbeda, sungguh cantik dan menawan” “baik meisha, kamu duduk dimana ya”. “ray! ray!” Tersadar dari lamunan nya “hah? iya pak?” “di sebelah kamu kosong kan?” “iya pak kosong”. “ya sudah meisha duduk disana saja, semoga bisa mengikuti pelajaran dengan cepat ya”. “iya pak, makasih pak”. Lalu meisha duduk di sebelah ray, dan tiba bel istirahat “ehh, nama nya siapa tadi?” “Meisha” “nama yang manis, semanis orangnya hehe, gue Ray ricardo, sering dipanggil ray”. Meisha berbicara dalam hati “ray? apakah kamu ray yang dulu bersama ku? yang selalau aku sakiti? jika IYA, aku sangat merindukan mu ray” “hey! kenapa melamun?” “ehh? tidak tidak kok, maaf maaf”. “haha gak papa, ke kantin yuk”. “boleh boleh”. Lalu mereka ke kantin, dan hingga jam pulang ray menghampiri meisha “hey meisha” “eh iya ray? ada apa?” “pulang sama siapa?” “Jalan kaki nih, soalnya deket kok dari kampus”. “haha gue anterin ya?” “ciee ray, udah main nyosor aja lu kayak kupu kupu ke bunga mawar” “ahh lu ganggu aja” “eh meisha, kalau lu diapa-apain sama dia teriak aja panggil nama gue 3 kali, palingan gue gak datang kwkwkwk”. “haha apaan..” “udah ah gue duluan ya”. “haha memang dia agak aneh tuh sha”. “ya udah yuk kita sambil jalan”. Di sepanjang perjalanan mereka bercerita “eh jadi lu sebelumnya di bandung ya?” “iya gue di bandung, kalau lu nya?” “sama sama, gue juga gue baru disini”. “ohh gitu toh, hehe”. “oh ya, dulu lu alumni SMA mana? SMA atau SMK?” “gue alumni SMK, dari SMK PUNYA OME di bandung”. Dalam hati ray “astaga tuhan, apa dia bener bener meisha” “oh ya, kalau lu sendiri dari mana?” “emm gue juga dari sana sih, ehh kita sudah pernah kenal belum ya sebelumnya?” Meisha dalam hati “kalau gue bilang udah, takutnya kalau dia beneran tau gue meisha yang udah nyakitin dia, dia gak mau deket kayak gini lagi sama gue” “maaf ray, kayak nya belum deh hehe”. “belum ya? oh iya, alesan lu milih kampus ini kenapa?” “ohh gue sama mantan gue dulu udah janji kami bakalan 1 kampus, tapi gue datangnya telat, dan ternyata gue tanyain dosen-dosennya, gak ada nama mantan gue itu di kampus ini”. “ohh gitu toh” dalam hati “kok alesannya sama ya, pasti ini meisha, gue gak salah lagi.” “oh iya nama mantan lu emang siapa ya?” “nama mantan gue? emm, mantan gue namanya Brian”. “ohh brian toh” dalam hati “kok beda ya sama nama gue, hmm apa bukan meisha ya” “haha bagus ya nama dia kalian udah berapa bulan emang?” “hari ini kami anniv yang ke 4 tahun sedih aja kalau gue ingat semua kenangan gue dengan dia”. “oh ya? wah lumayan lama juga tuh, eh ini rumah kamu kan?” “iya, gue duluan ya ray? makasih ya”. “sama sama”. Di sepanjang jalan pulang ray berpikir pikir untuk memastikan apakah dia benar benar meisha atau tidak, dan besok paginya dia ke kampus tapi dia tidak bertemu dengan meisha, dan dia bertanya kesana kemari kabar meisha gimana. “Jhon, lu ada lihat meisha kaga?” “kan dia gak masuk ray”. “kenapa?” “katanya sih dia sakit, dia ke rumah sakit mau check up”. “sakit apaan ya dia?” “mana gue tau, emang gue bokap nya”. “ya sudah, gue mau ke rumah nya aja ya”. Ray menuju ke rumah meisha, dan setibanya disana “permisi, permisi”. “iya siapa ya?” “saya ray bu, temen nya meisha”. “ohh silahkan masuk nak”. “iya makasih bu”. “meisha nya lagi sakit nak, dia ada di atas di kamarnya”. “kalau boleh tau dia sakit apa ya bu?” “dia itu terkena tumor otak nak, jadi kata dokter jika penyakitnya kambuh dia akan pingsan”. “hah? serius bu? ya ampun kasihan meisha saya boleh ke kamar nya bu? temani saya”. “ayo nak, kita ke atas”. Lalu ray melihat meisha terbaring lemah di atas kasur nya “bu saya pamit pulang ya, kalau meisha sudah sadar bilang ke dia saya titip salam dengan dia”. “iya nak, kamu hati hati bawa mobil nya ya”. “iya bu”. Ray menuju ke rumahnya pulang, dan beberapa jam kemudian meisha sadar “sha, tadi temen kamu datang”. “siapa bu?” “ray, dia titip salam buat mu”. “ray? dia sangat mirip dengan ray masa lalu ku bu aku takut jika dia benar benar ray dan dia tau keadaan ku sperti ini dia menjauhi ku”. “dia sudah tau kok nak, dan dia malah mau ngerawat kamu”. Keesokan harinya ray telat bangun, dan ia tidak bisa ke kampus, dan di kampus meisha mencari cari ray namun tidak ada hasil, dan hingga pukul 7 malam ray ingin pergi ke cafe, ia membawa mobil dengan keadaan tidak baik, dan pada saat yang sama meisha baru pulang belajar kelompok dan ketika ia ingin menyebrang ia melamun dan mobil ray melaju kencang, tanpa melihat ada orang di depannya ray menabrak orang tersebut dan ia adalah meisha, lalu meisha terkapar dengan darah yang mengucur dari sekujur tubuh nya, ray tanpa pikir panjang langsung kabur, dan warga sekitar mendatangi meisha dan membawanya ke rumah sakit “SH*T! kok bisa ray lu nabrak orang tadi? kalau mati gimana gawat, mobil ini gak boleh gue pake, gue harus jual mobil ini”. Keesokan harinya, di kampus “jhon lu lihat meisha kaga?” “meisha? loh lu gak tau infonya ya tadi malam? kan temen temen pada buat PM, sama nge BM anak anak kampus buat jenguk dia nanti di rumah sakit”. “loh? meisha sakit apa lagi?” “bukan sakit dodol! dia kecelakaan, dia jadi korban tabrak lari tadi malam pas mau nyebrang sehabis belajar kelompok”. Ray terdiam “jangan jangan! yang gue tabrak itu meisha?” “oi! lu ikut kaga?” “kemana?” “jenguk meisha lah dodol, kemana lagi” “ohh iya gue ikut nanti”. Lalu mereka menuju rumah sakit menjenguk meisha “eh gue ikut masuk ya ke dalam? gue pengen banget lihat dia”. “ya udah ayo bareng sama gue”. dalam hati ray “maafin gue sha gue gatau kalau lu bakalan jadi gini karena gue mudah mudahan lu nya kaga apa apa ya” “kasihan banget ya ray meisha” “kasihan kenapa jhon?” “ternyata dia kena tumor otak, untung saja dia masih dapat bertahan hidup, dan lebih parahnya dia sekarang lumpuh”. Ray batuk “uhuk uhuk”. “lu kenapa ray?” “gak papa jhon, keselek air liur gue sendiri kayaknya” “sudah sudah, ayo kita keluar”. Dan akhirnya mereka pergi keluar, dan ray menjalani hari harinya seperti biasa di kampus dan sampai meisha datang kembali lagi “eh meisha. lu udah masuk lagi?” “eh ray, iya nih udah agak baikan, tapi sayangnya gue sekarang lumpuh” “hmm, sakit gak sha?” “ya iya lah cuma gak terlalu”. “kalau boleh tau kenapa lu bsa jadi gini ya?” “gue pun gak ingat banget, yang pasti di malam itu disaat gue mau nyebrang ada mobil yang melaju kencang dan gue tercampak lalu gue gak ingat apa apa lagi”. “trus sampe sekarang ada yang ngakui gak kesalahan nya udah nabrak lu?” “gak ada ray polisi pun gak bisa nemuin mobilnya yang nabrak itu. oh iya ngomong ngomong mobil lu mana?” “haha, udah gue jual, mesinnya udah agak rusak, mendingan jalan kaki atau naik angkot” “haha bener bener sehat ya kan?” “iya sha, eh jadi lu udah maafin yang nabrak lu itu?” “TUHAN aja mau maafin hambanya, kenapa gue tidak? tapi masalahnya dia itu gak ada datangin gue, atau santunin gue, dia pergi gitu aja, brengsek banget ya kan. kalau orang itu ada di depan gue, gue bakalan tusuk tusuk matanya pake garpu”. “mak? jangan lah sha kasihan dia”. “kasian gue lah haha kaga lah, gue gak akan sekejam itu. eh temenin cari makan yuk, gue lapar”. “yuk yuk sini gue dorongin”. Lalu mereka pergi mencari makan dan sampe si ray mengantar meisha pulang, dan itu ray lakukan terus menerus sampai meisha check up ke rumah sakit juga, dan hingga akhirnya meisha telah dapat berjalan normal lagi “ray, gue sekarang udah normal lagi” “hehe, gue juga ikut seneng sha” “ini semua berkat kamu ray, berkat tuhan juga” “iya sha, ehh lu mau temenin gue gak ke toko buku? cari cerpen terbaru?” “boleh boleh”. Lalu mereka pergi ke mall dan setibanya disana “haha, nyampe juga ya” “iya nih, wah kangen suasana mall gini bareng mantan gue dulu ray, kami berdua paling seneng ke mall, ke toko buku juga, sama kayak kamu ini nih” “iya kah? wahh bagus tuh” “hehe jelas dong” ray batuk batuk “uhuk uhuk uhuk!” mengeluarkan darah dari mulutnya “ray? lu kenapa? kok ada darah?” “gak papa kok sha, udah biasa kayak gini”. “aduh, kita ke rumah sakit aja yuk sekarang, ayo”. “gak usah sha, kita pulang aja lah ya? kapan kapan aja kita ke mall nya”. “ya udah deh, kamu banyak istirahat ya”. “andai meisha tau gue kena kanker paru paru gimana ya, apa dia masih mau kayak gini ke gue?, sudahlah, gue berharap dia masih mau” Keesokan hari nya “ray, sebenarnya lu sakit apa sih?” “gue kaga apa apa kok”. “kita ke rumah sakit yuk, kalau lu hargai gue ikut gue” “ya udah ya udah kita ke rumah sakit” Sesampainya di rumah sakit “sha, gue check up dulu ya” “iya, gue tungguin disini ya”. Beberapa lama kemudian. “anda siapa nya ray?” “saya? saya temen dekat nya dok, bagaimana keadaan ray?” “ray sebenarnya mengidap penyakit kanker paru paru, dan saya rasa umur dia tidak lama lagi, soalnya beliau sudah sampai di stadium 3″. “hah? dokter serius?” “saya serius”. “eh ray, kita pulang ya” “iya sha, terserah kamu nya saja” Lalu mereka pergi pulang “ray, lu kenapa gak mau cerita selama ini ke gue kalau lu terkena kanker paru paru?” “gue takut sha! takut”. “takut kenapa? hah?” “gue takut lu bakal ninggalin gue setelah lu tau gue begini”. “astaga ray, gak akan gue ninggalin lu, berniat gitu pun gak ada!” “ya sudah lupain” “uhuk uhuk” “kan lu batuk lagi, itu darah nya ada lagi” “gue gak papa kok, gue istirahat dulu ya, gue pamit masuk ke dalam, lu hati hati di jalan”. DI DALAM KAMAR Ray mengambil sebuah kertas dan ia menulis kata kata permintaan maaf untuk meisha. Hari semakin hari meisha semakin memperhatikan ray, karena keadaan ray yang semakin memburuk, dan hingga akhirnya ray pun mengalami lumpuh sebelah badan nya Meisha mendatangi rumah ray dan membawa ray pergi ke sebuah tempat yang dimana adalah tempat kenangan mereka dulu di saat pacaran. “ray, lu tau ini tempat apa?” Ray menggelengkan kepalanya “ini tempat kenangan gue sama mantan gue dulu”. Ray tersenyum “ray, gue mau jujur nih sama lu boleh? tapi jangan marah ya” Ray menganggukkan kepalanya “bener ya?” Ray menganggukkan kepalanya “hmm, jadi gini, sebenarnya mantan gue itu namanya Ray, dan orangnya mirip banget sama lu, semua yang kita cerita ini di awal ketemu itu sama dengan masa lalu gue, dan gue sebenarnya udah yakin bahwa ray yang gue cari cari selama ini adalah lu, dan ray bakalan nepatin janji nya yaitu bakalan bersama sampai tuhan memisahkan kami nantinya, tapi aku melakukan kesalahan, aku selingkuhi dia, dan aku menyesal”. Ray tersenyum dan meneteskan air mata “lu kenapa nangis?” Ray menggelengkan kepalanya, menunjuk kantong baju nya “ada apa di kantong baju mu?” Ray mengarahkan tangan meisha ke kantong nya mengambil sebuah kertas “kertas ini? apa? gue baca ya?” Ray menganggukkan kepalanya “Gue disini mau cerita yang sebenarnya, sebenarnya dari awal kita ketemu gue udah ada feeling kalau lu itu adalah meisha yang selama ini ngisi hari hari gue, dan gue selalu berdoa kepada TUHAN agar ia mempertemukan kita lagi, dan hingga kita dipertemukan di kampus PUNYA OME, gue sangat senang, kita bisa dekat lagi, kita bisa bersama lagi, apalagi lu masih ingat semua kenangan kenangan kita, tapi gue sangat takut, takut banget! gue takut kehilangan lu, mungkin apalagi ketika lu udah baca di kata kata berikutnya, nah sekarang coba lu baca di bawah. Sha, gue mau ngaku dan gue mau jujur dan terlebih lagi gue mau MINTA MAAF! minta maaf yang sebesar besarnya, sebenarnya yang buat kaki lu jadi lumpuh itu adalah GUE, gue yang udah nabrak lu, dan waktu itu gue bingung antara nolong lu atau tidak, jadi gue lari saja, dan gue gak tau kalau itu adalah lu, gue tau nya setelah dapat kabar dari jhon keesokan harinya, tapi gue senang lu udah tau yang sebenarnya, sekarang gue udah tenang sha, gue udah ikhlas kalau TUHAN harus misahin kita saat ini juga, di saat lu baca surat ini, gue rasa lu bakalan dapat yang lebih BAIK dari gue, cuman 1 hal yang gue minta, jangan pernah lupain GUE SHA!, RAY! orang yang paling menyayangi lu, sekaligus nyakiti lu, swkali lagi gue minta maaf, gue sangat sangat SAYANG sama lu, LOVE YOU MEISHA!” “Ray!, ini semua mimpi kan? gue lagi mimpi kan ray?” sambil menangis, “yang buat gue lumpuh, yang buat gue cacat, yang buat gue hampir frustasi bukan lu kan ray?” Ray menangis “gue gak butuh air mata lu ray!, gue minta lu jawab! yang lakuin ini semua beneran lu?” Ray menangis dan menganggukkan kepalanya “gue benar benar kecewa dengan lu ray, lu JAHAT! lebih jahat dari gue ternyata” MENDORONG ray dan meninggalkan ray Ray terjatuh dan tersungkur di atas tanah sambil menangis. Ketika meisha ingin meninggalkan ray, meisha teringat kata kata ray “JANGAN PERNAH LUPAIN GUE SHA” dan akhirnya meisha kembali menghampiri ray, mengangkat ray dari tanah, dan memeluk ray, lalu ia berkata… “ray, lu ingat lagu kenangan kita kan? gue bakalan nyanyiin buat lu, gue mau lu tetap hidup ray” Ray menangis “oke gue bakalan nyanyi” dalam keadaan menangis dan tersedu-sedu Heart beats fast Colors and promises How to be brave How can I love when I’m afraid to fall But watching you stand alone All of my doubt suddenly goes away somehow One step closer I have died everyday waiting for you Darling don’t be afraid I have loved you For a thousand years I’ll love you for a thousand more. “ray, itu kan lagu kenangan kita? gue udah nyanyi in buat lu, lu kuat ray, kita bakalan tetap bersama kan?, ray lu jawab, jangan tinggalin gue! gue sayang sama lu ray, ray! gue gak bakalan berhenti sayang dan cintai lu sampe 1000 tahun ray” Namun semua ucapan meisha sia sia, ray telah pergi meninggalkan meisha untuk selamanya, ray pergi di pelukan meisha, ray dan meisha sama sama sangat saling menyayangi, namun tuhan lebih sayang kepada ray, sehingga ray di panggil duluan menghadap nya

Indonésio

Ada tuturan satua siap selem ngelah panak pitung ukud, olagan ane paling cenika. Ada kone kuuk maumah dadi anatah, masih ngelah panak enu cenik-cenik. Sai-sai I Kuuk ngae daya apang sida ia ngamah I Siap Selem, sabilang peteng ada nagih batisne, “Icang tendas Me, icang basangne Me, icang kibulne Me, icang kampidne Me, icang baongne Me.” Keto pada tetagihan panak-panakne I Kuuk, nagih ngamah I Siap Selem. Dadi mawanan ningeh I Siap Selem teken bakal kaamah, dadiannya ia ngalih upaya mangdene nyidayang matilar uli ditu. Gelising crita panakne ane nemnem suba pada samah bulu kampidne, sakewala ane paling cenika dogen liglig reh tan pabulu. Suba kone inganan tengah lemeng, I Siap Selem matuturan teken panakne, “Nak cai-cai jani ajak makejang makeber abete sakaukud, matinggal uli dini. Yen enu pade nongos dini sinah amaha teken I Kuuk.” Ditu lantas ane paling gedene nyumuin makeber, berber, burbur, suaak. Lantas matakon I Kuuk, “Ih Siap Badeng apa ento ulung?” “Inggih, daun tingkih ipan”. Buin makeber ane lenan, berber, burbur, suaak. “Siap Badeng apa ento ulung?” “Daun tiing ipan.” Makejang panakne suba makeber sakewala enu I Olagan dogen. Dening ia tan pakampid dadi keweh pesan memenne, lantas kapituturin, “Cai dini kutang Meme, tan urungan cai lakar amaha teken I Kuuk. Nah ene pitutur Meme teken cai, yang di kadine cai bakal tagih amaha teken I Kuuk, kene abete masaut, “Inggih Jero Wayan ne mangkin kantun ben tiange belig, yang pungkuran sampun tiang gede makadi tumbuh kampid, irika ja becik ulam tiange daar jerone, keto abete masaut.” Suba kone keto I Siap Selem makeber ninggal I Olagan. Nu kone I Olagan dogen pati sulsul kiak-kiak. Lantas kadingeh teken I Kuuk I Olagan kiak-kiak padidiana.” Kenken dadi I Olagan kauk-kauk padidiana, kija ya memenne? Beh ento jenenga ane ibi sanja orahanga don tiing, tingkih, timbul, ia jenenga makeber uli dini.” Lantas nyagjag panak kuuke makejang nagih ngamah I Olagan, rencananne nagih pakpaka.” Ih Jero Wayan mangkin da tadaha tiang, ben tiange kari belig malih pahit. Pungkuran yan sampun tiang ageng, tumbuh kampid, rah tiange akeh, ri kala irika rarisang sapakayunan!” Dadiannya kaidepang teken I Kuuk, kaingon kamelah-melahang. Critayang suba kone I Olagan, bulunyane samah, janggarne janggar pulas, tlatahne lambih, lantas kema kone kuuke makejang nagih ngamah ia. “Inggih Jero Wayan, mangkin ja nyandang sampun tiang baksa, nanging wenten pisangken tiang ring jerone, keburang dumun tiang ping solas mangda sumbrah getih tiange becik ajengang jerone malih akeh keni. Ri sampune puput ping solas tiang makebur, rarisang sampun baksa titiang!” Dadi tutut I Kuuk lantas kakebur-keburang I Olagan. “Inggih Jero Wayan mangkin malih apisan batekang pisan ngeburang!” Lantas kasangetang ngeberang kanti tegeh, bur I Olagan nambung ngalih meme nyamane di tengah bete. Enggang bungutne I Kuuk, kauk-kauk ngaukin memenne, “Kenken ja baan Meme, cai, nyai demen ngugu munyinne, jani awake payu kado, nah endepang deweke!”

Última atualização: 2014-08-28
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Referência: Anônimo

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