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“the longer he went on, the more it became like his private property,” cites kupper.
"die forschungskommission des nationalparks wusste nicht einmal mehr, ob er die aufnahmen noch wiederholte.
lecture by patrick kupper, historian, lecturer for history at the eth zürich. subsequently discussion with guests, moderation: andrea hämmerle
vortrag von patrick kupper, historiker, dozent für geschichte an der eth zürich. anschliessend diskussion mit gästen, moderation: andrea hämmerle
but unlike braun-blanquet, stiissi didn’t really mix much with other researchers, as park historian patrick kupper writes in his book creating wilderness.
im gegensatz zu braun-blanquet allerdings vernetzte sich stüssi nicht mit anderen forschern, wie der park-historiker patrick kupper in seinem buch "wildnis schaffen" schreibt.
a club remix of the latter version, produced by eric kupper and richie jones, was issued by music world entertainment and columbia records as a single from the on august 15, 2006, four months before the release of the film.
eine remixversion von deenas interpretation des liedes, wurde von eric kupper & richie jones produziert und von music world entertainment und columbia records im august 2006 als promo-single für den filmsoundtrack "dreamgirls: music from the motion picture" veröffentlicht.
.::. kupper computer gmbh - leipzig - berlin - karlsruhe / home netzwerk, internet, hardware, software, webdesign
.::. kupper computer gmbh - leipzig - berlin - karlsruhe / home netzwerk, internet, hardware, software, webdesign
after his retirement, stüssi continued his work, but he encrypted the data. “the longer he went on, the more it became like his private property,” cites kupper. "the research committee of the national park did not even know if he was still carrying on his recordings,” schütz elaborates.
nach seiner pensionierung habe er die zählungen weitergeführt, die daten allerdings verschlüsselt und "je länger, je mehr als privateigentum" betrachtet.
