Você procurou por: was the case resolved during the chat (Inglês - Tagalo)

he was the emphasis of the case
naroon siya nang maganap ang krimen

tortured him during the trial of the case
pinahirapan mopa ako sana sinabi mona kaagad na hindi ito ang my arih

thank you for the time being i did not love you again i felt it was the case wrong on the amount of time i wanted to like you because it was still wrong
salamat pala kasi sa tagal na di ako nagmahal sayo ko lng ulit naramdaman ito kaso mali sa dami dami ng pwedi kong magustuhan mali pa na ikaw kasi bawal

to make proper recommendation during the inquest proceedings of the case referred to them by the police after the investigation of the suspect
upang makagawa ng tamang rekomendasyon sa panahon ng inquest proceedings ng kaso ay ini - refer ang mga ito sa pulisya matapos ang imbestigasyon ng suspek.

achilles was considered a hero because he was the most successful soldier in the greek army during the trojan war. according to post-homeric myths, achilles was physically invulnerable, and it was prophesied that the greeks could not win the trojan war without him.
siya ang pinakamatagumpay na sundalo sa sundalong greek noong digmaan ng trojan. ayon sa mga alamat na homeric, ang mga achilles ay pisikal na hindi nasisira, at hinulaang hindi mananalo ang mga greek sa digmaang trojan nang wala siya.

why was achilles considered a hero? achilles was considered a hero because he was the most successful soldier in the greek army during the trojan war. according to post-homeric myths, achilles was physically invulnerable, and it was prophesied that the greeks could not win the trojan war without him.
sinasalamin ni beowulf ang mga ugali ng perpektong bayani. ... perpekto din niyang binubuo ang mga asal at pagpapahalagang idinidikta ng germanic heroic code, kasama na ang loyalty, courtesy, at pride. ang pagkatalo niya kay grendel at ina ni grendel ay nagpapatunay ng kanyang reputasyon sa katapangan at itinatag siya ng buong buo bilang isang bayani

a low art [excerpt from the penelopiad] by margaret atwood (canada) now that i’m dead i know everything. this is what i wished would happen, but like so many of my wishes it failed to come true. i know only a few factoids that i didn’t know before. death is much too high a price to pay for the satisfaction of curiosity, needless to say. since being dead — since achieving this state of bonelessness, liplessness, breastlessness —i’ve learned some things i would rather not know, as one does when listening at windows or opening ot her people’s letters. you think you’d like to read minds? think again. down here everyone arrives with a sack, like the sacks used to keep the winds in, but each of these sacks is full of words —words you’ve spoken, words you’ve heard, wo rds that have been said about you. some sacks are very small, others large; my own is of a reasonable size, though a lot of the words in it concern my eminent husband. what a fool he made of me, some say. it was a specialty of his: making fools. he got away with everything, which was another of his specialties: getting away. he was always so plausible. many people have believed that his version of events was the true one, give or take a few murders, a few beautiful seductresses, a few one-eyed monsters. even i believed him, from time to time. i knew he was tricky and a liar, i just didn’t think he would play his tricks and try out his lies on me. hadn’t i been faithful? hadn’t i waited, and waited, and waited, despite the temptation — almost the compulsion — to do otherwise? and what did i amount to, once the official version gained ground? an edifying legend. a stick used to beat other women with. why couldn’t they be as considerate, as trustworthy, as all-suffering as i had been? that was the line they took, the singers, the yarn- spinners. don’t follow my example, i want to scream in your ears — yes, yours! but when i try to scream, i sound like an owl. of course i had inklings, about his slipperiness, his wiliness, his foxiness, his — how can i put this? — his unscrupulousness, but i turned a blind eye. i kept my mouth shut; or if i opened it, i sang his praises. i didn’t contradict, i didn’t ask awkward questions, i didn’t dig deep. i wanted happy endings in those days, and happy endings are best achieved by keeping the right doors locked and going to sleep during the rampages. but after the main events were over and things had become less legendary, i realised how many people were laughing at me behind my back — how they were jeering, making jokes about me, jokes both clean and dirty; how they were turning me into a story, or into several stories, though not the kind of stories i’d prefer to hear about m yself. what can a woman do when scandalous gossip travels the world? if she defends herself she sounds guilty. so i waited some more. now that all the others have run out of air, it’s my t urn to do a little storymaking. i owe it to myself. i’ve had to work myself up to it: it’s a low art, tale-telling. old women go in for it, strolling beggars, blind singers, maidservants, children — folks with time on their hands. once, people would have laughed if i’d tried to play th e minstrel —there’s nothing more preposterous than an aristocrat fumbling around with the arts — but who cares about public opinion now? the opinion of the people down here: the opinions of shadows, of echoes. so i’ll spin a thread of my own.
isang mababang kwento ng sining sa tagalog