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Вы искали: tilt the screen back (Английский - Тагальский)

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Английский

Тагальский

Информация

Английский

What is Tagalog in the screen shot

Тагальский

Ano ang Tagalog sa screen shot

Последнее обновление: 2018-10-21
Частота использования: 1
Качество:

Источник: Анонимно

Английский

don't be mean behind the screen

Тагальский

ay hindi nangangahulugan

Последнее обновление: 2018-07-02
Частота использования: 1
Качество:

Источник: Анонимно

Английский

Turn the screensaver on (blank the screen)

Тагальский

Paandarin ang screensaver (i-blanko ang screen)

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

Turn the screensaver on (blank the screen)

Тагальский

Paganahin ang screensaver (blangko ang screen)

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

A pixel on the screen represents an image pixel

Тагальский

view-action

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

Display some available commands at the top of the screen

Тагальский

Ipakita ang magagamit na mga utos sa itaas ng tabing

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

Changing the Screen Resolution configuration requires privileges.

Тагальский

Ang pagbabago ng configurasyon ng resolusyon ng screen ay nangangailangan ng pribilehiyo.

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

Tells the running screensaver process to lock the screen immediately

Тагальский

Sabihan ang tumatakbong proseso ng screensaver nai-lock kaagad ang screen.

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

Tells the running screensaver process to lock the screen immediately

Тагальский

Nagsasabi sa tumatakbo na screensaver proseso upang lock ang screen na agad-agad

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

could not get the screen resources (CRTCs, outputs, modes)

Тагальский

Hindi makuha ang mga magkaugnay na mga bagay sa screen ( CRTCs, outputs, modes)

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

If the screensaver is active then deactivate it (un-blank the screen)

Тагальский

Kung aktibo ang screensaver, i-deactivate ito (unblank ang screen)

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

If the screensaver is active then deactivate it (un-blank the screen)

Тагальский

Kung ang screensaver ay aktibo pagkatapos deactivate ito (i-blangko ang screen)

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

--debug, -d Print information on the screen that might be useful for diagnosing and/or solving problems.

Тагальский

-debug, -d I-Print ang impormasyon sa screen na maaring magamit sa pagsuri o pag resolba ng mga problema.

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

--debug, -d Print information on the screen that might be useful for diagnosing and/or solving problems.

Тагальский

--debug, -d Ipakita sa screen ang impormasyong maaaring makatulong sa pagtuklas at paglutas ng problema

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

Remove, dispose or repair any water-borne items such as cans, bottles, buckets, old wheels, burns, pineapple stalks, clogged drains, mosquito-dwelling plants and other mosquito-borne plants . Make sure the mosquito cannot enter the screen door and window. Clean the animal feed once a week.

Тагальский

mataas na lagnat matinding pananakit ng ulo pananakit ng katawan at kasukasuan pagsusuka pananakit ng mata mapupulang butlig sa balat

Последнее обновление: 2019-12-01
Частота использования: 1
Качество:

Источник: Анонимно

Английский

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

Тагальский

All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical. All it took was a solar eclipse and five-car collision atop the Magnetic Hill for the souls of five individuals --- the virginal bride-to-be (Angelica Panganiban), her histrionically litigious godmother (Eugene Domingo), her ringbearer's destitute nanny (Tuesday Vargas), her husband-to-be's amorous grandfather (Jaime Fabregas), and her gay beautician (John Lapuz) --- to switch bodies. With the bride-to-be's soul transferring to the godmother's body; the godmother's soul transferring to the nanny's body; the nanny's soul transferring to the grandfather's body; the grandfather's soul transferring to the beautician's body; and the beautician's soul transferring to the bride-to-be's body, the dream beach wedding turns into a hilarious riot, where long-dormant passions are awakened, sexual fantasies are fulfilled, economic alleviation is achieved, and a chance at love is obtained. Let us get it out of the way. Chris Martinez's Here Comes the Bride is top-notch entertainment. Martinez was able to come up with everything most recent Filipino mainstream comedies lack: that no-nonsense singular objective of making people laugh. From the getgo to the post-credit extra scene, the film never stopped to be overtly pedantic or moralistic, a problem that most Filipino comedies have since there always seems to be this need to use cinema as replacement for Sunday school. For example, Wenn Deramas' Ang Tanging Ina (The True Mother, 2003), and its sequel and many offshoots, are always derailed by its insistence on teaching a lesson; even Joyce Bernal's Kimmy Dora (2009) is stalled by its apologetic dénouement that went too long and too serious. Never mind the forced logic to explain the illogic, the negligible business about solar eclipses and souls, the history and science behind the soul-swap, as authoritatively explained by television trivia-master Kim Atienza. Here Comes the Bride is deliriously funny nonsense all the way and it thankfully works. The film's success is not entirely surprising. After all, Martinez is arguably one of the Philippines' better screenwriters. His screenplays, from Bridal Shower (Jeffrey Jeturian, 2004), about three friends in search of love, to Caregiver (Chito Roño, 2008), about a mother who follows her husband to London in the hopes of earning enough to live comfortably, reflect his ability to articulate something as minute as the language to something as pertinent as the needs of the rapidly-changing Filipino society for mainstream appeal. 100 (2008), his directorial debut about a woman who is dying from cancer, is salvaged from being a run-of-the-mill melodrama by an abundance of relevant humor. Martinez understands the Filipino soul, that the very best way to tackle something as devastating as death is to treat it with levity, to make it familiar and therefore personal. That said, Martinez may very well be the most current of all actively working screenwriters, actively pursuing entertainment without being dumbed down by the demands of commercial accessibility. Despite its astounding technical polish, Here Comes the Bride is fundamentally closer to Joey Gosiengfiao's redeemed Temptation Island (1981), where a bunch of beauty queens and the men surrounding them are stranded in a deserted island, than the mechanically churned comedies Star Cinema has been producing the past recent years. Underneath the caricatures that Martinez connected by the conceit of the convenient soul-swap, underneath the blatant inanity of its carefully conceived proceedings, is a well-pronounced understanding that life, as it is, is unfair, that there are those who are born poor, those who live loveless, and those who inevitably grow old and inutile. In a twist of fate, cruel only to the bride-to-be who suddenly gets a first-hand experience of the inequity of living after a lifetime of being sheltered and protected, inabilities and deficiencies are cured, emphasizing in what essentially is a film created for no other reason than to be an escapist fantasy that the key to a happy life is as unrealistic and as incredible as swapping souls via rare natural phenomena. Like Temptation Island whose gay pageant director becomes the unwilling sacrificial lamb simply because he presumably has the least to lose among the other loved and loving survivors, the most fully realized character in Here Comes the Bride is the love-starved gay beautician whose fortune of being transported to the body of the beautiful and sexy bride-to-be is the most dramatic out of the five. As expected, it is mostly played for laughs and Panganiban does a brilliant job in emulating the fabulous larger-than-life gestures of Lapuz. After all, the very idea of a gay man suddenly and surprisingly getting everything he ever wanted, from the body parts he can only have in his wildest dreams to the straight men who he can only love and lust for from a safe distance, is in itself a hoot. The hilarity of the absurd situation, at that scene where the bride-to-be in the body of her godmother insists that the gay beautician return her body, unravels into a well-pronounced statement of gay angst and sentiment as he emotionally shouts "Hindi ninyo maiintindihan dahil hindi kayo bakla! (You will never understand because you are not gay!). At that moment, the film, notwithstanding the fact that it never stopped being funny, reflected a current fundamental truth, something that not even a mainstream film as self-promotedly queer as Olivia Lamasan's In My Life (2009) can have the guts to state as plainly and matter-of-factly as that. The gay man becomes a girl. The loveless godmother feels how it is to be loved. The amorous yet incapacitated grandfather relives the passion and the romance of his distant youth. The poor nanny turns into a millionaire. The innocent bride-to-be wallows in the realities of life's misfortune. Martinez fills the screen with realized desires at the expense of the bride-to-be, emphasizing the frailty of the human soul in the face of happiness. In the midst of the film's invaluable wit and humor that frequently pumps in rhythm with the Latin beats of the apt lively music score, the film's characters, ideally uncomplicated and stereotypical, are allowed to live their desires realized, concretizing in easy-to-understand cinematic terms the pleasures of escape, of living a fantasy even if it is only momentarily. I am very happy to say that Here Comes the Bride is as current and relevant as it is entertaining and hysterical.

Последнее обновление: 2016-12-05
Частота использования: 1
Качество:

Источник: Анонимно
Предупреждение: Содержит скрытое HTML-форматирование

Английский

* Highlight: One line in the package list will be highlighted. It indicates which package(s) will be affected by presses of `+', `-' and `_'. * The dividing line in the middle of the screen shows a brief explanation of the status of the currently-highlighted package, or a description of which group is highlighted if a group line is. If you don't understand the meaning of some of the status characters displayed, go to the relevant package and look at this divider line, or use the `v' key for a verbose display (press `v' again to go back to the terse display). * The bottom of the screen shows more information about the currently-highlighted package (if there is only one). It can show an extended description of the package, the internal package control details (either for the installed or available version of the package), or information about conflicts and dependencies involving the current package (in conflict/dependency resolution sublists). Use the `i' key to cycle through the displays, and `I' to hide the information display or expand it to use almost all of the screen.

Тагальский

* Highlight: Isang linya sa listahan ng pakete ay may highlight. Pinapahiwatig kung aling (mga) pakete ang apektado ng pagpindot ng `+', `-' at `_'. * Ang linyang naghahati sa gitna ng tabing ay nagpapakita ng maikling paliwanag tungkol sa kalagayan ng paketeng naka-highlight, o paglarawan ng grupong naka- highlight, kung grupo ito. Kung hindi niyo naintindihan ang ibig sabihin ng ilan sa mga character na nagpapakita ng kalagayan, pumunta sa akmang pakete at tignan itong linyang naghahati, o gamitin ang tikladong `v' para sa verbose na display (pindutin ang `v' muli upang bumalik sa modong terse). * Ang ibaba ng tabing ay nagpapakita ng karagdagang impormasyon tungkol sa kasalukuyang naka-highlight na pakete (kung iisa lamang). Maaaring ipakita ang pinalawig na paglalarawan ng pakete, ang internal na detalye ng pag-control ng pakete (maging ang naka-luklok o ng maaaring magamit na bersyon ng pakete), o ng impormasyon tungkol sa conflict at dependensiya na kaugnay ng kasalukuyang pakete (sa sublist ng pag-ayos ng conflict/dependensiya). Gamiting ang tikladong `i' upang umikot sa mga display, at `I' upang itago ang display ng impormasyon o lakihan ito na gamitin ang halos buong tabing.

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

Английский

dselect and dpkg can do automatic installation, loading the package files to be installed from one of a number of different possible places. This list allows you to select one of these installation methods. Move the highlight to the method you wish to use, and hit Enter. You will then be prompted for the information required to do the installation. As you move the highlight a description of each method, where available, is displayed in the bottom half of the screen. If you wish to quit without changing anything use the `x' key while in the list of installation methods. A full list of keystrokes is available by pressing `k' now, or from the help menu reachable by pressing `?'.

Тагальский

Maaaring magluklok ng kusa ang dselect at dpkg, kukunin ang talaksang pakete na iiluluklok mula sa isa sa iba't ibang pagmumulan. Maaari kayong pumili ng isa sa mga paraan ng pag-luklok mula sa listahang ito.Ilipat ang highlight sa paraan na nais niyong gamitin, at pindutin ang Enter. Kayo ay tatanungin ng ilang mga bagay na kailangan upang makapag-luklok. Sa paglipat niyo ng highlight ay ipapakita ang paglarawan ng bawat paraan, kung meron nito, sa ibabang kalahati ng tabing. Kung nais niyong lumabas na walang babaguhin ay gamitin ang `x' habang nasa listahan ng mga paraan ng pag-luklok. Maaaring makita ang buong listahan ng magagamit na tiklado sa pagpindot ng `k'ilalanin, o mula sa menu ng tulong na makikita sa pagpindot ng `?'.

Последнее обновление: 2014-08-15
Частота использования: 1
Качество:

Источник: Анонимно

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