Şunu aradınız:: she plays the violin (Fransızca - İngilizce)

10. plays the violin well.
10° ………………… joue bien du violon.

she plays the role of a social worker.
she plays the role of a social worker.

the violin is working well with the other instruments.
the violin is working well with the other instruments.

the violin (piano remix) (4:35)
himmelbett (4:20)

le 21 avril, 18 :30, the return of the violin
on april 21, 18: 30, the return of the violin

i see that i have alluded above to his powers upon the violin.
j’ai mentionné tout a l’heure le talent d’holmes comme violoniste.

"this is a case where one plays the del dongo," he said to himself.
« c’est le cas de faire le del dongo », se dit fabrice.

the violin is made today much as it was four centuries ago », dans the gazette, 26 mars 1988.
"musical classic: the violin is made today much as it was four centuries ago," the gazette [violin maker jules saint-michel (gyula szentmihaly)], 26 march 1988.

j’espère que the violin player encourage les gens à se mobiliser contre le changement climatique », a dit francina ramos.
i hope the violin player makes people want to stand up and tackle climate change,” said francina ramos.

en 1981, the violin maker's gift remporte le prix du livre de l'année, décerné par la canadian library association.
in 1981 the violin maker's gift won the canadian library assn book of the year award.

that day the prisoners have permission to climb to the platform of the huge tower, one hundred and eighty feet high, and from there they see a procession file along the plain with some spy who plays the part of a poor devil going to his death."
ce jour-là les prisonniers ont la permission de monter sur l’esplanade de l’immense tour, à cent quatre-vingts pieds d’élévation, et de là ils voient défiler un cortège avec un espion qui joue le rôle d’un pauvre diable qui marche à la mort.

dans the violin maker's gift (1980), donn kushner raconte l'histoire d'un oiseau fantastique qui prédit l'avenir.
donn kushner's the violin maker's gift (1980) is about a magical bird who can predict the future.

playwrights canada press publie three plays (the four lives of marie, seven days in the life of simon labrosse et Élisa's skin), les trois pièces ont été traduites par john murrell.
playwrights canada press published her three plays(the four lives of marie, seven days in the life of simon labrosse, and Élisa's skin), translated by john murrell.

http://up6.iranblog.com/files/e7violin-super-mario-on-the-violin-live-.zip
http://vmusic.ir/1390/06/franck-pourcel-morir-de-amor/

lento gould so you want to write a fugue? (1963) ii the studio years gould about concerts (1968)bach concerto in g minor, i. allegro glenn gould with the toronto symphony, vladimir golschmann, conductor (1967) berg piano sonata op.1 (1973) dialogue about schoenberg (1965) schoenberg phantasy for violin and piano, op.47 yehudi menuhin, violin; glenn gould, piano discussion period frank johnson, m.d. ***lunch break*** "glenn gould's hand" frank wilson, m.d. gould about strauss (1966) gould about la valse (1974) ravel la valse, poeme choréographique (piano transcription by glenn gould) discussion period frank johnson, m.d., moderator gould about elektra with humphrey burton (1966) strauss elektra (piano transcription by glenn gould) excerpt "glenn gould and the future of music and communications" john roberts radio as music (1975) introduced by john roberts walton scotch rhapsody (1974-1975) discussion period frank johnson, m.d., moderator ***intermission*** gould on hindemith (1977) hindemith sonata for trumpet and piano mit kraft r. criseda, trumpet; glenn gould, piano gould on scriabin (1974) scriabin désir, op. 57 no. 1 gould about wawa (1968) iii the final years "glenn gould plays the truth" robert silverman sir nigel twitt-thornewaite (1977) myron chianti (1977) gould converses with monsaingeon bach well-tempered clavier ii fugue in e major (excerpt) gould in conversation with monsaingeon (1980) bach partita no.4 in d major v. sarabande vii. gigue interview with maureen forrester (1982) mahler, symphony no.2 urlicht maureen forrester; glenn gould, conductor closing statement ruth a. felt, president, san francisco performances bach, goldberg variations (1981) speaker biographies peter ostwald, m.d. after completing his psychiatric training at the cornell medical school in new york, dr. ostwald joined the faculty of the university of california in san francisco, where he developed a sound-lab for studying voice changes associated with emotional disorder.
lento gould so you want to write a fugue? (1963) ii the studio years gould about concerts (1968)bach concerto in g minor, i. allegro glenn gould with the toronto symphony, vladimir golschmann, conductor (1967) berg piano sonata op. 1 (1973) dialogue about schoenberg (1965) schoenberg phantasy for violin and piano, op. 47 yehudi menuhin, violin; glenn gould, piano discussion period frank johnson, m.d. ***lunch break*** "glenn gould's hand" frank wilson, m.d. gould about strauss (1966) gould about la valse (1974) ravel la valse, poeme choréographique (piano transcription by glenn gould) discussion period frank johnson, m.d., moderator gould about elektra with humphrey burton (1966) strauss elektra (piano transcription by glenn gould) excerpt "glenn gould and the future of music and communications" john roberts radio as music (1975) introduced by john roberts walton scotch rhapsody (1974-1975) discussion period frank johnson, m.d., moderator ***intermission*** gould on hindemith (1977) hindemith sonata for trumpet and piano mit kraft r. criseda, trumpet; glenn gould, piano gould on scriabin (1974) scriabin désir, op. 57 no. 1 gould about wawa (1968) iii the final years "glenn gould plays the truth" robert silverman sir nigel twitt-thornewaite (1977) myron chianti (1977) gould converses with monsaingeon bach well-tempered clavier ii fugue in e major (excerpt) gould in conversation with monsaingeon (1980) bach partita no. 4 in d major v. sarabande vii. gigue interview with maureen forrester (1982) mahler, symphony no. 2 urlicht maureen forrester; glenn gould, conductor closing statement ruth a. felt, president, san francisco performances bach, goldberg variations (1981) speaker biographies peter ostwald, m.d. after completing his psychiatric training at the cornell medical school in new york, dr. ostwald joined the faculty of the university of california in san francisco, where he developed a sound-lab for studying voice changes associated with emotional disorder.