Şunu aradınız:: suggested (İngilizce - Gürcüce)

suggested words
შემოთავაზებული სიტყვები

but when that man suggested shock therapy,
მაგრამ როცა მან შოკური თერაპია გვირჩია,

did they say anything that suggested where they were going next?
ეალთ პვკჲა ნვქრჲ ქრჲ ბთ კაზალჲ კაევ ჲრთქლვ?

yeah, you already sound nicer than the last bruce miller who suggested
ეჲჟრა ოჲ-ლძბვჱვნ ჟრვ ჲრ ოპვენთწ ბპსჟ მთლყპ,

it suggested that the bronze age inhabitants... of what would eventually become london...
ოპვეოჲლადა ჟვ, ფვ ჲბთრარვლთრვ ოპვჱ ბპჲნჱჲგარა ვპა, ნა რჲგა, კჲვრჲ ენვჟ ნაპთფამვ ლჲნეჲნ

okay don't yell at me sureshot you're the one who suggested naked saturdays
რთ ოპველჲზთ ნა ოპაგთმ "დჲლთრვ ჟყბჲრთ".

you missed a boat load of stuff anyways, at the orientation i suggested a new system for supervising lunch it's a quadrant system
ნა რთ რჲგა!

the christ-like self-portrait above was painted in 1500, shortly before dürer’s 29th birthday. the painting was made in oil on a wooden panel, and is now in the collection of the alte pinakothek in munich. unlike his earlier self-portraits, which were composed in the customary three-quarters view, dürer’s self-portrait of 1500 depicts the artist faced squarely toward the viewer — a pose usually reserved at that time for images of christ. his hand, touching the fur collar of his coat, brings to mind the gestures of blessing in religious icons. the highly symmetric composition draws attention to the eyes, which gaze directly at the viewer. the artist’s monogram, “ad,” and the latin inscription — “i, albrecht dürer of nuremberg, portrayed myself in everlasting colors aged twenty-eight years” — are placed at eye-level to strengthen the effect. the year “1500″ is written directly above the monogram, giving the “ad” a second meaning as anno domini, which further reinforces the connection between dürer and christ. the art historian joseph koerner has suggested that the entire composition, from the triangular outline of the frontal likeness to the curve of dürer’s fingers, echoes the overarching “a” and nestled “d” of the artist’s monogram. “nothing we see in a dürer is not dürer’s,” writes koerner, “monogram or not.”
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