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" boieldieu immediately applied to cherubini for lessons in compositional techniques.
" boïeldieu inmediatamente pidió a cherubini lecciones sobre técnicas compositivas.
cherubini died in paris at age 81 and is buried at père lachaise cemetery, just four metres from his friend chopin.
murió en parís a los 81 años y fue enterrado en el cementerio père lachaise (división 11, sección vii).
cherubini also accepted a commission to write an opera for the viennese stage and "faniska" was the result.
cherubini también aceptó el encargo de escribir una ópera para la escena vienesa y "faniska" fue el resultado.
ever since it was set up by riccardo muti in 2004, the luigi cherubini youth orchestra has been at the forefront of the european symphonic music scene.
el maestro riccardo muti fundó en el año 2004 la orchestra giovanile “luigi cherubini” que en estos años se ha convertido en un referente sinfónico en europa.
==background==in june 1805, cherubini took up an invitation to travel to vienna where his works were highly appreciated.
==antecedentes==en junio de 1805, cherubini aceptó una invitación para viajar a viena donde sus obras eran muy apreciadas.
in 1998, studying with maestro luigi tanganelli at the luigi cherubini conservatory of florence, francesco attesti earned the highest grades in piano bestowed by that institution.
en 1998, estudiando con el maestro luigi tanganelli en el conservatorio luigi cherubini de florencia, francesco obtuvo las más altas calificaciones en piano otorgada por esta institución.
it was so popular that it was revived again at the feydeau in 1819 and was performed frequently in the germanic countries in the early 19th century, including a production in vienna in 1805, while cherubini was there.
era tan popular que se repuso otra vez en el feydeau en 1819 y era representada frecuentemente en los países germánicos a principios del siglo xix, incluida una producción en viena en 1805, mientras cherubini estuvo allí.
cherubini's musical evocation of nature (nightfall, the storm) influenced carl maria von weber, who was particularly fond of the opera.
la evocación musical de cherubini de la naturaleza (anochecer, la tormenta) influyó en carl maria von weber, quien apreciaba particularmente esta ópera.
the plot has much in common with cherubini's earlier rescue opera "lodoïska" (1791), including its polish setting.
la trama tiene mucho en común con la anterior ópera de rescate de cherubini "lodoïska" (1791), incluyendo su ambientación polaca.
"caricature di napoleone", "conversazione" organised by the provincia di lucca, august 2011 "late 18-century and very early 19th-century british writings on napoleon: myth and history", southeran’s bookshop, piccadilly, 250th anniversary of the opening of the bookshop, 16 march 2011* invited to participate in a roundtable on the napoleonic empire, in madrid, 25 february 2011* "napoléon iii et l’angleterre : (més)entente cordiale", maisons-laffitte, france, december 2010* "napoleon et cherubini", round table participation at the series of concerts dedicated to cherubini at the musée de l’armée, paris, october 2010* ‘re napoleone’, invited talk given at the conversazione organised by the provincia di lucca, august 2010, sole author.
"caricature di napoleone", "conversazione" organised by the provincia di lucca, août 2011 “late 18-century and very early 19th-century british writings on napoleon: myth and history”, southeran’s bookshop, piccadilly, 250ème aniversaire de l’ouverture de la librairie, 16 mars, 2011* invité à participer à une table ronde sur l’empire napoléonien, à madrid, 25 février, 2011* "napoléon iii et l’angleterre : (més)entente cordiale", maisons-laffitte, france, décembre 2010* “napoléon et cherubini”, participation table ronde à la série de concerts dédiés à cherubini au musée de l’armée, paris, octobre 2010* ‘re napoleone’, invite à donné un discourse au conversazione organisé par la provincia di lucca, août 2010, seul auteur.