您搜索了: repertoar (斯洛文尼亚语 - 英语)

repertoar
repertoire

toda ostati moramo budni, da ne izgubi majhen repertoar.
but we should remain vigilant so that small repertoire does not lose out.

repertoar in pravice, ki jih upravlja, ter zajete države članice;
the repertoire and rights it manages and the member states covered;

do leta 2000 je delal v münchnu kot direktor za trženje, umetnike in repertoar.
by 2000 he was working out of munich as the director of marketing, artist and repertoire.

te platforme lahko vključujejo repertoarje drugih glasbenih založnikov ali pa celoten repertoar obstoječih družb.
these platforms can include other music publishers' repertoires or the entire repertoire of existing societies.

„repertoar“ pomeni katalog glasbenih del, ki ga upravlja kolektivni upravljavec pravic;
‘repertoire’ means the catalogue of musical works which is administered by a collective rights manager;

v digitalnem okolju morajo kolektivne organizacije običajno svoj repertoar licencirati za popolnoma nove oblike izkoriščanja in poslovne modele.
in the digital environment, collecting societies are regularly required to license their repertoire for totally new forms of exploitation and business models.

v digitalnem okolju morajo organizacije za kolektivno upravljanje pravic svoj repertoar redno licencirati za popolnoma nove oblike izkoriščanja in poslovne modele.
in the digital environment, collective management organisations are regularly required to license their repertoire for totally new forms of exploitation and business models.

e zavezujejo k oblikovanju novih platform eu za izdajanje dovoljenj, ki bodo obsegale repertoar številnih organizacij za kolektivno zaščito avtorskih pravic.
they committed to pursuing new eu licensing platforms comprising the repertoires of several collecting societies.

na podlagi današnjega predloga bi zato kolektivne organizacije, ki želijo izdajati večozemeljske licence za svoj repertoar, morale izpolnjevati evropske standarde.
as a result of today’s proposal, those collecting societies willing to engage in the multi-territorial licensing of their repertoire would therefore have to comply with european standards.

medtem ko se majhna avtorska društva bojijo, da te platforme ne bodo pustile prostora za neuporabljen repertoar, moramo mi zdaj zagotoviti, da ga bodo.
while small collecting societies fear that these platforms leave no room for niche repertoire, we now have to make sure that they do.

„repertoar“ pomeni dela ali drugo zaščiteno vsebino, pri čemer pravice za ta dela ali vsebino upravlja kolektivna organizacija;
'repertoire' means the works or other protected subject matter in which a collecting society manages rights;

kolektivna organizacija imetnikom pravic, katerih glasbena dela so vključena v njen glasbeni repertoar, omogoči predložitev informacij o njihovih glasbenih delih ali pravicah v navedenih delih v elektronski obliki.
the collecting society shall provide rightholders whose musical works are included in its own music repertoire with means of submitting by electronic means information on their musical works or their rights in those works.

zaprošena organizacija za kolektivno upravljanje pravic vključi zastopani repertoar organizacije za kolektivno upravljanje pravic, ki je zaprosila za sporazum, v vse ponudbe, ki jih naslovi na ponudnike spletnih storitev.
the requested collective management organisation shall include the represented repertoire of the requesting collective management organisation in all offers it addresses to online service providers.

brez poseganja v odstavka 5 in 6 zaprošena organizacija za kolektivno upravljanje pravic upravlja zastopani repertoar organizacije za kolektivno upravljanje pravic, ki je zaprosila za sporazum, pod istimi pogoji, kot jih uporablja za upravljanje lastnega repertoarja.
without prejudice to paragraphs 5 and 6, the requested collective management organisation shall manage the represented repertoire of the requesting collective management organisation on the same conditions as those which it applies to the management of its own repertoire.

zato bi bilo treba organizacije za kolektivno upravljanje pravic, ki večozemeljskih licenc za svoj glasbeni repertoar ne želijo ali ne morejo izdajati neposredno, spodbujati, naj za upravljanje svojega repertoarja na nediskriminatorni osnovi prostovoljno pooblastijo druge organizacije za kolektivno upravljanje pravic.
therefore, collective management organisations that are not willing or not able to grant multi-territorial licences directly in their own music repertoire should be encouraged on a voluntary basis to mandate other collective management organisations to manage their repertoire on a non-discriminatory basis.

kolektivna organizacija se lahko odloči, da ne bo izdajala večozemeljskih licenc za spletne pravice za glasbena dela, vendar lahko še naprej izdaja nacionalne licence za lasten repertoar in/ali nacionalne licence za repertoar drugih organizacij na podlagi vzajemnih sporazumov.
a collecting society may decide not to grant multi-territorial licences for online rights in musical works, but it could continue to grant national licences for its own repertoire and/or national licences for the repertoire of other societies through reciprocal agreements.

kadar organizacija za kolektivno upravljanje pravic pooblasti drugo organizacijo za kolektivno upravljanje pravic za izdajanje večozemeljskih licenc za spletne pravice za glasbena dela v skladu s členoma 29 in 30, pooblaščena organizacija za kolektivno upravljanje pravic prav tako uporabi odstavek 2 tega člena v zvezi z imetniki pravic, katerih glasbena dela so vključena v repertoar organizacije za kolektivno upravljanje pravic, ki je izdala pooblastilo, razen v primeru, ko se organizaciji za kolektivno upravljanje pravic dogovorita drugače.
where a collective management organisation mandates another collective management organisation to grant multi-territorial licences for the online rights in musical works under articles 29 and 30, the mandated collective management organisation shall also apply paragraph 2 of this article with respect to the rightholders whose musical works are included in the repertoire of the mandating collective management organisation, unless the collective management organisations agree otherwise.