您搜索了: kwintencirkel (荷兰语 - 英语)

afgezien van de enorme invloed die het heeft gehad op latere generaties van russische kerk componisten, is de "grammatika" van bijzonder belang voor het feit dat het de eerste bekende beschrijving van de kwintencirkel.
diletsky provides a wide variety of examples, both from his own work, including an 8-voice setting of the divine liturgy that he composed in smolensk specifically to illustrate the "grammatika," and from that of contemporary western composers, particularly the poles marcin mielczewski and jacek rózycki.

"a theoretical work of late seventeenth-century muscovy: nikolai diletskii's "grammatika" en de vroegste kwintencirkel", jams, xviii (1992), 305–31.
==list of works=====writings===*"grammatika musikiyskago peniya" ("Грамматика муcикийского пения", "a grammar of musical song", smolensk, 1677)*"idea grammatikii musikiyskoy" ("Идея грамматикии муcикийской", "an idea of musical grammar", moscow, 1679)*"grammatika peniya musikiyskago" ("Грамматика пения муcикийского", moscow, 1681)===music===*3 settings of the divine liturgy (4–8 voices, includes "kyivan chant" and a "proportional" liturgy)*2 sacred concertos*resurrection/easter kanon, 8vv==notes====references==*claudia r. jensen.