您搜索了: i don't like it i love it (葡萄牙语 - 英语)

i don't like it.
i don't like it.

i don't like lies
i’m ricardo nuno da costa gomes alves da silva, i’m thirty five years old and i’m from porto, but i live in gondomar. i am calm, outgoing, friendly, caring, hardworking person, i am a person who likes to get along with everyone, if possible, i like to see that everyone is fine, i am a friend of my friend and i am always ready to help, even with little i have. i’m a stubborn person, a little grumpy, i like to do things my way. i like to practice sport, in particular, bodybuilding is my hobby for over 17 years, where i went through several gyms. i like to practice crossfit, i like to do the beach, take walks, go to the terrace, go to the pool, like to go to the movies, enjoy watching football, enjoy a good dinner and try new foods, watch action movies and eat popcorn, of course, all this in family. i do not like lying, i do not like falsehood, i do not like people who bring negative energy to my daily life, i do not like, nor can i wait, especially in traffic, because it wears me out a lot, especially psychologically. i do not like noise, when i want to rest, i do not like to fall asleep with the television on and i do not like that depend on others

i don't like coffee!
i don't like coffee!

i love it.
i love it.

and i love it.
and i love it.

ahahahaha... i love it!!!!!!!
i wish i was damn eyes!

the dirtiest mind on here, i love it!!!!!!!!!
the dirtiest mind on here, i love it!!!!!!!!!

good!!i love it. (22/06/2015)
good!!i love it. (22/06/2015)

how do you like america? we are in an awesome spot right by the ocean. i love it here.
awww. thank you. looking for someone great to share good times with

depois produziu uma faixa para eva simons, "i don't like you", também lançado na interscope.
he then produced the eva simons song, "i don't like you", which was also released on interscope.

i'm sorry but i know you're a virgin, bye, i don't like it, it's small, my brother has it, bigger than your bay. boy to have sex with my brother .bay virgin
i'm sorry but i know you're a virgin, bye, i don't like it, it's small, my brother has it, bigger than your bay. boy to have sex with my brother .bay virgin

"i love it" também foi usado no anúncio para o samsung galaxy s4.
"i love it" was also used in the advert for the samsung galaxy s4.

"i don't think i love you" aparece no álbum "", e "sick of hanging on" na trilha sonora do "pro evolution soccer 2010".
==track listing==*source:==charts====release history====references====external links==

em 6 de maio de 2013, "i love it" foi destaque na série comédia-musical da fox, glee .
on 6 may 2013, "i love it" was featured in the fox musical-comedy series, "glee".

se7en é um convidado especial em amerie's take control pelo seu álbum, "because i love it", que foi lançado em maio de 2007.
se7en is a featured guest on amerie's take control on her album, "because i love it", which was released in may 2007.

em 3 de maio de 2013, a dupla cantou "i love it" no talk show, late night with jimmy fallon e no good morning america.
on 3 may 2013, the duo performed "i love it" on the late-night talk show, "late night with jimmy fallon" and on the "good morning america" morning news/entertainment show.

"lunchbox" foi gravada em grand rapids, michigan, e "i don't like the drugs (but the drugs like me)" foi gravada em cedar rapids, iowa.
"lunchbox" was recorded in grand rapids, michigan, and "i don't like the drugs (but the drugs like me)" was recorded in cedar rapids, iowa.

"i love it" é uma canção do duo sueco icona pop, contida em seu álbum de estreia auto-intitulado (2012).
the song was added to their debut studio album "icona pop", as well as their ep "iconic" and their debut international album "this is... icona pop".

=== produtor e diretor ===iron é criador de duas vídeo franquias de sadomasoquismo, "slap happy" e "i love it rough".
===producer & director===iron is the creator of two rough sex video franchises, "slap happy" and "i love it rough".

bob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann
traductor de googlebob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann