您搜索了: we are still in the ordering process (葡萄牙语 - 英语)

on my own. i'm still in the process of learning.
on my own. i'm still in the process of learning.

so, we are in the reign of theories.
so, we are in the reign of theories.

yeah, should come here!! we are still waiting!!!
yeah, should come here!! we are still waiting!!!

the basic is: we are still insecure and in danger even when we are in our own house.
the east of baghdad, however, has deteriorated a bit for a change.

it was just announced that we are one of the top three winners named in the contest.
it was just announced that we are one of the top three winners named in the contest.

we are still in an enigma, and most of us are unaware of what freedom means and we are still not aware of our rights.
we are still in an enigma, and most of us are unaware of what freedom means and we are still not aware of our rights.

we are talking desperate, here, no eggs left in the house, no onions and we are getting low on milk.
we are talking desperate, here, no eggs left in the house, no onions and we are getting low on milk.

the ship was deployed at little port, newfoundland and later burned for a scene - the remains are still on display in the community of lark harbor newfoundland.
the ship was deployed at little port, newfoundland and later burned for a scene - the remains are still on display in the community of lark harbor newfoundland.

iggy escreveu nas notas do novo lançamento que no novo mix tudo ficou no vermelho ("everything's still in the red").
pop testified in the reissue's liner notes that on the new mix, "everything's still in the red".

be informed that we removed your blog from our listings (therefore your posts will no longer show up on the super blog) and we are currently in the process of deleting all archived posts from your blog in our database.”
be informed that we removed your blog from our listings (therefore your posts will no longer show up on the super blog) and we are currently in the process of deleting all archived posts from your blog in our database.

primary source 19th and 20th century manuscripts from the naxi people, yunnan province, china; only pictographic writing system still in use anywhere in the world.
primary source 19th and 20th century manuscripts from the naxi people, yunnan province, china; only pictographic writing system still in use anywhere in the world.

músicas como "can you feel it", "we are the world" e "man in the mirror" são grandes provas disso.
songs such as "can you feel it", "we are the world" and "man in the mirror" convey this.

-houses were burned in the last two days, things seem calmer now, though in langas, people are still fighting and supposedly even more killed last night.
-houses were burned in the last two days, things seem calmer now, though in langas, people are still fighting and supposedly even more killed last night.

back in the 90’s when beloved al-turabi was still in power and his version of sharia was being shoved down our throats, the school came under pressure to change the girl’s uniform.
back in the 90’s when beloved al-turabi was still in power and his version of sharia was being shoved down our throats, the school came under pressure to change the girl’s uniform.

in the same interview, jason pierce also said that the album was partly inspired by the experiences of performing "ladies and gentlemen we are floating in space" live in its entirety.
in the same interview, jason pierce also said that the album was partly inspired by the experiences of performing "ladies and gentlemen we are floating in space" live in its entirety.

however, in the developing world death rates from the infection are still around 50%. métodos modernos de tratamento têm reduzido a taxa de mortalidade de 60 por cento para cerca de 20 por cento das pessoas que se tornam infectados.
however, in the developing world death rates from the infection are still around 50%.

relatórios recentemente elaborados pela confederation of british industry («cbi») concluíram que continua a registar-se um défice claro em matéria de acesso ao financiamento. «there are still market failures and anomalies in the system that need to be addressed. […].
recent reports by the confederation of british industry (‘cbi’) concluded that there continues to be a clear gap for access to finance.

bob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann
traductor de googlebob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann