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prinsip motif ukiran kayu tradisional
principles of traditional wood carving motifs

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formal, manakala ukiran kayu halus lebih berorientasikan perasaan yang mengarah pada emosi dan ekspresi seniman penciptanya semasa proses penciptaannya.
formal, while fine wood carving is more feeling -oriented which leads to the emotions and expressions of its creator artist during the process of his creation.

demikian juga keindahan dalam kesenian pada ukiran kayu tradisional pada masa ini menunjukkan islam tidak menolak soal keindahan yang boleh mencerminkan kebersihan dan tata hias yang menarik.
likewise the beauty in art on traditional wood carvings at this time shows that islam does not reject the question of beauty which can reflect cleanliness and attractive decoration.

kg. ngulang mempunyai keunikan tersendiri di mana penduduk disitu ada yang membuat kuih tradisional, membuat ukiran kayu yang akan menarik pelancong datang merasai keunikan tersebut
the community there often organizes motor sport (atv) & treasure hunt activities. tourists who come can also go fishing, kayaking and plant rice

hal yang sedemikian menjadikan ukiran kayu tradisional lebih sesuai bagi melihat ekspresi keperibadian seniman ukiran tradisional melayu berbanding dengan ukiran kayu moden yang banyak menggunakan teknologi semasa proses pembuatan.
such a thing makes traditional wood carving more suitable to see the expression of the personality of traditional malay carving artists compared to modern wood carving which uses a lot of technology during the manufacturing process.

di sini jelaslah bahawa ukiran kayu tradisional melayu dapat dikelompokkan kepada dua istilah, ukiran kayu dan ukiran kayu halus7 . ukiran kayu ialah karya ukiran yang lebih berorientasikan fungsi fizikal produk dan nilai estetiknya lebih bersifat
here it is clear that traditional malay wood carving can be grouped into two terms, wood carving and fine wood carving7. wood carving is a work of carving that is more oriented to the physical function of the product and its aesthetic value is more characteristic

dari beberapa contoh ukiran tersebut jelas sekali ukiran kayu tradisional bukan berasaskan pada bahan dan teknik pembuatannya, tetapi ukiran tradisional yang dimaksudkan adalah nilai nilai tradisi yang terdapat pada ukiran tersebut sama ada aspek visual5 ataupun non visual6.
from some examples of the carvings, it is clear that traditional wood carvings are not based on materials and manufacturing techniques, but the traditional carvings are the traditional values found in the carvings, whether visual5 or non -visual6.

kesimpulannya, motif ukiran kayu tradisional adalah titik fokus saya. saya telah memilih satu kraf melayu tradisional sebagai idea atau fokus utama saya berkaitan motif ukiran kayu dalam karya saya untuk topik ketiga iaitu nasionalisme dalam lukisan bentuk.
in conclusion, traditional wood carving motifs are my focal point. i have chosen a traditional malay craft as my main idea or focus related to wood carving motifs in my work for the third topic which is nationalism in shape painting.

ukiran kayu sememangnya terkenal di semenanjung malaysia terutamanya di negeri negeri sebelah pantai timur seperti kelantan, terengganu dan pahang. hubungan rapat dengan pattani yang merupakan pusat kegiatan seni ukir terkenal pada masa dahulu sedikit sebanyak telah mempengaruhi seni ukir di negeri negeri tersebut.
wood carving is well known in peninsular malaysia, especially in the east coast states such as kelantan, terengganu and pahang. the close relationship with pattani which was the center of famous sculpture activities in the past has to some extent influenced the sculpture in the state.

melalui seni nasionalisme, idea ini mengkaji tentang motif ukiran kayu dan keunikan reka bentuk bentuk yang hiasannya disusun secara simetri. pembentukan motif menggabungkan pelbagai motif daripada flora dan fauna yang diilhamkan daripada bintang, matahari, bulan dan bukit bukau.
through the art of nationalism, this idea examines the motifs of wood carvings and the uniqueness of the design of forms whose decorations are arranged symmetrically. the motif formation incorporates a variety of motifs from flora and fauna inspired by the stars, sun, moon and hills.

ketiga tiga objektif dipilih untuk mengkaji dan mengaplikasikan ketiga tiga aspek tersebut dalam karya. selain itu, tumpuan saya kepada masyarakat melayu khususnya golongan belia dan kanak kanak. dalam kajian ini, saya harus mengakui ukiran kayu telah berjaya melambangkan budaya melayu itu sendiri bernaungkan agama islam.
all three objectives were selected to study and apply all three aspects in the work. apart from that, my focus is on the malay community, especially the youth and children. in this study, i must admit that wood carvings have succeeded in symbolizing the malay culture itself under the auspices of islam.

bunga bakawali mempunyai pelbagai keunikan.nama ilmiahnya bagi bunga ini ialah epiphyllum hookeri. bunga bakawali ini juga digelar ratu malam kerana ia hanya nerkembang diwaktu malam sahaja dan berbau harum.selain itu,bunga ini juga mempunyai unsur mistik dan dan banyak digunakan dalam perubatan.selain itu terdapat juga negeri yang mwngukannya dalam seni ukiran kayu seperti kelantan dan terengganu
bakawali flowers have various characteristics. the scientific name for this flower is epiphyllum hookeri. bakawali flower is also called the night queen because it only grows at night and smells of harum. in addition, this flower also has mystical elements and and is widely used in construction. in addition, there are also states that are famous in the art of wood carving such as kelantan and terengganu

tujuan kajian saya adalah berdasarkan nilai estetika pada rehal tradisional ukiran kayu sebagai identiti masyarakat islam di malaysia. dalam kajian ini turut melibatkan tradisi dan budaya tempatan masyarakat melayu. berdasarkan topik ketiga, iaitu nasionalisme, saya ingin membuat karya berpaksikan tradisi masyarakat islam yang menggunakan hiasan rehal sebagai medium penting ketika ingin membaca kitab suci al quran.
the purpose of my study is based on the aesthetic value of traditional rehal wood carving as the identity of the muslim community in malaysia. in this study also involves the local traditions and culture of the malay community. based on the third topic, which is nationalism, i would like to create a work based on the tradition of the muslim community that uses rehal decoration as an important medium when reading the holy book al quran.