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"the artist operas of pfitzner, krenek and hindemith: politics and the ideology of the artist".
"the artist operas of pfitzner, krenek and hindemith: politics and the ideology of the artist".
among their recording projects were the complete symphonies of nielsen and sibelius, choral works of brahms, and orchestral works of richard strauss and hindemith.
entre as gravações estão o ciclo completo de sinfonias de carl nielsen e jean sibelius, os trabalhos corais de johannes brahms e os trabalhos orquestrais de richard strauss e paul hindemith.
krzysztof penderecki wrote a motet for mixed choir, and paul hindemith concludes his concerto for organ and orchestra with a phantasy on "veni creator spiritus.
o compositor krzysztof penderecki escreveu um motete para coro misto, e paul hindemith concluiu o seu concerto paa órgão e orquestra com uma "fantasia" baseada no "veni creator spiritus.
*january 20 - paul hindemith's "symphonic metamorphoses on themes of weber" is premiered in new york city.
* 20 de janeiro - "metamorfoses sinfônicas sobre temas de weber", de paul hindemith, estreia em nova iorque.
" articles published by shostakovich in 1934 and 1935 cited berg, schoenberg, krenek, hindemith, "and especially stravinsky" among his influences.
artigos publicados pelo próprio shostakovitch em 1934 e 1935 citavam alban berg, arnold schoenberg, ernst krenek e paul hindemith "e especialmente stravinsky" como suas influências.
although hogwood was best known for the baroque and early classical repertoire, he also performed contemporary music, with a particular affinity for the neo-baroque and neoclassical schools including many works by stravinsky, martinů and hindemith.
embora hogwood seja mais conhecido pelo seu repertório barroco e do clássico inicial, ele também executou música contemporânea, com uma afinidade particular pelas escolas neobarroca e neoclássica, incluindo muitas das obras de igor stravinsky, bohuslav martinů e paul hindemith.
30 for orchestra), alban berg (act 1, scene 4 and the beginning of act 3 scene 1 of "wozzeck"), george gershwin (variations on "i got rhythm" for piano and orchestra, 1934), paul hindemith ("symphonic metamorphosis of themes by carl maria von weber", 1943), olivier messiaen ("thème et variations" for violin and piano, 1932), benjamin britten (including the "variations on a theme of frank bridge", 1937, and "the young person's guide to the orchestra" (variations and fugue on a theme by purcell), 1946), reinhold glière (harp concerto in e-flat: ii, 1938), william walton (second movement of the sonata for violin and piano, 1947–49, and variations on a theme by hindemith, 1963), leonard bernstein (part 1 of his symphony no.
conjuntos de variações também foram compostos pelos compositores do século xx incluindo arnold schoenberg (as "variações para orquestra"), alban berg, ("ato 1, cena 4" e o início do "ato 3 cena 1" de wozzeck), anton webern, (as "variações opus 27" e as "variações opus 30", para orquestra), paul hindemith, benjamin britten (incluindo o "guia da orquestra para jovens" (variações e fuga sobre um tema de purcell) e as "variações sobre um tema de frank bridge´´), e sergei rachmaninoff ("rapsódia sobre um tema de paganini").