Sie suchten nach: ethiopian (Portugiesisch - Englisch)

"journal of ethiopian studies" 16, pp.
"journal of ethiopian studies" 16, pp.

“traditional ethiopian music is an acquired taste.
traditional ethiopian music is an acquired taste.

written with an orthography based on the ethiopian script.
it is written with an orthography based on the ethiopian script.

he was so happy to see another ethiopian and so proud.
he was so happy to see another ethiopian and so proud.

"‭ "journal of ethiopian studies" 16: 129-56.
" "journal of ethiopian studies" 16: 129-56.

why blogging is a threat to the ethiopian government, 10 de maio de 2014
why blogging is a threat to the ethiopian government may 10, 2014

the ethiopian premier league é a principal divisão de futebol da etiópia.
the ethiopian premier league is the top association football division in ethiopia.

os certificados ethiopian e gregos, no contraste, foram da esquerda para a direita.
the ethiopian and greek scripts, in contrast, went from left to right.

em 1845, o show "ethiopian serenaders" aumentaria a popularidade dos virginia minstrels.
" in 1845, the ethiopian serenaders purged their show of low humor and surpassed the virginia minstrels in popularity.

), "ethiopian studies dedicated to wolf leslau", wiesbaden: harrassowitz, pp.
), "ethiopian studies dedicated to wolf leslau", wiesbaden: harrassowitz, pp.

22" addis ababa: sil/institute of ethiopian studies, addis ababa university.
addis ababa: sil/institute of ethiopian studies, addis ababa university.

century ethiopian history abba 'enbaqom, imam ahmad ibn ibrahim, and the "conquest of abyssinia"".
century ethiopian history abba 'enbaqom, imam ahmad ibn ibrahim, and the "conquest of abyssinia"".

ampliação e modernização das instalações do aeroporto de addis­abeba e de seis aeroporto; regionais empréstimo condicional à república federal democrática da etiópia para a ethiopian civil aviation authority
extension and modernisation of installations at addis ababa airport and six regional airports conditional loan to federal democratic republic of ethiopia for ethiopian civil aviation authority

" in gideon goldenberg, ed., "ethiopian studies: proceedings of the 6th international conference", pp.
in gideon goldenberg, ed., ethiopian studies: proceedings of the 6th international conference, pp.

em janeiro de 2013, a companhia ficou em quarto lugar entre as dez melhores que operam na África, atrás das companhias south african airways, ethiopian airlines e egyptair.
kenya airways is widely considered as one of the leading sub-saharan operators; , the carrier was ranked among the top ten ones that operate in africa by seat capacity, behind south african airways, ethiopian airlines and egyptair.

in tadesse beyene, richard pankhurst, ahmed zekaria, eds., "proceedings of the firstr national conference of ethiopian studies".
in tadesse beyene, richard pankhurst, ahmed zekaria, eds., "proceedings of the firstr national conference of ethiopian studies".

he told me about his wife and kids and how he’s planning on moving back to addis for good; how he used to be a runner and about life in switzerland and the ethiopian community there.
he told me about his wife and kids and how he's planning on moving back to addis for good; how he used to be a runner and about life in switzerland and the ethiopian community there.

no domingo dia 27 de novembro de 2005, a 5ª edição da corrida anual e internacional etíope, a 2005 toyota great ethiopian run, teve lugar em addis ababa, situada a uma altura de 2400 metros acima do nível do mar.
on sunday 27th november 2005 the 5th edition of ethiopia's annual international 10km road race, the 2005 toyota great ethiopian run, took place in addis ababa, is situated at an altitude of 2400m above sea level.

==discografia==*(1998) "ethiopiques volume 1: the golden years of modern ethiopian music", vários artistas.
==discography==*(1998) "Éthiopiques volume 1: the golden years of modern ethiopian music", various artists*(1998) "Éthiopiques volume 2: tètchawèt!

bob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann
traductor de googlebob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann