Results for to practice and imitating what he... translation from English to Tagalog

and guess what he said?
hulaan mo kung anong sinabi niya?

what he said
yan ba ang sinabi nya?

what he said to you
sabi niya, pikon ako

that's what he said
thats what he is

he doesnt nean what he said
he doesn 't nean what he said.

i was surprised by what he said
nung sinupresa namin sya sa kanyang kaarawan

i couldn't catch what he said.
hindi ko makuha ang sinabi niya.

he thinks that i don't know what he said about me.
akala niya hindi ko alam ang sinabi niya tungkol sa akin.

i can say in the video i do not agree to what he said that the people here in our country are no longer values and care for others.
tama yung sinabi niya na family first and the country is second pero hindi ibig sabihin na wala kanang pakialam sa ating bansa.

social science and applied social science are basically the same thing. social science is about people how they interact with others in their society and how societies interacr with each other. it seeks to explain interactions forms hypothisis test them and suggest potential actions. applied social science is about putting theories in to practice and interfacing directly with the public. this doesnt mean an applied social society practioner ie a social worker is isolated from the body of pract
ang agham panlipunan at inilapat sa agham panlipunan ay karaniwang pareho. ang agham panlipunan ay tungkol sa mga tao kung paano sila nakikipag-ugnayan sa iba sa kanilang lipunan at kung paano nakikipag-ugnayan ang mga lipunan sa bawat isa. hangad nitong ipaliwanag ang mga pakikipag-ugnayan ay bumubuo ng hypothisis na subukan ang mga ito at magmungkahi ng mga potensyal na pagkilos. ang inilapat na agham panlipunan ay tungkol sa paglalagay ng mga teorya sa pagsasanay at direktang pakikipag-ugnay sa publiko. hindi ito nangangahulugan ng isang inilalapat na pagsasanay sa lipunan, ibig sabihin, ang isang social worker ay ihiwalay mula sa katawan ng pagsasanay

many artists lived in the greenwich village area of new york. two young women named sue and johnsy shared a studio apartment at the top of a three-story building. johnsy's real name was joanna. in november, a cold, unseen stranger came to visit the city. this disease, pneumonia, killed many people. johnsy lay on her bed, hardly moving. she looked through the small window. she could see the side of the brick house next to her building. one morning, a doctor examined johnsy and took her temperature. then he spoke with sue in another room. "she has one chance in -- let us say ten," he said. "and that chance is for her to want to live. your friend has made up her mind that she is not going to get well. has she anything on her mind?" "she -- she wanted to paint the bay of naples in italy some day," said sue. "paint?" said the doctor. "bosh! has she anything on her mind worth thinking twice -- a man for example?" "a man?" said sue. "is a man worth -- but, no, doctor; there is nothing of the kind." "i will do all that science can do," said the doctor. "but whenever my patient begins to count the carriages at her funeral, i take away fifty percent from the curative power of medicines." after the doctor had gone, sue went into the workroom and cried. then she went to johnsy's room with her drawing board, whistling ragtime. johnsy lay with her face toward the window. sue stopped whistling, thinking she was asleep. she began making a pen and ink drawing for a story in a magazine. young artists must work their way to "art" by making pictures for magazine stories. sue heard a low sound, several times repeated. she went quickly to the bedside. johnsy's eyes were open wide. she was looking out the window and counting -- counting backward. "twelve," she said, and a little later "eleven"; and then "ten" and "nine;" and then "eight" and "seven," almost together. sue looked out the window. what was there to count? there was only an empty yard and the blank side of the house seven meters away. an old ivy vine, going bad at the roots, climbed half way up the wall. the cold breath of autumn had stricken leaves from the plant until its branches, almost bare, hung on the bricks. "what is it, dear?" asked sue. "six," said johnsy, quietly. "they're falling faster now. three days ago there were almost a hundred. it made my head hurt to count them. but now it's easy. there goes another one. there are only five left now." "five what, dear?" asked sue. "leaves. on the plant. when the last one falls i must go, too. i've known that for three days. didn't the doctor tell you?" "oh, i never heard of such a thing," said sue. "what have old ivy leaves to do with your getting well? and you used to love that vine. don't be silly. why, the doctor told me this morning that your chances for getting well real soon were -- let's see exactly what he said – he said the chances were ten to one! try to eat some soup now. and, let me go back to my drawing, so i can sell it to the magazine and buy food and wine for us." "you needn't get any more wine," said johnsy, keeping her eyes fixed out the window. "there goes another one. no, i don't want any soup. that leaves just four. i want to see the last one fall before it gets dark. then i'll go, too." "johnsy, dear," said sue, "will you promise me to keep your eyes closed, and not look out the window until i am done working? i must hand those drawings in by tomorrow." "tell me as soon as you have finished," said johnsy, closing her eyes and lying white and still as a fallen statue. "i want to see the last one fall. i'm tired of waiting. i'm tired of thinking. i want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."
c / ang huling dahon ng o henry