Results for treat it as most urgent translation from English to Telugu

mix it as shown in the video
మిక్సింగ్ వీడియోలో చూపబడింది

to make more palatable to those who do not relish it as such
ఎవరు దానిని రుచి లేదు వారికి కథగా చేయడానికి

everyone will call it as madness but i call it love as self love
ప్రతి ఒక్కరూ దీనిని పిచ్చితనం అని పిలుస్తారు నేను ప్రేమను స్వీయ ప్రేమ అని పిలుస్తాను

i am very grateful to pay off the debt that means that i can still do it as an officer rather than as a clerk
నేను చాలా రుణపడి ఉన్నాను రుణం తీర్చుకోవాలి అంటే నేను ఒక క్లర్క్ గా కన్న ఆఫీసర్ గా ఇంకా ఎక్కువ చెయ్యగలను అని న నమ్మకం

at the stomach, food gets churned with gastric juice and hcl. now the food is in semisolid condition. the digestion of food goes on as most proteins are broken down into smaller molecules with the help of enzyme pepsin acting on them.
కడుపు వద్ద, ఆహారం గ్యాస్ట్రిక్ జ్యూస్ మరియు హెచ్‌సిఎల్‌తో మండిపోతుంది. ఇప్పుడు ఆహారం సెమిసోలిడ్ స్థితిలో ఉంది. పెప్సిన్ ఎంజైమ్ సహాయంతో చాలా ప్రోటీన్లు చిన్న అణువులుగా విభజించబడటం వలన ఆహారం జీర్ణమవుతుంది.

kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are strongly related to the classical hindu dance tradition of yakshagana found in karnataka, all three involve carnatic music, but these dance-drama traditions have differences such as in costumes, structure, interpretation and creative innovations.[15]
kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are stron