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tetapi hasilnya sangat memuaskan
but the result is very satisfactory
Last Update: 2017-05-20
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sama seperti warna, tetapi hasilnya ditukar ke skala kelabusmooth
same as colors, but the result is converted to grayscale
Last Update: 2014-08-15
Usage Frequency: 1
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model kamera berbeza keseimbangan yang dihasilkan diantara ruang atas sorotan dan hingar bayang. sesetengahnya meninggalkan sejumlah ruang atas sorotan yang jelas semasa dedahan biasa. ia membenarkan pemampasan dedahan negatif yang jelas dilaksanakan semasa penukaran raw, tetapi dedahan biasa akan mengandungi lebih hingar bayang. model lain meninggalkan ruang atas lebih sedikit semasa dedahan biasa. ia membenarkan pemampasan dedahan negatif yang lebih sedikit, tetapi hasilnya hingar bayang lebih rendah pada dedahan biasa. oleh kerana terdapat perbezaan ini, penukar raw perlu berbeza takat sifarnya untuk kawalan pemampasan dedahan mengikut model. baselineexposure juga menyatakan berapa banyak ( dalam unit ev) untuk gerak takat sifar. nilai positif menghasilkan hasil lalai yang lebih cerah, manakala nilai negatif menghasilkan hasil lalai yang lebih gelap.
camera models vary in the trade-off they make between highlight headroom and shadow noise. some leave a significant amount of highlight headroom during a normal exposure. this allows significant negative exposure compensation to be applied during raw conversion, but also means normal exposures will contain more shadow noise. other models leave less headroom during normal exposures. this allows for less negative exposure compensation, but results in lower shadow noise for normal exposures. because of these differences, a raw converter needs to vary the zero point of its exposure compensation control from model to model. baselineexposure specifies by how much (in ev units) to move the zero point. positive values result in brighter default results, while negative values result in darker default results.
Last Update: 2014-08-15
Usage Frequency: 1
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