Results for ukiran larik translation from Malay to English

larik
lathe

ukiran pahlavi
inscriptional pahlavi

prinsip motif ukiran kayu tradisional
principles of traditional wood carving motifs

sejarah perkembangan seni ukiran perak di kelantan
butterflies, pea, beetles, flies or bees

ukiran pada masjid seperti masjid kampong laut dan beberapa yang lain.
carvings on mosques such as the kampong laut mosque and a few others.

berikan kesan pensel atau kromolitografi atau ukiran atau lain-lain kesan kepada imej dan bahan yang diisi dengan objek
give lead pencil or chromolithography or engraving or other effects to images and material filled objects

formal, manakala ukiran kayu halus lebih berorientasikan perasaan yang mengarah pada emosi dan ekspresi seniman penciptanya semasa proses penciptaannya.
formal, while fine wood carving is more feeling -oriented which leads to the emotions and expressions of its creator artist during the process of his creation.

demikian juga keindahan dalam kesenian pada ukiran kayu tradisional pada masa ini menunjukkan islam tidak menolak soal keindahan yang boleh mencerminkan kebersihan dan tata hias yang menarik.
likewise the beauty in art on traditional wood carvings at this time shows that islam does not reject the question of beauty which can reflect cleanliness and attractive decoration.

kg. ngulang mempunyai keunikan tersendiri di mana penduduk disitu ada yang membuat kuih tradisional, membuat ukiran kayu yang akan menarik pelancong datang merasai keunikan tersebut
the community there often organizes motor sport (atv) & treasure hunt activities. tourists who come can also go fishing, kayaking and plant rice

hal yang sedemikian menjadikan ukiran kayu tradisional lebih sesuai bagi melihat ekspresi keperibadian seniman ukiran tradisional melayu berbanding dengan ukiran kayu moden yang banyak menggunakan teknologi semasa proses pembuatan.
such a thing makes traditional wood carving more suitable to see the expression of the personality of traditional malay carving artists compared to modern wood carving which uses a lot of technology during the manufacturing process.

setiap corak yang dihasilkan oleh etnik kenyah pada kraftangan mempunyai dua bentuk simetri iaitu motif simetri dan motif tidak simetri. motif etnik kenyah dapat dilihat pada ukiran pada bahagian kiri dan kanan rekaan yang sama
each pattern produced by the kenyah ethnic group on handicrafts has two forms of symmetry, namely symmetrical motifs and asymmetrical motifs. kenyah ethnic motifs can be seen in the carvings on the left and right of the same design

dari beberapa contoh ukiran tersebut jelas sekali ukiran kayu tradisional bukan berasaskan pada bahan dan teknik pembuatannya, tetapi ukiran tradisional yang dimaksudkan adalah nilai nilai tradisi yang terdapat pada ukiran tersebut sama ada aspek visual5 ataupun non visual6.
from some examples of the carvings, it is clear that traditional wood carvings are not based on materials and manufacturing techniques, but the traditional carvings are the traditional values found in the carvings, whether visual5 or non -visual6.

seni ukiran yang dipersembahkan melalui bahan kayu ini sama seperti seni ukiran yang lain cuma berbeza dari segi cara dan teknik pengukirannya. seni ini begitu berkembang luas kerana malaysia merupakan sebuah negara yang mempunyai hasil kayu kayan yang banyak di mana terdapat kira kira 3000 spesis kayu kayan di negara kita.
the art of carving presented through this wood material is the same as other carving art only different in terms of the way and technique of carving. this art is so widespread because malaysia is a country that has a lot of timber products where there are about 3000 species of timber in our country.

ukiran kayu sememangnya terkenal di semenanjung malaysia terutamanya di negeri negeri sebelah pantai timur seperti kelantan, terengganu dan pahang. hubungan rapat dengan pattani yang merupakan pusat kegiatan seni ukir terkenal pada masa dahulu sedikit sebanyak telah mempengaruhi seni ukir di negeri negeri tersebut.
wood carving is well known in peninsular malaysia, especially in the east coast states such as kelantan, terengganu and pahang. the close relationship with pattani which was the center of famous sculpture activities in the past has to some extent influenced the sculpture in the state.

corak dan motif yang dominan dalam seni kraf iban ialah corak binatang dan tumbuhan yang dihasilkan melalui teknik anyaman yang komplek. seni kraf tradisional kenyah pula dikenali dengan teknik ukiran kayu yang berbentuk figura manusia dan menghasilkan objek seperti rumah panjang mini atur, alat muzik tradisional, dan patung patung tokoh mitologi.
the dominant patterns and motifs in iban crafts are animal and plant patterns produced through complex weaving techniques. kenyah's traditional craft art is known for its wood carving techniques in the form of human figures and produces objects such as miniature longhouses, traditional musical instruments, and statues of mythological figures.

prinsip kesenian orang melayu yang terakhir ialah bermakna. setiap hasil seni tradisional melayu mempunyai makna yang wajar dan munasabah dengan kupasan amanat, mesej atau nasihat yang tersurat. prinsip bermakna dalam hasil seni tradisional melayu secara intrisik dan ekstrinsik. ragam hias yang bermakna intrinsik ialah ukiran berbunga yang diketahui nama bunga bunga dan juga kaligrafinya.
the last principle of malay art is meaning. every work of traditional malay art has a proper and reasonable meaning with a written message, message or advice. meaningful principles in traditional malay art works intrinsically and extrinsically. an intrinsically meaningful decorative style is the floral carving known as the flower flower and also its calligraphy.