Results for influenced translation from Portuguese to English

* 1968, "market growth as influenced by capital investment".
* 1968, "market growth as influenced by capital investment".

shannon, considered to be the father of information theory, was greatly influenced by this work.
shannon, considered to be the father of information theory, was greatly influenced by this work.

einstein himself stated that his thinking was influenced by the empiricist philosophers david hume and ernst mach.
he stated that his thinking was influenced by the empiricist philosophers david hume and ernst mach.

his work influenced the critique by hubert dreyfus of "first generation" artificial intelligence.
his work influenced the critique by hubert dreyfus of "first generation" artificial intelligence.

in an increasingly interdependent world, u.s. policy greatly influenced economic conditions in europe and japan.
in an increasingly interdependent world, u.s. policy greatly influenced economic conditions in europe and japan.

no final de 2002, 29 líderes da quadrilha foram pegos simultâneamente em prisões em todo país, através do racketeer influenced and corrupt organizations act.
in late 2002, 29 leaders of the gang were simultaneously rounded up from prisons all over the country and brought to trial under the racketeer influenced and corrupt organizations (rico) act.

== cultural impact ==like "guitar hero", "rock band" has influenced the music culture.
==cultural impact==like "guitar hero", "rock band" has influenced the music culture.

a principal ferramenta do fbi contra o crime organizado é o "racketeer influenced and corrupt organizations act" (rico).
the fbi's chief tool against organized crime is the racketeer influenced and corrupt organizations (rico) act.

here he worked with and was influenced by rené dubos, who is one of the claimed originators of the phrase "think globally, act locally".
here he worked with and was influenced by rené dubos, who is one of the claimed originators of the phrase "think globally, act locally".

"solar temple cult influenced by ancient egypt," (middle east times, número 18, 2001)* mayer, jean francois.
"solar temple cult influenced by ancient egypt," (middle east times, issue 18, 2001)*mayer, jean-françois.

bob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann
traductor de googlebob geldof formed the punk group boomtown rats in 1975. during the band's existence, it moved from the pure energy and aggression of hits like "looking after no. 1" to the more sophisticated but still provocative "i don't like mondays" (its title derived from the answer given by a san diego schoolgirl when asked why she'd killed her classmates). the band became a moderate success in the u.k., though it never really broke through in the u.s. in the fall of 1984, geldof watched a bbc documentary on ethiopian poverty and was inspired to co-write, with ultravox frontman midge ure, the charity single "do they know it's christmas?" it featured a large number of british pop stars performing under the name band aid and became the best-selling single in u.k. history. michael jackson and lionel richie repeated the feat the following year in the u.s. with "we are the world." by then geldof was involved in plans for a massive charity concert that eventually became live aid, two marathon shows held july 13, 1985, at wembley stadium in london and at jfk stadium in philadelphia, featuring a who's who of pop/rock talent. millions were raised and distributed to the african poor. geldof was nominated for a nobel prize and knighted, and his autobiography is that all? became a u.k. best-seller. in 1986, the rats split and geldof launched a solo career, again with greater success in england than in the u.s. deep in the heart of nowhere appeared that same year; however, geldof's signature lyrical intellect wasn't up to par. he fared a bit better on 1990's the vegetarians of love. instead of using an all-star cast found on his previous two albums, geldof put a band together for the solid 1993 release happy club. for the rest of the decade, geldof continued his fight against world hunger, specifically african famine. he joined wyclef jean, bono, and others such as bryan ferry, jimmy page, stereophonics, and sean "puffy" combs for netaid in october 1999. three stadium concerts, which took place in new york, london, and geneva, were simulcasted live on the internet, radio, and television, staging a multimedia event that aimed to help end world poverty. in the new millennium, geldof returned to music for 2002's sex, age & death. in 2004 he was asked to participate in dmc records' under the influence series, a project that compiles songs that influenced the chosen performer's career, with extensive liner notes from the artists themselves. during the mid-2000s, geldof devoted himself to charity work, most prominently re-teaming with midge ure for 2005's live 8 concerts, which were designed to showcase the various social ills affecting africa. geldof did not return to pop music until 2011, when he released the full-length how to compose popular songs that will sell in february. ~ william ruhlmann