Results for almond nude and red nails translation from Spanish to English

black and red broadbill
black and red broadbill

arab red crescent and red cross organization
arab red crescent and red cross organization

black and red broadbill (organismo)
black and red broadbill

belgian white and red - raza de ganado
belgian white and red cattle

belgian white and red cattle (organismo)
belgian white and red cattle

black gram and red kidney bean curry (substance)
bl gram and red kid bean curry

belgian white and red - raza de ganado (organismo)
belgian white and red cattle

la sociedad es un miembro activo de la arab red crescent and red cross organization.
the society is an active member of the arab red crescent and red cross organization.

"against the destruction of white herons and red ibises on the lower amazon, especially on the island of marajó.
"against the destruction of white herons and red ibises on the lower amazon, especially on the island of marajó"(2 ed.).

pide a los estados que reafirmen su compromiso de aplicar los instrumentos internacionales pertinentes y los principios rectores del code of conduct in disaster relief for the red cross and red crescent movement and ngos.
he called upon states to reaffirm their commitment to the relevant international instruments and the guiding principles of the code of conduct in disaster relief for the red cross and red crescent movement and non-governmental organizations.

se acaba de publicar un nuevo álbum de deborah j. carter, blue notes and red shoes, que es el quinto de su discografía en solitario.
she just released a new album: blue notes and red shoes, which is the fifth of his solo discography.

habida cuenta de las crisis humanitarias extremas que han afectado a numerosas personas en todo el mundo, especialmente en la región de oriente medio, la arab red crescent and red cross organization y sus miembros se han manifestado contra estos horribles retos prestando un apoyo y un esfuerzo enormes.
in the face of the extreme humanitarian crises that have affected a lot of people around the world, especially in the middle east region, the arab red crescent and red cross organization and its members have stood up against these terrifying challenges with tremendous effort and support.

c) how to engage with national adaptation plans: guidance for national red cross and red crescent societies, de la federación internacional de sociedades de la cruz roja y de la media luna roja;
(c) how to engage with national adaptation plans: guidance for national red cross and red crescent societies by the international federation of red cross and red crescent societies;

* (1947) full fathom five museum of modern art* (1947) cathedral* (1947) enchanted forest, peggy guggenheim collection* (1947) lucifer, san francisco museum of modern art* (1948) painting* (1948) number 5 (4 ft x 8 ft) private collection* (1948) number 8* (1948) composition (white, black, blue and red on white) new orleans museum of art* (1948) number 19* (1948) summertime: number 9a tate modern* (1949) number 1 museum of contemporary art, los Ángeles* (1949) number 3* (1949) number 10 museum of fine arts, boston* (1950) number 1, 1950 (lavender mist) national gallery of art* (1950) mural on indian red ground, 1950 tehran's museum of contemporary art (tmoca)* (1950) number 29, 1950 national gallery of canada* (1950) one: number 31, 1950 museum of modern art* (1950) no.
* (1948) "composition (white, black, blue and red on white)" new orleans museum of art* (1948) "summertime: number 9a" tate modern* (1948) "number 19"* (1949) "number 1" museum of contemporary art, los angeles* (1949) "number 3"* (1949) "number 10" museum of fine arts, boston* (1950) "number 1, 1950 (lavender mist)" national gallery of art* (1950) "mural on indian red ground, 1950" tehran museum of contemporary art* (1950) "autumn rhythm (number 30), 1950" metropolitan museum of art* (1950) "number 29, 1950" national gallery of canada* (1950) "number 32", kunstsammlung nordrhein-westfalen, düsseldorf, brd* (1950) "one: number 31, 1950" museum of modern art* (1951) "number 7" national gallery of art* (1951) "black and white (number 6)" san francisco museum of modern art* (1952) "convergence" albright-knox art gallery* (1952) "blue poles: no.