Results for dance nerchukovali translation from Telugu to English

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Telugu

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Telugu

nerchukovali

English

nerchukovali

Last Update: 2020-01-07
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

do you dance

English

you will did you dance

Last Update: 2023-04-10
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

nenu english nerchukovali

English

nenu english nerchukovali

Last Update: 2024-05-30
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

nenu mi nunchi nerchukovali

English

nenu mi nunchi nerchukovali

Last Update: 2024-05-28
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

nenu english nerchukovali anukuntunnanu

English

i thinking that want to learn english

Last Update: 2023-10-05
Usage Frequency: 20
Quality:

Reference: Anonymous

Telugu

nenu english lo matladatam baga nerchukovali

English

nevu ela unnave

Last Update: 2018-12-11
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

nenu frame works nerchukovali anukuntunnanu koncham chepthara

English

konchem chepthara

Last Update: 2022-11-03
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

manam idhi chusi nerchukovali society lo jivinchali antey

English

every wave of life teaches us a lesson

Last Update: 2023-11-19
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

that i can live, i can love i can reach the heaven above i can right what is wrong i can sing just any song i can dance, i can fly and touch the rainbow in the sky i can be your good friend i can love you until the en

English

that i can live, i can love i can reach the heavens above i can right what is wrong i can sing just any song i can dance, i can fly and touch the rainbow in the sky i can be your good friend i can love you until the en

Last Update: 2024-09-10
Usage Frequency: 1
Quality:

Reference: Anonymous

Telugu

kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are stron

English

kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are strongly related to the classical hindu dance tradition of yakshagana found in karnataka, all three involve carnatic music, but these dance-drama traditions have differences such as in costumes, structure, interpretation and creative innovations.[15]

Last Update: 2019-11-06
Usage Frequency: 1
Quality:

Reference: Anonymous

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