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the concept of the clip is based on the multiplicity of contrastive images and contains social thematic elements.
Концепция клипа строится на множественности и противоположностях различных образов, содержит элементы социальной тематики и психоделии.
such contrastive gender analysis indicates that the spheres where women are discriminated when compared to men are social and public life, and decision making processes.
Такой гендерный анализ показывает, что дискриминация женщин имеет место в таких областях, как социальная и общественная жизнь и процессы принятия решений.
perfection of divine goodness can be discerned by mortal imperfection of insight only because it stands in contrastive association with relative imperfection in the relationships of time and matter in the motions of space.
Совершенство божественной благости можно осмыслить с помощью несовершенной проницательности смертных только благодаря тому, что оно находится в контрастирующем взаимодействии с относительным несовершенством взаимоотношений времени и материи, существующих в движении пространства.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 contrastive grammar as a branch of typology. object, aims and notions of the contrastive grammar.
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the inhabitants of the havona worlds do not require the potential of relative value levels as a choice stimulus; such perfect beings are able to identify and choose the good in the absence of all contrastive and thought-compelling moral situations.
Обитателям миров Хавоны не нужна возможность существования относительных уровней ценностей в качестве стимула для выбора; такие совершенные создания способны видеть добро и выбирать его в условиях полного отсутствия контрастных или стимулирующих работу мысли нравственных ситуаций.
latin grammarian priscian defined interjections as "a part of speech signifying an emotion by means of an unformed word" (padley 1976:266). muller (1862) thought that interjections were at the limit of what might be called language. sapir (1921:6-7) said that they were "the nearest of all language sounds to instinctive utterance." bloomfield (1984[1933]:177) said that they "occur under a violent stimulus," and jakobson (1960:354) considered them exemplars of the "purely emotive stratum of language." while interjections are no longer considered peripheral to linguistics and are now carefully defined with respect to their grammatical form, their meanings remain vague and elusive. in particular, although interjections are no longer characterized purely in terms of emotion, they are still characterized in termsof "mental states." for example, wierzbicka ( 1992 :164) characterizes interjections as "[referring] to the speaker's current mental state or mental act." ameka (1992a:107) says that "from a pragmatic point of view, interjections may be defined as a subset of items that encode speaker attitudes and communicative intentions and are context-bound," and montes (1999:1289) notes that many interjections "[focus] on the internal reaction of affectedness of the speaker with respect to the referent." philosophers have offered similar interpretations. for example, herder thought that interjections were the human equivalent of animal sounds, being both a "language of feeling" and a "law of nature" (1966:88), and rousseau, pursuing the origins of language, theorized that proto-language was "entirely interjectional" (1990:71). indeed, such philosophers have posited a historical transition from interjections to language in which the latter allows us not only to index pain and express passion but also to denote values and exercise reason (d'atri 1995).2 thus interjections have been understood as a semiotic artifact of our natural origins and the most transparent index of our emotions. such an understanding of interjections is deeply rooted in western thought. aristotle (1984), for example, posited a contrastive relationship between voice, proper only to humans as instantiated in language, and sound, shared by humans and animals as instantiated in cries. this contrastive relation was then compared with other analogous contrastive relations, in particular, value and pleasure/pain, polis and household, and bios (the good life, or political life proper to humans) and zoe (pure life, shared by all living things). such a contrast is so pervasive that modern philosophers such as agamben (1995) have devoted much of their scholarly work to the thinking out of this tradition and others built on it such as idversus ego in the freudian paradigm. in short, the folk distinction made between interjections and language 2. d'atri (1995:124) argues that, for rousseau, " interjections . . .are sounds and not voices: they are passive registerings and as such do not presuppose the intervention of will, which is what characterizes human acts of speech." 468 f current anthropology volume 44, number 4, august-october 2003 proper maps onto a larger set of distinctions in western thought: emotion and cognition, animality and humanity, nature and culture, female and male, passion and reason, bare life and the good life, pain and value, private and public, and so on (see, e.g., lutz 1988, strathern1988).
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