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‘imagination and aesthetic value’.
‘imagination and aesthetic value’.
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being the outlines of aesthetic theory".
being the outlines of aesthetic theory".
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"towards an aesthetic of experimental music".
"towards an aesthetic of experimental music".
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"on the significance of lord shaftesbury in modern aesthetic theory".
"on the significance of lord shaftesbury in modern aesthetic theory".
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*brady, e. ‘imagination and the aesthetic appreciation of nature’.
*brady, e. ‘imagination and the aesthetic appreciation of nature’.
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" german literature and music—an aesthetic fusion: 1890–1989, ed.
" german literature and music—an aesthetic fusion: 1890–1989, ed.
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*pillow, k. "sublime understanding: aesthetic reflection in kant and hegel".
*pillow, k. "sublime understanding: aesthetic reflection in kant and hegel".
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"through the sensory looking-glass: the aesthetic and serial foundations of "gesang der jünglinge"".
"through the sensory looking-glass: the aesthetic and serial foundations of "gesang der jünglinge"".
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sites: works of man or the combined works of nature and man, and areas including archaeological sites which are of outstanding universal value from the historical, aesthetic, ethnological or anthropological point of view.
sites: works of man or the combined works of nature and man, and areas including archaeological sites which are of outstanding universal value from the historical, aesthetic, ethnological or anthropological point of view.
article 2 of the 1972 convention concerning the protection of world cultural and natural heritage defines “natural heritage” as “natural features consisting of physical and biological formations or groups of such formations, which are of outstanding universal value from the aesthetic or scientific point of view; geological and physiographical formations and precisely delineated areas which constitute the habitat of threatened species of animals and plants of outstanding universal value from the point of view of science or conservation; natural sites or precisely delineated natural areas of outstanding universal value from the point of view of science, conservation or natural beauty.
article 2 of the 1972 convention concerning the protection of world cultural and natural heritage defines “natural heritage” as “natural features consisting of physical and biological formations or groups of such formations, which are of outstanding universal value from the aesthetic or scientific point of view; geological and physiographical formations and precisely delineated areas which constitute the habitat of threatened species of animals and plants of outstanding universal value from the point of view of science or conservation; natural sites or precisely delineated natural areas of outstanding universal value from the point of view of science, conservation or natural beauty”.