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መልዕክቶች

on the day when the hour sets in , the guilty will swear that they had remained only for an hour . that is how they were used to lying [ in the world ] .
ሰዓቲቱ በምትሆንበት ቀን ከሓዲዎች « ከአንዲት ሰዓት በስተቀር ( በመቃብር ) አልቆየንም » ብለው ይምላሉ ፡ ፡ እንደዚሁ ( ከእውነት ) ይመለሱ ነበሩ ፡ ፡

some of these rustics take whatever they spend in the way of god as a penalty , and wait for an adverse turn in your fortune . for them will be the adverse change , as god hears all and knows everything .
ከአዕራቦችም ( በአላህ መንገድ ) የሚወጣውን ( ገንዘብ ) ዕዳ አድርጎ የሚይዝ በእናንተም ላይ የጊዜን መገለባበጥ የሚጠባበቅ ሰው አልለ ፡ ፡ በእነሱ ላይ ጥፋቱ ይዙርባቸው ፡ ፡ አላህም ሰሚ ዐዋቂ ነው ፡ ፡

you might have seen the rising sun incline towards the right of their cave , and , as it set go past them on the left , while they stayed within an open space in the cave . that was one of the signs of allah .
ፀሐይንም በወጣች ጊዜ ከዋሻቸው ወደ ቀኝ ጎን ስታዘነብል ታያታለህ ፡ ፡ በገባችም ጊዜ እነርሱ ከእርሱ በሰፊው ስፍራ ውስጥ ኾነው ሳሉ ወደ ግራ በኩል ትተዋቸዋለች ፡ ፡ ይህ ከአላህ ተዓምራቶች ነው ፡ ፡ አላህ የሚያቀናው ሰው ቅኑ እርሱ ብቻ ነው ፡ ፡ የሚያጠመውም ሰው ለርሱ አቅኝን ረዳት አታገኝለትም ፡ ፡

eat of that which is lawful and wholesome in the earth , and follow not the footsteps of the devil . lo ! he is an open enemy for you .
እናንተ ሰዎች ሆይ ! በምድር ካለው ነገር የተፈቀደ ጣፋጭ ሲኾን ብሉ ፡ ፡ የሰይጣንንም እርምጃዎች አትከታተሉ ፡ ፡ እርሱ ለእናንተ ግልጽ ጠላት ነውና ፡ ፡

and when ye go forth in the land , it is no sin for you to curtail ( your ) worship if ye fear that those who disbelieve may attack you . in truth the disbelievers are an open enemy to you .
በምድርም ላይ በተጓዛችሁ ጊዜ እነዚያ የካዱት ያውኩናል ብላችሁ ብትፈሩ ከሶላት ( ባለ አራት ረከዓት የኾኑትን ) ብታሳጥሩ በናንተ ላይ ኀጢአት የለም ፡ ፡ ከሓዲዎች ለእናንተ በእርግጥ ግልጽ ጠላቶች ናቸውና ፡ ፡

it will be , on the day they see it , as though they had not remained [ in the world ] except for an afternoon or a morning thereof .
እነርሱ በሚያዩዋት ቀን ያንዲት ቀን ምሽትን ወይም ረፏዷን እንጅ ያልቆዩ ይመስላሉ ፡ ፡

1.1. tool marks made in the original model and/or in the #intermodel# in creating the model (and possibly a wax #intermodel# for an indirectly cast sculpture), a variety of generic tools and/or those specific to a particular medium might be utilized that would appear on the external surface of the finished statue, whether the model be wax, wood, clay, plaster, stone, or another material see for example (theophilus, hawthorne, and smith 1979) 1 . the fidelity with which these marks will be transferred to the cast metal surface will reflect the physical properties and composition of the investment or the mold, the #alloy#, the success of that particular casting, subsequent working of the surfaces, and possible later interventions.
ጣፋጭ