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passwords do not match
পাসওয়ার্ড মিলছে না
Ultimo aggiornamento 2011-10-23
Frequenza di utilizzo: 1
Qualità:
sorry, passwords do not match
ক্ষমা করবেন, পাসওয়ার্ডগুলি এক নয়
Ultimo aggiornamento 2014-08-20
Frequenza di utilizzo: 1
Qualità:
the hash of the received file and the sent one do not match
প্রেরিত ও গৃহীত ফাইলের হ্যাশ মিলছে না
Ultimo aggiornamento 2014-08-20
Frequenza di utilizzo: 1
Qualità:
the two passwords do not match. please re-enter the passwords.
দুটি পাসওয়ার্ড মেলেনি। অনুগ্রহ করে পাসওয়ার্ড দুটি পুনরায় লিখুন।
Ultimo aggiornamento 2014-08-20
Frequenza di utilizzo: 1
Qualità:
it is a waste of human capital when skill sets and academic qualification do not match with the job a person is holding.
যখন কোন মানুষের দক্ষতা ও শিক্ষাগত যোগ্যতা অনুসারে চাকুরি পায় না তখন মানুষের প্রতিভার এক অপচয় হয়।
Ultimo aggiornamento 2016-02-24
Frequenza di utilizzo: 1
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plot: in post-world war ii valmelaina, rome, antonio ricci (lamberto maggiorani) is desperate for work to support his wife maria (lianella carell), his son bruno (enzo staiola), and his small baby. he is offered a position posting advertising bills but tells maria that he cannot accept because the job requires a bicycle. maria resolutely strips the bed of her dowry bedsheets—prized possessions for a poor family—and takes them to the pawn office, where they bring enough to redeem antonio’s hocked bicycle. (a memorable shot shows the sheets being added to a mountain of bedding pawned by other families.) they cycle home—maria on the handlebars—rejoicing in their good fortune. along the way maria insists (to antonio’s derision) on leaving money for a seer who had prophesied antonio would find work. on his first day of work antonio is atop a ladder when a young man (vittorio antonucci) snatches the bicycle. antonio gives chase but is thrown off the trail by the thief’s confederates. the police take a report but warn that there is little they can do. advised that stolen goods often surface at the piazza vittorio market, antonio goes there with several friends and his small son bruno. they find a bike that might be antonio’s; they summon an officer but the serial numbers do not match. at the porta portese market antonio and bruno spot the thief with an old man. they pursue the thief but he eludes them. they accost the old man to demand the thief’s identity, about which the old man feigns ignorance. they follow him into a church, but he slips away from them; for this bruno rebukes his father, and in a moment of anger antonio slaps his son, then immediately apologizes. antonio has bruno wait by a bridge while antonio searches for the old man. suddenly there are cries that a boy is drowning. rushing toward the commotion antonio is relieved to see that the drowning boy is not bruno. antonio treats bruno to lunch in a restaurant, where they momentarily forget their troubles, but on seeing a rich family enjoying a fine meal, antonio is again seized by his calamity and tortures himself by reckoning his lost earnings. desperate, antonio consults the seer, who tells him, “you’ll find the bike soon, or not at all.” leaving the seer’s house they encounter the thief; antonio pursues him into what turns out to be a brothel, the denizens of which quickly eject them. in the street hostile neighbors gather as antonio accuses the thief, who conveniently falls into a fit for which the crowd blames antonio. during this commotion bruno has fetched a policeman, who searches the thief’s apartment without result. the policeman tells antonio the case is weak—antonio has no witnesses and the neighbors are certain to alibi the thief. antonio and bruno walk off in despair to jeers and threats from the crowd. they near stadio nazionale pnf. inside a game is underway, while outside, rows of bicycles await their owners. antonio sees an unattended bicycle near a doorway. he paces distractedly, then sits with bruno on the curb, his hat in his hands. he looks up to see a stream of bicycles rush past—the world seems full of other people’s bicycles. he resumes pacing, anguished and agitated, then gives bruno some money, telling him to take the streetcar and wait at monte sacro. antonio circles the unattended bicycle, summons his courage, and jumps on it. the hue and cry is instantly raised, and bruno, who has missed the streetcar, is stunned to see his father surrounded, pulled from the bike, slapped and insulted—his hat knocked off. as antonio is being muscled toward the police station the owner notices bruno, who is carrying antonio’s hat. in a moment of compassion the owner tells the others to release antonio. antonio and bruno walk slowly off amid a buffeting crowd. bruno hands his father the hat, crying as antonio stares dazedly ahead, unreacting even as a truck brushes his shoulder. they look briefly at each other. antonio fights back tears. bruno takes his father’s hand. the camera watches from behind as they disappear into the crowd.
Ultimo aggiornamento 2014-07-12
Frequenza di utilizzo: 1
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