Hai cercato la traduzione di lagu tradisional melayu da Malese a Inglese

makanan tradisional melayu
semua orang suka nasi lemak

hal yang sedemikian menjadikan ukiran kayu tradisional lebih sesuai bagi melihat ekspresi keperibadian seniman ukiran tradisional melayu berbanding dengan ukiran kayu moden yang banyak menggunakan teknologi semasa proses pembuatan.
such a thing makes traditional wood carving more suitable to see the expression of the personality of traditional malay carving artists compared to modern wood carving which uses a lot of technology during the manufacturing process.

di sini jelaslah bahawa ukiran kayu tradisional melayu dapat dikelompokkan kepada dua istilah, ukiran kayu dan ukiran kayu halus7 . ukiran kayu ialah karya ukiran yang lebih berorientasikan fungsi fizikal produk dan nilai estetiknya lebih bersifat
here it is clear that traditional malay wood carving can be grouped into two terms, wood carving and fine wood carving7. wood carving is a work of carving that is more oriented to the physical function of the product and its aesthetic value is more characteristic

tema yang kami ketengahkan untuk penyelidikan ini ialah senjata budaya tradisional melayu. fokus kajian saya ialah mengadaptasikan ciri estetika hulu keris tajong ke dalam siri arca. keris merupakan artifak kesenian yang mengandungi seni bersulam, arca, bentuk seni, serta seni simbolisme.
the theme that are focusing on for this research is malay cultural traditional weapon. the focus of my study is adapting the aesthetic feature of hulu keris tajong into series of sculpture. keris is an artistic artifact that contains wrought art, sculpture, art form, as well as the art of symbolism.

kesenian yang ada fungsi berganda ini memberi kekuatan pada kraf tradisional melayu. dalam penulisan ini, penulis ingin mengungkapkan nilai ekspresi seniman ukir di sebalik bahasa visual yang diungkapkan di sebalik karya ukiran kayu tradisional. dengan menggunakan ilmu psikologi seni dan ilmu budaya yang lain, penulis cuba menterjemahkan bahasa visual di sebalik ukiran kayu tradisional.
this dual -function art gives strength to traditional malay crafts. in this writing, the author wants to express the value of the sculptor's expression behind the visual language expressed behind traditional wood carving works. using the psychology of art and other cultural sciences, the author attempts to translate the visual language behind traditional wood carving.

prinsip kesenian orang melayu yang terakhir ialah bermakna. setiap hasil seni tradisional melayu mempunyai makna yang wajar dan munasabah dengan kupasan amanat, mesej atau nasihat yang tersurat. prinsip bermakna dalam hasil seni tradisional melayu secara intrisik dan ekstrinsik. ragam hias yang bermakna intrinsik ialah ukiran berbunga yang diketahui nama bunga bunga dan juga kaligrafinya.
the last principle of malay art is meaning. every work of traditional malay art has a proper and reasonable meaning with a written message, message or advice. meaningful principles in traditional malay art works intrinsically and extrinsically. an intrinsically meaningful decorative style is the floral carving known as the flower flower and also its calligraphy.

objektif yang digunakan adalah untuk mengenal pasti motif yang terdapat pada ukiran kayu yang diasaskan dari zaman nenek moyang kita sehinggalah sekarang sebagai cara mereka merpersembahkandalam reka bentuk hiasan serta aksesori yang terdapat di sesebuah rumah tradisional melayu. di samping itu, menghuraikan objek yang digunakan dalam ukiran kayu seperti bunga teratai, daun keladi, itik pulang petang sebagai lambang dalam tema kebudayaan melayu.
the objective used is to identify the motifs found on wood carvings that were founded from the time of our ancestors until now as a way for them to present in the decorative design and accessories found in a traditional malay house. in addition, describe the objects used in wood carving such as lotus flowers, yam leaves, ducks returning home in the evening as a symbol in the theme of malay culture.

kesimpulannya, dapatlah dilihat ukiran kayu tradisional melayu mempunyai ciri ciri keislaman yang bersepadu di dalam masyarakat melayu dan agama islam. sebagaimana kita ketahui, ukiran kayu merupakan stu proses yang menghasilkan hasil seni yang memerlukan daya cipta kemahiran terutamnya kemahiran menggunakan tangan yang mempunyai pelbagai jenis dan bentuk. motif motif yang berunsurkan arabes, flora, dan geometri mempunyai makna yang tersirat yang memperlihatkan elemen ketuhanan serta rasa rendah
in conclusion, it can be seen that traditional malay wood carvings have integrated islamic characteristics in the malay community and the islamic religion. as we know, wood carving is a process that produces works of art that require creativity, especially the skill of using hands that have various types and shapes. motifs with elements of arabesque, flora, and geometry have implicit meanings that show elements of divinity as well as a sense of inferiority.

rumah tradisional melayu di negeri sembilan jika diperhatikan banyak menyerupai pembinaan rumah adat di minangkabau. bentuknya adalah memanjang dan bumbung sedikit melengkung di bahagian hujung. manakala muka tabir layarnya kelihatan tirus dan tinggi. komponen bangunannya terdiri daripada rumah ibu, ruang tengah dan dapur. ruang ibu mempunyai ruang anjung dan serambi manakala ruang tengah pula terdiri dari satu ruang kecil dan bilik. manakala terdapat ruang di bawah bumbung yang dipanggil pera
malay traditional houses in negeri sembilan if observed are very similar to the construction of traditional houses in minangkabau. the shape is elongated and the roof is slightly curved at the ends. while the screen face looks tapered and high. the components of the building consist of the mother house, the living room and the kitchen. the main room has a porch and a foyer while the middle room consists of a small space and a room. while there is a space under the roof called pera