検索ワード: bad words in tamil madarchod (テルグ語 - 英語)

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テルグ語

bad words in tamil madarchod

英語

madarchod

最終更新: 2024-02-22
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テルグ語

top 10 bad words in tamil

英語

top 10 bad words in telugu

最終更新: 2023-11-16
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テルグ語

bad words in telugu

英語

gudda

最終更新: 2020-02-15
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テルグ語

bad words in telugu dengai

英語

gudda

最終更新: 2023-08-21
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テルグ語

bad words in kojja in telugu

英語

தெலுங்கில் கொஜ்ஜாவில் கெட்ட வார்த்தைகள்

最終更新: 2023-03-23
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テルグ語

alasandalu in tamil

英語

alasandalu in tamil

最終更新: 2020-09-09
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テルグ語

bad words in english with telugu meaning

英語

lunji

最終更新: 2023-09-29
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テルグ語

annam tinnavaa in tamil

英語

அன்னம் தின்னவா தமிழில்

最終更新: 2022-01-30
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テルグ語

macha meaning in tamil

英語

最終更新: 2020-10-26
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テルグ語

pogaru pothu meaning in tamil

英語

pogaru pothu meaning in tamil

最終更新: 2020-10-08
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テルグ語

pundai meaning of pundai in tamil

英語

pundai meaning of pundai in tamil

最終更新: 2023-09-13
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テルグ語

nenu ninnu premistunnanu in tamil language meaning

英語

nenu ninnu premistunnanu

最終更新: 2019-01-28
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テルグ語

essay on potter life in 300 words in telugu

英語

essay on potter life in 300 words in hindi

最終更新: 2017-08-25
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テルグ語

silence is the best answer to someone who doesn't value your words in telugu meaning

英語

silence is the best answer to someone who doesn't value your words in telugu meaning

最終更新: 2022-08-25
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テルグ語

kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are stron

英語

kuchipudi, like other classical dance forms in india, traces its roots to the sanskrit natya shastra, a foundational treatise on the performing arts.[4][5] its first complete compilation is dated to between 200 bce and 200 ce,[27][28] but estimates vary between 500 bce and 500 ce.[29] the most studied version of the natya shastra text consists of about 6000 verses structured into 36 chapters.[27][30] the text, states natalia lidova, describes the theory of tāṇḍava dance (shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of indian classical dances.[27][31] dance and performance arts, states this ancient text,[32] are a form of expression of spiritual ideas, virtues and the essence of scriptures.[33] the dance-drama tradition in andhra pradesh is of ancient origins, and the region is mentioned in the natya shastra. bharata muni credits a graceful movement to andhra region and discusses it as kaishiki vritti. the pre-2nd century ce text calls one raga as andhri, that is from andhra.[34] the andhri, is related to gandhari and arsabhi, and is discussed in many other 1st millennium sanskrit texts.[35] some, state bruno nettle and others, place the origins of kuchipudi to 3rd century bce.[15] dance-drama performance arts related to shaivism, in telugu-speaking parts of south india, are evidenced in 10th-century copper inscriptions, and these were called brahmana melas or brahma melas.[8][36] the medieval era dance-drama performance artists were brahmins.[37][38] this art was likely adopted by the musical and dancing bhakti traditions of vaishnavism which grew in the 2nd millennium, whose devotees were called bhagvatulus in andhra region and bhagvatars in tamil region of south india.[8] in andhra, this performance art evolved into kuchipudi, while in tamil nadu it became known as bhagavata mela nataka.[8] according to saskia kersenboom, both the telugu kuchipudi and tamil bhagavata mela are strongly related to the classical hindu dance tradition of yakshagana found in karnataka, all three involve carnatic music, but these dance-drama traditions have differences such as in costumes, structure, interpretation and creative innovations.[15]

最終更新: 2019-11-06
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